Roslyn Oxley9 Gallery is pleased to participate in Art Cologne 2019. We will continue our history of promoting world-class Australian and international artists with a group presentation that showcases sensational work by Hany Armanious, Daniel Boyd, Dale Frank, Fiona Hall, Louise Hearman, Bill Henson and Isaac Julien.

Exhibition Dates: 11 April – 14 April 2019

Roslyn Oxley9 Gallery is pleased to participate in Art Cologne 2019. We will continue our history of promoting world-class Australian and international artists with a group presentation that showcases sensational work by:

Hany Armanious, Daniel Boyd, Dale Frank, Fiona Hall, Louise Hearman, Bill Henson, and Isaac Julien

Roslyn Oxley9 Gallery is delighted to premiere a suite of exuberant new paintings by Dale Frank, one of Australia’s foremostcontemporary painters. These works exemplify the artist's ongoing investigations into the potentiality of painting, through his controlled exploitation of varnish and Epoxyglass on Perspex. His paintings are characterized by an immediacy of process and a tense urgency of vision, the method of which he has mastered over several decades.

Also experimenting with perception and alchemical transformation, Hany Armanious is a sculptor whose work is predominantly concerned with the magical properties of the casting process. The Egyptian-born artist was Australia's representative at the 54th Venice Biennale in 2011. His practice often deliberately skirts the fine line separating 'something' from nothing', and toys with notions of value and its contemporary ambiguities.

Of equal magnitude Bill Henson, who represented Australia at the 46th Venice Biennale in 1995, is arguably one of Australia's best known contemporary artists. His sublime photographs range from portraits of adolescents to emotive landscapes, providing viewers with the opportunity to contemplate the ambiguous and transcendent qualities of his works.

Similar to Henson's oeuvre, Louise Hearman's work predominantly features edges of suburbia captured at twilight or sunset, while incorporating otherworldly forms that imbue them with a supernatural quality. With great technical skill, she focuses intently on capturing particular qualities of light in her subjects and conveying moments of intense radiance and darkness.

Exhibited alongside are new paintings by contemporary artist Daniel Boyd. Boyd's practice is internationally recognised for its manifold engagement with the colonial history of the Australia-Pacific region. Drawing upon intermingled discourses of science, religion and aesthetics, his work reveals the complexity of perspectives through which political, cultural and personal memory is composed.

Also achieving great success internationally, seminal British installation artist and filmmaker Isaac Julien CBE RA presents his new collage works which explore the relationship between animal and machine, environmentalism, virtuoso aesthetics and novel forms of beauty. Julien has won many awards for his work, most recently he was made a Royal Academician in 2018 and received the Charles Wollaston Award in 2017. Julien was awarded the title Commander of the Most Excellent Order of the British Empire (CBE) in the Queen’s birthday honours, 2017. 

Having represented Australia at the 56th Venice Biennale in 2015, Fiona Hall is renowned for extraordinary works that transform quotidian materials into vital organic forms with both historical and contemporary resonances.

