TV Moore
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TV MOORE
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born 1974, Australia |
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EDUCATION |
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2006 |
Completed MFA California Institute of the Arts (CalArts) LA, USA |
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1998 |
University of Lapland, School of Art And Design, Polar Circuit 2 (Media Conference and Workshops), Finland |
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1996 - 1998 |
Bachelor of Visual Arts, Sydney College of the Arts, University of Sydney, Australia |
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TEACHING |
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2003-2004 |
Casual lecturer in video and studio art practice, University of Western Sydney |
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SOLO EXHIBITIONS |
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2008 |
Galerie Davide Gallo, Berlin |
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2007 |
Fantasists in the age of Decadence, Roslyn Oxley9 Gallery, Sydney |
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2006 |
TV Moore: thesis exhibition, A 402, Los Angeles, USA APOCATOPIA (VOL 1), Roslyn Oxley9 Gallery, Sydney |
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2005 |
Across the Universe, Roslyn Oxley9 Gallery, Marshall Street, Surry Hills, Sydney Keep your friends close and your enemies even closer, CalArts, California, USA |
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2004 |
The Dead Zone, Roslyn Oxley9 Gallery, Sydney |
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The Neddy Project, Artspace, Sydney |
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Smoke `n' Mirrors, Gertrude Contemporary Art Spaces, Melbourne, Australia |
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Concrete 000, Experimental Art Foundation, Adelaide, Australia (with Shaun Gladwell) |
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2003 |
The Neddy Project, (screening and lecture), National Museum of Australia, Canberra, Australia |
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2001 |
The Brian Monologues, Imperial Slacks, Sydney |
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2000 |
Urban Army Man, Artspace, Sydney |
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Talking Trash with Olsie, Performance Space, Sydney |
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Sound Matters, Grey Matter Contemporary Art Gallery, Sydney |
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Urban Songs And Videos, Canberra Contemporary Art Space |
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Video Sweet Video, 132 Gallery, Sydney |
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GROUP EXHIBITIONS |
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2008 |
Reality Testing, LACE, Los Angeles Contemporary Exhibitions Man, Penrith Regional Gallery Busan Biennale, Sea Festival, Korea Modern Times, Powerhouse Museum, Sydney Lost and Found: An Archeology of the Present, TarraWarra Biennale, TarraWarra Museum of Art Revolutions - Forms That Turn, Biennale of Sydney, Sydney, plus online venue, http://www.bos2008.com/revolutionsonline/ Revolving Doors an exhibition in memory of Blair Trethowan, Uplands Gallery, Melbourne |
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2007 |
RE:STAGED WORKS, Lake Macquarie City Art Gallery, Booragul NSW (upcoming) Group Show, Shoshana Wayne Gallery, Santa Monica, USA Down Under: Contemporary Art from Australia and The Netherlands, The Hague, The Netherlands WAVEfront, Tokyo Wondersite, Tokyo, Japan |
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2006 |
Video Nightmare, Raid Projects, Los Angeles, USA Basel Art Fair, ART/FILM, curated by Benjamin Well, Basel, Switzerland Yours, Mine & Ours: 50 years of ABC TV, Campbelltown Arts Centre, Campbelltown High Tide: Currents in Contemporary Australian Art, Zacheta National Gallery of Art, Warsaw, Poland and Contemporary Art Centre, Vilnius, Lithuania |
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2005 |
T1: The Pantagruel Syndrome, Turin Triennale, co-curated by Francesco Bonami and Carolyn Christov-Bakargiev, Castello di Rivoli Museo d'Arte Contemporanea, GAM Galleria Civica d'Arte Moderna e Contemporanea di Torino and the Fondazione Sandretto Re Rebaudengo, Turin, Italy (to 2006) MCA Collection: New Acquisitions in Context, Museum of Contemporary Art, Sydney No Mans Land, Shoshana Wayne Gallery, Santa Monica, USA |
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Slow Rushes - Takes on the documentary sensibility in moving images from around Asia and the Pacific, curated by Rhana Devenport, Artspace, Auckland New Zealand (toured from Contemporary Art Centre, Vilnius, Lithuania) |
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I thought I knew but I was wrong, curated by Alexie Glass and Sarah Tutton, Ssamzie Space, Seoul, South Korea (Asialink/ACMI touring exhibition) |
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Osaka Art Kaleidoscope '05, Contemporary Art Space Osaka, Osaka, Japan |
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2004 |
Slow Rushes - Takes on the documentary sensibility in moving images from around Asia and the Pacific, curated by Rhana Devenport, Contemporary Art Centre, Vilnius, Lithuania |
