TRACEY MOFFATT

Born 1960, Australia

Lives New York and Sydney

SOLO EXHIBITIONS

Portals, Tyler Rollins Fine Art, New York. (Forthcoming).

Portals, Roslyn Oxley9 Gallery, Sydney.

Tracey Moffatt: Body Remembers, Tarrawarra Musuem of Art, Victoria.

The Travellers, Tyler Rollins Fine Art, New York.

Tracey Moffatt: Body Remembers, Art Gallery of South Australia, Adelaide.

My Horizon, Australian Pavilion, 57^th Venice Biennale, Venice, Italy

Tracey Moffatt Montages, MASP, Sao Paulo, Brazil

Tracey Moffatt, Bega Valley Regional Gallery, Bega, Australia

Montages: The Full Cut, 1999-2015, touring through regional galleries Australia in 2017-2019

Laudanum and other works, Art Gallery of New South Wales, Sydney, Australia

Tracey Moffatt Other 2009, Len Lye Centre Cinema, Govett-Brewster Art Gallery, New Plymouth, New Zealand

Montages: The Full Cut, 1999-2015, Artspace, Sydney, Australia

Kaleidoscope, Perth Institute of Contemporary Art, Perth, Australia

Art Calls, Centre For Contemporary Photography, Melbourne, Australia

THE ART, Night Cap QT Hotel, Sydney Contemporary, Sydney, Australia

Tracey Moffatt: In the Gallery and on TV, Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia

Spirit Landscapes, Roslyn Oxley9 Gallery, Sydney

Spirit Landscapes, Tyler Rollins Fine Art, New York, USA

Tracey Moffatt, Museum of Modern Art, New York, USA

Tracey Moffatt and Gary Hillberg, Vox Populi Gallery, Philiadelphia, USA

Tracey Moffatt: Other, Art Gallery of Ballarat, Australia

Tracey Moffatt, Glasshouse Gallery, Port Macquarie, Australia

Tracey Moffatt: Narratives, Gosford Regional Gallery, Australia

Tracey Moffatt: Still and Moving, Tyler Rollins Fine Art, New York, USA

Handmade, Artpace San Antonio, San Antonio, Texas, USA

Tracey Moffat: Video Montages, Gallery of Modern Art, Brisbane, Australia

Tracey Moffatt: Narratives, Art Gallery of South Australia, Adelaide, Australia

Tracey Moffatt: Up in the Sky, Art Gallery of New South Wales, Sydney, Australia

Tracey Moffatt: Narratives, Grafton Regional Gallery, Australia

Tracey Moffatt: Narratives, Wangaratta Regional Gallery, Australia

Tracey Moffatt: Montages, Bronx Museum, New York, USA

Tracey Moffatt, Artist, Bass Museum of Art, Miami, USA

Plantation & Other, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt: Narratives, Shepparton Art Gallery, Australia

Tracey Moffatt: Narratives, Redland Art Gallery, Australia

Tracey Moffatt: Narratives, Albury Art Gallery, Australia

Tracey Moffatt: First Jobs Series, Centre for Contemporary Photography, Melbourne, Australia

Tracey Moffatt: Mother, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffat: Lismore Regional Gallery, Australia

Tracey Moffatt: First Jobs Series 2008 and selected films 1999-2008, Two Rooms, Auckland, New Zealand

Tracey Moffatt: Social Edit, Location One, New York, curated by Eric C. Shiner
Tracey Moffatt: First Jobs Series, Roslyn Oxley9 Gallery, Sydney

Tracey Moffatt: Invocations, Galeria Filomena Soares, Lisbon, Portugul

Tracey Moffatt: Portraits and Doomed (a Tracey Moffatt and Gary Hillberg video collaboration), Roslyn Oxley9 Gallery, Sydney
Tracey Moffatt, Under the Sign of Scorpio, Doomed, Stux Gallery, New York, USA

Tracey Moffatt: Between Dreams and Reality, Spazio Oberdan, Milan, Italy and Montreal, Canada

Tracey Moffatt: Adventure Series, Stills Gallery, Edinburgh, UK

Tracey Moffatt: Adventure Series, Victoria Miro Gallery, London, UK

Love and Adventures, Steven Kasher Gallery, New York, USA

Under the Sign of Scorpio, L.A. Galerie, Frankfurt, Germany

Laudanum, Van Horn Gallery, Düsseldorf, Germany

Tracey Moffatt, L.A Gallery. Beijing, China

Tracey Moffatt: Under the Sign of Scorpio, Roslyn Oxley9 Gallery, Sydney

Tracey Moffatt: In Review, Monash Gallery of Art, Monash, Australia, June-August 2005

Tracey Moffatt: Adventure Series, Institute of Modern Art, Brisbane, Australia

Tracey Moffatt: Fourth, Bendigo Art Gallery, Victoria

Tracey Moffatt, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada

Adventure Series, L.A. Galerie Lothar Albecht, Frankfurt, Germany

Adventure Series, Hasselblad Center, Goteborg, Sweden

Adventure Series, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt, John Curtin Gallery, Perth, Western Australia

Tracey Moffatt, L.A Gallery. Beijing, China

Love, Il Ponte Projects, Rome, Italy

Tracey Moffatt, Museum of Contemporary Art, Sydney, Australia, December 2003 - February 2004

Tracey Moffatt, Shanghai Contemporary, Shanghai, China

Tracey Moffatt, Wellington City Gallery, Wellington, New Zealand
Tracey Moffatt, Joslyn Art Museum, Omaha, Nebraska, USA
Tracey Moffatt, Galerie Six Friedrich Lisa Ungar, Munich, Germany
Tracey Moffatt, Saint Marys University Art Gallery, Hallifax, Canada
Tracey Moffatt, Galerie Karlheinz Meyer, Karlsruhe, Germany
Fourth, Fay Gold Gallery, Atlanta, USA

Tracey Moffatt, Ausstellung im Kunstforum Baloise, Basel, Switzerland
Tracey Moffatt, Fruitmarket Art Gallery, Edinburgh, UK
Invocations, Victoria Miro Gallery, London, UK
Invocations from the collection of Patrick Corrigan AM, Drill Hill Gallery, The Australian National University, Canberra, Australia
Tracey Moffatt, Conner Contemporary Art, Washington D.C., USA
Tracey Moffatt, Australian Embassy, Washington D.C., USA
Fourth, L.A. Galerie, Frankfurt, Germany
Fourth, Roslyn Oxley9 Gallery, Sydney, Australia
Fourth, Paul Morris Gallery, New York, USA
Invocations, Rena Bransten Gallery, San Francisco, USA
Tracey Moffatt, Nassau County Museum of Art, Roslyn, New York, USA
Tracey Moffatt, California Museum of Photography, Riverside, California, USA
Tracey Moffatt, University of North Texas Art Gallery, Denton, Texas, USA
Tracey Moffatt, Tensta Konsthal, Tensta, Sweden
Tracey Moffatt, Art Gallery of New South Wales, Sydney, Australia
Tracey Moffatt, Artsonje Centre, Seoul, Korea
Tracey Moffatt, Artsonje Centre, Kyongju, Korea
Tracey Moffatt, Taipei Fine Arts Museum, Taipei, Taiwan
Tracey Moffatt, Auckland Art Gallery, New Zealand
Tracey Moffatt, Dunedin Public Art Gallery, New Zealand
Tracey Moffatt, Kunstforum, Baloise, Basel, Switzerland
Invocations, Zinc Gallery, Stockholm, Sweden
Fourth, Rebeccca M. Camhi Gallery, Athens, Greece

Some Lads, plus early photographs and video, Conner Contemporary Art, Washington DC, USA

Invocations, Photo & Company, Torino, Italy

Scarred for Life II, Il Ponte Contemporanea, Rome, Italy

Scarred for Life II, Goddard de Fiddes, Perth, Australia

Scarred for Life II, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt, Rose Art Museum, Waltham, Massachusetts, USA

Tracey Moffatt, Yerba Buena Center, San Francisco, USA

Invocations, Matthew Marks Gallery, New York, USA

Laudanum, Greg Kucera Gallery, Seattle, USA

Laudanum, Galeria Luisa Strina, São Paulo, Brazil

Laudanum, Robert Birch Gallery, Toronto, Canada

Invocations,Galerie Helga de Alvear, Madrid, Spain

Invocations, Roslyn Oxley9 Gallery, Sydney, Australia

Invocations, L.A. Galerie, Frankfurt, Germany

Tracey Moffatt, Kunstverein Freiburg im Marienbad, Germany

Tracey Moffatt,Nuer Leipziger Kunstverein Leipzig, Germany

Tracey Moffatt,The National Museum of Photography, Copenhagen, Denmark

Tracey Moffatt, Gemeente Museum Helmond, Netherlands              

Tracey Moffatt, Art + Public, Geneva, Switzerland

Tracey Moffatt, Artspace, Auckland, Manawatu Art Gallery, Palmerston, New Zealand

Laudanum, Greg Kucera Gallery, Seattle, USA

Laudanum, Roslyn Oxley9 Gallery, Sydney, Australia

Laudanum, L.A. Galerie, Frankfurt, Germany

Laudanum, Paul Morris Gallery, New York, USA

Laudanum, Victoria Miro Gallery, London, UK

Tracey Moffatt, Freiburger Kunstverein, Freiberg, Germany

Tracey Moffatt, Centre National de la Photographie, Paris, France

Tracey Moffatt, Neuer Berliner Kunstverein, Berlin, Germany

Laudanum, Rupertinum, Salzburg, Austria

Tracey Moffatt, Centro Galego de Arte Contemporain, Santiago de Compostela, Spain

Tracey Moffatt, Ulmer Museum, Ulm, Germany

Tracey Moffatt, Six Freidrich, Lisa Ungar Gallery, Munich, Germany

Tracey Moffatt, Torch Gallery, Amsterdam, The Netherlands

Tracey Moffatt, Lawing Gallery, Houston, Texas, USA

Tracey Moffatt, Le Case DArte, Milano, Italy

Tracey Moffatt, Galeria Helga de Alvear, Madrid, Spain

Tracey Moffatt, Fundacio 'La Caixa', Sala San Juan, Barcelona, Spain

Free Falling, ICA, Boston, USA

Tracey Moffatt, Rena Bransten Gallery, San Francisco, USA

Tracey Moffatt, Parko, Tokyo, Japan

Tracey Moffatt, Institute of Modern Art, Brisbane, Australia and touring through Asia

Tracey Moffatt, Galleri Christian Larsen, Stockholm, Sweden

Tracey Moffatt, Galerie Laage-Salomon, Paris, France

Laudanum and Lip, Galleria Il Ponte COntemporanea, Rome, Italy

Up in the Sky, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt, Australian Centre for Contemporary Art, Melbourne, Australia

Up in the Sky, Galeria Il Ponte Contemporanea, Rome, Italy
Tracey Moffatt, Curtin University Gallery, Perth, Australia
Tracey Moffatt, Monash University Gallery, Melbourne, Australia
Tracey Moffatt, Galleri Larsen, Stockholm, Sweden
Tracey Moffatt, Victoria Miro Gallery, London, UK
Tracey Moffatt, Arnolfini, Bristol, UK
Tracey Moffatt, Arte/GE Bozen/Bolzano, Italy
Tracey Moffatt, Le Case DArte, Milano, Italy
Tracey Moffatt, Il Ponte Contemporanea, Rome, Italy
Free Falling, Renaissance Society, Chicago, USA
Tracey Moffatt, L.A. Galerie, Frankfurt, Germany
Tracey Moffatt, Wurtembergischer Kunstverein, Stuttgart, Germany
Tracey Moffatt, Voralberger Kunstverein, Bregenz, Austria
Tracey Moffatt, Kunsthalle Vienna, Vienna, Austria
Tracey Moffatt, Magazin 4 Voralberger Kunstverein, Bregenz, Austria

Heaven, Il Ponte Projects, Rome, Italy

Free Falling, Dia Center for the Arts, New York, USA
Tracey Moffatt, L.A. Galerie, Frankfurt, Germany
Tracey Moffatt, Galerie Andreas Weiss, Berlin, Germany
Tracey Moffatt, Galleri Faurschou, Copenhagen, Denmark
Tracey Moffatt: Films, Musee dArt Contemporain, Lyon, France

Guapa (Goodlooking), Karyn Lovegrove Gallery, Melbourne, Australia
Guapa (Goodlooking), Mori Gallery, Sydney, Australia
Short Takes, ArtPace, San Antonio, Texas, USA

Scarred for Life, Karyn Lovegrove Gallery, Melbourne, Australia

Pet Thang, Mori Gallery, Sydney, Australia
Tracey Moffatt, Centre for Contemporary Arts, Glasgow, UK

Something More, Australian Centre for Photography, Sydney, Australia (toured through regional galleries in Australia)

GROUP EXHIBITIONS

New Masculinities: Photography and Film from the 1960s to Now, Barbican Art Gallery, London, England (forthcoming)

We Are Here, Art Gallery of New South Wales, Sydney

The truth of what occurred remains, Broken Hill Regional Art Gallery, NSW

Hope Dies Last: Art at the End of Optimism, Gertrude Contemporary, Melbourne

In Her Words, Horsham Regional Art Gallery, VIC, touring through Australia 2019 – 2020

Borrowed Scenery, Campbell Town Arts Centre, NSW, Australia

Vis-ability: Artworks from the QUT Art Collection, QUT Art Museum, Queensland, Australia

Aesthetic relations, VILLAM, La Reggia Di Caserta, Caserta, Italy

Electric! Portraits that pop!, National Portriat Gallery, Canberra, Australia

Colección Sandretto Re Rebaudengo, Institut Valencià d'Art Modern, Valencia, Spain

National Anthem, Buxton Contemporary, Melbourne, Australia

Chennai Photo Biennale, Tamil Nadu, India

The Husk in Turmoil, COMA Gallery, Sydney, Australia

Love, Displaced, Lawrence Wilson Art Gallery, Perth, Australia

DEFINING PLACE/SPACE: Contemporary Photography from Australia, California, USA

Defining Place/Space: Contemporary Photography from Australia, Musuem of Photographic Arts, San Diego, California, USA  

Gothic Beauty: Victorian notions of love, loss and spirituality, Bendigo Art Gallery, Victoria, Australia

In a World of Wounds, ArtBank, Sydney, Australia

Dark Rooms: Women Directing the Lens 1978 – 98, Griffith University Art Museum

Paper Empire, Bus Projects, Victoria, Australia

DANCING IS WHAT WE MAKE OF FALLING, Officine Grandi Riparazioni, Torino, Italy

Sydney Contemporary, Sydney, Australia

November – an attempt on a revolution, Haus am Lützowplatz, Berlin

The Festival, Le Printemps de Septembre, France

Praying for Time, Rose Art Musuem, Massachusetts, USA

The Time. The Place. Contemporary Art from the Collection, Henry Art Gallery, Washington, USA

Forever Young? Impermanence in Photography, Stedelijk Museum, Amsterdam, Netherland

Art Basel Hong Kong, Roslyn Oxley9 Gallery, Hong Kong

Outcasts: Women In the Wilderness, Wave Hill, Bronx, NY, USA

Video Easy, Sophie Gannon Gallery, Melbourne, Australia

Every Brilliant Eye: Australian Art of the 1990s, National Gallery of Victoria, Melbourne

Colonial Sugar, City Gallery Wellington, Wellington

BOARD, Lake Macquarie City Art Gallery, NSW

Up in The Sky, Landing Points, Penrith Reginal Gallery, NSW

The Unflinching Gaze: photo media & the male figure, Bathurst Regional Art Gallery, Australia

Drawing Freedom, Haifa Museum of Art, Israel
All the better to see you with: Fairy Tales transformed, Ian Potter Museum of Art, Melbourne

Histories of Sexuality, MASP Sao Paulo, Brazil

What We Call Love, Prospectif Cinema Screening, Centre Pompidou, Paris, France

Love Actually…, Kunstquartier Bethanien, Berlin, Germany

On limits: Estrangement in the Everyday, The Kitchen, New York, NY, USA (May 24 -June 11)

Filmic Imaginaries, Museum of New Zealand Te Papa Tongarewo, Wellington, New Zealand

Naya Wa Yungali (We Dance), Carriageworks, Sydney, Australia

LOVE. L'arte contemporanea incontra l'amore, Chiostro del Bramante, Rome, Italy

Over the Fence: Contemporary Indigenous Photography from the Corrigan Collection. Curated by Gordon Graig, UQ Art Museum. Queensland, Australia

The 16th New Media Festival, Soul, South Korea

The Pleasure of love, The 56th October Salon, Belgrade, Serbia

Dear Betty: Run Fast Bite Hard curated by Lucrezia Calabro Visconti, Galleria d'Arte Moderna e Contemporanea, Italy

Black, White and Restive, Newcastle Art Gallery, Newcastle, Australia

Australian Exotica, Monash Gallery of Ari, Melbourne, Australia

Thus Do They All, or The School For Lovers, Art Verona, Accademia Belle Arti, Verona

What We Coll love: From Surrealism to Now. Irish Museum of Modem Art, Dublin, Ireland

I SEE international Video Art Festival: MOMENTUM Berlin, Germany. {Touring to Beijing, Guangzhou & Shenzhen, China}

Remain in light: Photography from the MCA Collections. Travelling to Ipswich Art Gallery, lpswich, Australia; Western Plains Cultural Centre, Dubbo, Australia; Maitland Regional Art Gallery, Maitland, Australia; Bendigo Art Gallery, Bendigo, Australia; Artspace Mackay, Mackay, Australia; and Hawkesbury Regional Gallery, Windsor, Australia

Hung Out to Dry: Space, memory and domestic laundry practice, University of Queensland Art Museum, Brisbane

The Photograph and Australia, Art Gallery of New South Wales, Sydney

When the Ocean Turns to dust, Campbelltown Art Centre, Sydney

Activate, animate, complicate and grow: what new acquisitions can do for the collection, Ian Potter Museum of Art, University of Melbourne, Melbourne

Everywhere is the Same Sky, Centro de Cultura Contemporanea de. Castelo Branco,

Castelo Branco, Portugal

THE ART, Sydney Contemporary, Carriageworks, Sydney, Australia

...y el tiempo si hizo, Centro de Artes Visiuales Foundacion Helga de Alvear, Cceres, Spain

The Photograph and Australia, Art Gallery of New South Wales, Sydney

Remain in Light: Photography from the MCA Collections, touring throughout Australian regional galleries in 2015

Remain in Light: Photography from the MCA Collections, Ipswich Regional Art Gallery, Western Plains Cultural Centre, Maitland Regional Art Gallery, Bendigo Art Gallery, Artspace Mackay and Hawkesbury Regional Gallery. (Touring until 2015)

Deslize, Museu de Arte do Rio, Rio de Janeiro, Brazil

Harvest, Queensland Art Gallery | Gallery of Modern Art, Brisbane Five Centuries of Melancholia, UQ Art Museum, Brisbane ACID/GOTHIC, MOP Projects, Sydney

Australia, Royal Academy of Arts, London.

