John Adair's first solo exhibition at Roslyn Oxley9 Gallery.

Exhibition Dates: 27 October – 20 November 1999

John Adair's exhibition is the latest in a long series of works that have dealt with the landscape of Bondi Beach.

"My earliest memories and dreams started in Bondi... up until quite recently I have associated myself with the landscape, mainly through surfing and then through art."

The elements of the beach landscape have been distilled and coded by Adair to form supremely simple yet highly evocative images, rich with the colours of the sea, sand and sky. The subtle changes in mood that occurs at different times of the day are suggested by Adair's use of repetition and variation.

Linking the exhibition together are the twelve colours that Adair has isolated as representative of the landscape. Flesh, yellow, red, and a range of greens, blues and browns are reconfigured in a number of witty and ingenious ways: a row of balls, a set of shelves, a grid of squares, a splash of dots.

As Adair puts it: "Over the past 18 years I have developed a visual language using prime elements of the Bondi Beach landscape. These works have developed out of a need to contextualise and reconcile my feelings for a particular landscape."

The title, Last Bondi, refers to a kind of farewell by Adair to the landscape of Bondi. "Living in the same building since 1981, 99% of my work has been of Bondi and at Bondi. Last year I moved out of Bondi because the building and studio I lived in were to be pulled down." Landscape, as we all know, is never fixed, and despite the timeless qualities of the beach, its urban aspects mean that it will forever be in a state of flux.

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John Adair Stereo, 1998; lambda print; 100 x 200 cm; enquire
Stereo, 1998
lambda print
100 x 200 cm
John Adair South, 1999; enamel on acrylic; 180 x 360 cm; enquire
South, 1999
enamel on acrylic
180 x 360 cm
John Adair Whitewater, 1999; enamel on acrylic; 180 x 360 cm; enquire
Whitewater, 1999
enamel on acrylic
180 x 360 cm
John Adair Desert Ocean / Destiny, 1999; enamel on acrylic; 150 x 300 cm; enquire
Desert Ocean / Destiny, 1999
enamel on acrylic
150 x 300 cm
John Adair Desert Ocean / Origin, 1999; enamel on acrylic; 150 x 300 cm; enquire
Desert Ocean / Origin, 1999
enamel on acrylic
150 x 300 cm
John Adair Last Bondi / A, 1999; enamel on acrylic; 240 x 180 cm; enquire
Last Bondi / A, 1999
enamel on acrylic
240 x 180 cm
John Adair Last Bondi / B, 1999; enamel on acrylic; 240 x 180 cm; enquire
Last Bondi / B, 1999
enamel on acrylic
240 x 180 cm
John Adair Big Day / No. 3, 1999; enamel on MDF board, metal brackets; 120 x 240 cm; enquire
Big Day / No. 3, 1999
enamel on MDF board, metal brackets
120 x 240 cm
John Adair Ephod Bondi #4, 1999; enamel on PVC; 12 discs, 160 x 120 cm diameter; enquire
Ephod Bondi #4, 1999
enamel on PVC
12 discs, 160 x 120 cm diameter
John Adair Ephod #1, 1999; enamel on resin; 12 balls, 20 cm diameter each; enquire
Ephod #1, 1999
enamel on resin
12 balls, 20 cm diameter each
John Adair Ephod Bondi #2, 1999; enamel on acrylic; 12 panels, 180 x 135 cm; enquire
Ephod Bondi #2, 1999
enamel on acrylic
12 panels, 180 x 135 cm
John Adair Ephod #5, 1999; enamel, resin, MDF board, metal; 150 x 50 cm; enquire
Ephod #5, 1999
enamel, resin, MDF board, metal
150 x 50 cm
John Adair Untitled Bondi, 1999; enamel on MDF board; 100 x 200 cm; enquire
Untitled Bondi, 1999
enamel on MDF board
100 x 200 cm
John Adair Untitled / Two Witnesses / Sky, 1999; enamel, wood, MDF board, wall fittings; 40 x 60 cm; enquire
Untitled / Two Witnesses / Sky, 1999
enamel, wood, MDF board, wall fittings
40 x 60 cm
John Adair Two Witnesses, 1999; enamel, resin, wood; dimensions variable; enquire
Two Witnesses, 1999
enamel, resin, wood
dimensions variable
John Adair Bondi '82, 1999; framed iris print; 24.5 x 59 cm; enquire
Bondi '82, 1999
framed iris print
24.5 x 59 cm