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Highly Commended, 2004 Helen Lempriere Travelling Art Scholarship, Artspace, |
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Day of the Dead, CalArts, Main Gallery, Los Angeles, USA |
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The Plot Thickens: Narratives in Australian Art, A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne |
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Gridlock: cities, structures, spaces, Govett-Brewster Art Gallery, Contemporary Art Museum, New Plymouth, New Zealand |
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Minus 10 Minus 2, Iaspis, Stockholm, Sweden |
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JJ Allin breaks the window, Inflight Contemporary Art, Hobart, Tasmania, Australia |
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The Plot Thickens: Narratives in Australian Art, Heide Museum of Modern Art, Melbourne |
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I thought I knew but I was wrong: New video art from Australia, an Asialink and Australian Centre for the Moving Image touring exhibition, Melbourne |
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2003 |
Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney |
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2002 |
Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney |
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Love, Casula Powerhouse, Sydney |
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Is It All Over Mad Max?, Scott Donovan Gallery, Sydney |
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Attention Span, Scots Church, Sydney |
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Video Projekt, Melbourne |
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Office Space Video, Mori Gallery, Sydney |
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2001 |
Primavera, 10th Annual Belinda Jackson Memorial Exhibition, Museum of Contemporary Art, Sydney |
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Welcome to Junkiesville, Casula Powerhouse, Sydney |
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2000 |
Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney |
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18 is Enough, Imperial Slacks, Sydney |
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Nostalgia for Obsolete Futures, Imperial Slacks, Sydney |
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1997 |
Factory Sell Out Show, Heringbone Gallery, Sydney |
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The Last Show, Herringbone Gallery, Sydney |
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Video Performance, Sydney College of The Arts Gallery, Sydney |
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Audio Stretch, UTS Gallery, Sydney |
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National Student Film & Video Competition, (finalist screenings), Chauvel Cinema, Sydney |
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Factory Sell Out Show, Herringbone Gallery, Sydney |
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The Last Show, Herringbone Gallery, Sydney |
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BIBLIOGRAPHY |
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2008 |
Andrew Frost, `TV Moore - 50 Most Collectable Artists,' Australian Art Collector, Issue 43, January - March 2008, pp166-167 |
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2007 |
Erik Jensen, `We've got vagrants, we've got explorers, we've got magic,' Sydney Morning Herald, Arts & Entertainment, August 11-12 T.V. Moore `Artists/TV Moore - Survivor, Artist Statement' Yours, Mine and Ours: 50 Years of ABC TV [http://www.abc.net.au/tv/yours/artists/moore.htm] (accessed 03/02/2007) |
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2006 |
Andrew Frost, `TV Moore, 50 Most Collectable Artists', Australian Art Collector, Issue 35, January - March p117 High Tide: new currents in art from Australia and New Zealand, exhibition catalogue, Contemporary Art Centre, Vilnius and Poland, Warsaw |
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2005 |
T1: The Pantagruel Syndrome, Turin Triennale exhibition catalogue p. 404-5 MCA Collection: New Acquisitions in Context, exhibition catalogue, Sydney p 11, 29 David Pagel, “America's status: that falling feeling,” Los Angeles Times, 26 August, Los Angeles, USA Amanda Rowell, “TV Moore, Smoke `n' Mirrors (excerpt),” in A Short Ride in a Fast Machine: Gertrude Contemporary Art Spaces 1985 - 2005, ed. Charlotte Day, Gertrude Contemporary Art Spaces and Black Inc. Books, Melbourne, Australia Reuben Keehan, TV Moore Interview, Photofile: Contemporary Photomedia and Ideas, No. 75, August 2005, Australian Centre for Photography, Sydney, Australia, pg 16 - 21 Russell Storer, “Video in the expanded field: Three recent examples of Australian video installation,” Art & Australia, vol. 42 no. 4, Winter 2005, pp. 588 - 595 Osaka Art Kaleidoscope '05, exh, cat., Contemporary Art Space Osaka, Osaka, Japan, Japan, pp. 44-45 Anne Marsh, “Reviews - The Plot Thickens: Narratives in Australian Art,” photofile, No. 73, Summer 2005, p. 73 Andrew Best, “Moving Image Project, SALA 2004,” Photofile: Contemporary Visual Arts, no. 73, Summer, p.67 Monika Kaikstopaityte, “Inner Distances,” Eyeline, No 56, Summer 04-05, pg 21 Joanna Mendelssohn, “TV Moore,” Australian Art Collector, Issue 31, January-March, p. 95 Anne Marsh, “The Plot Thickens: Narratives in Australian Art,” Photofile: Contemporary Visual Arts, no. 73, Summer, p. 73 Glenis Israel artwise contemporary: visual arts 10-12, John Wiley & Sons, Qld. pp. 7 - 13 |