The Wandering: Moving images from the MCA Collection, MCA, Sydney.

Every day I am a day older: Portraiture from the Griffith University Art Collection, Griffith University Art Gallery, Brisbane.

Mix Tape 1980′s: Appropriation, Subculture, Critical Style, National Gallery of Victoria, Melbourne

Under My Skin: Contemporary Australian Photography from the Corrigan Collection, Rockhampton Art Gallery, Rockhampton

Return to Sender, University of Queensland Art Museum, Brisbane, Australia.

Tyler Rollins Fine Art at Pulse Contemporary Art Fair, New York, USA

Aesthetic Queeries, Institute of Contemporary Arts, London, UK (Nice Coloured Girls)

Ladies and Gentlemen!, Moderna Museet, Malmö, Sweden

Fruaen International Film Festival, Cologne, Germany

Screen Worlds, Australian Centre for the Moving Image, Melbourne, Australia

Dissonant Visions, Monash University Museum of Art, Caulfield Campus, Sydney, Australia

Hijacked III: Contemporary Photography From Australia and the United Kingdom, Quad Gallery,

Derby (touring to Photofusion, London, Perth Institute of Contemporary Art, Australia, Griffith

University Gallery, Brisbane, Australian Centre for Photography, Sydney)

A Place for Art, University of Wollongong Art Collection, Wollongong

All You Need Is Love, Melbourne Art Foundation Witner Artspace, Melbourne.

Tomorrow Today: Contemporary Art from the Singapore Art Museum (2009-2011), Singapore Art Museum, Singapore

Singapore Biennale, Singapore

Architecture of Fear, Z33 House for Contemporary Art, Hasselt, Belgium

Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne

Zahalka, Roslyn Oxley9 Gallery, Sydney, Australia

Long Way Home, Flinders University City Gallery, Melbourne, Australia

Thank you for the days: My teenage years, Lismore Regional Gallery, Australia

21st Century: Art in the First Decade, Gallery of Modern Art, Brisbane, Australia

Colour Power: Abroginal Art Post 1984, National Gallery of Victoria, Melbourne, Australia

Kaldor Public Art Projects `Move: The Exhibition', Gallery Of Modern Art, Brisbane, Australia

Being Born Again Couture, Fashion Collaboration, Sydney, Australia

Inheritance, Australian Centre for Photography, Sydney

Flicks: The Cinematic in Art, Droichead Arts Centre, Drogheda

Yapang Marruma: Making Our Waya (Stories of the Stolen), Lake Macquarie Art Gallery, Lake Macquarie, New South Wales

Earth: Art of a Changing World, The Royal Academy of Arts, London

Low Blow, Stefan Stux Gallery, New York, USA           

From Heaven to Hell, MUSAC from Spain in Mücsarmok Budapest, Hungary

Göteborg International Biennial for Contemporary Art, Göteberg, Sweden

Failed Art-The Art of Failure, Weimar, Germany          

Graphic Biennial , Ljubljana, Slovenia

Mediated, California Museum of Photography, Riverside, USA

Burning Down the House, Brooklyn Museum, New York USA

The Furious Gaze, Monthermoso Cultural Center, Vitoria, Spain

Liverpool Biennial: International, Liverpool, UK

Modern Ruin, Gallery of Modern Art, Brisbane

Revolutions - Forms That Turn, 16^th Biennale of Sydney, Sydney, curated by Carolyn Christov-Bakargiev

Supercharged: the car in contemporary culture, IMA touring show - Logan Art Gallery, Redcliffe Art Gallery

All-Inclusive. A Tourist World, Schirn Kunsthalle Frankfurt, Germany

Shaving the Mammoth, San Francisco Art Institute, San Francisco, USA

Cinema Remixed and Reloaded, Contemporary Arts Museum, Houston, USA

Biennale of Sydney, Sydney, Australia

Tracey Moffatt, Marina Paris and Beatrice Pediconi, Sara Zanin Galleria, Rome, Italy

Family Pictures, Solomon Guggenheim Museum, New York USA

Global Feminisms, Brooklyn Museum, New York USA

Kiss Kiss Bang Bang, 45 Years of Art & Feminism, Museo de Bellas Artes de Bilbao. Spain

Tell Me a Story: Narrative Photography Now, Museum of Photographic Art, San Diego USA

Three Australian Photographers, GEM Fotomuseum Den Haag, Netherlands

Andy and Oz-Parallel Visions , Andy Warhol Museum, Pittsburgh, USA

'Workin' Down Under' - Wood Street Galleries, Pittsburgh, USA

Waiting For Hammond, City Gallery, Wellington New Zealand

DeOverkant/Downunder, Den Haag Sculpture 2007, Netherlands

Glimpse: Inside Gold Coast City Art Gallery's Collection, Gold Coast City Art Gallery, Surfers Paradise, QLD

Supercharged: the car in contemporary culture, IMA touring show - 24Hr Art, Bathurst Regional Art Gallery, Pinnacles Gallery

Concept: Photography - Dialogues and Attitudes, From the Traditional Forms of Photography to Auteur Photography, Ludwig Museum - Museum of Contemporary Art, Budapest

SynCity, d/Lux/MediaArts in association with Australian Centre for Photography, Sydney

Mouth Open, Teeth Showing: Major Works from the True Collection, Henry Art Gallery, University of Washington, Seattle, Washington, USA

It etait une fois: Walt Disney, The Disney Studios' Artistic Sources, The Montreal Museum of Fine Art, Montreal, Canada

Strange Cargo: Contemporary art as a state of encounter, Newcastle Region Art Gallery, Broken Hill Regional Art Gallery, Bendigo Art Gallery, Orange Regional Gallery, Wagga Wagga Art Gallery and Tweed River Regional Gallery

Auteur Photography, Ludwig Museum - Museum of Contemporary Art, Budapest, Hungary

Tracey Moffatt, City Gallery, Wellington New Zealand

The Shadow, Palazzo delle Papesse, Centro Arte Contemporanea, Sienna, Italy

Raised by Wolves, Art Gallery of Western Australia, Perth

Don Giovanni, Kunsthalle Vienna, Austria

Das Achte Feld, Geschlechter, Leben und Begehrenin der Kunst seit 1960, Museum Ludwig, Colgone, Germany

Supercharged: the car in contemporary culture, Institute of Modern Art, Brisbane

Screen Evolution: Syncity, Australian Centre for Photography, Sydney

Once Upon a Time, Walt Disney, The Disney Studios' Artistic Sources, Galeries Nationales du Grand Palais, Paris, France

CRASH (and other earthly pleasures), Lawrence Wilson Art Gallery, The University of Western Australia, Perth, Western Australia

Queensland Live: Contemporary Art on Tour, curated by Julie Ewington, touring Queensland, Australia at Gladstone Regional Art Museum; Logan Art Gallery; Bundaberg Arts Centre; KickArts Contemporary Arts, Cairns; Ipswich Art Gallery; Redland Art Gallery, Cleveland; Artspace Mackay; Toowoomba Regional Art Gallery

Bangu Yilbara: Works from the MCA Collection, Museum of Contemporary Art, Australia

Family Pictures: Contemporary Photography and Video from the collection of the Guggenheim Museum, Galleria Gottardo, Lugano, Switzerland

(Hi)story, Kunstmuseum Thun, Switzerland

Seeing Double: Encounters with Warhol, The Andy Warhol Museum, Pittsburgh, USA

Sharjah Biennial, United Arab Emirates

Donna Donne, Palazzo Strozzi, Florence, Italy

Passionate Image, The Body in Art and Advertising, Kim Light Gallery, LightBOX, Los Angeles, USA, Steven Kasher Gallery, New

York, USA

I thought I knew but I was wrong: new video art from Australia, Jamjuree Gallery, Chulalongkorn University, Thailand, Nanyang

Academy of Fine Arts, Singapore, Ssamzie Space, Seoul, Korea

Prague Biennale 2, Prague, Czech Republic

The All-Australian Show, Il Ponte Contemporanea, Roma, Italy

Upon Further Review: Looking at Sports in Contemporary Art, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York City

Perception, The Daryl Hewson Photographic Collection, Queensland Centre for Photography, Bulimba, Queensland

The Difference Between You and Me, The Ian Potter Museum of Art, University of Melbourne, Melbourne

The World is a Stage: Stories Behind the Pictures, curated by Araki Natsumi, Mori Art Museum, Roppongi Hills, Mori Tower, Tokyo

Blackspot: Contemporary Indigenous Photography from the Monash University Collection, with selected loans, Swithcback Gallery, Gippsland Centre for Art and Design, Monash University, Gippsland, Australia

Prepossession, curated by Jill Bennett, Felicity Fenner and Liam Kelly, Ivan Dougherty Gallery, The University of New South Wales, College of Arts, Sydney, Australia and Golden Thread Gallery, Belfast, Ireland

Skin, co-curators Fiona Foley and Jenny Gorringe, Salamanca Arts Centre, Hobart, Tasmania Touring Australia at Cast Gallery, North Hobart, Tasmania, Burnie Regional Gallery, Burnie, Tasmania, Latrobe Regional Gallery, Victoria

Mixed-Up Childhood, Auckland Art Gallery Toi o Tamaki, Auckland, New Zealand

Face to Face: Photographs from the Albury Regional Art Gallery Collection, S.H. Ervin Gallery, Sydney, Australia

Colour Power: Aboriginal Art Post 1984, National Gallery of Victoria, Melbourne, Australia

A Touch of Glamour, Galerie Clairefontaine, Luxembourg

Contemporary Visions: Photographs and Videos from the Helga de Alvear Collection, Oulun City Art Museum, Oulu, Finland

The Anniversary Show, Rena Bransten Gallery, San Francisco, USA

Cromosoma X, Galleria D'Arte Sabrina Raffaghello, Ovada, Italy

A Promise of Photography: from the Collection of DZ Bank, Moscow House of Photography, Moscow, Russia

Koldo Mitxelena Kulturunea, San Sebastian, Spain

Zeitzonen - 3, Triennale Zeitgenossischer Kunst Oberschwaben, Kloster Weingarten, Weingarten, Germany

Fast Forward/ Avance Rapido: Media Art de coleccion Goetz, Centro Cultural Conde Duque, Madrid, Spain

Love (part of short film festival THEMES), Museum of Modern Art, New York, USA

Seeds and Roots: Selections from the Permanent Collection, The Studio Museum in Harlem, New York, USA

Tradition Today:Indigenous Art in Australia, curated by Hetti Perkins, Ken Watson and Jonathan Jones, Art Gallery of New South Wales, Sydney

Depth of Field, Portrait photography from the collection, National Portrait Gallery, Canberra, New South Wales, Australia

SENI Singapore 2004: Art & the Contemporary, Singapore Art Museum - SENI Art Festival, Singapore

Relating to Photography: Highlights aus privaten Frankfurter Fotorgafie-Sammlungen, Fotografie Forum international, Frankfurt, Germany

blow up - Zeitgenössische Künstler-Fotografie, Ulmer Museum, Ulm, Germany

Wirklich wahr! Realitätsversprechen von Fotografien, Ruhrlandmuseum, Essen, Germany

Just love me, Fries Museum, Leeuwarden, The Netherlands

The Disembodied Spirit, Kemper Museum of Contemporary Art, Kansas City, USA

Outcasts and Sunday's Children - Acquisitions in 2003, De Hallen, Haarlem, The Netherlands

Video art & satire, BowaArt, London, Great Britain

Nothing if not satirical, The Nunnery, London, Great Britain

Esperando unha chamada, CGAC Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain

Only Skin Deep: Changing Visions of the American Self, ICP International Center of Photography, NewYork, USA

Minority Report: Challenging Intolerance in Contemporary Denmark, Aarhus Festival of Contemporary Art, Aarhus, Denmark

Revealing Secret Treasures: Women Artists from the Reg & Sally Richardson Collection, Mosman Art Gallery, Sydney

Supernatural Artificial: Contemporary photo-based art from Australia, curator Natalie King, Tokyo Metropolitan Museum of Photography, Tokyo, Chulalangkorn Art Centre, Bangkok

The Plot Thickens: Narratives in Australian Art, A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne

I thought I knew but I was wrong, curated by Alexie Glass and Sarah Tutton, Australian Centre for the Moving Image, Melbourne, Ssamzie Space, Seoul, South Korea, Sydney Indigenous Arts Festival, Parramatta City Council, Parramatta, Australia

In Focus: 5 contemporary women photo-artists, Campbelltown City Bicentennial Art Gallery, Campbelltown City Council

2004 Adelaide Biennial of Australian Art: Contemporary Photo-media, Art Gallery of South Australia, Adelaide, South Australia

Good Looking: Narrative Photographs Past and Present, Ian Potter Centre: National Gallery of Victoria Australia, Melbourne, Australia

Colección Sandretto Re Rebaudengo, IVAM Institut d'Art Modern, Valencia, Spain

Blak Insights, Queensland Art Gallery, Brisbane, Australia

Realities. Collections Without Frontiers II, The Zacheta Gallery of Art, Warsaw, Poland

True Fictions. Inszenierte Fotokunst der 90er Jahre, Stadtgalerie Saarbrücken, Saarbrücken, Germany

New Australiana, Perth Institute of Contemporary Art, Perth; Albury Regional Art Gallery, Albury, Australia

Phantom der Lust. Visionen des Masochismus in der Kunst, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria

Der Rest der Welt, Neuffer am Park, Pirmasens, Germany

Melodrama, MARCO. Museo de Arte Contemporánea de Vigo, Vigo, Spain

Künstler der Galerie, L.A. Galerie Lothar Albrecht, Frankfurt, Germany

Selbstgespräch, Pinakothek der Moderne, Munich, Germany

Realities and Histoires d'Amour, Kunstverein Ulm, Ulm, Germany

Die Wohltat der Kunst: Post/Feministische Positionen der 90er Jahre, Sammlung Goetz, Munich; Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany

Two of us, L.A. Galerie Lothar Albrecht, Frankfurt, Germany

Nan Goldin, Cindy Sherman , Tracey Moffatt , Barbara Kruger, The New Art Gallery Walsall, Walsall, Great Britain

One Square Mile: Brisbane Boundaries, Museum of Brisbane, Brisbane

Fair Game: Art + Sport, NGV Response Gallery, National Gallery of Victoria, Melbourne, Australia

6ft + clean: surf + art, Manly Art Gallery, Gold Coast City Art Gallery, Noosa Regional Gallery, Perc Tucker Regional Gallery, Rockhampton Art Gallery, Coffs Harbour City Art Gallery, Manly Art Gallery and Museum, Mornington Peninsula Regional Art Gallery, Australia

Stellar, Centre of Contemporary Photography Fundraising Auction, Centre of Contemporary Photography, Melbourne

Home & Away: Place and identity in recent Australian art, Monash University Museum of Art touring exhibition; Customs House Art Gallery, University of Queensland, Brisbane (August to October 2003); Faculty of Art and Design Gallery, Monash University, Victoria, Australia (November 2003 to January 2004)

New View: Indigenous Photographic Perspectives, Monash Gallery of Art, Melbourne, touring Mildura, Gippsalnd, Bendigo, Adelaide and Horsham, Australia through to 2005

Flagship: Australian Art in the National Gallery of Victoria, 1790 – 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia

Play, Academy Gallery, School of Visual and Performing Arts, University of Tasmania, Tasmania, Australia

‘Judy Chicago Film Series,’ in Judy Chicago: The Dinner Party, Brooklyn Museum of Art (Up in the Sky), USA

Something More Than Five Revolutionary Seconds, Fondazione Davide Halevim, Milan

Fast Forward, Sammlung Gotez, Munchen, Aesstellungsdauer, Germany

Xin Rui She Ying, Shanghai, China

Quaderns d arquitectura i urbanisme, 237 The Suburban Unconscious, Spain

kunstforum Baloise, Zwischenbilanz, Neuerwerbungen, Baloise-Gruppe, Basel

Family Ties, Peabody Essex Musuem, Salem, Massachusettes, USA

Just Love Me, Fries Museum Leeuwarden, Leeuwarden (2004), Bergen Art Musuem, Bergen (2003), Sammulung Gotez, Munich (2002-2003), Staatliche Kunsthalle Baden-Baden (2002)

Shine, Museum Boijamans Van Beuningen, Rotterdam, Holland

M_ARS, Neue Galerie AM Landesmuseum Joanneum, Graz, Switzerland

Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne, Australia (Nov 2002 to Feb 2003)

6ft + clean: surf + art, exh. cat., Gold Coast City Art Gallery touring exhibition to 2003, Surfers Paradise, Australia

Love at First Sight: Self-made Women, Centre for Contemporary Photography, Melbourne, Australia

Points of View, University of Technology Sydney Art Collection, UTS, Sydney, Australia

2^nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, Australia

Iconoclash. Jenseeits der Reprasentationskrise, curated by Peter Weibel (and others), Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany
Video Works, Kunstnernes Hus, Oslo, Norway
Hollywood Revisited, Aarhus Kunstmuseum, Aarhus, Denmark
True Fictions, Ludwig Forum fur Internationale Kunst, Aachen, Germany and Kunstverein Lingen, Germany

Connections - Contemporary Artists from Australia, House of Croatian Artists, Zagreb, Croatia
Collections Croisees, Musee dart Contemporain de Bordeaux, France
Melodrama. Lo excesivo en la imaginacion postmoderna, Centro-Museo Vasco de Arte Contemporaneo, Vitorio-Gasteiz, Spain
Barbara Kruger/ Marlene Dumas/ Tracey Moffatt, Monika Spruth Galerie, Koln, Germany
Roslyn Oxley9 Gallery - The First 20 Years, Roslyn Oxley9 Gallery, Sydney, Australia
Nocturne: Images of Night & Darkness from Colonial to Contemporary, MPRG Mornington Peninsula Regional Gallery, Australia
Spectator Sport, Cornerhouse, Manchester, UK
Other Views: an Exhibition from the Griffith University Art Collection, Griffith University, Nathan, Queensland, Australia
Goddess, Galerie Lelong, New York City, USA
Re: Action, Jan Weiner Gallery, Kansas City, USA
New Visions of the American West, Nassau County Museum of Art, Roslyn Harbor, USA
New Work, Conner Contemporary Art, Washington D.C., USA
Trauma, Museum of Modern Art, Oxford, UK
Receipts, Abbaye Saint Center dart Contemporain, Meymac, Franc

