Angela Brennan
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ANGELA BRENNAN |
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Born 1960 Ballarat, Australia |
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1988-92 |
Bachelor of Arts, University of Melbourne, Australia |
1979-82 |
Degree in Fine Art, Painting, RMIT |
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2011
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Infinity plus One, Roslyn Oxley9 Gallery, Sydney
To whom the silver footed goddess replied, Goddard de Fiddes Gallery, Perth
To whom Achilles swiftest of the swift replied, Orexart, Auckland |
2010
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Happen Today, Niagara Galleries, Melbourne
Gear Box Gallery, Melbourne |
2009 |
Everything is what it is and not some other thing, Roslyn Oxley9 Gallery, Sydney |
2008 |
Beautiful World, Niagara Galleries, Melbourne |
2007 |
Circular Scenery, Roslyn Oxley9 Gallery, Sydney
Goddard de Fiddes Gallery, Perth |
2006 |
Angela Brennan, Every Morning I wake up on the wrong side of capitalism, Monash University Museum of Art, Melbourne, Australia
still life, Niagara Galleries, Melbourne, Australia |
2005 |
Geranium Lake, Roslyn Oxley9 Gallery, Sydney, Australia
Paintings and Drawings, de Recourt Art. The Gallery on Cork Street, London, UK |
2004 |
Peas Cooked the Roman Way, Niagara Galleries, Melbourne, Australia
Faites l'amour pas la guerre, Roslyn Oxley9 Gallery, Sydney, Australia |
2003 |
Business men, they drink my wine, Pickled Art Centre, Beijing, China
Oestrogen, Roslyn Oxley9 Gallery, Sydney, Australia |
2002 |
Niagara Galleries (Melbourne Art Fair), Royal Exhibition Building, Melbourne, Australia |
2001 |
Roslyn Oxley9 Gallery, Sydney, Australia |
2000 |
Niagara Galleries, Melbourne, Australia |
1999 |
Bendigo Art Gallery, Victoria, Australia |
1998 |
Niagara Galleries, Melbourne, Australia |
1997 |
Roslyn Oxley9 Gallery, Sydney, Australia |
1996 |
Niagara Galleries, Melbourne, Australia |
1995 |
Ararat Regional Art Gallery, Victoria, Australia
Niagara Galleries, Melbourne, Australia
Temple Studios, Melbourne, Australia |
1994 |
Roslyn Oxley9 Gallery, Sydney, Australia |
1993 |
Niagara Galleries, Melbourne, Australia
Roslyn Oxley9 Gallery, Sydney, Australia |
1992 |
200 Gertrude Street, Melbourne, Australia |
1991 |
Niagara Galleries, Melbourne, Australia |
1990 |
First Draft West, Sydney, Australia |
1989 |
Possible Worlds, George Paton Gallery, Melbourne, Australia |
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2011
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Korea International Art Fair, Seoul Mosman Art Prize, Mosman Art Gallery, NSW Artwork to Tapestry, Tarrawarra Museum of Art Blue Chip XIII: The Collectors' Exhibition, Niagara Galleries, Melbourne Arthur Guy Memorial Painting Prize, Bendigo Art Gallery Celebration, Niagara Galleries, Melbourne |
2010
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True Story, Roslyn Oxley9 Gallery, Sydney
Muster, Niagara Galleries, Melbourne
Korea International Art Fair, Seoul
Can't See the Wood for the Trees, Niagara Galleries, Melbourne
Fletcher Jones Art Prize, Geelong Art Gallery
