TV MOORE

Born 1974, Australia

Lives Sydney

EDUCATION

Completed MFA California Institute of the Arts (CalArts) LA, USA

University of Lapland, School of Art And Design, Polar Circuit 2 (Media Conference and Workshops), Finland

Bachelor of Visual Arts, Sydney College of the Arts, University of Sydney, Australia

SOLO EXHIBITIONS

Daze of being Wild, Roslyn Oxley9 Gallery, Sydney

Colour Drunks, Kalimanrawlins, Melbourne

Escape Carnival, permanent installation, Cockatoo Island, Sydney

TV Moore, Roslyn Oxley9 Gallery, Sydney

Galerie Davide Gallo, Berlin

Fantasists in the age of Decadence, Roslyn Oxley9 Gallery, Sydney

TV Moore: thesis exhibition, A 402, Los Angeles, USA

APOCATOPIA (VOL 1), Roslyn Oxley9 Gallery, Sydney

Across the Universe, Roslyn Oxley9 Gallery, Marshall Street, Surry Hills, Sydney

Keep your friends close and your enemies even closer, CalArts, California, USA

The Dead Zone, Roslyn Oxley9 Gallery, Sydney

The Neddy Project, Artspace, Sydney

Smoke `n' Mirrors, Gertrude Contemporary Art Spaces, Melbourne, Australia

Concrete 000, Experimental Art Foundation, Adelaide, Australia (with Shaun Gladwell)

The Neddy Project, (screening and lecture), National Museum of Australia, Canberra, Australia

The Brian Monologues, Imperial Slacks, Sydney

Urban Army Man, Artspace, Sydney

Talking Trash with Olsie, Performance Space, Sydney

Sound Matters, Grey Matter Contemporary Art Gallery, Sydney

Urban Songs And Videos, Canberra Contemporary Art Space

Video Sweet Video, 132 Gallery, Sydney

GROUP EXHIBITIONS

GROUPS WHO, Roslyn Oxley9 Gallery, Sydney

Tell me tell me, National Museum of Art Seoul, Korea

Volume One: MCA Collection, Museum of Contemporary Art, Sydney

Tell Me Tell Me, Museum of Contemporary Art, Sydney

New Psychedelia, UQ Art Museum, University of Queensland, Brisbane

The Regions, Australian Centre for Contemporary Art (ACCA), Melbourne

Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne Zahalka, Roslyn Oxley9 Gallery, Sydney

The Trickster, Gyeonggi Museum of Modern Art, Korea

Mortality, Australian Centre for Contemporary Art, Melbourne

Kaldor Public Art Projects `Move: The Exhibition', Gallery Of Modern Art, Brisbane, Australia

Double Take: Anne Landa Award 2009, (Winner), Art Gallery of New South Wales, Sydney

Rising Tide: Film & Video works from the MCA Collection, Museum of Contemporary Art, Sydney

Video Swell Sydney, Art Gallery of New South Wales, Sydney

Reality Testing, LACE, Los Angeles Contemporary Exhibitions

Man, Penrith Regional Gallery

Busan Biennale, Sea Festival, Korea

Modern Times, Powerhouse Museum, Sydney

Lost and Found: An Archaeology of the Present, TarraWarra Biennale, TarraWarra Museum of Art

Revolutions - Forms That Turn, Biennale of Sydney, Sydney, plus online venue, http://www.bos2008.com/revolutionsonline/

Revolving Doors an exhibition in memory of Blair Trethowan, Uplands Gallery, Melbourne

RE:STAGED WORKS, Lake Macquarie City Art Gallery, Booragul NSW

Group Show, Shoshana Wayne Gallery, Santa Monica, USA

Down Under: Contemporary Art from Australia and The Netherlands, The Hague, The Netherlands

WAVEfront, Tokyo Wondersite, Tokyo, Japan

Video Nightmare, Raid Projects, Los Angeles, USA

Basel Art Fair, ART/FILM, curated by Benjamin Well, Basel, Switzerland

Yours, Mine & Ours: 50 years of ABC TV, Campbelltown Arts Centre, Campbelltown

High Tide: Currents in Contemporary Australian Art, Zacheta National Gallery of Art, Warsaw, Poland and Contemporary Art Centre, Vilnius, Lithuania

T1: The Pantagruel Syndrome, Turin Triennale, co-curated by Francesco Bonami and Carolyn Christov-Bakargiev, Castello di Rivoli Museo d'Arte Contemporanea, GAM Galleria Civica d'Arte Moderna e Contemporanea di Torino and the Fondazione Sandretto Re Rebaudengo, Turin, Italy (to 2006)

MCA Collection: New Acquisitions in Context, Museum of Contemporary Art, Sydney

No Mans Land, Shoshana Wayne Gallery, Santa Monica, USA

Slow Rushes - Takes on the documentary sensibility in moving images from around Asia and the Pacific, curated by Rhana Devenport, Artspace, Auckland New Zealand (toured from Contemporary Art Centre, Vilnius, Lithuania)