Reise ins Ich - Kunstler/ Selbst/ Ich - Kunstler des 20. Jahrhundert in Selbstdarstellung,
Sammlung Essl, Klosterneuburg, Austria
Die Unheimliche Frau. Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany
a person looks at a work of art . . ., The Michael Buxton Contemporary Art Collection,
November 2001- February 2002, Heide - Museum of Modern Art, Victoria, Australia
Feature: art, life and cinema, December 2001 - January 2002, Govett-Brewster Art Gallery, New Plymouth, New Zealand
The Lightness of Being Unbearable, Sommer Contemporary Art, Tel-Aviv, Israel
Its a Wild Party and Were Having a Good Time, Paul Morris Gallery, New York, USA
LUMO 01, Passion, International Photography Triennial, Jyvaskyla Art Museum (Suoja), Gallery Harmonis and the Museum of Central Finland, Finland
ARS 01 Kiasma Museum of Contemporary Art, Helsinki, Finland
Trauma National Touring Exhibition, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK
The Promise of Photography, Schirn Kunsthalle, Frankfurt, Germany
Ha Ha, Revolution Gallery, Ferndale, Michigan, USA
Sixth Annual Photography Auction and Benefit, Sothebys, New York, USA
Collaborations with Parkett: 1984 to Now, The Museum of Modern Art, New York, USA
Audit, Casino Luxembourg, Luxembourg
24th International Biennale of Graphic Arts, Ljublijana, Slovenia
Ohne Zögern / Without Hesitation!, Neues Museum Weserburg, Bremen, Germany
World Without End: Aspects of 20th Century Photography, Art Gallery of North South Wales, Sydney, Australia
Melodrama, Tate Gallery, Liverpool, UK
Telling Tales: The Child in Contemporary Photography, Campbelltown Bicentennial Art Gallery, Campbelltown, University of South Australia Art Museum, Adelaide, and Warnambool Art Gallery, Warnbool, Australia
Australian Art and Society 1901-2001, National Gallery of Australia, Canberra, Australia
Zeitgenossische Fotokunst aus Australien, Stadtisches Kunstmuseum, Chenitz, Germany and Kulterzentrum der Stadt Stuttgart, Germany
Other Peoples Lives, Eyre / Moore Gallery, Seattle, Washington, USA
Completing Identities, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York, USA
Missing Link, Kunsthaus Dresden, Dresden, Germany
True Fiction, Museum Bad Arolsen, Arolsen, Germany
Begijnhof III, Galeria Estrany-de la Mota, Barcelona, Spain
Anstoss, Kunst, Sport und Politik, Albrecht Durer Gesellschaft- Kunstverein Nurnberg, Nurnberg, Germany
Sport in der Zeitgenossischen Kunst, Kunsthalle Nurnberg, Nurnberg, Germany
Fotokunst der 90 er Jahre aus der Sammlung Sandretto de Rebaudengo, Kunsthalle Kiel, Germany
Encrucijada, Reflexiones en torno a la pintura actual, Sala de la Comunidad de Madrid, Madrid, Spain
Mujeres que hablan de mujeres, Espacio Cultural El Tanque, Santa Cruz de Tenerife, Spain
Kunst und Krieg, Symposium, Akademie de Bildenden Kunste Wien, Vienna, Austria

Raconter des Histories, John Baldessari, Fariba Hajamadi, Annette Messager, Tracey Moffatt, Galerie Laage-Salomon, Paris, France
Paper Cuts, RenaBransten Gallery, San Francisco, USA
Ring of Fire, Aotea Centre, Carter Hollt Harvey Gallery, Auckland, New Zealand
Deconstructivism - life back into art, David Pestorius, South Bank Corporation, Brisbane, Australia
Deep Distance - Die Entfernung der Fotografie, Kunsthalle Basel, Switzerland
Drive - progress - power - desire, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia
Common Ground, University of Technology Gallery, Sydney, Australia
All Stars 2000, Roslyn Oxley9 Gallery, Sydney, Australia
Aboriginal Art in Modern Worlds,National Gallery of Australia, Canberra, Australia, State Hermitage Museum, St. Petersburg, Russia, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Sporting Life,Museum of Contemporary Art, Sydney, Australia
Photography Now, Contemporary Art Center, New Orleans, USA
Flight Patterns, Museum for Contemporary Art, Los Angeles, USA
Behind the Scenes, The Museum of Contemporay Photography, Chicago, USA
12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia
Logo Merino, Sheep in Australian art and design, National Wool Museum, Geelong, Australia
Izima Kaoru/ Tracey Moffatt/ Bill Owens/ Chris Verene, Rebecca Camhi Gallery, Athens, Greece
Zeitwenden, Kunstmuseum, Bonn, Germany
Zeitwenden, Museum moderner Kunst Stiftung Ludwig Wien, Austria
Presumed Innocent, capcMusée dArt contemporain de Bordeaux, France
Biennale de Lyon dArt Contemporain, Lyon, France
Hans Hemmert, Tracey Moffatt, Andres Pinal, Frank Thiel, Fotografos de los anos noventa en la collecion CGAC, Sala Alameda de la Diputacion de Malaga, Malaga, Spain
Zeitgenossische Fotokunst aus Australien,Neuer Berliner Kunstverein Berlin, Germany, and Schlossmuseum, Velbert, Germany
High five, Galerie Schedler, Zurich, Switzerland
100 al 2000: il Secolo della Fotoarte, Fotology, Bologna, Italy
The Citibank Private Bank Photography Prize 2000, The Photographers Gallery, London, UK
Mommy Dearest, Gimpel Fils, London, UK
8e Biennale de limage en Mouvement, Centre pour limage contemporian,Geneve Switzerland
Artist Films,Kunstverein Munchen, Munich, Germany
Kinder im 20. Jahrhundert, Mitterlhein-Museum, Koblenz, Germany
Kinder im 20. Jahrhundert, Galerie der Stadt Aschaffenburg, Germany
Telling Tales: the child in contemporary photography,Monash University Gallery, Melbourne and Bendigo Art Gallery, Australia
Contemporary Group Show, Fifty One Gallery, Antwepen, Netherlands

Museum for Modern Kunst, Leipzig, Germany

girls girls girls, Galerie-Projektraum, Kunsthochule für Medien, Cologne, Germany

Konstruksjon eller virkelighet, Lillehammer Kunstmuseum, Lillenhammer, Norway

Life Cycles,Galerie für Zeitgenossische Kunst, Leipzig, Germany

From film,Victoria Miro Gallery, London, UK

La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria

Full Exposure: Contemporary Photography, New Jersey Centre for Visual Arts, Summitt, New Jersey, USA

Wohin kein Auge reicht Deichtorhallen, Hamburg, Germany

Das Versprechen der Photographie (The Promise of Photography), Selections from the DG Bank Collection, PS1 Contemporary Art Centre, New York, USA

Rosa für Jungs, Hellblau für Madchen, Neue Gesellschaft für Bildende Kunst, Berlin

In de Ban van de Ring,Provencial Centrum voor beeldene Kunst, Hasselt, Belgium

Kunstwelden im Dialog, Museum Ludwig, Koln, Germany

Female, Wessel & OConnor Gallery, New York, USA

Wonderland: Fotomanifestatie Noorderlicht 1999, Noorderlicht fotogalerie, Groningen, The Netherlands

Nuevas Visiones, Nuevas Pasiones, Fundacion Marcelino Botin, Snatander, Spain

A Sangre y Fuego, Espai dart Contempitani de Castellon, Spain

Galerie Schnider, Ettlingen, Germany

Endzeit, Six Friedrich - Lisa Ungar, Munich, Germany

Telling Tales, Neue Galerie Gesellschaft für bildende, Germany

VH Biennale Internazionale Di Fotografia, Turin, Italy

Macht und Fürsoge, Trinitatskirche Cologne, Germany

Missing Link - Menschebilder in der Fotografie, Kunstmuseum Berlin, Germany

Museum van Hedendaagse Kunst Gent, Gent, Belgium

Family Viewing, Museum of Contemporary Art, Los Angeles, USA

Portraits, Paul Morris Gallery, New York, USA

Echolot, Museum Fridericianum, Kassel, Germany

Foto Triennale Esslingen, Esslingen, Germany

Musee Departemantal dArt Contemporain, Rochechouart, France

Artenergie - Art in Jeans, Palazzo Corsini, Florence, Italy

Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany

Presumed Innocence, Anderson Gallery, Richmond, USA

Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of NSW, Sydney, Australia

Nature of Man, Lund Konsthall, Lund, Sweden

Roteiros x 7 XXVI Bienal de São Paulo, São Paulo, Brazil

Life is a bitch, De Appel Foundation, Amsterdam, Netherlands

Der Mensch (The Human Being), Kunstverein Schloß Plön, Germany

Pusan International Contemporary Art Festival, Pusan, Korea

Horizont, Brecht Haus am Weisensee, Berlin, Germany

Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany

Aperto, Venice Biennale, Venice, Italy
Group Show, Matthew Marks Gallery, New York, USA
Group Show, Anthony Reynolds Gallery, London, UK
Group Show, Roslyn Oxley9 Gallery, Sydney, Australia
Printemps de Cahors, Paris, France
Steierischer herbst 97, Graz, Austria
Site Santa Fe, Santa Fe, New Mexico, USA
Campo 6, The Spiral Village, Bonnefanten Museum, Maastricht, Netherlands
Subject to Representation, Gallery 101, Ottawa, Canada

Fundacao Bienal de São Paulo, São Paulo, Brazil

’Campo 6’, The Spiral Village, Museum of Modern Art, Torino, Italy

Jurassic Technologies Revenant, 10th Biennale of Sydney, Australia

Prospect 96, Schirn Kunsthalle, Frankfurt, Germany

Short Stories,Altes Rathaus, Göttingen, Germany

Antipodean Currents,The Guggenheim Museum (Soho), New York, USA
Familiar Places, ICA, Boston, USA
95 Kwangju Biennale, Kwangju, Korea
New Works 95.2, ArtPace, San Antonio, Texas, USA
Perspecta 95, Art Gallery of New South Wales, Sydney, Australia

Antipodean Currents, The Kennedy Center, Washington, USA
Power Works, Govett Brewster Gallery, New Zealand
Eidetic Experiences, Toured through regional galleries in Queensland, Australia

The Boundary Rider, 9th Biennale of Sydney, Sydney, Australia

Artists Projects, Adelaide Festival of the Arts, Adelaide, Australia

From the Empires End, Circulo de Bellas Artes, Madrid, Spain

Satellite Cultures, New Museum of Contemporary Art, New York, USA

Shades of Light, National Gallery of Australia, Canberra, Australia

Art and Aboriginality, Aspex Gallery, Portsmouth, UK

Aboriginal Islander Photographs, Aboriginal Artists Gallery, Sydney, Australia

Pictures for Cities, Artspace, Sydney, Australia

Film and Video as Writer/Director

Vigil, 2 minute digital video with sound
The White Ghosts Sailed In, 2 minutes digital video with sound

The Art, 8 minute experimental video (collaboration with Gary Hillberyg)

Other, 10 minute experimental video (collaboration with Gary Hillberg)

Mother, 20 minute experimental video (collaboration with Gary Hillberg)

Revolution, 10 minute experiemental video (collaboration with Gary Hillberg)

Doomed, 10 minute experimental video (collaboration with Gary Hillberg)

Love, 21 minute experimental video (collaboration with Gary Hillberg)

Artist, 10 minute experimental video (collaboration with Gary Hillberg)

Lip, 10 minute experimental video (collaboration with Gary Hillberg)

Heaven, 28 minute video (commission - Dia Center for the Arts) USA

My Island Home, Music Video (Christine Anu)

Let My Children Be,Music Video (Ruby Hunter)

The Messenger, Music Video (INXS)
Bedevil, 90 minute feature drama (Official Selection Cannes 1993)

Night Cries, 17 minute drama (Official Selection Cannes 1990)
Its Up to You, 9 minute health video

Moodeitj Yorgas, 22 minute documentary
A Change of Face, 3 part documentary SBS TV (co-director)

Watch Out, 5 minute dance video, Film Australia
Nice Coloured Girls, 16 minute experimental film

The Rainbow Serpent, Documentary series SBS TV (Stills Photographer)

AWARDS

Officer of the Order of Australia (AO)

Australia Council Visual Arts Laureate Award, Sydney

Infinity Award for Excellence in Art Photography, International Centre for Photography, New York

Honorary Doctorate from Griffith University, Brisbane

Award Campo 6, Gallerie Civica d'Arte Moderna e Contemporaranea, Turin, Italy

Creative Fellowship Award, Prime Minister Paul Keating, Australia

FILM AND VIDEO COLLECTIONS

Centre Pompidou, Paris, France

Goetz Collection, Munich, Germany

New York Public Library, New York, USA

National Library, Canberra, Australia

State Film and Video Library, Adelaide, Australia

Curtin University, Perth, Australia

Griffith University, Brisbane, Australia

Macquarie University, Sydney, Australia

University of Technology, Sydney, Australia

Sydney University, Sydney, Australia

State Film Centre, Melbourne, Australia

West Australian Film Centre, Perth, Australia

Institute of Aboriginal Studies, ANU Canberra, Australia

Fundación “la caixa”, Barcelona, Spain

Castello di Rivoli Museo d'Arte Contemporanea, Torino, Italy

COLLECTIONS

Air New Zealand Collection, Melbourne, Australia

Albury Regional Art Gallery, Albury, Australia

Art Gallery of New South Wales, Sydney, Australia

Art Gallery of South Australia, Adelaide, Australia

Art Gallery of Western Australia, Perth, Australia

Artbank, Sydney, Australia

Australian National Gallery, Canberra, Australia

Bard College, Annandale on Hudson, New York, USA

Baroness Lambert Collection, Switzerland

Bayerische Staatsgemäldesammlungen, Munich, Germany

Bendigo Art Gallery, Bendigo, Australia

BP Australia, Melbourne,

Australia Brooklyn Museum of Art, New York, USA

Buxton Collection, Melbourne, Australia

Centre Galego de Arte Contemporanea, S. de Compostela, Spain

Centre national des arts plastiques, France

Collection Mr. and Mrs. Felten, Munich, Germany

Collection Mr. Kunne, Hannover, Germany

Curtin University, Perth, Australia

DG-Bank, Frankfurt, Germany

Flinders University, Adelaide, Australia

Folkwang Museum, Essen, Germany

Frac Loarraine, Metz

Griffith University, Brisbane, Australia

Guggenheim Museum, New York, USA

Houston Museum of Fine Arts, Houston, USA

Linda Pace Collection, San Antonio, USA

Louisiana Museum of Contemporary Art, Humlebæk, Denmark

Ministère de la Culture, Paris, France

Moderna Museet, Stockholm, Sweden

Monash University, Melbourne, Australia

Museet for Santidskunst, Oslo, Norway

Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria

Museum of Contemporary Art, Los Angeles, USA

Museum of Contemporary Art, Sydney, Australia

Museum of Contemporary Photography, Tokyo, Japan

Museum of Fine Arts Boston, USA

Museum of Modern Art, New York, USA

National Gallery of Victoria, Melbourne, Australia

National Library, Canberra, Australia

National Portrait Gallery, Canberra, Australia

Newcastle Regional Art Gallery, Australia

NRMA Collection, Sydney, Australia

Parliament House Collection, Canberra, Australia

Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia

Refco Inc., Chicago, USA

Sammlung Goetz, Munich, Germany

Sorigue Foundation, Lleida, Spain

Steve Vizard Foundation, Melbourne, Australia

Stedelijk Museum, Amsterdam

Tasmanian State Institute of Technology, Hobart, Australia

Tate Gallery, London, UK

The National Museum of Photography, Copenhagen, Denmark

Trinity College Art Collection, Melbourne, Australia

Ulmer Museum Ulm, Germany

University Art Museum, University of Queensland, Brisbane, Australia

University of Technology, Sydney, Australia

University of Wollongong, Wollongong, Australia

Waverly City Gallery, Mt. Waverly, Australia

FILM AND VIDEO DISTRIBUTORS

Ronin Films, Canberra, Australia
Southern Star, Sydney, Australia
Australian Film Institute, Melbourne, Australia
Women Make Movies, New York, USA
Kim Lewis Marketing, Los Angeles, USA
Circles, London, UK
Jane Balfour, London, UK
Women in Focus, Vancouver, Canada

BIBLIOGRAPHY

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‘Tracey Moffatt:Vox Pop,’ Vogue Living, November/December, Australia

Det är något bekant över Tracey Moffatts bilder, Ulf Johanson, GÖTEBORGS-POSTEN Fredag 11Juni, Sweden

Tracey Moffatt: Mise en Scéne, Paola Anselmi, Contemporary Visual Arts and Culture Broadsheet, vol 33 No.2 June/Aug, Australia

Home stays at heart of this girl’s art, The Courier-Mail, November 12, Australia

Lisa Gye, ‘Novamedia: an Australian First,’ www.realtimearts.net/rt62/gye.html

Nellie Castan, ‘New York – The Armory Show 2004,’ ART EXPO, pg. 30

Kate Rhodes, ‘When your heart is troubled: Tracey Moffatt’s Night Cries,’ Colour Power, Aboriginal Art Post 1984, National Gallery of Victoria, p.144

Tradition Today: Indigenous Art in Australia, ex cat., curated by Hettie Perkins, Ken Watson and Jonathan Jones, Art Gallery of New South Wales, Sydney, p.90

Catherine Summerhayes, “Haunting Series: Tracey Moffatt’s bedevil,” Film Quaretrly, Fall 2004, Volume 58, pg 14 - 24

Lauren Dalla, “Depth of Field”, www.portrait.gov.au/content/exhibit/dof/more/htm 

Ron Radford, “LOVE,” IMA Newsletter, February-June 2005, p. 5

Tracey Moffatt, “Adventure Series,” IMA Newsletter, February-June 2005, p. 5

Ken Bolton, “Australian Women Artists: Sailing to Tahiti,” Jamini: International Arts Quarterly, November, p. 68 - 79

Ruth Skilbeck, “Tracey Moffatt,” POL Oxygen (Special Collector’s Issue), Issue 10, p. 44 - 52

Emma Muhlberger, “One Square Mile: Brisbane Boundaries, Museum of Brisbane,” Eyeline #54, Winter, p. 52, 53

Margo Neale and Timothy Morell, “Who’s Laughing: Humour in Indigenous Australian Photography,” Photofile, issue #72, Spring 2004, p. 54 - 57

Darren Tofts, “Good Looking: Narrative Photographs Past and Present, Ian Potter Centre, NGV,” Photofile, issue #72, Spring 2004, p. 71 – 73

Fiona Prior, “art review: Tracey Moffatt's Adventure Series,” August, http://www.chaosgeneration.com/art_reviews/tracey_moffatt.htm

Fiona Prior, “The Artful Ms Moffatt ..., “ I August, http://www.henrythornton.com/article.asp?article_id=2734

Tracey Moffatt, “The Story of Tracey Moffatt’s Adventure Series  photo shoot in Brisbane, Australia,” Roslyn Oxley9 Gallery, Sydney

Carmel Dwyer, “Moffatt’s adventure art soars to $3.5m,” The Weekend Australian Financial Review, August 7-8, p. 8

Peter Hill, “Better by design…,” Sydney Morning Herald, August 7-8, p. 8, 9 (Spectrum)

Dominique Angeloro, “Strip Down,” Sydney Morning Herald, August 6, p. 26 (Metro)

Jeni Porter, “Bursting with talent,” Sydney Morning Herald, July 31 – August 1, p. 22 (News)

Victoria Hynes, “Tracey Moffatt – Adventure Series,” The (Sydney) Magazine, Wednesday 28 July 2004, p. 94

David Broker, “The Adelaide Biennial of Australian Art,” Eyeline #54, Winter, p. 44 - 46

Alison Kubler, “Brisvegas: Little city, big history – One Square Mile: Brisbane Boundaries at the Museum of Brisbane,” Art Monthly Australia #169, May 2004, p. 31 – 33

Nyanda Smith, “Tracey Moffatt,” Cause Celebre, April – May 2004

Nyanda Smith, “Moffatt expolores the Frontiers”, West Australian, January 3, 2004

Kate Davidson, “Of Images and Episodes”, Art Monthly Australia, April, 2004

Lauren Dalla, “Depth of Field,” Portrait #12, National Portrait Gallery, Canberra, p. 20 - 24

Ruark Lewis, “Review: Tracey Moffatt, Museum of Contemporary Art,” Photofile #71, Winter 2004, p. 66

Marie Bonnal, “Review: Tracey Moffatt, John Curtin Gallery,” Photofile #71, Winter 2004, p. 66, 67

Harper’s Bazaar Australia, Portraits: Tracey Moffatt,” April, p. 125

Ruth Hessey, “Moffatt is a huge hit wherever she goes. Ruth Hessey explains why.”, Australian Art Review, Issue 4, March –June 2004, p. 62-63

Elizabeth Ann Macgregor Tracey Moffatt, ex. cat., Museum of Contemporary Art, Sydney, Australia 2004

Simon Blond “Moffatt Exposes Dark”, The West Australian, Feb 14, 2004.