Blue Chip XII: The Collectors' Exhibition, Niagara Galleries, Melbourne
Hell's Bottom Draw, Hell Gallery, Melbourne |
2009 |
Portia Geach Memorial Award Exhibition, S.H. Ervin Gallery, Sydney
The Collectors' Show, Orexart, Auckland New Zealand
Revisited, Tarrawarra Museum of Art
Blue Chip XI: The Collectors' Exhibition, Niagara Galleries, Melbourne
Auckland Art Fair, New Zealand |
2008 |
Taking a line, Vavasour Godkin Gallery, Aukland, New Zealand
The Ecologies Project, Monash University Museum of Art, Melbourne
Robert Jacks Drawing Prize, Bendigo Art Gallery
Melbourne Art Fair, Melbourne
This way up: Abstract works from the La Trobe University Art Collection, Bundoora Homestead Art Centre, La Trobe University
Blue Chip X: The Collectors' Exhibition, Niagara Galleries, Melbourne
Aspects of the Gallery, Vavasour Godkin Gallery, Aukland, New Zealand |
2007 |
Monash University Collection: A selection of recent acquisitions, Monash University Museum of Art, Melbourne
Melbourne Savage Club Art Prize, Melbourne
Chat Room, Deloitte Foundation, Sydney
Materiality, Monash University Museum of Art, Melbourne, Switchback Gallery, Gippsland Campus
From here to Eternity: contemporary tapestries from the Victorian Tapestry Workshop, S.H. Ervin Gallery, Sydney
Received with thanks: New acquisitions 2001-07, Ian Potter Museum of Art, Melbourne
Snap Freeze: Still Life Now, Tarrawarra Museum of Art
Art For Science, Murdoch Children's Research Institute (MCRI) Charity Exhibition, Nellie Castan Gallery, Victoria
Arthur Guy Memorial Painting Prize, Bendigo Art Gallery
Auckland Art Fair, New Zealand
Blue Chip IX, Niagara Galleries, Melbourne |
2006 |
Stolen Ritual, Roslyn Oxley9 Gallery, Sydney
Art and About, Open Gallery, City Street Banners, Sydney
Melbourne Art Fair, Melbourne
Care Australia Art Auction, Christine Abrahams Gallery, Melbourne
Fletcher Jones Art Prize, Geelong Art Gallery
Recent Acquisitions, Tarrawarra Museum of Art
Selected works from the Vizard Foundation Art Collection of the 1990s, Ian Potter Museum of Art, Melbourne
Blue Chip VIII, Niagara Galleries, Melbourne |
2005 |
The Arthur Guy Memorial Painting Prize 2005, Bendigo Art Gallery, Victoria, Australia.
The Sound of Painting, George Adams Gallery, Arts Centre, Melbourne, Australia.
Art for Science, Murdoch Childrens Research Institute |
2004 |
Recent Acquisitions, National Gallery of Victoria, Federation Square, Melbourne, Australia.
Zurich Art Fair, Zurich, Switzerland.
Melbourne Art Fair, Melbourne, Australia.
Talking About Abstraction, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney, Australia, curated by Felicity Fenner.
Blue Chip VI, Niagara Galleries, Melbourne, Australia. |
2003 |
Arthur Guy Memorial Painting Prize, Bendigo Art Gallery, Victoria, Australia.
See here now: The Vizard Foundation Art Collection of the 1990s, Ian Potter Museum of Art, Melbourne, Australia.
Portia Geach Memorial Award Exhibition, S.H. Ervin Gallery, Sydney, Australia
Mosman Art Prize, Mosman Art Gallery, New South Wales, Australia.
Four, [with Yvonne Kendall, Wilma Tabacco, Savahndary Vongpoothorn], Holmes a Court Gallery, Perth, Australia.
