Louise Hearman
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LOUISE HEARMAN
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1963 |
6 September, Born Melbourne, Australia |
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1982-84 |
Bachelor of Fine Arts, Victorian College of the Arts, Melbourne |
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1991-92 |
Tutor, Painting Department, Victorian College of the Arts, Melbourne |
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1992 |
Teacher, Drawing, Royal Melbourne Institute of Technology (RMIT), Melbourne |
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SELECTED SOLO EXHIBITIONS |
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2011 |
Louise Hearman, Roslyn Oxley9 Gallery, Sydney Louise Hearman, Tolarno Galleries, Melbourne |
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2008 |
Hello Darkness, The Art of Louise Hearman, Glen Eira City Council Gallery, Victoria Tolarno Galleries, Melbourne |
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2007 |
Louise Hearman, Tolarno Galleries, Melbourne |
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2005 |
Louise Hearman, Roslyn Oxley9 Gallery, Sydney |
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2003 |
Louise Hearman, Roslyn Oxley9 Gallery, Sydney |
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2001 |
Louise Hearman, Mori Gallery, Sydney |
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1998 |
Louise Hearman, Mori Gallery, Sydney |
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1997 |
Louise Hearman, Robert Lindsay Gallery, Melbourne |
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1996 |
Louise Hearman, Mori Gallery, Sydney |
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1991 |
Drawings, Realities Gallery, Melbourne |
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1989 |
Recent Paintings, City Gallery, Melbourne |
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1987 |
The Elephant Room, the dome project, The Mission Seamen Building, Melbourne |
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2012 |
Sellers Art Prize, The Ian Potter Museum of Art, University of Melbourne (Winner) |
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2011
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National Artists' Self-Portrait Prize 2011: Life is risk / Art is risk, University of Queensland Art Museum, Brisbane, Queensland Adaptation, Dubbo Regional Gallery - The Armati Bequest, Western Plains Cultural Centre, New South Wales |
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2010
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Lake, Lake Macquarie City Art Gallery, New South Wales Moran Portrait Prize, State Library New South Wales Wilderness, The inaugural Balnaves exhibition of contemporary painting , The Art Gallery of New South Wales, Sydney |
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2009
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Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne Horror come Darkness, Macquarie University Art Gallery, Sydney |
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2008
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Look! New Perspectives on the Contemporary Collection, The Ian Potter Centre: NGV Australia, Melbourne Neo Goth: Back in Black, The Art Museum, University of Queensland, curated by Alison Kubler Who Let the Dogs Out, Lake Macquarie City Art Gallery, NSW |
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2006 |
Redlands Westpac Art Prize, SCECGS Redlands, Sydney Reverie, Switchback Gallery, Gippsland Centre for Art and Design, Monash University, Churchill, Victoria |
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2005 |
Uncanny (the unnaturally strange), curator Rhana Devenport, ARTSPACE, Auckland |
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2004 |
Before Night - After Nature: Selected works from the Monash University Collection, curator Geraldine Barlow, Monash University Museum of Art, Monash University, Victoria 2004 National Works on Paper, Mornington Peninsula Regional Gallery, Mornington, Victoria
Freaks Fiends and Folly, St Kilda Town Hall, Melbourne Instinct, Monash University Museum of Art, Monash University, Victoria |
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2003 |
Depth of Field, Shepparton Art Gallery, Shepparton, Victoria |
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2002 |
Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003)
Dirty Dozen, Roslyn Oxley9 Gallery, Sydney |
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2001 |
Darkness and Light, MacClelland Gallery, Victoria (travelling exhibition) |
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2000 |
Uncommon World - Aspects of Contemporary Australian Art, National Gallery of Australia, Canberra |
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1999 |
Contempora 5, Ian Potter Museum of Art, Melbourne |
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1998 |
Telling Tales, Ivan Doherty Gallery, Sydney |
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1997 |
Recent Acquisitions, National Gallery of Victoria, Melbourne |
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1996 |
Black Attack, curated by John McPhee, National Gallery of Victoria, Melbourne |
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1995 |
Through A Glass Darkly, the inaugural Guiness Contemporary Art Project, Art Gallery of New South Wales, Sydney |
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1994 |
Drawing on Inspiration, Ivan Doherty Gallery, Sydney |
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1993 |
Australian Perspecta 1993, Art Gallery of New South Wales, Sydney |
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1992 |
Seven, Ivan Doherty Gallery, Sydney |
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1991 |
Faber Castell Tenth Anniversary Drawing Award, Sydney |
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1989 |
John McCaughey Memorial Art Prize, National Gallery of Victoria, Melbourne |
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1987 |
3 Artists, Mori Gallery, Sydney |
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COLLECTIONS |
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Monash University Museum of Art, Monash University |
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National Gallery of Victoria, Melbourne |
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National Gallery of Australia, Canberra |