Michael Fitzgerald, “Not Dying, Changing,” TIME, March 22, 2004, p. 62, 63

Eve Sullivan, “The Juvenalia of Tracey Moffatt”, Art & Australia, Jan/Feb 2004

A conversation with Tracey Moffatt, Deadly Vibe, February 2004

Susan McCulloch, The Weekend Australian, March 27-28, 2004, Australia

Barbara Creed, “State of the Arts” January/March 2004

Russell Smith, “Tracey Moffatt: The International Look,” Broadsheet, Feb-May, vol. 33 no. 1, p. 36 - 38

Natalya Lusty, “Something more about Moffatt,” The Australian Financial Review, Friday 27 February, p. 8, 9

Jackie Chowns, “Comic Turn” The Sydney Morning Herald, January16-22, 2004, Sydney, Australia

Robert Nelson, “Tracey Moffatt: Museum of Contemporary Art, Sydney,” The Age, January 14, 2004

Patricia Anderson, “Polished rituals of looking,” Weekend Australian, January 3-4, 2004, p. R19

Poppy Diamantadis, “Tracey in My Room,” Cream 18 (entrée), 2004

Geoffrey Maslen, “Something More – After Record Year”, Sydney Morning Herald, February 2004

John McDonald, “ In the Eye of the Beholder” Finanacial times review, January 22, 2004

Richard B. Woodward “ Home Team Advantage” New York Times, February 15, 2004

Editor: Lisa French, Catherine Summerhayes, “Women Vision: Women and the Moving Image in Australia,” Women Vision, pg.267

Catherine Summerhayes, “Who in Heaven? Tracey Moffatt: Men in Wet-Suits and the Female Gaze,” Journal of Narrative Theory 33.1, Winter 2003, pg. 63.

Peter Hill, “Once is not enough,” Sydney Morning Herald (Spectrum), December 26-28, p. 18,19

“Tracey Moffatt,” The (Sydney) Magazine, Sydney, p. 118

Michael Fitzgerald, “Hearts in the picture,” Time Magazine (Australia), December 22

Lenny Ann Low, “Zooming in on an artful tease,” Sydney Morning Herald (Metropolitan), Tuesday 16 December 2003, p. 14

Eve Sullivan, “The Juvenilia of Tracey Moffatt,” Art & Australia, Summer, vol. 41, no. 2, 2003, p. 232 - 239

Collecting, Vogue Living Australia, October/November 2003, p. 102

Something More Than Five Revolutionary Seconds, Exhibition Catalogue, Fondazione Davide Halevim, Milan

Ashley Crawford, 'Tracey Moffatt,' See Here Now: Vizard Foundation Art Collection of the 1990s, editors Chris MacAuliffe and Sue Harvey, Ian Potter Museum of Art, Thames and Hudson (Australia) Pty Ltd, Victoria, p. 90 - 93

Ashley Crawford, “The Art of Darkness” The Age review, September 27, 2003.

Daniel Palmer, 'Tracey Moffatt,' Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 87

Cathy Leahy, 'The offset image: prints in the Collection,' Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 37 - 39

Tracey Moffatt, 'Shanghai Surprise - Artist Tracey Moffatt adventures in China,' V Magazine,no. 23, May/June, New York

Margaret Plant, 'The Journey from Field to Fieldwork 1968 - 2003,' Eyeline # 51, Autumn - Winter, 2003, p. 44 - 46

Zara Stanhope, 'Take a Good Look at My Face, Love at First Sight: artists and their relationship with the camera,' Eyeline # 51, Autumn - Winter, 2003, p. 26 - 29

Clara Laccarino, 'Collectors Art,' Sun-Herald (Sunday Metro), July 13, 2003, p. 9

Katrina Strickland, 'Black lives viewed from the inside,' The Australian (Arts), Thursday May 29, p. 14

Stuart Koop, 'Fieldwork: Australian Art 1968 - 2002, Broadsheet, vol. 32, no. 1, March, April, May, p. 8 - 11

Juliam Raxworthy, 'Love at First Sight,' Photofile #68, April, p. 69, 70

Isobel Crombie ed., Flagship: Australian Art in the National Gallery of Victoria, 1790 - 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne, p. 67, 74

Elizabeth Sarks, Tracey Moffatt: 50 Most Collectable Artists, Australian Art Collector, Issue 23, January - March

6ft + clean: surf + art, exh. cat., Manly Art Gallery, Gold Coast City Art Gallery, Noosa Regional Gallery, Perc Tucker Regional Gallery, Rockhampton Art Gallery, Coffs Harbour City Art Gallery, Manly Art Gallery and Museum, Mornington Peninsula Regional Art Gallery, Australia

Fast Forward, exh. cat., Sammlung Gotez, Munchen, Aesstellungsdauer, Germany

Xin Rui She Ying, exh. cat., Shanghai, China

Quaderns d arquitectura i urbanisme, exh. cat., 237 The Subruban Unconscious, Spain

kunstforum Baloise, exh. cat., Zwischenbilanz, Neuerwerbungen, Baloise-Gruppe, Basel

Family Ties, exh. cat., Peabody Essex Musuem, Salem, Massachusettes, USA

Just Love Me, exh. cat., Fries Museum Leeuwarden, Leeuwarden (2004), Bergen Art Musuem, Bergen (2003), Sammulung Gotez, Munich (2002-2003), Staatliche Kunsthalle Baden- Baden (2002)

Courier-Mail, Cool in Camera by Sandra McLean, March 29, 2003

New Wave, Shanghai Surprise: Artist Tracey Moffatts Adventures in China by Mia Fineman, V Magazine, May/June 2003

Calender, Cary Estes Leitzes, Jessica Green, Danko Steiner, essay by Ann Beattie, April page

Museum of Contemporary Art Exhibition Program Catalogue, Spring/Summer 2003-2004

Entertainment Guide, City Weekend January 9-January 22, 2003

Scene Shanghai, January, 1, 2003

High: art, our city and us, January 2003, Shanghai

Diary, William Petley, The Sun-Herald,September 21, 2003

Hannah Fink in email conversation with Hetti Perkins and Nikos Papastergiadis, “Forking Tongues,” Asia-Pacific Triennial of Contemporary Art cat., 2002, pg. 116.

Catherine Summerhayes, “Film as Transformative Play in the Art of Tracey Moffatt,” INTER Sections, Vol 2, 2002, pg. 177

Charles Green, 'Into the 1990s: the decay of postmodernism,' Fieldwork: Australian Art 1968 - 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), p. 100 - 111

John McPhee, 'City Life: De Sydney àMelbourne,' Paris Photo Magazine International, no. 22, Septembre/Octobre 2002, p. 124 -131

Ross Gibson, 'Poise: a brief meditation on the work of six photographers,' Points of View exhibition catalogue, University of Technology Sydney Art Collection, UTS, Sydney

Cover, Art Monthly Australia #156, December 2002- February 2003

Kim Appleby, 'A self-portrait in focus,' Portrait #6, National Portrait Gallery, Canberra, Summer, p. 7

Chris Chapman, 'Three uses of photography,' Photofile no. 67, December 2002, pp. 4-8

2^nd Sight Australian Photography in the National Gallery of Victoria, exh. cat., National Gallery of Victoria, Melbourne, 2002, p. 97

Tracey Moffatt, Paula Savage, Lara Strongman, exh. cat., City Gallery Wellington, 2002, New Zealand

Melodrama, Lo excesivo en la imaginacion postmoderna, exh. cat., Centro-Museo Vasco de Arte Contemporaneo, Vitorio-Gasteiz, Spain

Hollywood Revisited, exh. cat., Aarhus Kunstmuseum, Aarhus, Denmark

Veczoennections, Contemporary Artist from Australia, exhibition catalogue, curated by Branca Stipancic, House of Croatian Artists, Zagreb, Croatia

True Fiction, Inzinierte Foto-Kunst der 1990 er Jahre, exh. cat., Ludwig Forum fur Internationale Kunst, Aachen, Germany

Images of Australian Men: Photographs from the Monash Gallery of Art Collection, A Monash Gallery of Art Travelling exhibition catalogue, May, 2002, Australia

Lisa Fischman, Studio Visit: Neither Win, Place nor Show, Art Papers Magazine, July/August 2002, USA

Michael Fitzgerald, 'Brand New Gaze,' Time Australia, July 2002, Australia

Katerina Gregos, 'Tracey Moffatt,' Contemporary, January 2002, UK

E. Ann Kaplan, 'Between the Psyche and the Social, Psychoanalytic Social Theory,' Trauma, Cinema, Witnessing, 2002, England

Fiction and History: A Science of Disputed Signs, Mcgraw, Hesse, Review, May/June 2002

Alice Throson, 'Everything Here is Not What it Seems,' The Kansas City Art Star, May 3, 2002

Geoff Maslen, 'Painting by Numbers: Smart Art Fetches $200,000,' The Daily Telegraph, April 27, 2002, Australia

'Zahranchi> Umelecky svet po 11. Zari 2001,' Atelier 5, March 2002

Jerry Cullum, 'The Excellence of the Also-Rans,' The Atlantic Journal-Constitution, March 22, 2002, USA

Felicia Feaster, 'Loser,' Atlanta.CreativeLoafing.com, March 20-26, 2002, USA

Harpers Bazaar, 'Just Like a Woman,' March 2002, USA

Geoffrey Maslen, 'Something More - After Record Year,' SMH.com, February 4, Australia

'Canvas,' Art News, February 2002, USA

Jeff Gibson, 'Preview,' Artforum, January 2002, USA

'Tracey Moffatt: Joslyn Art Museum, Omaha,' The Artnewspaper, February 2002, USA

'Dolores Clairborne y Cenicienta: Entre cuentos de hadas,' Celia Prado, Exit, Nov./Jan, 2001-2002, Spain

'Art, Looking Back,' Interview Magazine, Dec./Jan. 2002, USA

Carlo McCormick, 'Tracey Moffatt, Arts Drama Queen,' Paper, December/January, 2002, USA

Tracey Cooper, 'The Enduring Glance: 20th Century Australian Photography from the Corrigan Collection,' Antiques & Art in Victoria - Bendigo Art Gallery, Victoria, Australia

Geoff Maslen, 'Nine Photographs Sell for $226,575,' The Sydney Morning Herald, June 26, 2002, Sydney, Australia

Gareth Evans, 'Between the Lines: Dial T for Trauma,' Sight & Sound, March 2002, UK

'Trauma Oxford,' Guardian Guide - Exhibitions, January 26, 2002, UK

Gregory Williams, 'Better Luck Next Time,' Cabinet, Summer 2002, USA

“Three Days of Lectures and Discussions at the ARS 01 Exhibition,' Unfolding Perspectives: Museum of Contemporary Art Kiasma, September 2001- January 2002

Neil Jones, 'Art and Society Interact in this 'Must See" Show,' Halstead Gazette (Essex), October 5, 2001, UK

Nicky Bird, 'Trauma,'Art Monthly, September 2001, UK

'Previews,' Art Review, September, 2001, UK

Francesca Calvocoressi, 'Exhibition Reviews: The World in which We Live,' YoungMinds Magazine, No. 54, 2001, UK

'A Journey into Disturbing Places,' Financial Times: The Arts (Visual Arts Scotland), July 17, 2001, UK

John Calcutt, 'Reviews: Trauma,' Scotland on Sunday, July 2001, UK

Elizabeth Mahoney, 'Arts: Scared for Life,' The Guardian, July 14, 2001, UK

Heather Neill, 'Artbeat,' Times Educational Supplement, September 14, 2001, UK

Sharon Verghis, 'Australia . . . land of the rising art sales,' Sydney Morning Herald, November 13, 2001, Australia

'ARS 01,' Tema-Celeste: Contemporary Art, November - December 2001, Finland

Helen McDonald, 'Erotic Ambiguities, The Female Nude in Art,' Routledge, London, UK

Katie Pollock, 'Tracey Moffatt: Invocations,' The Perfect Week: Visual Arts, The Bulletin, July 17, 2001, Canberra, Australia

Gabriella Coslovich, 'Moffatt's Ever Expanding Profile,' The Age, May 2, 2001, Australia

Georgina Safe, 'Taking the Long March into Asia,' The Australian, April 20, 2001, Australia

Terry Ingram, 'Market Cracks as Buyers Hold Back,' The Australian Financial Review, November 30, 2001, Australia

'Hautnah Die Sammlung Goetz,' Hautnah Die Sammlung Goetz exhibition catalogue, August 2002, Germany

'Tracey Moffatt,' Art Asia Pacific, Issue 26, 2001, Australia

Maria Vlahou, 'Guest: Tracey Moffatt,' Ozon October 2001, Greece

Marina Sorbello, 'Contemporary Art Jamboree Goes Global,' The Artnewspaper, No. 112, March 2001, USA

Franklin Sirmans, 'Art Review,' Time Out, November 22-29, 2001, USA

Linas Alsenas, 'Calendar,' Interior Design, November 2001, USA

Edward Fox, 'Art,' Jalouse, November 2001, USA

Jessica Dawson, 'Moffatt: This Dogma Can Bite,' The Washington Post, October 18, 2001, USA

Leah Ollman, 'Switching Roles in Identity Power Plays,' Los Angeles Times, April 25, 2001, USA

'Photo Narratives: Where Fiction Meets Reality,' The Chronicle Review, April 20, 2001, USA

Devorah L. Knaff, 'Digital Artistry Raises Serious Issues,' The Press Enterprise, April 20, 2001, USA

Charles Hand, 'UCR Presents Images of Culture, Sex, and Age: Australian Photographers Work Seems to Have Taken over Museum,' The Californian, April 19, 2001, USA

Mitra Abbaspour, 'Tracey Moffatt,' Fototext: UCR-California Museum of Photography, Spring 2001, USA

Von Elke Buhr, 'Vierte Sieger: Neue Bilder & ganze Dramen von Tracey Moffatt in der L.A. Galerie Albrecht in Frankfurt,' Kulterspiegel, Frankfurter Rundschau, Oktober 2001, Frankfurt, Germany

Catherine Summerhayes, 'Still Film: Tracey Moffatts Invocations and bedevil,' Photofile, December 2001, Australia

Brigitte Reinhard, 'Tracey Moffatt,' Int. Biennial of Graphic Arts, 2001, Ljublijiana, Slovenia

Boris Kremer, 'Less Words,' Audit, 2001, Luxembourg, Luxembourg

Chris Bollen, 'Beautiful Losers,' V Magazine, November/December, 2001, USA

Ben Widdicombe, 'Consuming Passion,' Jalouse, Premiere Issue, 2001, USA

Rosalind C. Morris, 'Tracey Moffatt: Laudanum,' Connect bi-yearly Magazine, 2001, New York City, USA

Helen A. Harrison, 'Aboriginal Artist Faces Attitudes in Her Culture,' New York Times, Sunday, February 25, 2001, USA

Fred A. Bernstein, ‘Quick Learner,’ Elle Décor, February/March 2001, USA

Art News, 'Tracey Moffatt on the Last of the Nuba,' February 2001, USA

Rex Butler and Morgan Thomas, 'From Something Singular… To Something More,' Eyeline, Autumn/Winter, 2001, Australia

Doreen Mellor, 'Invoking Tracey Moffatt,' MUSE, August 2001, Australia

Penny Webb, 'A $74,000 auction record holder makes the pace with a portfolio of Olympic losers,' The Sydney Morning Herald, Friday, August 3, 2001, Sydney, Australia

'Fictional world high in drama,' Canberra Sunday Times, August 12, 2001, Canberra, Australia

Tony Oates, 'Moffatt's Invocations portray enigmatic world,' ANU Reporter, August 17, 2001, (Vol. 32, No. 12), Australia

Myra McIntyre, 'Childhood fantasies recalled,' Canberra Times, August 11, 2001, Canberra, Australia

Penny Webb, 'Leaps and boundaries,' The Age, Friday, August 3, 2001, Australia

Peter Gotting, Buyer goes for something more,' The Age, Thursday, August 2, 2001, Australia

Peter Gotting, 'Looking for the next new thing in art? Its a snap,' The Sydney Morning Herald, Wednesday, August 1, 2001, Sydney

Cassie Proudfoot, 'Fractured Fantasy,' Canberra Times, Times Out, July 19, 2001, Canberra, Australia

Andrew Sayers, 'In Our Own Image,' The Australian Financial Review Magazine, January 2001, Australia

Hossein Valamanesh, 'Visual Arts,' The Bulletin with Newsweek, July 17,2001, New Zealand

Miguel Icassatti e Juliana Werneck, 'Heaven, Ela subiu aos cues,' TPM, Trip.parpa.mulher, July 2001, Brazil

Ulrike Lehnmann, 'Zwischen Wirklichkeit und Fiktion,' Women Artists, Tashen, 2001, Koln, Germany