New Contemporaries Gallery, Sydney, Australia
Hermanns Art Award 2003, Christine Abrahams Gallery, Melbourne, Australia (touring)
Blue Chip V, Niagara Galleries, Melbourne, Australia |
2002 |
The Redlands Westpac Art Prize, Mosman Art Gallery, Sydney, Australia
Briefcase 50, Boutwell Draper Gallery, Sydney, Australia
Good Vibrations: The Legacy of Op Art in Australia, Heide Museum of Modern Art, Melbourne, Australia
Geelong Contemporary Art Prize, Geelong Art Gallery, Victoria, Australia
Indecorous Abstraction, Light Square Gallery, AIT Arts, Adelaide, Australia
Mosman Art Prize, Mosman Art Gallery, New South Wales, Australia
Towards Colour, McClelland Gallery, Langwarrin, Victoria, Australia
The Dobell Drawing Prize, Art Gallery of New South Wales, Sydney, Australia
Creiamo insieme per un minuto: 20:2002 20/20 2002, Milan, Italy
Roslyn Oxley9 Gallery - The First Twenty Years, Roslyn Oxley9 Gallery, Sydney, Australia |
2001 |
Desire, RMIT Gallery, Melbourne, Australia
Love Colour, Studio 91B, Adelaide, Australia
Something for the Ladies, Penthouse & Pavement, Melbourne, Australia
Rockhampton Art Show, Rockhampton, Queensland, Australia
Headlands, Bendigo Art Gallery, Victoria, Australia
Portia Geach Memorial Award Exhibition, S.H. Ervin Gallery, Sydney, Australia
Visions of Their World, La Trobe University, Melbourne, Australia |
2000 |
On the Brink: Abstraction of the 90s, Heide Museum of Modern Art, Melbourne, Australia
Blue Chip II, Niagara Galleries, Melbourne, Australia
Arts d'Australie, Air France, Paris, France
Geelong Contemporary Art Prize, Geelong, Victoria, Australia
Desire, RMIT Gallery, Melbourne, Australia
Love Colour, Studio 91B, Adelaide, Australia
Something for the Ladies, Penthouse & Pavement, Melbourne, Australia
Rockhampton Art Show, Rockhampton, Queensland, Australia
Headlands, Bendigo Art Gallery, Victoria, Australia
Portia Geach Memorial Award Exhibition, S.H. Ervin Gallery, Sydney, Australia
Visions of Their World, La Trobe University, Melbourne, Australia |
1999 |
Portia Geach Memorial Award Exhibition, S.H. Ervin Gallery, Sydney Salon Grandes et Jeunes D'Aujord'hui, Espace Eiffel-Branly, Paris, France |
1998 |
Sixth Australian Contemporary Art Fair, Melbourne, Australia
Portia Geach Memorial Award Exhibition, S.H. Ervin Gallery, Sydney, Australia
Australie Art a Bastille, Paris, France |
1997 |
Geelong Contemporary Art Prize, Geelong Art Gallery, Victoria, Australia
Antipodean Abstraction, University of Queensland Art Gallery, Australia
Acquisitions of Contemporary Australian Art, National Gallery of Victoria, Melbourne, Australia
The Vizard Foundation Art Collection of the 1990s, University of Melbourne, Australia |
1996 |
Moet & Chandon Award, National Gallery of Victoria, Melbourne, Australia and touring
Contemporary Australian Abstraction, Niagara Galleries, Melbourne, Australia
Blundstone Contemporary Art Prize, Waverley City Gallery, Melbourne, Australia |
1995 |
Lovers, Heide Museum of Modern Art, Melbourne, Australia
Decadence: 10 Years of Exhibiting, 200 Gertrude Street, Melbourne, Australia
Track Suits, Victoria College of the Arts, Melbourne, Australia
NON: Artists Against Nuclear Testing, Ether Ohnetitel, Melbourne, Australia
I Did It For Love, Centre of Contemporary Photography, Melbourne, Australia
Collusions: Collaborations Between Visual Artists and Writers, 1st Floor Melbourne, Australia
Blundstone Contemporary Art Award, Queen Victoria Museum, Launceston, Tasmania, Australia
Moet & Chandon 1995, Touring Exhibition, Australia