I thought I knew but I was wrong, curated by Alexie Glass and Sarah Tutton, Ssamzie Space, Seoul, South Korea (Asialink/ACMI touring exhibition)

Osaka Art Kaleidoscope '05, Contemporary Art Space Osaka, Osaka, Japan

Slow Rushes - Takes on the documentary sensibility in moving images from around Asia and the Pacific, curated by Rhana Devenport, Contemporary Art Centre, Vilnius, Lithuania

Highly Commended, 2004 Helen Lempriere Travelling Art Scholarship, Artspace, Sydney

Day of the Dead, CalArts, Main Gallery, Los Angeles, USA

The Plot Thickens: Narratives in Australian Art, A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne

Gridlock: cities, structures, spaces, Govett-Brewster Art Gallery, Contemporary Art Museum, New Plymouth, New Zealand

Minus 10 Minus 2, Iaspis, Stockholm, Sweden

JJ Allin breaks the window, Inflight Contemporary Art, Hobart, Tasmania, Australia

The Plot Thickens: Narratives in Australian Art, Heide Museum of Modern Art, Melbourne

I thought I knew but I was wrong: New video art from Australia, an Asialink and Australian Centre for the Moving Image touring exhibition, Melbourne

Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney

Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney

Love, Casula Powerhouse, Sydney

Is It All Over Mad Max?, Scott Donovan Gallery, Sydney

Attention Span, Scots Church, Sydney

Video Projekt, Melbourne

Office Space Video, Mori Gallery, Sydney

Primavera, 10th Annual Belinda Jackson Memorial Exhibition, Museum of Contemporary Art, Sydney

Welcome to Junkiesville, Casula Powerhouse, Sydney

Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney

18 is Enough, Imperial Slacks, Sydney

Nostalgia for Obsolete Futures, Imperial Slacks, Sydney

Factory Sell Out Show, Heringbone Gallery, Sydney

The Last Show, Herringbone Gallery, Sydney

Video Performance, Sydney College of The Arts Gallery, Sydney

Audio Stretch, UTS Gallery, Sydney

National Student Film & Video Competition, (finalist screenings), Chauvel Cinema, Sydney

Factory Sell Out Show, Herringbone Gallery, Sydney

The Last Show, Herringbone Gallery, Sydney

BIBLIOGRAPHY

Shelley McSpedden, “S & M”, un. magazine, Issue 6.1, June 2012

Yash Pandya, DAZE OF BEING WILD, Alternative Media Group, 5 August 2012

Elizabeth Fortescue, “Just brimming with abstract notions”, Daily Telegraph, 2 Aug 2012

The Trickster, Exhibition Catalogue, Korea 2010

Louise Schwartzkoff, “Making light work of heavy topics”, Sydney Morning Herald, 7 May 2009, p. 14.

Jane Somerville, `T.V Moore', Art Forum, November 29, 2009

Susan Gibb, `TV Moore-Urban Army Man 2000', Video Swell Sydney Exhibition Catalogue, AGNSW, 2^nd October - 29 November, 2009.

Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), Sydney, p212

Andrew Frost, `TV Moore - 50 Most Collectable Artists,' Australian Art Collector, Issue 43, January - March 2008, pp166-167

Erik Jensen, `We've got vagrants, we've got explorers, we've got magic,' Sydney Morning Herald, Arts & Entertainment, August 11-12

T.V. Moore `Artists/TV Moore - Survivor, Artist Statement' Yours, Mine and Ours: 50 Years of ABC TV [http://www.abc.net.au/tv/yours/artists/moore.htm] (accessed 03/02/2007)

Andrew Frost, `TV Moore, 50 Most Collectable Artists', Australian Art Collector, Issue 35, January - March p117

High Tide: new currents in art from Australia and New Zealand, exhibition catalogue, Contemporary Art Centre, Vilnius and Poland, Warsaw

T1: The Pantagruel Syndrome, Turin Triennale exhibition catalogue p. 404-5

MCA Collection: New Acquisitions in Context, exhibition catalogue, Sydney p 11, 29

David Pagel, “America's status: that falling feeling,” Los Angeles Times, 26 August, Los Angeles, USA

Amanda Rowell, “TV Moore, Smoke `n' Mirrors (excerpt),” in A Short Ride in a Fast Machine: Gertrude Contemporary Art Spaces 1985 - 2005, ed. Charlotte Day, Gertrude Contemporary Art Spaces and Black Inc. Books, Melbourne, Australia

Reuben Keehan, TV Moore Interview, Photofile: Contemporary Photomedia and Ideas, No. 75, August 2005, Australian Centre for Photography, Sydney, Australia, pg 16 - 21

Russell Storer, “Video in the expanded field: Three recent examples of Australian video installation,” Art & Australia, vol. 42 no. 4, Winter 2005, pp. 588 - 595

Osaka Art Kaleidoscope '05, exh, cat., Contemporary Art Space Osaka, Osaka, Japan, Japan, pp. 44-45

Anne Marsh, “Reviews - The Plot Thickens: Narratives in Australian Art,” photofile, No. 73, Summer 2005, p. 73

