I stumbled across a plank of Huon Pine from Lake Pedder last year. It had a wonderful grain like Time's finger print. Out of it, gauging and scooping, I cut the images of several Red-Tailed Black-Cockatoos. And sometimes as my engraving tool moved across the sixteen thousand years of growth rings I felt within Time in some strange immanent sense.
—John Wolseley
Exhibition Dates: 7 September – 30 September 2006
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watercolour, graphite carbonised wood on paper
151.5 x 175.5 cm

woodcut over watercolour, graphite, ink and gouache on paper
101 x 284.5 cm; (frame size)

woodcut over watercolour, graphite in and gouache on paper
101 x 284.5 cm; (frame size)
Edition of 5

watercolour, graphite, carbonised wood on paper
66 x 85.5 cm; (frame size)

watercolour, graphite, carbonised wood on paper
66 x 85.5 cm; (frame size)

watercolour, graphite, carbonised wood on paper
66 x 85.5 cm; (frame size)

watercolour, graphite, carbonised wood on paper
66 x 85.5 cm; (frame size)
John Wolseley One Hundred and One Insect Life Stories
Roslyn Oxley9 Gallery, 2019
John Wolseley Heartlands and Headwaters
National Gallery of Victoria, Melbourne, 2015
John Wolseley all our relations
18th Biennale of Sydney, 2012
John Wolseley Carboniferous
Roslyn Oxley9 Gallery, 2010
John Wolseley Natural Selection: MALLEE/MAQUIS
Roslyn Oxley9 Gallery, 2008
Group Show, STOLEN RITUAL
Roslyn Oxley9 Gallery, 2006-07
John Wolseley The Wood, The World, and The Parrot
Roslyn Oxley9 Gallery, 2006
John Wolseley Bird on a Wire
Roslyn Oxley9 Gallery, 2005
Group Show, Dirty Dozen
Roslyn Oxley9 Gallery, 2002
Group Show, The First 20 Years
Roslyn Oxley9 Gallery, 2002
John Wolseley Tracing The Wallace Line
Roslyn Oxley9 Gallery, 2001
Group Show, A constructed world (in collaboration with John Wolsely)
Roslyn Oxley9 Gallery, 1997