In the Company of Women - 100 Years of Australian Women's Art from the Cruthers Collection, Perth Institute of Contemporary Art, Western Australia
Best Arrangement For A Single Bloom, Touring Exhibition
Double Vision: Artist's Portraits of Other Artists, Ivan Dougherty Gallery, Sydney, Australia |
1994 |
Fourth Australian Contemporary Art Fair, Melbourne, Australia
Re-inventing the Grid, Robert Lindsay Gallery, Melbourne, Australia |
1993 |
Contemporary Australian Paintings - Works from the Allen Allen & Hemsley
Collection, Westpac Gallery, as part of the Melbourne International Festival
High Pop, Roslyn Oxley9 Gallery, Sydney, Australia |
1992 |
Barcelona, Niagara Galleries, Melbourne, Australia
Third Australian Contemporary Art Fair, Melbourne, Australia
The Angelic Space Monash University Gallery, Melbourne, Australia
Artworkz 4 Gallery 101, Melbourne, Australia
Ten Square Works For Wilderness, Linden, Melbourne, Australia
SWIM, Linden, Melbourne, Australia
Margaret Stewart Endowment, National Gallery of Victoria, Melbourne, Australia
Small Works - Wide Vision, Downlands Art Show, Toowoomba, Queensland, Australia |
1991 |
Exaltate Jubilate, Store 5, Melbourne, Australia
Room For Abstraction, Heide, Museum of Modern Art, Melbourne, Australia
Stories and Scapes, Niagara Galleries, Melbourne, Australia
Art works 3, Caulfield Arts Complex, Melbourne, Australia |
1990 |
Artists Against Animal Experimentation, Deutscher Fine Art, Melbourne, Australia
Platform, Spencer Street Railway Station, Melbourne, Australia |
1989 |
Proposals, George Paton Gallery, Melbourne & Adelaide Contemporary Centre of Art, Adelaide and Artspace, Sydney, Australia
Heidelberg and Heritage; 9 x 5 Exhibition, Linden, Melbourne, Australia
8 x 10 Fund Raising Exhibition, Contemporary Centre of Art, Adelaide, Australia
Pure, Mori Gallery, Sydney & Queensland College of Art, Brisbane, Australia |
1988 |
Vasari Revisited, a Kuntskammer in Melbourne, 200 Gertrude Street, Melbourne, Australia
Christmas Exhibition, Roar Studios, Melbourne, Australia |
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AWARDS |
2007 |
Melbourne Savage Club Art Prize |
2002 |
Red Gate Gallery Artists residency, Beijing Art Academy, Beijing (2003 April - May)
Arts Victoria Project Grant |
1998 |
Art Gallery of New South Wales: Moya Dyring Studio at the Cite Internationale des Arts, Paris, France
New Work Grant, Australia Council
Arts Victoria Project Grant, Australia |
1995 |
Blundstone Contemporary Art Award, Launceston Tasmania, Australia |
1990 |
Australia Council Studio, Barcelona, Spain |
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ARTIST PAGE PROJECTS |
2009 |
Australian Centre for Contemporary Art/Grossi Florentino Menu Cover Series |
2006 |
Victorian Tapestry Workshop Commission
Art and About, Open Gallery, City Street Banners, City of Sydney
`Every morning I wake up on the wrong side of capitalism', Arena Magazine No 84, August-September
`Tartelette aux framboises, a fez from Savers and a boat my father built', Angela Brennan: every morning I wake up on the wrong side of capitalism, catalogue, Monash University Museum of Modern Art, Melbourne |
2005 |
HEAT Magazine, No. 10 New series |
2003 |
`Espace Rouge', Espace Rouge, No.1, http://www.rouge.com.au/espace.html |
2002 |
Angela Brennan: `Beauty in the paintings of Angela Brennan', Island no 88, 2002 |
1993 |
Angela Brennan: `Mountains in the Palm of My Hand' ArtFan, Spring, 1993 |
1990 |
Angela Brennan: `On What There Is', Broadsheet, Adelaide Arts Festival, March
Angela Brennan: `Graphic Art Is Not Wobbly', Set Sub Set: An Installation Publication, Melbourne, September