Andrew Best, “Moving Image Project, SALA 2004,” Photofile: Contemporary Visual Arts, no. 73, Summer, p.67

Monika Kaikstopaityte, “Inner Distances,” Eyeline, No 56, Summer 04-05, pg 21

Joanna Mendelssohn, “TV Moore,” Australian Art Collector, Issue 31, January-March, p. 95

Anne Marsh, “The Plot Thickens: Narratives in Australian Art,” Photofile: Contemporary Visual Arts, no. 73, Summer, p. 73

Glenis Israel artwise contemporary: visual arts 10-12, John Wiley & Sons, Qld. pp. 7 - 13

Peter Hill, `The Glittering Prize', Spectrum, The Sydney Morning Herald, November, p. 114

Lilly Wei, “Report from Sydney: South by Southeast (Commercial Venues),” Art in America, December, no. 11, p.63

Kate Rhodes, “TV Moore: I am somewhere in the city,” Eyeline: Contemporary Visual Arts, no. 55, Spring 2004, p. 36 - 38

Rhana Devenport, Slow Rushes - Takes on the documentary sensibility in moving images from around Asia and the Pacific, exh. cat., Contemporary Art Centre, Vilnius, Lithuania

Fergus Armstrong, `TV Moore's Long Takes', Art and Australia, vol. 42, no. 1, Spring 2004, p. 80 - 83

Anne-Marie Lopez, “Moore than movies,” Australian Art Review, Issue 5, July - October, p. 32, 33

Amanda Rowell, Smoke n' Mirrors, exh. cat., Gertrude Contemporary Art Spaces, Melbourne

`The Dead Zone,' The Art Life, http://artlife.blogspot.com/, 11 June

Sunanda Creagh, “Spotlight: Running Man,” Sydney Morning Herald (Metropolitan), May 27, p. 19

Fergus Armstrong, `TV Moore's Skeuomorphic Long Takes', TV Moore, (exh. cat.) Experimental Art Foundation, Adelaide

`The Unified Theory of Getness: Part 3,' The Art Life, http://artlife.blogspot.com/, March 17, 2004

Ed. Annette Larkin, `Artists of the 21st Millennium', Australian Art Market Report, Issue 11, Autumn, p. 21

Peter Hill, `Tale of two Neds', Sydney Morning Herald, March 20-21, pp. 8-9

Dominique Angeloro, `Whoa, Neddies, Sydney Morning Herald, March 19, p. 26

Ken Bolton, The 2004 Anne & Gordon Samstag International Visual Arts Scholarship, University of South Australia, Adelaide

`TV Moore', Realtime, October/November

`TV Moore', Oyster Magazine, December

Tanya Peterson, `serial 7's: TV Moore, Alex Kershaw, Shay Launder, the Kingpins, Astrid Speilman, Andrew Liversidge, Shaun Gladwell,' Eyeline: Contemporary Visual Arts, Issue 47, Summer 2001/2002

Benjamin Genocchio, `Primavera 2001', (review) The Australian, September

Gail Hasting, `TV Moore', Primavera 10, (exh. cat.) Museum of Contemporary Art, Sydney

Anne Loxley, `Blind spots that make the mind work', (review) Sydney Morning Herald, September 12

Shaun Gladwell, `TV Moore - Urban Songs and Videos', exh. cat., Canberra Contemporary Art Space

Richard Grayson, TV Moore - Urban Army Man, exh. cat., Artspace, Sydney

Bruce James, Nostalgia For Obsolete Futures, (radio review), ABC Radio, Australia

Courtney Kidd, Helen Lempriere Travelling Art Scholarship exhibition (review), Sydney Morning Herald

Sharon Verghis, Sydney Morning Herald, 3 September

TEACHING

Casual lecturer in video and studio art practice, University of Western Sydney

SCHOLARSHIPS, AWARDS AND FELLOWSHIPS

Location One Studio Fellow, SoHo, NYC 2013 

Greene St Studio, NYC

Winner, Anne Landa Award, Art Gallery of New South Wales

New Work Grant, Australia Council for the Arts

Montalvo Fellowship USA, Sally and Don Lucas Artists Program, Montalvo Arts Centre, USA

The Anne & Gordon Samstag International Visual Arts Scholarship

Helen Lempriere Travelling Art Scholarship (highly commended)

NAVA Marketing Fund

Helen Lempriere Travelling Art Scholarship (highly commended)

Australia Council for The Arts, New Work Grant (emerging)

Helen Lempriere Travelling Art Scholarship (highly commended)

The Australia Network for Art & Technology Conference Grant, to attend Polarcircuit at the University of Lapland, Tornio, Finland

Australian National Student Film and Video Competition (finalist)

Jerome de Costa Memorial Award, Sydney College of The Arts

White Glove Film Festival, Melbourne (finalist)

COLLECTIONS

Art Gallery of New South Wales, Sydney

Museum of Contemporary Art, Sydney

Austcorp, Sydney

Goldman Sachs JBWere

Cockatoo Island permanent collection, Sydney

Private collections: Australia and USA