Angela Lampe, 'Tracey Moffatt, Die Unheimliche Frau,' Kunsthalle Biefeld, September 2001, Germany

Christian Muckl, 'Gleiten in der Galerie,' Feuilleton, September 15, 2001, Germany

Olaf Prytzbilla, 'Tanz-Rituale auf dem Rasen: Eine Ikonografie des Sports,' Die Welt, September 22, 2001, Germany

F.J. Broder, '"England grußt den Fuhrer," Bayerishe Staatszeitung und Bayerischer Staatsanzieger, September 21, 2001, Germany

Samuel Herzog, 'Tracey Moffatt: Abenteuerliches Pasticcio,' Basler Magazin, Beilage der Basler Zeitung, Nr. 19, May 2001, Basel

'Die Schopfung, Sieben Szenen,' DU- Die Zeitschrift der Kultur, No. 718, Zurich, Switzerland

Anna Brodow, 'Modig Universitetskonst lamplig for illustration," Lordagen Den, March 3, 2001, Stockholme, Sweden

Sonia Hedstrand, 'Minnen och fordomar,' Arbetaren 16.2-22.2, Stockholme, Sweden

Milou Allerholm, 'Koloniala bindingar och uppbrott,' DN, Stockholme, Sweden

Marja-Terttu Kivirinta, 'Tukholman nayttelykarrtta on runsas,' Helsingin Sanomat, March 5, 2001, Stockholme, Sweden

Gunila Grahn-Hinnfors, 'Coolt eller ilsket,' Goteborgs-Posten Lordag, March 3, 2001, Godeborg, Sweden

Nils Forsberg, 'Resa via Mad Max,' Expressen, February 22, 2001, Stockholme, Sweden

'Fotokunst der 90 er Jahre aus der Sammlung Sandretto Re Rebaudengo, Turin,' Katalog, Edition Oehrli, Zurich, Schweiz

Sacha Craddock, 'Tracey Moffatt,' Tema Celeste, 86/2001, Milano, Italy

Audit, Casino Luxembourg, Forum dart Contemporain, Otto Berchen, Chris Burden, Nathan Coley, Gadar Eide Einarsson, Michael Elmgreen & Ingar Dragset, Peter Friedl, Tracey Moffatt, Muntadas, Marjeta Potrc, Antoine Prum, Michael Stevenson, Barbara Yisser, September 2001, Luxembourg

'Gewinner der goldenen Ananas,' Frankfurter Allgemeine Zeitung, December 29, 2001, Frankfurt, Germany

'Un mundo adolescente/ Teenage World,' EXIT, imagen y cultura, No. 4, November 2001, Madrid, Spain

International Biennial of Graphic Art, exh. cat., International Center of Graphic Arts, Lujblijana 2001, Slovenia

Reisen Ins Ich, Kunstler/ Selbst/ Bild, exh. cat., Sammlung Essl, 2001, Klosterneuburg, Austria

'Tracey Moffatt,' The New Yorker, November 24, 2001, New York, USA

'The 1st Valencia Biennale, Communication between the Arts,' exh. cat., Generalitat Valencia, Chartha, Valencia, Spain

Sport in der Zeitgenossischen Kunst, exh. cat., Kunsthalle Nurnberg, 2001, Nurnberg, Germany

Mujeres que hablan de mujeres, Exhibition catalogue, Espacio Cultural El Tanque, S. Cruz de Tenerife, Spain

Marie Feliciano, 'The World of Tracey Moffatt,' Taiwan News, Sunday, August 12, 2001, Taiwan

Elisabeth Mahoney, 'Tracey Moffatt,' The Guardian, Thursday, April 19, 2001, UK

Sally OReilly, 'Tracey Moffatt,' Time Out, April 17, 2001, UK

Sebastian Smee, 'Just Dont call me an Aboriginal artist,' Independent, Sunday, April 16, 2001, UK

Neil Cameron, 'An Aboriginal original,' The Scotsman, April 10, 2001, UK

Susannah Thompson, 'Tracey Moffatt,' The List, April 26, 2001, UK

Evening Standard, 'From Tomorrow, Art,' March 27, 2001, UK

'Review: Tracey Moffatt,' Ed, On Magazine, April-May, 2001, UK

Frances Amble, 'Insightful,' Student Newspaper, May 19, 2001, UK

Helen Monaghan, 'Tracey Moffatt,' The List, March 29, 2001, UK

Fisun Guner, 'Tracey Moffatt: Invocations,' Metro Life, May, 2001, UK

Moira Jeffrey, 'Little Miss Moffatt,' Sunday Herald, April 15, 2001, UK

Moira Jeffrey, 'The World of Wounds,' The Herald, July 13, 2001, UK

'Trauma,' Scotland on Sunday - Art, July 8, 2001

Alison Middleton, 'Exploring Traumatic Experiences,' Press & Journal, July 7, 2001, UK

'Cultural Devolution?,' Tate Magazine, Summer 2001, UK

John Beagles, 'Art: Trauma,' The List, July 5 - 19, 2001, UK

'Amber Cowans choice: Trauma,' Play, July 7-13, 2001, UK

Gael Newton, ‘World of Dreamings’, www.nga.gov.au/Dreaming, November

Telling Tales: the child in contemporary photography, exh. cat., Monash University Gallery, July 2000, Victoria, Australia

Richard Lacayo, ‘Pictures From An Exhibitionist,’ Time Magazine, 13 November 2000, USA

Victoria Laurie, ‘A Century in Graphic Detail,’ The Australian Magazine, 2000, Sydney, Australia

Corneilia H. Butler, Flight Patterns (catalogue), Museum for Contemporary Art, 2000, Los Angeles, USA

David S. Rubin, ‘Photography Now (catalogue),’ Contemporary Art Center, 2000, New Orleans, USA

Inside Photography,’ Terrington Calas, New Orleans Art Review, September/October 2000, New Orleans, Louisiana

Doug McCash, ‘New Developments,’ Lagniappe, 14 July, 2000, New Orleans, Louisiana

D. Eric Bookhardt, ‘The New New Thing,’ Gambit Weekly, August 8, 2000, New Orleans, Louisiana

Elena Vozmeino, ‘Tracey Moffatt, Los Sueños,’ El Cultural, El Mondo, May, 2000, Madrid, Spain

‘Moffatt presenta una serie sobre ‘miedos y sueños’ a través de fotserigrafias,’ El País, 10 May, 2000, Madrid, Spain

Juan Vincente Aliaga, ‘A Sangre Y Fuego: Imatges de la Violéncia a lart contemporani,’ (essay), A Sangre Y Fuego, Spain

Michael Guerrin, ‘Les photos fabriquées de lénigmatique Tracey Moffatt,’ Le Monde, January 7, 2000, Paris, France

Susie Linfield, ‘Eclectic Eye,’ Artnews, February, 2000, New York, USA

Bridgit Somma, ‘Arbeiten im Schnittfeld von Mode, Design und Feminismus,’ (active on the interface between feminism, fashion and design), Lufthansa Magazine No. 4, April, 2000, Germany

Simona Cresci, ‘Un artista australiana da seguire con grande interesse,’ Time Out, Roma, No. 48, December 7-13, 2000, Italy

Cabello/Carceller, ‘“Mi trabajo es de caracter universal,’ Photo Periodico, June, 2000, Madrid, Spain

Oscar Alonso Molina, ‘Tracey Moffatt,’ Arte y Parte, No. 26, pg. 134, April-May, 2000, Santander, Spain

‘Festival Off, las galerias se abren a la forografia,’ El Punto, Año XV, No. 573, Pg. 8, June 9-15, 2000, Madrid, Spain

Carlota de Alfonso, ‘Tracey Moffatt: Invocaciones,’ El Punto, Año XV, No. 569, Pg. 4, May 12-18, 2000, Madrid, Spain

Paco Barragan, ‘Tracey Moffatt,’ ABC Cultural, No. 437, Pg. 36, June 2000, Madrid, Spain

Juan Botella, ‘Tracey Moffatt: Invocaciones,’ Anticuaria, No. 184, Pgs. 58-60, June 2000, Madrid, Spain

Santiago B. Olmo, ‘Sueños de ficcion,’ Lapiz, No. 164, Spain

Lynne Cooke, ‘Tracey Moffatt, Sydney Biennale 2000,’ 12th Biennale of Sydney Catalogue, May 26-July 30, 2000, Sydney, Australia

Roni Feinstein, ‘The Biennale of Reconciliation,’ Art in America, pg. 39, December, 2000, USA

Christine Temin, ‘Dreamscape of darkness,’ The Boston Globe, September 29, 2000, Boston, USA

Joseph D. Ketner, ‘Tracey Moffatt: Invocations,’ Rose Art Museum, Invocations exh. cat, September 5-October 22, 2000, Boston, USA

Susan Shepard, ‘The Fine Art of Photography,’ New England News Group Agency, September 20, 2000, Boston, USA

‘Calender/Choice,’ The Boston Globe, August 31, 2000, Boston, USA

Duncan McLaren, ‘Citibank Private Bank Photography Prize,’ on Sunday, 20 February 2000, London, UK

‘5 Photographs at Citibank Display,’ The News Line, 23 February, 2000, London, UK

Catherine Etoe, ‘They Shoot Horses, Don’t They?,’ The West End, 18 February, 2000, London, UK

John McEwan, ‘Portraits of an Artist,’ The Sunday Telegraph, 5 March 2000, London, UK

Midori Kimura, ‘Interview with Tracey Moffatt,’ BT (Bijutsu Techo), vol. 52 no. 784, March 2000, Japan

Very New Art 2000, (Millennium special), BT (Bijutsu Techo), vol. 52 no. 782, January 2000, Japan

Views from the Last Century: Tracey Moffatt, Anderson & Low, Image: The Magazine of the Association of Photographers no. 292, January 2000, London, UK

Holland Cotter, ‘Art in Review: Tracey Moffatt,’ The New York Times, 31 March, 2000 New York, USA

Australias 50 Most Collectible Artists, Australian Art Collector, no. 11, January-March 2000, Sydney, Australia

Tracey Moffatt, (photo section), Time Out New York, 2-9 March 2000, USA

Carol Squires, ‘Tracey Moffatt,’ American Photo, January/February 2000, USA

Niru S. Ratman, ‘They Shoot Horses, Dont They?,’ The Face no.38, March 2000, New York, USA

Contents, Vogue Hommes International, Spring/Summer, 2000, UK

Simon Rees, ‘Make-Believe,’ Pavement, No. 39, February/March 2000, Auckland, New Zealand

Jonathan Turner, ‘Trace Element,’ Black + White Magazine, No. 41, February 2000, Sydney, Australia

‘Arts Cool,’ W Magazine, January 2000, New York, USA

Judith Benhamou-Huet, ‘Lactualite des galeries Parisiennes de Francis Bacon, Shirin Neshat, Tracey Moffatt, nouvelle referance,’ Les Echos, 7 January 2000, Paris, France

En bref: Tracey Moffatt, Faisons rêve, Le Figaro, 4 January 2000, Paris, France

Yan C., ‘Histoires de Femmes, Tracey Moffatt, La Reveuse,’ Jalouse, January, Paris, France

Philippe Regnier, ‘Chocolat amrer, marmelade et contes de fees,’ January 2000, Paris, France

‘Familien-album,’ Album Magazin Frankfurter Rundschau, September 9 2000, Frankfurt, Germany

Lara Travis, ‘Mirage: Drysdale and Moffatt in the Australian outback,’ Art & Australia, vol. 37 no. 4, 2000, Australia

Belinda Gibbon, ‘In focus: Contemporary photography can be a far-sighted investment,’ The Sydney Morning Herald, 15 March 2000, Sydney, Australia

Sebastian Smee, ‘The pain remains the same,’ The Sydney Morning Herald, February 26, 2000, Sydney, Australia

Robert Cook, ‘Moffatt reveals her new scars,’ The West Australian, Perth Australia, 5 April 2000, Sydney, Australia

Présumes innocents - Lart contemporain et lenfance, exh. cat., CapcMusée dart contemporian de Bordeaux, 2000, Bordeaux, France

Kinder des 20. Jahrhunderts, exh. cat., Galerie der Stadt Aschaffenburg & Mitterlhein-Museum, Koblenz, Germany

Lucien Lecarme, ‘Tracey Moffatt – Laudanum,’ [email protected], 12 June 2000, Holland

Jonathan Turner, ‘Tracey Moffatt,’ Contemporary Art, 2000, Holland

Maartje den Breejen, ‘De roes van de Australische Tracey Moffatt,’ Rarool, May 2000, Holland

Eerste museale expositie van de Australische Tracey Moffatt in Helmond, Cranpetter, April 2000, Holland

Paola van dee Velde, ‘Herkenbare gevoelens bij Tracey Moffatt,’ De Telegraf, 2000, The Netherlands

Angelique Spaninks, ‘Broeierig down under,’ Eindhovens Dagblad, April 2000, Holland

Angelique Spaninks, ‘Buiden voor de larzen van een motorduivelin,’ De Stern, May 2000, Holland

Rutger Pontzen, ‘Egocentrisch zelfbeklag,’ Urij Nedeland, May 2000, Holland

Karen Duking, ‘Wat gebeurde er met het aboriginalmeisje,’ Dagbald de Limburger, May, 2000, Holland

Sandra Smallenburg, ‘Kracht van Moffatt ligt in wat ze niet vertelt,’ NRC Handelsblad, May 2000, Holland

Esma Moukhtar, ‘Spookverhalen en,’ Skrien, June 2000, Holland

Oscar Alonso Monlina, ‘Tracey Moffatt,’ Arte y Parte, No. 26, April/May, 2000, Santander, Spain

Ana Martinez-Collado, ‘Tracey Moffatt,’ www.arts.zin, 2000, Spain

Eugenio Castro, ‘Por las riberas del sueño,’ La Razon, June2000, Madrid, Spain

Mette Sandbye, ‘Down Under,’ Weekenddavisen, 11-17 February 2000, Denmark

Tom Jorgensen, ‘Flot udstilling af den australske Tracey Moffatt,’ Ekstra Bladet, 2 February, 2000, Denmark

Camilla A. Stockmann, ‘Laudanum,’ Nat & Dag, 5 February 2000, Denmark

Malene La Cour Rasmussen, ‘Dramatiske drome,’ Jyllands-Posten/Morgen visen, 10 March 2000, Denmark

Sarah Kent, ‘Mommy Dearest,’ Time Out, 11-17 July 2000, London UK

Bruce James, ‘Breaking The Spell,’ The Sydney Morning Herald spectrum, August 5 2000, Sydney Australia

Jan Mckemish, ‘When Crimes an Art,’ The Courier Mail, August 12 2000, Brisbane, Australia

Michele Hewitson, ‘Weird scenes and outback stories,’ New Zealand Herald, January 31 2000, Auckland, New Zealand

T.J. Macnamara, ‘Fresh eye on the familiar,’ New Zealand Herald, February 14 2000, Auckland, New Zealand

Peter Simpson, ‘Up in the Sky and Heaven,’ Sunday Star Times, February 20 2000 Auckland, New Zealand

Stephen Mckee, ‘Landascape in variate - Landscape in variation,’ Archis no. 8, Doetinchem, 2000, The Netherlands

Greg Burke & Hanna Scott, ‘Drive-progress-power-desire,’ exh. cat., Govett-Brewster Art Gallery, New Plymouth, New Zealand

Bernice Murphy, ‘Zeitgenossische Fotokunst aus Australian (Contemporary Photographic Art from Australia),’ Neuer Berliner Kunstverein, 2000, Berlin, Germany

Judy Annear, ‘World Without End: Aspects of 20th Century Photography,’ exh. cat., Art Gallery of New South Wales, 2000, Sydney

Samantha Vawdrey & Katarina Paseta, ‘Telling Tales: The child in contemporary photography (catalogue),’ Monash University Gallery, Melbourne, Australia

Wally Caruana, ‘Aboriginal Art in Modern Worlds,’ exh. cat., National Gallery of Australia, 2000, Cranberra, Australia

Sporting Life (catalogue), Museum of Contemporary Art, 2000, Sydney, Australia

Francisco Calvo Searraller, ‘Fin de Siglo,’ El País, Agosto 26, 2000, Spain

Jane Harrison, ‘Australiens Gestohlene Kinder,’ Frankfurter Rundschau, September 9, 2000, Frankfurt

Anne Ring Peterson, ‘Den utilpassede,’ Det Nationale Fotomuseum, 2000, Germany

Dan Jönsson, ‘Tracey Moffatt’s komplexa pussel,’ Jah for Sidst, April 2000, Denmark

Hanneke Huls, ‘Tracey Moffatt Laudanum,’ Torch, May 2000, The Netherlands

Helmond Gemeentemuseum, Archis, Gemeentemuseum, 22 April, 2000

Ruth De Beer, ‘Introducing Tracey Moffatt,’ Museum Helmond, 2000, The Netherlands

Zwetende lichamen in een onmetelijke woestijn, Uitkrant, June 2000, The Netherlands

‘SottShock,’ Man, May 2000, The Netherlands

‘Australische Avante-Garde-Kunstenares,’ Rails, May 2000, The Netherlands

‘Tracey Moffatt,’ Spits, May 2000, The Netherlands

‘Tracey Moffatt,’ Carp, Helmond Gemeentemuseum April 2000, The Netherlands

‘Expositie Tracey Moffatt,’ Traverse, Helmond Gemeentemuseum, April, 2000, The Netherlands

‘Fototentoonstelling Tracey Moffatt in Gemeentemuseum,’ Helmond, Nieuus, April 2000, The Netherlands

‘Laudanum,’ Vitrine, March 2000, The Netherlands

‘Mutitalent, Tracey Moffatt,’ Avante Garde, May 2000, The Netherlands

‘Tentoonstelling: Tracey Moffatt,’ Style Magazine, April 2000, The Netherlands

‘Mi Trabajo es de carácter universal,’ Cabello/ Carceller, PhotoPeriódico, June 2000, Madrid, Spain

‘Cronica de Una Fantasia,’ Cabello/ Carceller, El Periódico del Arte, May 2000, Madrid, Spain

‘Tracey Moffatt in Babelia,’ El País, p.12 August 26, 2000

Helga de Alvear, ‘Tracey Moffatt,’ Arte de Parte, April/May 2000, Madrid, Spain

Lynne Cooke, ‘Sydney Biennale 2000,’ ex cat., 2000, Sydney, Australia

Tom Jørgensen, ‘Brutal Aestetik,’ Det Nationale Fotomuseum, 8 April 2000, Denmark

‘Snap Ruling,’ The Citibank Private Bank Photography Prize 2000, Metro p.24-25, Feburary 5, 2000, Australia

‘Finalists eye Citibank Privaate Bank Photography Prize,’ Citigroup (publication), p.9, 2000, UK

‘Campos del Color,’ El País de las Tentaciones, 5 May, 2000, Madrid, Spain

‘Tracey Moffatt, Trans-Europe-Expos,’ December-January 2000, Paris, France

‘Tracey Moffatt,’ Readers Digest, March 2000, Canada

Saul Anton, ‘Tracey Moffatt, Fractured Fairy Tales,’ Time Out, March 2-9, 2000, New York, USA

Simon Grant, ‘Rich pickings up for the prize,’ The Guide, February 5-11, 2000, London UK

Natsumi Inokuchi, ‘Citibank Prize,’ Flash Art, January/February, 2000, London, UK

Kristine Kern, ‘Opium til øjnene,’ April 2000, Copenhagen, Denmark

Tracey Moffatt, Laudanum, exh. cat., Det Nationale Fotomuseum, February-April, 2000, Denmark

‘Tracey Moffatt, Invocations,’ Artforum International, February 2000, USA

‘Tracey Moffatt,’ Le Point, 31 December 1999, Paris.

