Group Show

Dirty Dozen

Tracey Moffatt Self Portrait, 1999, hand-coloured photograph, 33.5 x 22 cm, edition of 10

Tracey Moffatt Self Portrait, 1999, hand-coloured photograph, 33.5 x 22 cm, edition of 10

Who or what are the Dirty Dozen? Twelve-or-so messed-up, disorderly, snarling, vagrant or otherwise mischievous works from Roslyn Oxley9 Gallery artists thrown together into the large gallery to present a survey of some of the best antipodean contemporary art of the last two decades.

Exhibition Dates: 1 August – 24 August 2002

DIRTY DOZEN

Who or what are the Dirty Dozen? Twelve-or-so messed-up, disorderly, snarling, vagrant or otherwise mischievous works from Roslyn Oxley9 Gallery artists thrown together into the large gallery to present a survey of some of the best antipodean contemporary art of the last two decades. Other works have been included just because we liked them. D12 artists include James Angus, Destiny Deacon, Dale Frank, Jacqueline Fraser, Simryn Gill, Fiona Hall, Louise Hearman, Bill Henson, Tracey Moffatt, Jenny Watson and John Wolseley.

Roslyn Oxley9 Gallery would like to thank Brown Brothers Wines for their generous sponsorship of the sparkling wines at the Dirty Dozen opening.