Angela Brennan: `Because The World Is Round It Turns Me On', Agenda, October |
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WRITINGS BY THE ARTIST |
1999 |
`Emily Kame Kngwarreye, Alhalkere - Paintings from Utopia', Like Magazine, No.8 |
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`Tony Clark: a Colloquium', Heide Museum of Modern Art |
1995 |
`Andrew McQualter', 1st Floor, Fitzroy |
1994 |
`Noella Stratford', The Women's Gallery, Melbourne, ArtFan No. 3
`Ode to Vault', ArtFan, `Public Art” No.2 |
1993 |
`Sensual Potential' (curator &catalogue essay), Angela Brennan, Linden & the Next Wave Festival, Melbourne, Australia |
1992 |
`Geoff Lowe: According To Others', Collaborations 1980-1992' Catalogue Essay, ACCA, Melbourne, Australia |
1990 |
`On What There Is', Broadsheet, Adelaide Arts Festival, Australia, December |
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`On What There Is', Broadsheet, Adelaide Arts Festival, Australia, December |
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2008 |
Australia Council Studio, Milan |
2006 |
Studio residency, Cité Internationale des Arts, Paris |
2003 |
Artist in residence, Red Gate Gallery, Beijing Art Academy, China |
1995 |
Artist in residence, Lee Street Primary School, Carlton, Victoria, Australia
Artist in residence, Mt Scopus Memorial College, Melbourne, Australia |
1991 |
Artist in residence, Ormond College, University of Melbourne, Australia |
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BIBLIOGRAPHY |
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Books |
2008 |
Maudie Palmer (ed.), Encounters with Australian Modern Art, Hermann Editeurs, Paris |
2007 |
Barbara Flynn (ed.), Emerge and Review: A look into the UBS Australian art collection, UBS |
2006 |
Feelings: One Hundred Years of Montblanc, Montblanc Simplo, Germany, 2006 |
2005 |
Jingzhe Li, Australian Contemporary Painting, Shanghai People's fine Art Publishing House
Charlotte Day (ed.), A Short Ride in a Fast Machine: Gertrude Contemporary Art Spaces 1985-2005, Gertrude Contemporary Art Spaces |
2003 |
Naomi Cass (ed.), See here now: The Vizard Foundation Art Collection of the 1990s, Thames & Hudson |
2001 |
Donald Williams, In Our Own Image: The Story of Australian Art 4th Ed McGraw Hill.
Christopher Marshall, Macmillan Interpreting Art, Macmillan |
2000 |
Laura Murray-Cree and Nevill Drury, Australian Painting Now, Craftsman House |
1994 |
D. Williams and C. Simpson, Art Now: Contemporary Art Post 1970, McGraw Hill |
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Catalogues |
2010 |
Change, Monash University Museum of Art, Melbourne
Happen Today, Niagara Galleries, Melbourne
Blue Chip XII: The Collectors' Exhibition, Niagara Galleries, Melbourne |
2009 |
Chip XI: The Collectors' Exhibition, Niagara Galleries, Melbourne |
2008 |
The Ecologies Project, Monash University Museum of Art, Melbourne
Blue Chip X: The Collectors' Exhibition, Niagara Galleries, Melbourne |
2007 |
Monash University Collection: A selection of recent acquisitions, Monash University Museum of Art, Melbourne
Snap Freeze: Still Life Now, Tarrawarra Museum of Art
Blue Chip IX, Niagara Galleries, Melbourne |
2006 |
Angela Brennan, Every Morning I wake up on the wrong side of capitalism, Monash University Museum of Art, Melbourne, Australia |
2004 |
Peas cooked the Roman Way, Niagara Galleries, Melbourne, Australia
Felicity Fenner, Talking about Abstraction, Ivan Dougherty Gallery, Sydney, Australia
Blue Chip VI, Niagara Galleries, Melbourne, Australia |