Myriam Boutoulle, ‘Une galerie dart: photographique,’ Le Magazine, December 1999, Paris

‘Tracey Moffatt et Vik Muniz,’ Le Nouvel Observateur, 16 December 1999, Paris

Frédérique Chapuis, ‘Rude Bush,’ Télérama, 17 November 1999, Paris

‘Le moderner chic et faux de Muniz et Moffatt,’ Télérama, 1 December 1999, Paris

Emmanuelle Lequeux, ‘Tracey Moffatt: Sa vie en photo-drama,’ Le Monde, 2 December 1999, Paris, France.

Rainer Fuchs, ‘La Casa, il Corpo, il Cuore: Konstruktion der Identitäten,’ exh. cat, Museum Moderner Kunst Stiftung Ludwig Wien, 1999, Vienna, Austria

‘Tracey Moffatt,’ Le Monde, 18 November 1999, Paris

Brigitte Ollier, ‘Tracey Moffatt sans fard,’ Liberation, 6 December 1999, Paris

Rainer Zerbst, ‘Noch dreihundert Meilen bis nach Brisbane,’ Eßlinger Zeitung, 27 June 1999, Germany

Georg Linsenmann, ‘Im Auge des Chamäleons,’ Schwäbische Zeitung, 5 June 1999, Germany

Guillaume Tesson, ‘Lart du detournement,’ 17 November 1999, Paris

Olivier Reneau, ‘Incon tournables,’ Beaux Arts Magazine, September 1999, Paris

Life Cycles, exh. cat., Lynne Cooke & Stephanie Sembill für Zeitgenössiche, Kunst Leipzig, 1999, Germany

Christoph Doswald, ‘Missing Link Menschbilder in der Fotografie,’ ex cat., Kunstmuseum Bern, Edition Stemmle, Germany

Burkhard Riemschneider, Uta Grosenik, Art at the Turn of the Millenium, Köln, Germany

Alain Dister, ‘Centre dart et galerie,’ Loeil, November Paris.

Damien Sausset, ‘Tracey Moffatt, comme au ciné,’ December 1999, Paris

Anne Vrignaud, ‘Muniz/ Moffatt: limaginaire en action,’ Azart, November 1999, Paris

Léa Gauthier, ‘Tracey Moffatt,’ Le Journal des Expositions, November 1999, France

Pascale Rossignol, ‘Lart est sur images,’ Art & Cinema, November 1999, Paris

‘Art Perspektiven Fotografie: Tracey Moffatt,’ Art Das Kunstmagazin, November 1999 no. 11, Germany

Jane Burton, ‘Tracey Moffatt,’ ARTnews, October 1999, New York, USA

Michael Snelling, ‘Tracey Moffatt,’ Institute of Modern Art, 1999, Brisbane, Australia

Christian Kravagna, ‘Die Moderne im Rückspiegel,’ Springerin, June 8, 1999, Wien, Austria

Automaten: Phantasmen der Moderne, exh. cat., Puppen, Körper, Pia Müller-Tamm und Katharina Sykora, Kunstsmmlung Nordrhein - Wesstfallen, Okatagon, 1999, Düsseldorf, Germany

Thomas Wolff, ‘Nuevas visiones Nuevas Passiones, The Heat, the Joy and the Fear La colección Helga de Alvear,’ (catalogue), Fundación Marcelino Botín, 1999, Santander, Spain

Rainer Hörmann, Rosa für Jungs, ‘Kindheit als Phänomen,’ exh. cat., Hellblau für Mädchen, April 1999, Kunst, Berlin, Germany

Wohin kein Auge reicht, exh. cat., Deichtorhallen, 1999, Hamburg, Germany

‘Tracey Moffatt,’ Arte y Parte, Tracey Moffatt & Gerald Matt Jaume Vidal Oliveras, No. 21 June/July 1999, Madrid, Spain

Stéphanie Lerouge, ‘Tracey Moffatt,’ Beaux Arts Magazine, Paris Cedax, France

Régis Durand, ‘Les Inquietantes Tracey Moffatt un théatre pour personne,’ Art press, Paris, France

Lola Garrido, ‘Tracey Moffatt: La Chica de Moda,’ Foto, August, Spain

José Miguel G. Cortes, Juan Vicente Aliaga, ‘A Sangre Y Fuego,’ exh. cat., Espai dart contemporani de Castelló, Spain

Elvan Zaunyan, ‘Tracey Moffatt,’ Le Journal, Centre National de la Photographie, No. 8, Paris, France

Bruce James, ‘Up in the Sky: Tracey Moffatt in New York,’ Sun Herald, July 25 1999, Sydney, Australia

Ruth Hessey, ‘Tracey Moffatt: One of the 10 most Fascinating People in the History

of Australian Film,’ Independent Filmmakers, September 1999, Australia

Ben Widdicombe, ‘Pope Takes Manhattan,’ The Australian Newspaper, 20 December 1999, Australia

‘Very Revealing,’ (Photography section), Metro, 30 October - 5 November 1999, UK

Michael MacInnnis, ‘Tracey Moffatt,’ The New York Art World, May 1999, New York

Edward Leffingwell, ‘Tracey Moffatt at Paul Morris,’ Art in America, October 1999, USA

Jean Dykstra, ‘Laudanum: Tracey Moffatt,’ Art On Paper, Sept/Oct 1999, vol. 4, no. 1, USA

B. Cellis, ‘Tracey Moffatt- Artista Australiana,’ El País, 20 May 1999, Madrid, Spain

Daniel Bensinger Costello, ‘Art & Money,’ The Wall Street Journal, 17 September, 1999, New York, USA

Stella Artois, ‘Exhibitionism,’ Flaunt, June/July, 1999, USA

Vince Aletti, ‘Male Female,’ Aperture, Summer, 1999, no. 156, New York, USA

Vince Aletti, ‘Voice Choices: Photo,’ The Village Voice, 11 May 1999, New York, USA

Kenneth Baker, ‘Tracey Moffatt,’ ARTnews, April, vol. 98, New York, USA

Marta Gili & Régis Durand (ed.), ‘Tracey Moffatt,’ (Spanish/ Catalan/ French catalogue), Fundacio ‘La Caxia" Barcelona & Centre National de la Photographie, 1999, Paris, France

Marta Gili, ‘Tracey Moffatt sentretient avec Marta Gili,’ Le Journal No. 8, 8 September 1999, Paris

Brigitte Reinhard (ed), ‘Tracey Moffatt: Laudanum,’ exh. cat., Cantz Verlag, 1999, Stuttgart, Germany

Robin Dutt, ‘Tracey Moffatt, Victoria Miro,’ Whats On, 9 June 1999, London, UK

‘News: Moving Images,’ Flash Art, October 1999, New York, USA

Martin Herbert, ‘Tracey Moffatt,’ Time Out London, 9-16 June, 1999, USA

Charles Gandee, ‘Women on the Verge,’ American Vogue, May 1999, USA

Alex Neel, ‘Tracey Moffatt,’ Time Out, New York, 10-17 June, 1999, USA

Mark Stevens, ‘Spice Girls,’ New York Magazine, 21 June 1999, USA

Stephen Gan, Ceilia Dean & James Kaliardos, ‘The Game,’ Visionare 30, 1999, New York, USA

Blair French, ‘Tracey Moffatt,’ Art/Text, 1999, #66, Australia

McKenzie Wark, ‘Artist Exhausts Her Critics,’ The Australian, 4 August 1999, Australia

Sebastian Smee, ‘A Trippy, Touched-Up Tease,’ The Sydney Morning Herald, 21 April 1999, Australia

Benjamin Genocchio, ‘Disturbing Narrative of Passion and Power,’ The Australian, 23 April 1999, Australia

Christian Herchenrôder, ‘Neuer Blick auf das Fremde,’ 12 November 1999, Germany

Bruce James, ‘Up in The Sky: Tracey Moffatt in New York,’ Sun Herald, July 25, Sydney, Australia

John Conomos, ‘Tracey Moffatt: Laudanum,’ Photofile, no. 57, October, Sydney, Australia

Sebastian Smee, ‘Little Miss Moffatt,’ The Sydney Morning Herald Metro, 22 April 1999, Australia

Daniel Mudie Cunningham, ‘Laudanum,’ The Sydney Star Observer, 22 April 1999, Australia

Thomas Wolff, ‘Kalkuliertes Klischee,’ Frankfurter Rundschau, 16 April 1999, Germany

Thomas Wolff, ‘Laudanum für die Kunstwelt,’ Frankfurter Rundschau, 2 March 1999, Germany

‘Heute zu Fotografien von Tracey Moffatt,’ W.R., Frankfurter Rundschau, 29 May 1999, Germany

Verena Kuni, ‘Tracey Moffatt in der L.A. Galerie und im Ulmer Museum,’ Kunst-Bulletin, 8 July 1999, Zurich, Switzerland

‘Tracey Moffatt--Shooting Queen,’ Elle Germany, June 1999, Germany

Marc Peschke, ‘Lustvolle Unterwertung,’ Frankfurter Allgemaine, 3 May 1999, Germany

Adrienne Braun, ‘A plus B ist nicht gleich B plus A,’ Süddeutsche Zeitung, 30 June 1999, Munich, Germany

‘Zwiespältiger Eindruck bei Tracey Moffatts Filmen,’ Ulmer Museum, Schäbische Zeitung, 30 June 1999, Germany

‘Leiche auf der Landstraße,’ Spiegel, 22 March 1999, no. 21, Hamburg, Germany

Marc Peschke, ‘Erlesenes Drama: ‘Laudunum" von Tracey Moffatt,’ Photonews, June 1999, Germany

Cate McQuaid, ‘Free Falling Delivers Aboriginal Perspective,’ The Boston Globe, 28 January 1999, USA

William Middleton, ‘Escape to Amsterdam,’ Travel and Leisure, October 1999, USA

Carol Squiers, ‘Tracey Moffatt,’ American Photo, Jan/Feb 1999, USA

Studio Art Magazine, ‘Tracey Moffatt,’ September 1999 no. 106, Tel Aviv

Brigitte Paulino-Neto, ‘Tracey Moffatt,’ Paris Vogue, November 1999, Paris

Sandra Smallenburg, ‘Tracey Moffatt,’ N.R.C., 18 June 1999, Amsterdam

Erik Hagoort, ‘Schaduw van gouvernante schuift over de trappen,’ Volkskrant, 23 June 1999, Amsterdam

Laurence Hegarty, ‘Tracey Moffatt,’ New Art Examiner, October 1999, New York, USA

Jonathan Turner, ‘Tracey Moffatt,’ MonteVideo/TBA, Netherlands Media Art Institute no. 10, 1999, Amsterdam

Olga Spiegel, ‘La Australiana Tracey Moffatt presenta en ‘la Caixa" su obra de los últimos diez años,’ La Vanguardia, 21 May 1999, Barcelona, Spain

Jaume Vidal Oliveras, ‘Tracey Moffatt,’ Arte Y Parte, June/July 1999 no. 21, Madrid, Spain

‘Foto-Inszenierungen der Wirklichkeit,’ Schwäbische Zeitung, 15 June 1999, Germany

‘Zwischen den Generationen Vermitteln,’ Zitty, Metropol, 1999 no. 20, Germany

Krystian Woznicki, ‘Zwischen Macht und Ohnmacht,’ Berlin Zeitung, 7 October 1999, Germany

Christina Tilmann, ‘Blitze über dem Schlachtfeld,’ Der Tagesspiegel, 22 September 1999, Germany

Ángela Molina, ‘Tracey Moffatt: Soy estúpida téchnicamente, casi no sé utilazar la cámara,’ ABC Cultural, 19 June 1999, Madrid, Spain

‘Insert Tracey Moffatt,’ Noëma, August/October 1999, Germany

Brigitte Werneburg, ‘Unschärfen, Kratzer und Schrammen,’ Die tageszeitung, 19 September 1999, Germany

Tanja Fiedler, ‘Nur Gefühle Zählen,’ Auflage, 14 September 1999, Germany

Constanze Suhr, ‘Unvollendete Geschichten,’ Berlin Magazin, 21 May 1999, Germany

Judy Annear, ‘Tracey Moffatt: Guapa 1995,’ Noticias Arco, September 1999, no. 15, Madrid

Roberta Smith, ‘Gazing in a Mirror: The Omnipresent Camera,’ New York Times, 10 September 1999, New York

‘Macht und Fürsorge,’ Noëma, August/October 1999, Köln, Germany

Monty DiPietro, ‘Poor Painter excels in her world of photodrama,’ Asahi Evening News, 21 October 1999, Australia

Catalina Serra, ‘Mitos Cotidianos,’ El País, 26 June 1999, Madrid, Spain

Catalina Serra, ‘Espero que las historias que explico en mis obras sean universales," El País, 20 May 1999, Madrid, Spain

B. Celis, ‘Realidades Ficticias,’ El País de las Tentaciones, 21 May 1999, Madrid, Spain

Ángela Molina, ‘Tracey Moffatt descubre en Barcelona los enigmas de la fotografía,’ ABC Cultural, 21 May, 1999, Madrid, Spain

Thomas Schillo, ‘Traum-haft,’ Kunst Aktuell, June 1999 no. 6, Germany

Petra Kollros, ‘Inszenierungen um Erotik und Macht,’ Südwest Presse, 6 May 1999, Germany

Christian, Kravagna, ‘Die Modern im Ruckspiegel,’ Springerin, June/August 1999, Wien, Osterreich

Thomas Wolff, ‘The Heat, the Joy and the Fear, About the Picture Universe of the Australian

Photo, Artist Tracey Moffatt,’ (essay in catalogue), Nuevas Visiones / Nuevas Pasiones, 1999, Spain

Diane Stegmann, ‘Agenda: The Armory Show,’ Elle Décor, Feb/Mar 1999, USA

Petra Kollros, ‘Im Zentrum ein Melodram,’ 9 June 1999, Germany

Heide von Preußen, ‘Opium und keine Skrupel: Tracey Moffatts Bildschau,’ 5 June 1999, Germany

Jutta Schenk-Sorge, ‘Tracey Moffatt Laudanum,’ Kunstforum 148, December 1999, Cologne, Germany

The Promise of Photography: Selections from DG Bank Collection, PS1 Contemporary Art Center, September/October, 1999, New York, USA

‘Tracey Moffatt Laudanum,’ New Yorker p.34, June 25, 1999, New York, USA

‘Tracey Moffatt, Laudanum,’ The New York Art World, May 1999, New York, USA

‘Tracey Moffatt, Laudanum,’ Roslyn Oxley9 Gallery, April-May 1999, Sydney, Australia

‘Tracey Moffatt, Laudanum,’ Hot Tickets, Victoria Miro, Evening Standard, May 20, 1999, London, UK

‘Tracey Moffatt,’ Ulmer Museum, Trendmagazin Joy, July 1999, Ulm, Germany

‘Und Immer Lief der Frensher,’ Brgitte, December 1999, Germany

‘Kunst im Kino,’ Südwest Press, May 27, Germany

‘Tracey Moffatt- Laudanum,’ Kunstzeitung, Ulmer Museum, June/July 1999

‘Moffatt auf Tournee,’ Südwest Presse, July 15, 1999, Germany

‘Land mit charakteristischen kulturellen Leistungen,’ Südwest Presse, Ulmer Museum, Ulm, Germany

‘Up In The Sky,’ Stuttgarter Nachrichten, July 14, 1999, Germany

‘Die Welt- ein Traum,’ Berlin Ticket, No.36, September 1999, Berlin, Germany

‘Tracey Moffatt,’ Art Das Kunstmagazin, no.11, November 1999, Germany

Hedwig Fijen, ‘Public Private,’ Netherlands Media Art Institute, February/March 1999, Amsterdam, Holland

‘Mystérieux objects du désir,’ Le Cercle des amis darte, Centre National De La Photographie, November 1999-January 2000, Paris, France

‘Tracey Moffatt,’ Nikon FlashŒuvres photographiques et films, Centre National De La Photographie, 1999, Paris, France

‘Expositions du Centre National De La Photographie,’ Phot echos p.4, October 1999, Paris, France

Lynne Cooke, ‘Unodissea foto-cinematografica,’ exh. cat., Tracey Moffatt/Immagini p.89-147, Il video a venire, 1999, Italy

‘Tracey Moffatt, entre fiction et réalité,’ Loeil, October 1999, Paris, France

Le moderner chic et fuax de Muniz et Moffatt

Télérama Paris, December 1-7, 1999, Paris, France

‘Tracey Moffatt and Vik Muniz,’ Whats on, December 1999 - January 2000, Paris, France

Regis Durand, ‘Tracey Moffatt,’ Paris Photo, p. 80, Autumn 1999, Paris, France

‘Lénergie Åpre de Tracey Moffatt,’ LAustralie en France, no. 6, November 1999

‘Tracey Moffatt, Lénigme de limage,’ Axelle, p. 7, December 1999, Brussels, Belgium

‘Tracey Moffatt,’ Paris Voice, November 1999, Paris, France

‘Tracey Moffatt& Vik Muniz, Blvd Europe, September - November 1999, Paris, France

‘Tra Cinema e Fotorafia, L arte di Tracey Moffatt,’ PHOTO, December 1999, Italy

‘Tracey Moffatt, Project Rooms,’ El Correo Arco, February 1999, Madrid, Spain

Rikard Rehnbergh, ‘En konstpromenad paövre Östermalm,’ Våsterbotlens Kunren, Konst, March 23, 1999, Konst, Germany

Martin Hentschel, Württembergischer Kunstverein Stuttgart and Gerald Matt, Kunstalle Wien, editors, ‘Tracey Moffatt,’ exh. cat., Kunstalle Wien, Württembergischer Kunstverein Stuttgart, AR/GE Kunst, Vorarlberger Kunstverein, Ostfidern-Ruit, Cantz 1998

Adrian Martin, ‘Tracey Moffatts Lost Highway,’ Artlink, Vol. 18 No. 4, 1998, Australia