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James Angus Puzzle, 1998; Photo Mural; 236 x 363 cm; enquire
James Angus Puzzle, 1998
Photo Mural
236 x 363 cm
Destiny Deacon Being There, 1998; Light jet print from Polaroid original; 67 x 100 cm; Edition of 15 + 2 APs; enquire
Destiny Deacon Being There, 1998
Light jet print from Polaroid original
67 x 100 cm
Edition of 15 + 2 APs
Destiny Deacon Adoption, 1993-00; Light jet print from Polaroid original; 100 x 100 cm; Edition of 15 + 2 APs; enquire
Destiny Deacon Adoption, 1993-00
Light jet print from Polaroid original
100 x 100 cm
Edition of 15 + 2 APs
Dale Frank Stephen Hawkings Bedroom Proficiency, 2001; acrylic & varnish on canvas; 200 x 260 cm; enquire
Dale Frank Stephen Hawkings Bedroom Proficiency, 2001
acrylic & varnish on canvas
200 x 260 cm
Fiona Hall Arguably, 1996; oil on canvas; 24 x 29 cm; framed size; enquire
Fiona Hall Arguably, 1996
oil on canvas
24 x 29 cm; framed size
Fiona Hall Lying Low, 1996; oil on canvas; 34 x 39 cm; framed size; enquire
Fiona Hall Lying Low, 1996
oil on canvas
34 x 39 cm; framed size
Fiona Hall Modified behaviour, 1996; oil on canvas; 39 x 34 cm; framed size; enquire
Fiona Hall Modified behaviour, 1996
oil on canvas
39 x 34 cm; framed size
Fiona Hall Symbiosis, 1996; oil on canvas; 34 x 39 cm; framed size; enquire
Fiona Hall Symbiosis, 1996
oil on canvas
34 x 39 cm; framed size
Jacqueline Fraser 39. A portrait of that fluted head cracked > The Daisy Chopper was an effective last resort BBC World News, 2002; Jacqueline Fraser, NY, NY. 9/11/2002; Fabric, oil stick and acrylic sheet; 65 x 100 cm; enquire
Jacqueline Fraser 39. A portrait of that fluted head cracked << side to side smoking again >> The Daisy Chopper was an effective last resort BBC World News, 2002
Jacqueline Fraser, NY, NY. 9/11/2002
Fabric, oil stick and acrylic sheet
65 x 100 cm
Jacqueline Fraser 38. A portrait of that dotted boy > The intensified mortar fire is coming to haunt them. CNN News, 2002; Jacqueline Fraser, NY, NY. 9/11/2002; Fabric, oil stick and acrylic sheet; 65 x 100 cm; enquire
Jacqueline Fraser 38. A portrait of that dotted boy << twirling eyes focussed again >> The intensified mortar fire is coming to haunt them. CNN News, 2002
Jacqueline Fraser, NY, NY. 9/11/2002
Fabric, oil stick and acrylic sheet
65 x 100 cm
Jacqueline Fraser 40.A portrait of that fluted head cracked > Nuclear force is in violation of the rules of engagement BBC World News, 2002; Jacqueline Fraser, NY, NY. 9/11/2002; Fabric, oil stick and acrylic sheet; 65 x 100 cm; enquire
Jacqueline Fraser 40.A portrait of that fluted head cracked << nodding forwards again >> Nuclear force is in violation of the rules of engagement BBC World News, 2002
Jacqueline Fraser, NY, NY. 9/11/2002
Fabric, oil stick and acrylic sheet
65 x 100 cm
Jacqueline Fraser 37. A portrait of that dotted boy > The presence of land mines erodes the level of trust BBC World News, 2002; Jacqueline Fraser, NY, NY. 9/11/2002; Fabric, oil stick and acrylic sheet; 65 x 100 cm; enquire
Jacqueline Fraser 37. A portrait of that dotted boy << prancing along again >> The presence of land mines erodes the level of trust BBC World News, 2002
Jacqueline Fraser, NY, NY. 9/11/2002
Fabric, oil stick and acrylic sheet
65 x 100 cm
Simryn Gill Dalam, 2001; Type C colour photograph; 23.5 x 23.5 each. Series of 260 images, edition of 5; enquire
Simryn Gill Dalam, 2001
Type C colour photograph
23.5 x 23.5 each. Series of 260 images, edition of 5
Bill Henson Untitled, 1995-96; Cut screen type C photograph; 223.5 x 243.5 cm; enquire
Bill Henson Untitled, 1995-96
Cut screen type C photograph
223.5 x 243.5 cm
Louise Hearman Untitled #408, 1995; oil on masonite; 92 x 69 cm; enquire
Louise Hearman Untitled #408, 1995
oil on masonite
92 x 69 cm
Louise Hearman Untitled #654, 1998; oil on masonite; 69 x 91 cm; enquire
Louise Hearman Untitled #654, 1998
oil on masonite
69 x 91 cm
Louise Hearman Untitled #862, 2001; oil on masonite; 23 x 29 cm; enquire
Louise Hearman Untitled #862, 2001
oil on masonite
23 x 29 cm
Tracey Moffatt GUAPA 1, 1995; Black and White photograph on chromogenic paper; 85 x 108.5 cm; Edition of 20 + AP 8; enquire
Tracey Moffatt GUAPA 1, 1995
Black and White photograph on chromogenic paper
85 x 108.5 cm
Edition of 20 + AP 8
Tracey Moffatt GUAPA 2, 1995; Black and White photograph on chromogenic paper; 85 x 108.5 cm; Edition of 20 + AP 8; enquire
Tracey Moffatt GUAPA 2, 1995
Black and White photograph on chromogenic paper
85 x 108.5 cm
Edition of 20 + AP 8
Tracey Moffatt GUAPA 3, 1995; Black and White photograph on chromogenic paper; 85 x 108.5 cm; Edition of 20 + AP 8; enquire
Tracey Moffatt GUAPA 3, 1995
Black and White photograph on chromogenic paper
85 x 108.5 cm
Edition of 20 + AP 8
Tracey Moffatt GUAPA 4, 1995; Black and White photograph on chromogenic paper; 85 x 108.5 cm; Edition of 20 + AP 8; enquire
Tracey Moffatt GUAPA 4, 1995
Black and White photograph on chromogenic paper
85 x 108.5 cm
Edition of 20 + AP 8
Tracey Moffatt GUAPA 5, 1995; Black and White photograph on chromogenic paper; 85 x 108.5 cm; Edition of 20 + AP 8; enquire
Tracey Moffatt GUAPA 5, 1995
Black and White photograph on chromogenic paper
85 x 108.5 cm
Edition of 20 + AP 8
Tracey Moffatt GUAPA 6, 1995; Black and White photograph on chromogenic paper; 85 x 108.5 cm; Edition of 20 + AP 8; enquire
Tracey Moffatt GUAPA 6, 1995
Black and White photograph on chromogenic paper
85 x 108.5 cm
Edition of 20 + AP 8
Tracey Moffatt GUAPA 7, 1995; Black and White photograph on chromogenic paper; 85 x 108.5 cm; Edition of 20 + AP 8; enquire
Tracey Moffatt GUAPA 7, 1995
Black and White photograph on chromogenic paper
85 x 108.5 cm
Edition of 20 + AP 8
Tracey Moffatt GUAPA 8, 1995; Black and White photograph on chromogenic paper; 85 x 108.5 cm; Edition of 20 + AP 8; enquire
Tracey Moffatt GUAPA 8, 1995
Black and White photograph on chromogenic paper
85 x 108.5 cm
Edition of 20 + AP 8
Tracey Moffatt GUAPA 9, 1995; Black and White photograph on chromogenic paper; 85 x 108.5 cm; Edition of 20 + AP 8; enquire
Tracey Moffatt GUAPA 9, 1995
Black and White photograph on chromogenic paper
85 x 108.5 cm
Edition of 20 + AP 8
Tracey Moffatt GUAPA 10, 1995; Black and White photograph on chromogenic paper; 85 x 108.5 cm; Edition of 20 + AP 8; enquire
Tracey Moffatt GUAPA 10, 1995
Black and White photograph on chromogenic paper
85 x 108.5 cm
Edition of 20 + AP 8
Tracey Moffatt Self Portrait, 1999; handcoloured photograph; 33.5 x 22 cm; Edition of 10 + AP 5; enquire
Tracey Moffatt Self Portrait, 1999
handcoloured photograph
33.5 x 22 cm
Edition of 10 + AP 5
Jenny Watson Dining Room, Lilydale 1987, 1988; Oil, acrylic and mixed media on rabbit skin glue primed cotton duck; 223 x 175 cm; enquire
Jenny Watson Dining Room, Lilydale 1987, 1988
Oil, acrylic and mixed media on rabbit skin glue primed cotton duck
223 x 175 cm
Jenny Watson Back Beach Sorrento 1972, 1988; Oil, acrylic and mixed media on rabbit skin glue primed cotton duck; 170 x 90 cm; enquire
Jenny Watson Back Beach Sorrento 1972, 1988
Oil, acrylic and mixed media on rabbit skin glue primed cotton duck
170 x 90 cm
Jenny Watson Back Beach Sorrento 1972, 1988; Oil, acrylic and mixed media on rabbit skin glue primed cotton duck; 270 x 170 cm; enquire
Jenny Watson Back Beach Sorrento 1972, 1988
Oil, acrylic and mixed media on rabbit skin glue primed cotton duck
270 x 170 cm
John Wolseley Rare and unaccountable sightings of the Embroidered Merops, 2002; Watercolour and charcoal of various Australian indigenous trees; 112 x 242 cm; (138 x 264 frame size); enquire
John Wolseley Rare and unaccountable sightings of the Embroidered Merops, 2002
Watercolour and charcoal of various Australian indigenous trees
112 x 242 cm; (138 x 264 frame size)