2003 |
Blue Chip V, Niagara Galleries, Melbourne, Australia |
2002 |
John McPhee, Angela Brennan, Melbourne Art Fair, Australia
Robert Lindsay, Towards Colour |
2000 |
Patrick Hutchings, Angela Brennan New Paintings
Jenny Long, Perfect Day |
1996 |
William Nuttall, Contemporary Australian Abstraction
Angela Brennan/Neil Taylor, Niagara Galleries catalogue |
1995 |
Jim Morgan, Angela Brennan, 25 August - 8 October, Ararat Regional Art Gallery' |
1993 |
Contemporary Australian Paintings - Works from the Allen Allen & Hemsley Collection, Westpac Gallery, Melbourne, Australia
Jeff Gibson, High Pop, Roslyn Oxley9 Gallery, Sydney, Australia |
1991 |
Gail Hastings, Oh, Tango, 200 Gertrude Street, Melbourne, Australia
James Harley, Room for Abstraction, Heide, Museum of Modern Art |
1990 |
Stuart Koop, Datur Tertium: A Third is Given |
1989 |
Geoff Lowe, Possible Worlds
David O'Halloran, Proposals |
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Articles |
2007 |
Linda Short, `Freedom and necessity: Angela Brennan and the pursuit of painting', eyeline, No. 63 Winter 2007 p. 61 |
2006 |
Kate Sands, `Angela Brennan: Every morning I wake up on the wrong side of capitalism in Melbourne', Art Monthly Australia, #194, October 2006, pp. 18 - 21
Robert Nelson, `The new and the archaic in spiritual harmony', The Age, 9 August 2006
Megan Blackhouse, `Every picture spins a tale', The Age, June 21, 2006
Penny Webb, `Brennan accentuates vision', The Age, 28 February, 2006
Harbant Gill, `Brush speaks for her', Herald Sun, 13 February 2006
Jeff Makin, `A U-turn to humanity', Herald Sun, February 13, 2006 |
2005 |
Amanda Rowell, Ángela Brennan - Text Paintings', Heat # 10, Getting it Right, Sydney 2005, pp. 97- 112
Patrick Hutchings, `Angela Brennan, Niagara Galleries, Melbourne', Review, Australian Art Collector Issue 28, April - June 2004 pp. 164 - 165
Alex McDonald, Fiona Foley & Angela Brennan, State of the Arts, www.stateart.com.au/sota/reviews/default.asp?fid=3339
Samela Harris, Addicted to art', Australian Art Collector, Issue 32, April `05, p. 118
Timothy Morrell, “Angela Brennan,” `Fifty Years of Australia's most collectable artists,' Australian Art Collector, No. 31, 2005 |
2004 |
Patrick Hutchings, “Angela Brennan,” Australian Art Collector, issue 29, July - September, pp. 164 - 165
Max Delany, “Gallery: Selections from recent exhibitions in Australia: Angela Brennan, The Wrong Side of Capitalism - Niagara Galleries,” Art & Australia Vol. 41, No 4, Winter, p. 601
Louise Bellamy, “The Art of Text Messages,” The Age, 24 April
Ashley Crawford, “Peas cooked the Roman Way,” The Sunday Age, 4/4/04
Robert Nelson, “Brennan's P's and Q's,” The Age, 30/4/04
Patrick Hutchings, “Angela Brennan,” Australian Art Collector 28, April 2004
Louise Bellamy, “The art of text messages,” The Age, Saturday April 24, p. 6, 7
Emily Childs, “Blue Chip VI: The Collector's Exhibition,” Australian Art Collector 2, January 2004 |
2003 |
Peter Hill, “Critics Picks: Angela Brennan and Tony Clark,” Sydney Morning Herald, March 7 - 13
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2002 |
Anne Loxley, “Redlands prize judges spoiled for choice,” Sydney Morning Herald, 23/10/02 |
2001 |
Courtney Kidd, “Crammed Abstraction,” Sydney Morning Herald, 7/2/01 |
2000 |
Annmarie Kiely, “Kaleidoscope,” Belle Magazine, Aug/Sept 2000
Georgina Jerums, “Truecolours,” Melbourne Weekly Magazine, 3/9/00
Robert Nelson, “Angela Brennan,” The Age, 16/8/00
Brad Leonard, “Angela Brennan,” Herald Sun, 25/8/00
Jeff Makin, “The color of beauty,” Herald Sun, 14/8/00