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Art Gallery of New South Wales |
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Tarrawarra Museum of Art, Box Hill, Victoria |
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Artbank |
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Vizard Foundation Art Collection, Melbourne |
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Austcorp |
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UBS Sydney |
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AWARDS |
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1992 |
The Ninth R M Ansett Award, Hamilton Art Gallery, Victoria |
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1990 |
Swan Hill Print and Drawing Show Purchase Award, Swan Hill Regional Art Gallery |
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1983 |
Special Projects Grant, Visual Arts Board, Australia Council |
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BIBLIOGRAPHY |
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2012 |
Steven Miller, Dogs in Australian Art, (South Australia: Wakefield Press, 2012) pp.38-39 Justin Burke, `Painting by Australian rules', The Australian, October 23, 2012, pp16 |
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2011 |
Simon Gregg, New Romantics . … darkness and light in Australian Art, Australian Scholarly Publishing |
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2010 |
“50 of Australia's most collectable Artists 2010” Australian Art Collector, issue 51 Jan-Mar, 2010 Who's who of Australian Women, 2010, Crown Content, Melbourne 2010 |
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2009 |
Clemenger Contemporary Art Award, 2009 National Gallery of Victoria (exh cat.) Wilderness: Balnaves Contemporary: Painting (exh cat.) Rhonda Davis, Horror come Darkness (exh. cat.), Macquarie University Art Gallery, Sydney |
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2008 |
Hello Darkness, The Art of Louise Hearman, ex. cat., Glen Eira City Council, Victoria Edward Colless, 'Unentitled: On Louise Hearman, untitled', Art & Australia, Vol. 46, No. 1 Spring, 2008, pp.26-131 Paul Flynn, Louise Hearman: My Imagined World', Artist Profile, Issue 3, 2008, pp.28-34 Steven Miller, Dogs in Australian Art |
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2007 |
John McDonald and Ian Lloyd, Studio: Australian Painters on the Nature of Creativity, Singapore: Ian Lloyd Productions, 2007 |
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2006 |
Michael Reid, `Louise Hearman', The art oracle, The Good Weekender, The Sydney Morning Herald, June 24, 2006, p. 19 |
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2005 |
John McDonald, `Daydreamers who bite back', Spectrum, The Sydney Morning Herald, December 3-4, 2005, p. 32-33 Margaret Marsh, Michele Watts and Craig Malyon A.R.T. 2 practice, Oxford University Press, Melbourne 2005 p. 68-69 |
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2004 |
Nellie Castan, “New York - The Armory Show 2004,” ART EXPO, pg. 30 Liza Vasiliou, Instinct, exh. cat., Monash University Museum of Art, Monash University, Victoria Claire Armstrong, “Collector Profile: Dick Quan,” Art & Australia, Vol. 41 No. 4, Winter 2004, p. 615 - 617 |
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2003 |
Ashley Crawford, “Louise Hearman,” See Here Now: Vizard Foundation Art Collection of the 1990s, editors Chris MacAuliffe and Sue Harvey, Ian Potter Museum of Art, Thames and Hudson (Australia) Pty Ltd, Victoria, p. 60 - 63 Michael Hutak, 'Louise Hearman: 50 Most Collectable Artists,' Australian Art Collector, Issue 23, January - March, p. 59 Karen Hall, “Louise Hearman,” Depth of Field exh. cat., Shepparton Art Gallery, Shepparton, Victoria, p. 18, 19 Robert Nelson, “Photography and painting in cahoots,” The Age, Saturday, 25 January 2003, p. 26 (Arts) http://www.vceart.com/artists/hearman/index.html Elena Taylor, “Louise Hearman,” Australian Art in the National Gallery of Australia, ed. Anne Gray, Thames & Hudson, London, UK, p. 415 |
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2002 |
Charles Green, “Into the 1990s: the decay of postmodernism,” Fieldwork: Australian Art 1968 - 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), p. 100 - 111 Glenis Israel, Artwise 2: Visual Arts 7 - 10, John Wiley & Sons Australia, Ltd., Milton, Queensland, pp. 97 - 99 |
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2001 |
Benjamin Genocchio, Weekend Australian, 4 -5 August |
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2000 |
Coutney Kidd, `Louise Hearman,' Australian Painting Now (editor S. Cree), Craftsman House |
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1999 |
Jennifer Spinks, `Secrets and Skies - the Paintings of Louise Hearman,' Australian Art Collector Magazine, issue 8, June, pp. 68 -72 |
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1998 |
Gareth Sansom, `Up the Road - Contemporary Artists out of the VCA (exh. cat.),' Australian Centre for Contemporary Art |
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1997 |
Judith White, `Australia's Most Wanted,' Australian Art Collector Magazine, issue 1, July, pp. 30 - 33 |
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1996 |
John MacDonald, `Left in the Dark,' Sydney Morning Herald (Spectrum), June 8, p. 13 |
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1995 |
Bruce James, `Hearman out of darkness,' The Age, Melbourne, 31 May |
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1994 |
Zara Stanhope, Faciality exh. cat., p.11 |
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1993 |
Nick Waterlow, `Louise Hearman,' Australian Perspecta 1993, Art Gallery of New South Wales exh. cat. |
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1992 |
Melbourne Theatre Company catalogue, p. 12 |
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1991 |
Chris Chapman, `The Corporeal Body,' Australian National Gallery exh. cat. |
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1989 |
Anna Johnson, `Between Heaven and Hell,' Interior Design, no. 18, pp. 134 - 7 |
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1988- 89 |
Anna Weiss, `Louise Hearman,' Moet & Chandon Tourning Exhibition exh. cat. |
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1988 |
The Australian, May 10, p. 3 |
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1987 |
`Partisans,' Vogue Living, November, pp. 134 - 5 |