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2004 |
Peter Hill, `The Glittering Prize', Spectrum, The Sydney Morning Herald, November, p. 114 Lilly Wei, “Report from Sydney: South by Southeast (Commercial Venues),” Art in America, December, no. 11, p.63 Kate Rhodes, “TV Moore: I am somewhere in the city,” Eyeline: Contemporary Visual Arts, no. 55, Spring 2004, p. 36 - 38 Rhana Devenport, Slow Rushes - Takes on the documentary sensibility in moving images from around Asia and the Pacific, exh. cat., Contemporary Art Centre, Vilnius, Lithuania Fergus Armstrong, `TV Moore's Long Takes', Art and Australia, vol. 42, no. 1, Spring 2004, p. 80 - 83 Anne-Marie Lopez, “Moore than movies,” Australian Art Review, Issue 5, July - October, p. 32, 33 Amanda Rowell, Smoke n' Mirrors, exh. cat., Gertrude Contemporary Art Spaces, Melbourne `The Dead Zone,' The Art Life, http://artlife.blogspot.com/, 11 June Sunanda Creagh, “Spotlight: Running Man,” Sydney Morning Herald (Metropolitan), May 27, p. 19 Fergus Armstrong, `TV Moore's Skeuomorphic Long Takes', TV Moore, (exh. cat.) Experimental Art Foundation, Adelaide `The Unified Theory of Getness: Part 3,' The Art Life, http://artlife.blogspot.com/, March 17, 2004 Ed. Annette Larkin, `Artists of the 21st Millennium', Australian Art Market Report, Issue 11, Autumn, p. 21 Peter Hill, `Tale of two Neds', Sydney Morning Herald, March 20-21, pp. 8-9 Dominique Angeloro, `Whoa, Neddies, Sydney Morning Herald, March 19, p. 26 |
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2003 |
Ken Bolton, The 2004 Anne & Gordon Samstag International Visual Arts Scholarship, University of South Australia, Adelaide |
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`TV Moore', Realtime, October/November |
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2002 |
`TV Moore', Oyster Magazine, December |
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2001 |
Tanya Peterson, `serial 7's: TV Moore, Alex Kershaw, Shay Launder, the Kingpins, Astrid Speilman, Andrew Liversidge, Shaun Gladwell,' Eyeline: Contemporary Visual Arts, Issue 47, Summer 2001/2002 |
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Benjamin Genocchio, `Primavera 2001', (review) The Australian, September |
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Gail Hasting, `TV Moore', Primavera 10, (exh. cat.) Museum of Contemporary Art, Sydney |
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Anne Loxley, `Blind spots that make the mind work', (review) Sydney Morning Herald, September 12 |
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2000 |
Shaun Gladwell, `TV Moore - Urban Songs and Videos', exh. cat., Canberra Contemporary Art Space |
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Richard Grayson, TV Moore - Urban Army Man, exh. cat., Artspace, Sydney |
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Bruce James, Nostalgia For Obsolete Futures, (radio review), ABC Radio, Australia |
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Courtney Kidd, Helen Lempriere Travelling Art Scholarship exhibition (review), Sydney Morning Herald |
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Sharon Verghis, Sydney Morning Herald, 3 September |
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SCHOLARSHIPS AND AWARDS |
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2006 |
Australia Council for the Arts, New Work Grant |
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2005 |
Montalvo Fellowship USA, Sally and Don Lucas Artists Program, Montalvo Arts Centre, USA |
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2003 |
The Anne & Gordon Samstag International Visual Arts Scholarship |
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Helen Lempriere Travelling Art Scholarship (highly commended) |
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NAVA Marketing Fund |
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2002 |
Helen Lempriere Travelling Art Scholarship (highly commended) |
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2001-2003 |
Australia Council for The Arts, New Work Grant (emerging) |
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2000 |
Helen Lempriere Travelling Art Scholarship (highly commended) |
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1998 |
The Australia Network for Art & Technology Conference Grant, to attend Polarcircuit at the University of Lapland, Tornio, Finland |
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Australian National Student Film and Video Competition (finalist) |
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1996 |
Jerome de Costa Memorial Award, Sydney College of The Arts |
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1995 |
White Glove Film Festival, Melbourne (finalist) |
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COLLECTIONS |
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Museum of Contemporary Art, Sydney Austcorp, Sydney Goldman Sachs JBWere Private collections: Australia |