Megan Backhouse, “Angela Brennan,” The Age, 9/8/00 |
1999 |
Drusilla Modjeska, “Personal Space,” The Australian Review of Books, August 1999 |
1998 |
Lisa Dabscheck, “Art for posterity,” The Australian Financial Review Magazine, Sept 1998
Jenny Zimmer, “Driven to abstraction,” The Age, 3/6/98
Courtney Kidd, “Goodwill Hunter,” Australian Art Collector, Issue 5, 1998 |
1996 |
Stuart Koop, “The failures of modernism and the painting of Angela Brennan,” Art and Australia, Vol. 34 No.2 Summer 1996
Diane Dunbar, “Picture of the Month,” Queen Victoria Museum & Art Gallery, The Examiner, 4/11/1996
Robert Nelson, `That rare creature, charm', The Age 31/7/1996 |
1995 |
Robert Rooney, `The Moet & Chandon Touring Exhibition', The Australian, 28/8/95
Robyn MacKenzie, `Audacious use of influences,' The Age, 23/8/95
Robyn MacKenzie, `Exhibition with room to view,' Moet & Chandon, The Age, 16/8/95
Marie Sierra-Hughes, `Temple Jacqui, Temple Angela,' Herald Sun, 26/5/95 |
1994 |
Robert Rooney, ` Re-inventing the Grid,' The Australian, 22/10/94
Chris Heathcote, `Re-inventing,' The Age, 19/10/94
Felicity Fenner, Sydney Morning Herald, 7/10/94
Tim Sowden, `Angela Brennan, Everyday Saints', World Art No.1, March 1994
Elwyn Lynn, The Australian, 1/10/94 |
1993 |
Felicity Fenner, Sydney Morning Herald, 8/5/93
Tim Sowden, `Angela Brennan, 200 Gertrude St,' Art & Text, No. 44, 1993
Robyn MacKenzie, ` What girls are like,' Art & Text, No. 46, September 1993
Elwyn Lynn, The Australia, 8/5/93
Felicity Fenner, Sydney Morning Herald, 8/5/93
Chris Heathcote, ` Allen Allen and Hemsley Collection Exhibition' The Age, 21/9/93 |
1992 |
Robert Rooney, The Australian, 22/8/92 |
1991 |
Chris Heathcote, The Age, 4/9/91
Robert Rooney, `Room for Abstraction,' The Age, 4/9/91
Kevin Murray, `I Think Therefore I Am,' Agenda, 1991
Jan Blensdorf, The Age, 13/9/91
Chris Heathcote, The Age, 7/8/91 |
1990 |
Stuart Koop, `Angela Brennan: Recent Paintings,' Art Now: Contemporary Art in Melbourne, National Gallery News, January 1990. |
1989 |
Elizabeth Newman, `Possible Worlds, Angela Brennan's Paintings,' Agenda 12/1989
Julianna Engberg, `Contemporary Art in Melbourne,' National Gallery News, 12/1989
Robert Rooney, `Possible Worlds,' The Australian, 25/11/89
John Emery, `More Than Just A Pretty Picture,' Adelaide Advertiser, 18/10/89
Chris MacAuliffe, `Proposals,' Agenda, 4/1989
Robert Rooney, `Proposing Utopia,' The Australian, 27/1/89 |
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COLLECTIONS |
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Allen, Allen and Hemsley, NSW
ANZ Bank
Art Bank, NSW
Art Gallery of South Australia
Benalla Art Gallery, Victoria
City of Yarra, Victoria
Collection of Sir James and Lady Cruthers, Perth
Council of Adult Education
Deakin University Collection, Victoria
Deloitte Foundation, Sydney
Goldman Sachs JBWere
KPMG, Melbourne
LaTrobe University, Victoria
Leeuwin Estate, Western Australia
Monash University
Mont Blanc Art Collection, Swizterland
National Bank
National Gallery of Australia, Canberra
National Gallery of Victoria
Queen Victoria Museum and Art Gallery, Launceston
RACV, Melbourne
TarraWarra Museum of Art, Victoria
The Arts Centre, Melbourne
The Vizard Foundation, Victoria
Trinity Grammar School, NSW
University of Melbourne
Western Mining Collection, Victoria
World Bank, New York, USA |
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Private Collections |
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Australia, United Kingdom, France, USA, Canada, Israel, Japan, Singapore and elsewhere |