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Hany Armanious Untitled (Snake Oil), 1997-2019; glass, silicone, pigment; dimensions variable; enquire
Hany Armanious Untitled (Snake Oil), 1997-2019
glass, silicone, pigment
dimensions variable
Dale Frank His pocket theatre cult took him far, 2018; varnish and Epoxyglass on Perspex; 200 x 150 cm; enquire
Dale Frank His pocket theatre cult took him far, 2018
varnish and Epoxyglass on Perspex
200 x 150 cm
Dale Frank He could only sleep in stiff dirty soiled sodden bedsheets, 2018; varnish and Epoxyglass on Perspex; 200 x 150 cm; enquire
Dale Frank He could only sleep in stiff dirty soiled sodden bedsheets, 2018
varnish and Epoxyglass on Perspex
200 x 150 cm
Dale Frank Georgina left her husband of 26 years becoming sexually infatuated with her son’s new wife since they first met at Randwick Racecourse on November 2nd last year, 2018; varnish and Epoxyglass on Perspex; 200 x 150 cm; enquire
Dale Frank Georgina left her husband of 26 years becoming sexually infatuated with her son’s new wife since they first met at Randwick Racecourse on November 2nd last year, 2018
varnish and Epoxyglass on Perspex
200 x 150 cm
Dale Frank His Personal Jesus, 2018; varnish  on perspex; 200 x 150 cm; enquire
Dale Frank His Personal Jesus, 2018
varnish on perspex
200 x 150 cm
Daniel Boyd Untitled, 2019; oil and archival glue on linen; 210.5 x 331 cm; enquire
Daniel Boyd Untitled, 2019
oil and archival glue on linen
210.5 x 331 cm
Daniel Boyd Untitled (NAC #1), 2019; oil, charcoal and archival glue on digital print on paper mounted to linen; 80.5 x 91.5 x 4 cm; enquire
Daniel Boyd Untitled (NAC #1), 2019
oil, charcoal and archival glue on digital print on paper mounted to linen
80.5 x 91.5 x 4 cm
Daniel Boyd untitled (NAC #2), 2019; oil, charcoal and archival glue on digital print on paper mounted to linen; 80.5 x 91.5 x 4 cm; enquire
Daniel Boyd untitled (NAC #2), 2019
oil, charcoal and archival glue on digital print on paper mounted to linen
80.5 x 91.5 x 4 cm
Daniel Boyd Untitled (RINYTPOTM #1), 2019; Oil, charcoal and archival glue on digital print on paper mounted to linen; 133 x 94.5 x 4 cm; enquire
Daniel Boyd Untitled (RINYTPOTM #1), 2019
Oil, charcoal and archival glue on digital print on paper mounted to linen
133 x 94.5 x 4 cm
Daniel Boyd untitled (RINYTPOTM #2), 2019; oil, charcoal and archival glue on digital print on paper mounted to linen; 133 x 94.5 x 4 cm; enquire
Daniel Boyd untitled (RINYTPOTM #2), 2019
oil, charcoal and archival glue on digital print on paper mounted to linen
133 x 94.5 x 4 cm
Fiona Hall Noose, 2019; military garment, wire, ochre, charcoal, dice; 106 x 25 x 22 cm; enquire
Fiona Hall Noose, 2019
military garment, wire, ochre, charcoal, dice
106 x 25 x 22 cm
Fiona Hall Conscript, 2019; military garment, charcoal, ochre, nails; 101 x 25 x 25 cm; enquire
Fiona Hall Conscript, 2019
military garment, charcoal, ochre, nails
101 x 25 x 25 cm
Bill Henson Untitled #154, 1985-86; gallery catalogue reference #43; archival inkjet pigment print; 128 x 100 cm; Edition of 20; enquire
Bill Henson Untitled #154, 1985-86
gallery catalogue reference #43
archival inkjet pigment print
128 x 100 cm
Edition of 20
Bill Henson Untitled #112, 1985-86; gallery catalogue reference #?; Type C colour photograph; 134.5 x 114 cm; Paper size: 128 x 100 Image size: 105 x 86cm; Edition of 20; enquire
Bill Henson Untitled #112, 1985-86
gallery catalogue reference #?
Type C colour photograph
134.5 x 114 cm; Paper size: 128 x 100 Image size: 105 x 86cm
Edition of 20
Bill Henson Untitled #144, 1985-86; gallery catalogue reference #52; type C colour photograph; 128 x 100 cm; Edition of 20; enquire
Bill Henson Untitled #144, 1985-86
gallery catalogue reference #52
type C colour photograph
128 x 100 cm
Edition of 20
Bill Henson Untitled #13, 1985-86; gallery catalogue reference #128; Type C photograph; 134.5 x 114 cm; Paper size: 128 x 100 Image size: 105 x 86cm; Edition of 20; enquire
Bill Henson Untitled #13, 1985-86
gallery catalogue reference #128
Type C photograph
134.5 x 114 cm; Paper size: 128 x 100 Image size: 105 x 86cm
Edition of 20
Bill Henson Untitled #69, 1985-86; gallery catalogue reference #29; archival inkjet pigment print; 128 x 100 cm; Edition of 20; enquire
Bill Henson Untitled #69, 1985-86
gallery catalogue reference #29
archival inkjet pigment print
128 x 100 cm
Edition of 20
Bill Henson Untitled #18, 1985-86; gallery catalogue reference #123; type C colour photograph; 128 x 100 cm; Edition of 20; enquire
Bill Henson Untitled #18, 1985-86
gallery catalogue reference #123
type C colour photograph
128 x 100 cm
Edition of 20
Isaac Julien Cyborg #4 Dawn (Radioactive series), 2018; foils mounted on aludibond, KODAK Duraclear mounted onto plexi, collage of solvent inkjet print on foil; 84 x 110 cm; enquire
Isaac Julien Cyborg #4 Dawn (Radioactive series), 2018
foils mounted on aludibond, KODAK Duraclear mounted onto plexi, collage of solvent inkjet print on foil
84 x 110 cm
Isaac Julien Cyborg #4 Indigo (Radioactive series), 2018; foils mounted on aludibond, KODAK Duraclear mounted onto plexi, collage of solvent inkjet print on foil; 84 x 110 cm; enquire
Isaac Julien Cyborg #4 Indigo (Radioactive series), 2018
foils mounted on aludibond, KODAK Duraclear mounted onto plexi, collage of solvent inkjet print on foil
84 x 110 cm
Isaac Julien Cyborg #1 Octavia / Dune (Radioactive series), 2018; foils mounted on aludibond, KODAK Duraclear mounted onto plexi, collage of solvent inkjet print on foil; 84 x 110 cm; enquire
Isaac Julien Cyborg #1 Octavia / Dune (Radioactive series), 2018
foils mounted on aludibond, KODAK Duraclear mounted onto plexi, collage of solvent inkjet print on foil
84 x 110 cm
Isaac Julien The Oracle- Bronze (Radioactive Avatar #12), 2018; coloured foils and inkjet prints on dibond; 87 x 62 cm; enquire
Isaac Julien The Oracle- Bronze (Radioactive Avatar #12), 2018
coloured foils and inkjet prints on dibond
87 x 62 cm
Louise Hearman Untitled #1338, 2011; Oil on masonite; 66.5 x 89 x 4.5 cm; enquire
Louise Hearman Untitled #1338, 2011
Oil on masonite
66.5 x 89 x 4.5 cm
Louise Hearman Untitled #1334, 2011; Oil on masonite; 66.5 x 89 x 4.5 cm; enquire
Louise Hearman Untitled #1334, 2011
Oil on masonite
66.5 x 89 x 4.5 cm
Louise Hearman Untitled #1337, 2011; Oil on masonite; 66.5 x 97 x 6 cm; enquire
Louise Hearman Untitled #1337, 2011
Oil on masonite
66.5 x 97 x 6 cm