JULIE RRAP

Born 1950, Lismore, N.S.W.

Bachelor of Arts Degree, University of Queensland, Brisbane

National Art School, East Sydney Technical College, Sydney

Power Worksheds, Fine Arts Department, University of Sydney

Photo-media Department, City Art Institute, Sydney

SOLO EXHIBITIONS

Loaded, Roslyn Oxley9 Gallery, Sydney

Julie Rrap: Off Balance, Lismore Regional Gallery, Lismore, NSW

360° Self-Portrait, Roslyn Oxley9 Gallery, Sydney

OuterSpace, Arc One Gallery, Melbourne

Escape Artist: Castaway, Roslyn Oxley9 Gallery, Sydney

Body Double, Museum of Contemporary Art, Sydney

Embodied, Newcastle Region Art Gallery, Newcastle

Fall Out, Roslyn Oxley9 Gallery, Sydney

Gallery, Victoria, Australia

Soft Targets, ARC One gallery, Melbourne, Australia

Soft Targets, Roslyn Oxley9 Gallery, Sydney

Fleshtones, Arc One @ Span, Melbourne

Fleshtones, Visible Art Foundation, installation at Republic Tower, Melbourne

Pearl Jon, (from the series Flesh Stones), Republic Building billboard project, Visible Art Foundation,Melbourne

Fleshed Out, Roslyn Oxley9 Gallery, Sydney

A-R-MOUR, Roslyn Oxley9 Gallery, Sydney
Itch! Robert Lindsay Gallery, Melbourne

Porous Bodies, Roslyn Oxley9 Gallery, Sydney

C.I.A.P. Hassalt, Belgium

Robert Lindsay Gallery, Melbourne
Roslyn Oxley9 Gallery, Sydney

Brisbane City Gallery, Brisbane
Institute of Modern Art, Brisbane
Savode Gallery, Brisbane
Roslyn Oxley9 Gallery, Sydney

Australian Centre for Contemporary Art, Melbourne
Robert Lindsay Gallery, Melbourne

Opus Operandi Gallery, Ghent, Belgium
Art Gallery of New South Wales, Sydney

Galerie Eric Franck, Geneva, Switzerland

Ecole d'art de Rouen, Rouen, France
Ponte Pietra Arte Contemporanea, Verona, Italy

Queensland Art Gallery, Brisbane
Wollongong City Gallery, Wollongong
Canberra Contemporary Art Space, Canberra
Mori Gallery, Sydney
Galerie Joost Declercq, Ghent, Belgium
Tolarno Galleries, Melbourne

Galerie Joost Declercq, Ghent, Belgium

Mori Gallery, Sydney

Ecole des Beaux Arts, Grenoble, France

Mori Gallery, Sydney
Monash University Gallery, Melbourne

Mori Gallery, Sydney
Artspace Visual Art Centre, Sydney
Australian Centre for Photography, Sydney

The Developed Image Gallery, Adelaide Festival, Adelaide
George Paton Gallery, Melbourne
Roslyn Oxley9 Gallery, Sydney
Artspace Visual Art Centre, Sydney

Roslyn Oxley9 Gallery, Sydney

I.C.A. Central Street, Sydney

SELECTED GROUP EXHIBITIONS

Light Sensitive Material: Works From the Verghis Collection, Lismore Regional Gallery, Lismore

Volume 1,MCA, Sydney

Theatre of the World, MONA, Hobart

Sexes, Performance Space, Sydney

Bowness Prize, MGA, Melbourne

Blake Prize, S.H. Irving Gallery, Sydney  

Collection exhibition, AGNSW, Sydney

Light Sensitive Material: Works from the Verghis Collection, Lismore Regional Gallery, Lismore

Encounters, Glen Eira City Council Gallery, Melbourne

Signal 8: Storm, The Cat Gallery, Hong Kong

Double Vision, McClelland Gallery and Sculpture Park, Langwarrin, Victoria

Forever Young: 30 Years of the Heide Collection, Heide Museum of Modern Art, Melbourne

