Lindy Lee Lily-amah, 2001; photocopy, acrylic, oil, wax, and ink on board; 166 x 147 cm; enquire
Lindy Lee Lily-amah, 2001; photocopy, acrylic, oil, wax, and ink on board; 166 x 147 cm; enquire

Cycles Through A Chinese Landscape is an exhibition of paintings which reflect Lee's interest in exploring notions of selfhood as a constantly changing aggregation of experiences which include both Eastern and Western influences. Each colour has, for Lee, a significance that is highly personal, informed particularly by her studies in Zen Buddhism.

Exhibition Dates: 26 April – 19 May 2001
View Exhibition Text

Lindy Lee The end is the Beginning, 2001; photocopy, acrylic, oil, wax and ink on board; 166 x 147 cm; enquire
The end is the Beginning, 2001
photocopy, acrylic, oil, wax and ink on board
166 x 147 cm
Lindy Lee 8 Negations, 2001; 20 panels, acrylic, oil, wax, and ink on board; 166 x 147 cm; enquire
8 Negations, 2001
20 panels, acrylic, oil, wax, and ink on board
166 x 147 cm
Lindy Lee First Principle, 2001; 20 panels; acrylic, oil, wax, and ink on board; 166 x 147 cm; enquire
First Principle, 2001
20 panels; acrylic, oil, wax, and ink on board
166 x 147 cm
Lindy Lee Uji (time-being), 2001; photocopy, acrylic, oil, wax, and ink on board; 166 x 147 cm; enquire
Uji (time-being), 2001
photocopy, acrylic, oil, wax, and ink on board
166 x 147 cm
Lindy Lee Nell-dharma, 2001; 20 panels, photocopy, acrylic, oil, wax, and ink on board; 166 x 147 cm; enquire
Nell-dharma, 2001
20 panels, photocopy, acrylic, oil, wax, and ink on board
166 x 147 cm
Lindy Lee Traceless Enlightenment, 2001; 7 panels, acrylic, oil, wax, and ink on board; 41 x 206 cm; enquire
Traceless Enlightenment, 2001
7 panels, acrylic, oil, wax, and ink on board
41 x 206 cm
Lindy Lee Painting that is Almost Possible, 2001; 6 panels; photocopy, acrylic, oil, wax, and ink on board; 41 x 177 cm; enquire
Painting that is Almost Possible, 2001
6 panels; photocopy, acrylic, oil, wax, and ink on board
41 x 177 cm
Lindy Lee Nameless & Fameless, Leaving no Trace, 2001; photocopy, acrylic, oil, wax, and ink on board; 207 x 41 cm; enquire
Nameless & Fameless, Leaving no Trace, 2001
photocopy, acrylic, oil, wax, and ink on board
207 x 41 cm
Lindy Lee History, circular essence, 2001; photocopy, acrylic, oil, wax and ink on board; 41 x 207 cm; enquire
History, circular essence, 2001
photocopy, acrylic, oil, wax and ink on board
41 x 207 cm
Lindy Lee Secret of the Golden Flower, 2001; 5 panels, photocopy, acrylic, oil, wax, and ink on board; 207 x 41 cm; enquire
Secret of the Golden Flower, 2001
5 panels, photocopy, acrylic, oil, wax, and ink on board
207 x 41 cm
Lindy Lee Coincidence of Opposites, 2001; acrylic, oil, wax, and ink on board; 207 x 41 cm; enquire
Coincidence of Opposites, 2001
acrylic, oil, wax, and ink on board
207 x 41 cm
Lindy Lee Red Kuan Yin, 2001; 5 panels; photocopy, acrylic, oil, wax, and ink on board; 207 x 41 cm; enquire
Red Kuan Yin, 2001
5 panels; photocopy, acrylic, oil, wax, and ink on board
207 x 41 cm
Lindy Lee Shoji (Birth and Death), 2001; acrylic, oil, wax, and ink on board; 88 x 41 cm; enquire
Shoji (Birth and Death), 2001
acrylic, oil, wax, and ink on board
88 x 41 cm