Lisa Liebmann, ‘Top 10: The Best of 1998,’ Artforum, December 1998, USA

Susan Lowish, ‘Free-Falling,’ Center for Contemporary Photography Flash, November 1998, Melbourne, Australia

Bill Stamets, ‘Art People: The Making of an Art Queen,’ Chicago Tribune, November 1998, No. 20, USA

Ewa Lajer-Burcharth, ‘A Stranger within,’ Parkett, No. 53, Zurich, Switzerland

David Morrow, ‘If This is Art, I Really Like It,’ C-International Contemporary Art, October 1998, Toronto, Canada

Arianna di Genova, ‘Flash Sul Luogo del Delitto,’ Il Manifesto, 17 September 1998, Rome

Jennifer Higgie, ‘Tracey Moffatt: Victoria Miro,’ Frieze, No. 40, May 1998, London, UK

‘Tracey Moffatt,’ Arnolfini, Visual Arts section, August/Septmeber 1998, Bristol, UK

Denise Robinson, ‘Go on, show me. . .,’ Arnolfini, Bristol, June 1998, UK

Tom McEvilley, ‘Falling Upward,’ Interview Magazine, April 1998, New York, USA

Christopher Bagley, ‘Big Miss Moffatt (Australia is too small for an artist like Tracey Moffatt-so shes coming to America),’ W Magazine, March 1998, New York, USA

Susan Hapgood, ‘Tracey Moffatt at Dia,’ Art in America, March 1998, New York, USA

Martin Herbert, ‘Tracey Moffatt: Victoria Miro Gallery, London,’ Time Out, March 4-11 1998, London, UK

Sebastian Smee, ‘Multiple Exposure,’ The Sydney Morning Herald - Spectrum, May 9 1998, Sydney, Australia

Bruce James, ‘Tracey in Timbuktu,’ Photofile, no 53, April 1998, Sydney, Australia

Sebastian Smee, ‘The whole world is Wild at heart and weird on top,’ The Sydney Morning Herald, May 22-28 1998, Sydney, Australia

Elke Bockhorst, ‘Frauen vor Wustenlandschaft Eschalot oder neun Fragen an die Peripherie eine Ausstellung in Kassel (Women in Desertlandscapes),’ Frankfurter Rundschau, 2 May 1998, Frankfurt, Germany

John Borthwick, ‘Im here to photograph the sunsets,’ Off the Rails, 1998, Australia

‘Echolot,’ exh. cat., curated by Rene Block, catalogue essay Innocence and Violence by Anne Marie Freybourg, March 1998, Museum Fridericianum, Kassel, Germany

‘Tracey Moffatt,’ exh. cat., curated by Gerald Matt and Lucas Gehrmann, essays by John Yau, Martin Hentschel, and Bert Rebhandl. Tracey Moffatt interviewed by Gerald Matt, Kunsthalle Wien, Vienna, Austria, Vorarlberger Kunstverein, Bregenz, Austria, Wurttembergischer Kunstverein Stuttgart, Germany, AR/GE KUNST, Bozen, Italy, 1998

Karin Schulze, ‘Tracey Moffatt, Kunstlich wie das Leben: (Artificial like Life),’ Der Spiegel - Culture, May 1998, Hamburg, Germany

Anke Kempkes, ‘Rollschuhfahrerinnen, Pasolini und Mad Max: Das Tracey Moffatt-Fieber (Tracey Moffatt Fever: Rollerderby, Pasolini and Mad Max),’ Springerin, March/May 1998, Vienna, Austria

Ilona Lehnart, ‘Das Rettende scheint wieder nah,’ Feuilleton Frankfurter: Allgemeine Zeitung, April 20 1998, Kassel, Germany

Dirk Schwarze, ‘Man musuns nur endlich beginnenlassen,’ Kunstforum International, April/June 1998, Germany

Dirk Schwarze, ‘Bewwgung, Klung und Stille,’ HNA, March 26 1998, Kassel Germany

Dirk Schwarze, ‘Und fröhlich hüpfen die Minen,’ HNA, April 27, 1998, Kassel, Germany

‘Der Rand Miittelpunkt,’ Spiegel, April 17, 1998, Germany

Gabriele Hoffmann, ‘Verschlungen in weißer Leere,’ Stuttgarter Zeitung, April 28 1998, Stuttgart, Germany

Nicolai B. Forstbauer, ‘Balladen nebensächlichen Schreckens,’ Stuttgarter Nachrichten, June 6 1998, Stuttgart, Germany

Reiner Metzger, ‘Tracey Mofffatt: Plot and Pleasure,’ Noëma, No. 47 April 1998, Vienna, Austria

Martin Pesch, ‘Tracey Moffatt,’ Kunstforum International, April 1998, Frankfurt, Germany

Susanne Lingemann, ‘Wunderland der falschen Träume (Wonderland of Wrong Dreams),’ ART - Das Kunstmagazin, April 1998, Hamburg, Germany

Hohe Kunst der Künstlichkeit (High art of artificiality)

‘A View from Australia’: Tracey Moffatt in der Kunsthalle Wien/Museumsqartier

Doris Krumpl, Der Standard Kultur/Szene, April 9 1998, Vienna, Austria

Henriette Horny, ‘In plumpen Klischees zeigt sich das wirkliche Leben sehr deutlich (The real life in simple cliches),’ Kurier, April 10 1998, Vienna, Austria

Lars Movin, ‘Galleri Faurschou, Denmark

Christina Magnergård, ‘Australiens ljus på Karlavägen,’ Metro, February 2 1998, Denmark

Mai Misfeldt, ‘Australsk iscenesaettelse,’ Berlinske Tidende, January 14 1998, Copenhagen, Denmark

Peter M. Hornung, ‘Grimme ridser i drømmen,’ Politiken, January 9 1998, Copenhagen, Denmark

Dorothee Baer-Bogenschütz, ‘Angekratzt Bilderflut: Tracey Moffatt (Scratched Image Flood),’ Kunstzeitung, 20 April 1998, Regensburg, Germany

Dorothee Baer-Bogenschutz, ‘Am Anfang und Ende der Zivilisation: Ratselszenen aus dem australischen

Outback. Tracey Moffatt in der L.A. Galerie,’ Frankfurter Rundschau, Jan. 29 1998, Frankfurt, Germany

‘Im Zentrum die Peripherie,’ Kulturgemeinschaft, DGB Stuttgart, May 1998, Germany

Marius Babias, ‘Von der Peripherie aus,’ Jungle World, 3 June 1998, Germany

Marius Babias, ‘Alles in Flux,’ Echolot, der impresario René Block, 1998 Kassel, Germany

Dirk Schwarze, ‘Vom Zentrum an den Rand und zurück,’ Sudt Zeitung, 4 June 1998, Germany

Dirk Schwarze, ‘Welt durch den Körper erfahren,’ HNA, 16 June 1998, Germany

Dirk Schwarze, ‘Fortdauer des kolonialen Denkens,’ HNA, 16 June 1998, Germany

Jutta Buness, ‘Positionsbestimmungen,’ NBK, June/July 1998, Germany

Peter Herbstreuth, ‘Echolot im Museum Fridericianum,’ Kunstbulletin, June 1998, Germany

Jorg Restoft, ‘Im Orient,’ April 1998, Kassel, Germany

Carl Berger, ‘Echolot Review,’ Noëma, July/August 1998, Kassel, Germany

Dirk Schwarze, ‘Von der Kraft der Frauen,’ Kunstforum International, July/September 1998, Germany

Von Elke Buhr, ‘Frauenschicksale im Australischen Outback,’ 8 April 1998, Germany

Dirk Schwarze, ‘Wie Bilder aus einem Film,’ HNA, 1 April 1998, Germany

Dirk Schwarze, ‘Von der Stärke der Frauen,’ HNA, 21 March 1998, Germany

Dirk Schwarze, ‘Wenn Dämonen flüchten,’ HNA, 22 April 1998, Germany

Wayne Tunnicliffe, ‘Strange Days,’ Art Gallery of New South Wales, 1998, Sydney, Australia

Giles Auty, ‘Quest for Significance,’ The Weekend Australian, 4-5 July 1998, Australia

Joanna Mendelssohn, ‘Nobody Told Me There Would Be Days Like These,’ The Australian, June 5, 1998, Australia

Tracey Moffatt, ‘Boulder City Kalgoorlie Western Australia,’ Art and Australia, Quarterly Journal, p.346-347, 1998, Sydney, Australia

Tracey Moffatt - Australische Ansichten (catalogue), Kunsthalle Wien, Austria, Württembergischer Kunstverein Stuttgart, Germany, Galerie Bozen, Voralberger Kunstverein

‘Strange Days,’ 3D World, 1998, Sydney, Australia

Daniel Mudie Cunningham, ‘Strange Days: The 4th Guiness Contemporary Art Project,’ The Sydney Star Observer, 11 June 1998, Sydney, Australia

Adriana Alvarez, ‘Most Peculiar, Mama,’ Revolver Magazine, 22 June 1998, Sydney, Australia

‘Surreal McCoy,’ Capital Q Weekly, 29 May 1998, Sydney, Australia

Sebastian Smee, ‘Wild and Weird on Top,’ The Sydney Morning Herald, 22-28 May 1998, Sydney, Australia

‘Strange Days: The Guiness Contemporary Art Project,’ Look Magazine, May 22 1998, Sydney, Australia

Sebastian Smee, ‘The Whole World is WILD at Heart,’ The Sydney Morning Herald, 22-29 May 1998, Sydney, Australia

Veena Arnold, ‘Critical Interventions: Evil,’ Viewpoint, June 1998, UK

Thomas Wolff, ‘Die Hitze, das vergnügen, die Angst,’ Frankfurter Rundschau, 5 Sept 1998, Frankfurt, Germany

Sju utställningar i en hall, Hallanasposten, 25 June 1998, Sweden

‘Minidramen zwischen Kunst und Trash,’ Claudia Ihlesfeld, Heilbronner Stimme, 25 May 1998, Heilbronn, Germany

Michael Hübl, ‘Blues n Balls,’ Kunst Forum, July-September 1998, Germany

Birgit Sonna, ‘Echo aus der Zukunft,’ Süddeutsche Zeitung, 6 June 1998, Munich, Germany

Maario Limbach, ‘Im Sucher: Entmenschlichung und Anonymisierung,’ Esslinger Zeitung, 5 May 1998, Esslingen, Germany

Carmele Thiele, ‘Gezeichnet fürs Leben,’ Freitag, 5 June 1998, Germany

F. Schur, ‘Zwischen Sex, Gewalt und Glamour,’ Prinz Stuttgart, May 1998, Stuttgart, Germany

‘Downunder-Dramolette,’ Rainer Metzge, 1998, Berlin, Germany

Sabine B. Vogel, ‘Tracey Moffatt im Württemburgische Kunstverein und in der Kunsthalle,’ Kunst Bulletin, 1998, Zurich, Germany

Conny C-A Malmqvist, ‘En givande mångtydighet,’ KUP, 6 June 1998, Sweden

Crispin Ahlström, ‘Stig in ach låt dig betraktas!,’ 6P, 28 June 1998, Sweden

Håkan Zeylon, ‘Fantasifullt om vår natur,’ SKD, 9 June 1998, Sweden

Jörgen Klinthage, ‘Konst som tänjer gränserna,’ 25 June 1998, Sweden

Jörgen Klinthage, ‘Kraftmätning mellan objekt och rum,’ Arbetet Nyheterna, 27 June 1998

Eva Ström, ‘Ruiner och agräs,’ SVD, 13 June 1998, Sweden

Marika Wachtmeister, ‘Natur som överraskar,’ Kristiansdagsbladet, 27 June 1998, Sweden

Cecilia Billgren, ‘Ruin möter besökare pa Konsthallens innergärd,’ Arbeiter, 30 May 1998, Sweden

Gunnar Bråhammar, ‘Svårbegripbart tema på Lunds konsthall,’ Ystads Allehanda, June 5, 1998, Sweden

Milou Allerholm, ‘Lekfulla utsnitt ur en filrerad natur,’ DN, 7 June 1998, Sweden

Brita Orstadius, Borås Tidning, 22 June 1998, Sweden

Ingamaj Beck, ‘Tack, men jag är matt,’ Attonbladet, 12 June 1998, Sweden

Poul Erik f, ‘Lunds kosnthalls sommarutställning handlar om naturen, bäde den

därute och den därinne - människans väsen,’ 1998, Sweden

Poul Erik Tøjner, ‘Människan och de bägge naturerna,’ Sydsvenskan June 22, 1998, Sweden

Poul Erik Tøjner, ‘Lunds konsthalls sommarutställning handlar om naturen, både den därute och den därinnemanniskans väsen,’ August 8, 1998, Sweden

Stefan Olofson, ‘Människans natur på Lunds Konsthall,’ Skånska Dagbladet, 20 May, 1998, Sweden

Birgit Sonna, Ech aus der Zukunft, ‘In der Bildgeschichte’, June 6, 1998, Stuttgart, Germany

Yens Wahlgren, ‘Allt vildare konstverk,’ Sydsveenskan, 30 May 1998, Sweden

Åke Holmqvist, ‘Med välavvägd balans,’ Norra Skan, 4 June 1998, Sweden

Lisbeth Bonde, ‘Tilbage til unaturen,’ Information Tirsdag, 30 Jun 1998, Sweden

Hakan Nilsson, ‘Gränsen mellanuppgörelse ochmani är tunn,’ Svenska Dagbladet, 7 March 1998, Stockholm, Sweden

Mario Limbach, ‘Gegen den Sturm der Bilder gestemmt,’ Südwest Presse, 8 May 1998, Germany

‘Fragen ohne Antwort,’ Deutsch Vogue, August 1998, Germany

‘Indigenous Australia in the Nations Parliament House,’ exh. cat., Parliament House, Cranberra, 1998, Australia

Els Roelandt, ‘Rokende babys en ravende jongeren,’ 1998, Holland

Ludovico Pratesi, "Art Energie: Art in Jeans," exh. cat., Turn-of-the-Century Reflections: Six Chapters on Art and Jeans, 1998, Florence, Italy

Johanna Hofleitner, ‘Was ich kenne," Presse, 10 April 1998, Vienna, Austria

Johanna Hofleitner, ‘Tracey Moffatt: A view from Australia,’ Eikon, No. 24, April 10 1998, Vienna, Austria

Bor Madestrand, ‘Australien tor över (Australians take over),’ Expressen, March 3 1998, Stockholm, Sweden

‘Nature of Man,’ exh. cat., Lund Konsthall, Lund, 1998, Sweden

Lars o Ericsson, Daquns Nyheter, ‘Karga berättelser (Stories in an empty space),’ (Daily News), March 6, 1998, Stockholm, Sweden

Mäss Revy, ‘Fotografikonst på Stockholm Art Fair,’ Stokholm Art Fair, p.28, Sweden

Sandra McGrath, ‘"I love Designer Clothes,’ Harpers Bazaar and Mode Australia, March 1998, Sydney, Australia

Sebastian Smee, ‘Total Eclipse of the Mundane,’ The Sydney Morning Herald Metro section, February 13 1998, Sydney, Australia

Justin Spring, ‘Tracey Moffatt: Hunters and Collectors,’ Art/Text, No 60, February - April 1998, Sydney, Australia

Joanna Mendelssohn, ‘Questions and Alternative Truths,’ The Australian, Feburary 1998, Sydney, Australia

Dena Shottenkirk, ‘Letter from New York,’ C., No. 58, 1998

Jonathan Turner, ‘Tracey Moffatt: Intense Interest,’ Artnewsletter, November 17, 1998

Mode, March 1998, Sydney, Australia

Coco Fusco, ‘Tracey Moffatt,’ Bomb, Summer 1998, USA

Giancarlo Polito & Helena Kontora, ‘Container of Information,’ Flash Art, Summer 1998, USA

Laurence Nassau, ‘A Snapshot of 1997-1998,’ NY Arts, September 1997-1998, New York, USA

Bill Stamets, ‘Art People: The making of an Art Queen,’ Chicago Reader, November 20 1998, Chicago, USA

Kathrin Luz, ‘Im Exzeß der großen Gefühle und grellen Farben,’ Noëma, October/November 1998, Köln, Germany

Erwin Melchart, ‘Australien ohne Känguruhus,’ Kultur, April 10, 1998, Germany

Von Kristian Sotriffer, ‘Das Triviale, der Traum, die Kunst,’ Die Presse-Kultur, April 1998, Germany

David Burrows, ‘Critical Interventions: Evil,’ View Point, June 19 1998, UK

Rainer Hormann, ‘Rosa für Jungs, Hellblau für Madchen,’ exh. cat., Kindheit als Phanomen, April 1998, Germany

Carlos Busualdo, Francesco Bonami, Okwui Enwesor, Matthew Higgs, Hou Hanru, Susan Kandel, Rosa Martinez, Asa Nacking, Hans Ulrich Obrist, ‘Cream: Contemporary Art in Culture,’ exh. cat., 1998, London, UK

‘ID Magazine,’ No. 11, 1998, London, UK

David Crosby, ‘Tracey Moffatt,’ Zoom No. 26, May-June 1998, Italy

Dominique Baque, ‘La Photographie Plasticienne,’ Un Art Paradoxical, 1998, Paris, France

Clarisse Pereira Godiva, ‘Ulm olhar indis creto até o parasío,’ Ano 1 No. 1, 1998, Brazil

‘Fortbewegung die nur ein einziges Ziel kennt: das Ich Kunst,’ Die Presse, April 1998, Vienna, Austria

‘Fleeting Portraits,’ exh. cat., Neue Gesellschaft für bildende Kunst, 1998, Berlin, Germany

John McDonald, ‘Contemporary Daze,’ The Sydney Morning Herald, June 20, 1998, Sydney, Australia

Ruth Handler, ‘Pornographie als Stickerei,’ June 1998, Berlin, Germany

‘Das Versprechen der Fotographie,’ exh. cat., DG Bank Collection, 1998, Luminita Sabau, Hara Museum of Contemporary Art, Tokyo, Japan

Kestner Gersellschaft, Hannover, Germany, Centre National de la Photographie, Paris, France, Akademie der Kunste Berlin, Germany, Schrin Kunsthalle, Frankfurt, Germany, Prestel, PS1, New York, USA, London, UK

Malin Wilson,’ Truce: Echoes of Art in an Age of Endless Conclusion,’ Artforum, p. 112, December 1997, New York, USA

Francesco Bonami, ‘Echoes: Contemporary Art at the age of Endless Conclusions,’ July 1997, New York, USA

Jean Dykstra, ‘Tracey Moffatt: Portrait of the Artist,’ Art and Auction, p. 62, 1997, New York, USA

Charles Dee Mitchell, ‘Report from Santa Fe: New Narratives,’ Art in America, November 1997, New York, USA

