"This is not a painting of Venice. Instead it depicts the collision of two worlds: the Aboriginal and the European. The upper area is an aerial view of a landscape in the Western Desert of Central Australia based on a recent work by Bobby West Tjupurrula titled Snake dreaming at Wilkinkarra.

I’ve juxtaposed aspects of this image with a view of the most watery of European cities – Venice, as interpreted by the great 20th-century artist Giorgio de Chirico. The title, The Solid Mandala, comes from a Patrick White novel. White purchased a series of works from my first solo exhibition in 1973, which he donated to the Art Gallery of New South Wales, so my painting is a homage to him." – Imants Tillers, 2016

The Solid Mandala was a finalist in the 2016 Wynne Prize at the Art Gallery of New South Wales.