Lynne Cooke, ‘Tracey Moffatt: Free-Falling,’ Dia Center for the Arts, 1997, New York, USA

Anna Johnson, ‘Slick Tracey,’ Vogue Australia, November, 1997, Sydney, Australia

Vicki Goldberg, ‘The Artist Becomes A Storyteller Again,’ The New York Times, November 9, 1997, New York, USA

Roberta Smith, ‘Real Life Tableaux, Natural Yet Startling,’ Art Review, The New York Times, October 10, 1997, New York, USA

Franklin Sirmans, ‘Tracey Moffatt - So Many Stories to Tell,’ Flash Art,Vol xxx no. 195 Summer 1997, Milan/ New York, USA

‘Report from São Paulo,’ Art in America, March 1997, USA

Mette Sandbye, ‘Kunstrevy,’ Weekendavisen, 5-11 December, 1997, Denmark

Site Santa Fe, exh. cat.,1997, Santa Fe, USA

‘A Guide to the Seasons major Events,’ Art in America, No. 53, March 1997, USA

‘Conclusion,’ Artforum, December 1997, New York, USA

Renate Puvogal, ‘Campo 6 - the spiral village,’ Kunstforum international, no. 137, June/August 1997, Germany

Silvie Eiblmayer, ‘Zonen der Ver-störung,’ exh. cat., steirischer herbst, 1997, Graz, Austria

Printemps de Cahors, exh. cat., Paris, France

‘Et rat liv,’ Weekend Avisen, December 1997, Berlin, Germany

La Biennale di Venezia, Presente Passota, Futuro, XLVII Esposizione Internazionale dArte, exh. cat., Venezia, Italy

Sandra Dannike, Dame in Rot Frankfurter Rundschau, April 4, 1997, Frankfurt, Germany

Sue Smith, ‘Dealers duel for Traceys images,’ The Courier, August 20, 1997 Australia

Terry Imgram, ‘Basel fair boosts Brisbane backhanders,’ The Australian Financial Review, June 26, 1997, Sydney, Australia

Roberta Smith, ‘Real-Life Tableaux Natural Yet Startling,’ The New York Times, October 10, 1997, New York, USA

Katrin Bettina Müller, ‘Botanik auf der Tapete,’ Der Tages, Spiegel, June 2, 1997, Germany

Christina Wendenburg, ‘Rendezvous mit dem Känguruh,’ Berliner Morgenpost, June 10, 1997, Berlin, Germany

‘Australische Kunst am Waldsee,’ Zehlendorfer Volksblatt June 6, 1997, Germany

‘Moderne Kunst aus Australien,’ Die Welt, May 3, 1997, Germany

Eugenee Carchesio, ‘Australische Meisterwerke,’ Bild, May 5, 1997 Berlin, Germany

Katrin Wittneven, ‘Australian Open,’ February 1997, Germany

Antonio Goncalves Filho, ‘Australia revela a nova ordem fotográphica,’ O Estado de São Paulo, August 26, 1996 São Paulo, Brazil

Fundacao Bienal de São Paulo, exh. cat., 1996, São Paulo, Brazil

Francesco Bonami, ‘Campo 6 The Spiral Village,’ exh. cat., Museum of Modern Art Torino, Torino, Italy

Lynne Cooke, ‘Jurassic Technologies Revenant,’ exh. cat., Tenth Biennale of Sydney, 1996, Sydney, Australia

Sonya Voumard, The Moffatt Mosaic,’ The Australian, August 1996, Australia

Peter Weiermair, (editor), Prospect 96, exh. cat., Kunstverein Frankfurt, March/May, 1996, Frankfurt, Germany

Gael Newton & Tracey Moffatt, Tracey Moffatt: Fever Pitch (book), Piper Press, 1995, Sydney, Australia

Gael Newton, ‘Tracey Moffatt,’ exh. cat., Australian Perspecta 95, Art Gallery of New South Wales, 1995, Sydney, Australia

Wanda Jamrozik, ‘Flagging a new Australia,’ The Independent, December/January 1995, Australia

Susanne Lingermann, ‘Tracey Moffatt,’ ART ‘Fall Salon’, October 1995, Hamburg, Germany

Ewen McDonald, ‘Tracey Moffatt at Karyn Lovegrove and Mori,’ Art in America, July 1995, USA

ArtPace, ‘Short takes,’ exh. cat., 1995, p.5, San Antonio, Texas, USA

Michael Fitzgerald, ‘Technicolor World,’ TIME Mag., Australia / Pacific, 7 August 1995, Sydney, Australia

Julia Robinson, ‘Antipodean Currents,’ exh. cat., Guggenheim Museum (Soho), July, 1995, New York, USA

Frances Colpitt, ‘Tracey Moffatt: Guapa (Goodlooking),’ exh. cat., New Works Show, ArtPace, 1995, San Antonio, Texas, USA

Pepe Karmel, ‘Antidotes for a Cartoon Image,’The New York Times, June 23, 1995, New York

Frances Colpitt, ‘Beyond the Borders,’ exh. cat., Kwangju Biennale, 1995, Kwangju, Korea

Christopher Dean, ‘The Shadowy half-life of ethics: Guapa (Goodlooking),’ Broadsheet, Spring, 1995, Adelaide, Australia

Adrian Martin, ‘The Melodrama of Tracey Moffatt,’ World Art Magazine, p.24-29, Melbourne, Australia

Felicity Fenner, ‘All-pervasive images of sex,’ The Sydney Morning Herald, July 7 1995, Sydney, Australia

Petra Koch,’ State artists scoop award prize pools,’ The Courier Mail, November 3 1995, Australia

Perspecta 95, Art Gallery of New South Wales, 1995, Sydney, Australia

Fotoszenen-Short Stories, exh. cat.,

Walter Schmalriede, Rathus, 1994, Göttingen, Germany

'See the woman with the red dress on...and on..and on..'

Gael Newton, Art and Asia Pacific, Vol. 7 No. 2, 1994, Sydney, Australia

Haunted History: Tracey Moffatt and Julie Dash

Patricia Mellencamp, Discourse, Indiana University Press, Winter, 1994, USA

A Passage in Avante-Garde film (Deleuze, Deren, Moffatt)

Amelia Ellen Hastie, (lecture Patricia Mellencamp) University of Wisconsin, 1994, USA

Bedevil, exh. cat.

Tait Brady, Melbourne Film Festival, 1994, Melbourne, Australia

John Wojdylo, ‘Bedevil,’ Cinema Papers, No. 96 1993, Sydney, Australia

Lesley Stern, ‘When the Unexplained Happens,’ Photofile, No 40, Sydney, Australia

John Conomos, ‘Bewitched,’ Art and Australia, Vol. 31, No. 2, Summer 1993, Sydney, Australia

Penny Webb, ‘Tracey Moffatts Bedevil - A film Inscription of Three Ghost Stories,’ Agenda, No. 34 Summer 1993/94, Sydney, Australia

Bedevil (The Study Guide), c/ Ronin Films, 1993, Canberra, Australia

Bedevil (Original Motion Picture Soundtrack Recording), Music Composed and Conducted by Carl Vine - One M One Records Pty Ltd 1993, Sydney, Australia

Philip Dutchak, ‘Cool Front in Cannes,’ The Sydney Morning Herald, May 12 1993, Sydney, Australia

David Stratton, ‘Bedevil,’ Variety, April/May 1993, New York, USA

Deb Verhoeven, ‘Just Trust the Text, dont Colour it,’ Artlink, Vol. 13 No. 1 p. 30/31, Adelaide, Australia

Peter Birnie, ‘Three engaging ghost stories from Down Under,’ Vancouver Sun, Oct 12, Canada

Suzy Freeman-Greene, ‘Tracey Moffatt is a playful and subversive presence,’ The Age, October 1993, Melbourne, Australia

Annabel Dean, ‘The ghost in the family,’ The Sydney Morning Herald, October 28, 1993, Sydney, Australia

Lynden Barber, ‘Making her own rules,’ The Sydney Morning Herald, Oct 28 1993, Sydney, Australia

David Stratton, ‘Supernatural Vision,’ The Australian, Oct 30 1993, Australia

Henri Behar, ‘Le pillage du grenier familial - Tracey Moffatt,’ La Monde, May 1993, Paris, France

Ruth Hessey, ‘The Bedevil in Tracey Moffatt,’ Juice Magazine, Oct 1993, Australia

Jonathan Romney, ‘Festival favourites- the Guardians jury deliver their verdict,’ The Guardian, May 24, 1993, London, UK

Andrew Urban, ‘Riders of the Post New Wave,’ The Bulletin, May 25, 1993, Sydney, Australia

‘Bedevil - Tracey Moffatt,’ interviewed by John Conomos and Raffaele Caputo, Cinema Papers Vol 93, 1993, Melbourne

Claire Corbett, ‘Drama Queen,’ Rolling Stone Australia, April 1993, Australia

Deb Verhoeven, ‘Just Trust the Text, Dont Colour It,’ Art Link Vol 13 No 1, 1993, Adelaide, Australia

Susan Chenery, ‘Silent Movies,’ HQ Magazine, Autumn 1993, Sydney, Australia

Tracey Prisk, ‘Moffatt conjures up surreal imagery,’ Encore Magazine, Vol 10 Issue 20, Jan 20 1993, Sydney, Australia

Karen Jenning, ‘Experimenting with Difference,’ Sites of Difference, Cinematic representations of Aboriginalty and gender, Australian Film Institute, 1993, Australia

Marcia Langton, ‘“Well, I heard it on the radio and I saw it on the television,’ An essay for the Australian Film Commission on the politics and aesthetics of filmmaking by and about Aboriginal people and things, Australian Film Commission, Australia

Laleen Jayamanne, ‘A Sri Lankan reading of Tracey Moffatts Night Cries,’ Feminism and The Politics of Difference, edited by Sneja Gunew and Anna Yeatman Allen & Unwin, 1993, Australia

Jacques Delaruelle, ‘On the verge of saying nothing,’ exh. cat., Visual Arts Program, Adelaide Festival 93, Australia

Katherine Tulich, ‘New vision for a rock video,’ Sydney Morning Herald, Oct 25,1993, Sydney, Australia

 Fiona Mackie, ‘A Fractal Deframing in Film: Tracey Moffatts Night Cries: A Rural Tragedy,’ Photofile 31, 1993, Australia

‘Scare Tactics,’ KL, Vogue Australia, June, 1993, Australia

Jyanni Steffansen, ‘Scanning Photoworks - Adelaide Festival and Fringe - Pet Thang, Tracey Moffatt,’ Photofile 35, 1992, Australia

Warwick Adler, ‘Photography and Eroticism,’ Art and Australia, Vol 30 No.1 Spring 1992, Australia

John McDonald, ‘Sanctuary of the idiot box,’ The Sydney Morning Herald, March 21 1992, Sydney, Australia

Pavel Büchler, ‘Tracey Moffatt – Framed,’ exh. cat., Centre for Contemporary Arts Glasgow, 1992, Scotland, UK

John Conomos, ‘Pet Thang, Recent Photographs,’ AGENDA 24, July/August 1992, Sydney, Australia

Laleen Jayamanne, ‘Love Me Tender, Love Me True, Never Let Me Go: A Sri Lankan reading of Tracey Moffatts Night Cries,’Framework 38/39, 1992, London, UK

Helen ONeill, ‘From personal to universal,’ The Sydney Morning Herald, March 25 1992, Sydney, Australia

Des Partridge, ‘Female directors win film finance,’ Courier Mail, May 6 1992, Brisbane, Australia

Cyndi Tebbel, ‘Tracey Moffatt Ghost writer,’ New Woman, April 1992, Australia

Jacques Delaruelle, ‘Pet Thang, On the verge of saying nothing,’ exh. cat., Mori Gallery, Sydney, 1992 Australia

Manohla Dargis, ‘Our Favourites,’ The Village Voice, January 8, 1991, New York, USA

Terence Maloon, ‘From The Empires End - Nine Australian Photographers,’ Exhibition Catalogue, Circulo de Bellas Artes, Madrid, The Works Gallery, University of NSW, 1991, Australia

John Harris, ‘Moffatt tracing a fresh career,’ The News, p.26, September 20 1991, Adelaide, Australia

Shane McNeil, ‘Relativity Roeg and Radical Forms,’ LipSync Newsletter, August/September, 1991, Adelaide, Australia

Imogen Yang, ‘Origin-ality,’ 3D World, p.26, 1991, Sydney, Australia

‘Desde el fin del Imperio nueve Fotógrafios Australianos (From the Empires end nine Australian photographers),’ exh. cat., De Bella Artes, Madrid, Spain,The Works Gallery,1991, Sydney, Australia

Erica Carter, ‘Radical Difference,’ New Formations Number 10, Spring 1990, UK

Paul Harris, ‘A New Light on Black Australia,’ The Age Entertainment Guide Melbourne, November 1990 Australia

Paul Cox, ‘Night Cries in Cannes,’ Art Monthly, August 1990, Australia

Megan Turner, ‘Expect the Unexpected,’ Brisbane Courier Mail, August 25 1990, Brisbane, Australia

Ingrid Periz, ‘Night Cries: Cries from the heart,’ Filmnews, August 1990, Sydney, Australia

Scott Murray, ‘Tracey Moffatt: Night Cries A rural tragedy,’ Cinema Papers No. 79, May 1990, Melbourne, Australia

Ingrid Periz, ‘Night Cries - Distance, Communicability and reference,’ West, Vol. 10 No. 1&2, Autumn/Winter 1990, Australia

Annie Goldson, ‘Australias Anxiety of Influence,’ Afterimage, Summer, 1990, New York

Serge Dessault, ‘Le tour du monde pour Montreal,’ La Presse, Montreal, June 1990, Canada

Aborigines, Film & Moffatts Night Cries: A Rural Tragedy

E. Ann Kaplan, ‘An Outsiders Perspectives,’ Bulletin of the Olive Pink Society #1 (2), University of Adelaide December 1990, Australia

‘Gags of Colour,’ The Sydney Morning Herald, October 25, 1990, Sydney, Australia

Evan Williams, ‘Visual Cries Better by Half,’ The Weekend Australian, November 3-4, 1990 Australia

The Advertiser, ‘A Visual Impact in Shorts,’ FRAMES Festival of film and Video 7-14 September, 1990, Adelaide, Australia

Isobel Crombie and Sandra Byron, ‘Twenty Contemporary Australian Photographers,’ (exhibition catalogue), National Gallery of Victoria, 1990, Melbourne, Australia

Ruth Hessey, ‘In Vogue Profile,’ Vogue Magazine, February 1990, Australia

‘Photographers Gallery,’ Follow Me Magazine, March 1990, Australia

Anne Rutherford, ‘Night Cries: A Rural Tragedy,’ Art Link Vol 10, No.1&2, Autumn/Winter, 1990, Australia

Leigh Paatsch, ‘The Other Side of Reality,’ 35 Press, 1990, Australia

M.W., ‘Night Cries, Festival 90,’ Los Angeles Times, September 1, 1990, Los Angeles, USA

Patrick Crogan, ‘Tracey Moffatt - Something More,’ Photofile, Spring 1989, Australia

John McDonald, ‘Challenging Dislocations,’ The Sydney Morning Herald, September 2, 1989, Australia

Elizabeth Aird, ‘Australian Filmmaker Out To Break The Rules,’ Vancouver Sun November 16,1989, Vancouver, Canada

Art &Text, Cover picture from Something More - No. 34 Spring 1989, Australia

Anne Marie Willi, ‘Picturing Australia. - a History of Photography,’ Angus and Robertson 1989, Australia

Karen Alexander, ‘Tracey Moffatt, pushing the boundaries,’ Spare Rib, 1989, London, UK

‘Night Cries A Rural Tragedy,’ Film News, p.9, October 1989, Australia

Anne Howell, ‘Yes Minister, the Arts Need You,’ The Sydney Morning Herald, October 7 1989, Sydney, Australia

Karen Jennings & David Hollinsworth, ‘Shy Maidens and Wanton Strumpets,’ Hecate Vol 13 No.2, 1987/88, Australia

Gael Newton, ‘Shades of Light: Photography and Australia’ (Book), Australian National Gallery, 1988, Australia

Helen Ennis, ‘Australian Photography The 1980s,’ exh. cat., Australian National Gallery 1988, Australia

Helen Grace, ‘Still Moving,’ Art and Australia, Vol 26, No 1, 1988, Australia

Anna Rutherford, ‘Changing Images: An Interview with Tracey Moffatt,’ Aboriginal Culture Today, Dangaroo Press, 1988, Denmark

Karen Sidney, ‘Nice Coloured Girls,’ Independent Media Magazine, 1988, UK

Kate Collins, ‘Filmmakers Put Pacific In Focus,’ Brisbane Courier Mail, September 1988, Brisbane, Australia

Amy Taubin, ‘Firestarters,’ Village Voice, May 3, 1988, New York, USA

Peter Hackett, ‘Tracey wants to picture blacks in right light,’ The Adelaide Advertiser, March 22 1988, Australia

Karen Jennings, ‘The Frames Film Festival,’ Artlink Vol 8 No. 2 1988, Adelaide, Australia

Mary Colbert, ‘Captained Souls,’ Sydney Morning Herald Metro, June 24 1988, Sydney, Australia

Tim Loyd, ‘Tracey scoops the pool at Frames opening night,’ Adelaide Advertiser, 19 March 1988, Adelaide, Australia

Helen Grace, ‘Still Moving: Recent Australian Photography,’ Art and Australia, 1998, Spring Issue Vol. 26, No. 1, Australia

Tracey Moffatt, ‘Perspectives from the Independent Sector,’ FAN, Vol. 10, Two No. 7, 1988, UK

'Tracey Moffatt,’ exh. cat., Art and Aboriginality Show, 1987, Portsmouth, UK

Liane Hughes, Active Reactive, 1987, Australia

Juliet Herd and Stuart McLean, ‘Woman disrupts first fleet send off,’ Daily Telegraph, May 13 1987, Sydney, Australia

Geoffrey Batchen, ‘NADOC 86 exhibition of Aboriginal and Islander Photographers,’ Photofile p. 24-26, 1986, Sydney, Australia

Cecilia Ryan, ‘Tracey keeps it all in focus,’ Daily Mirror, September 9, 1986, Sydney, Australia

Simlola Coker, ‘Nice Coloured Girls,’ 1986, London, UK

Catherine Rogers, ‘Pictures for Cities,’ Photofile p.24/25, 1986, Sydney, Australia

‘Pictures for Cities,’ ArtSpace Newsletter, May/June 1985, Sydney, Australia

Marion Knox, ‘Pictures for Cities,’ SKIRT, January 1985, Sydney, Australia

‘Auckland New Zealand Political Protest,’ New South Wales Law Bulletin, June/July 1985, Sydney, Australia

'Pictures for Cities,' The Visual History of South Sydney Project, Promotional Poster Sydney, 1984, Australia