Journeys, Plimsoll Gallery, Centre for the Arts, Hobart

Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne Zahalka, Roslyn Oxley9 Gallery, Sydney

Jakarta Biennale, Jakarta

The Naked Face: Self-Portraits, The Ian Potter Centre, National Gallery of Victoria, Melbourne

Redlands Westpac Art Prize, Mosman Art Gallery, Sydney

Redheads and Other Power Chicks & Men Who Sew, Deloitte Foundation New Australian Art Exhibition series, Sydney

Snapshot: Contemporary Photography from the La Trobe University Art Collection, La Trobe University Art Museum

Selected works from the Love Collection (curated by Steven Alderton), Casuala Powerhouse, Sydney

The Trickster, Gyeonggi Museum of Modern Art, Korea

University of Queensland National Artists' Self-Portrait prize, UQ Art Museum, Brisbane (Winner)

Reframing Darwin: evolution and art in Australia, Ian Potter Museum of Art, The University of Melbourne, Melbourne

Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne.

Janet Laurence, Julie Rrap, Guan Wei, Arc 1 Gallery, Melbourne

The Woollahra Small Sculpture prize 2009, Woollahra Council Chambers, Sydney

Lucky Town, Roslyn Oxley9 Gallery, Sydney

Revolutions - Forms That Turn, Biennale of Sydney, Sydney, curated by Carolyn Christov-Bakargiev

Artist Makes Video, Art Rage Survey 1994-1998, Griffith University, Queensland College of Art, Brisbane

Turbulence: the 3^rd Auckland Triennial, Auckland, New Zealand

science as art project, Garvan Institute, Sydney

Glimpse: Inside Gold Coast City Art Gallery's Collection, Gold Coast City Art Gallery, Surfers Paradise, QLD

People's Choice, Wollongong City Gallery

Girls Girls Girls: Images of Femininity from the Banyule Art Collection, Bendigo Art

The Broadway Café, Chippendale, Sydney. Organized by Giles Ryder and Mathys Gerber

Bones of the Skin; the denaturalisation of the body, curated by Lia McKnight, Breadbox Gallery, Northbridge, WA, Australia, July 2005

The Dead Travel Slow, collaboration with George Alexander, Maria Cruz, Zina Kaye, Jacky Redgate and Cathy Vogan, Artspace, Sydney, Nov 2004

Penumbra: Images of Light and Darkness, McClelland Gallery and Sculpture Park, Langwarrin, Victoria

2004: Australian Culture Now, Australian Centre for the Moving Image and The Ian Potter Centre, National Gallery of Victoria Australia, Melbourne

FleshPool, ARTV: produced with the assistance of ACMI and SBS independent, Australian Centre for the Moving Image, Melbourne and screening throughout 2004 on SBS Television

Julie Rrap, Jacky Redgate, Rose Farrell and George Parkin: Constructed Photographs from the Eighties, Arc 1 @ Span, Melbourne

Strike a Pose, Lake Macquarie City Art Gallery, Lake Macquarie, New South Wales

Shang-ri La, Artspace, Sydney

Citigroup Private Bank Australian Photographic Portrait Prize, Art Gallery of New South Wales, Sydney

Parthenogenesis, Ivan Dougherty Gallery, Sydney

National Sculpture Prize 2003, National Gallery of Australia, Canberra

Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003)

Love at First Sight: Self-made Women, Centre for Contemporary Photography, Melbourne

2^nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2002

Petgreen, BLOCK, Sydney
Julie Rrap, Overstepping, billboard, Hero apartments, 118 Russell St, Melbourne, The Visible Art Foundation
Other Views: an exhibition from the Griffith University Art Collection, Griffith University, Nathan, Queensland

Helen Lempriere National Sculpture Award 02, Melbourne

Figure, The Plimsoll Gallery, Centre for the Arts, Hobart, Tasmania
Hermanns Art Award, Winner, Sherman Galleries Hargrave, Sydney, touring regional galleries May 2001 - December 2002
sometimes bed is not an option, Roche Contemporary Art Prize, PCL Exhibitionists Art Gallery, Sydney

Triggered, First Draft, Sydney

Silver: 25th Anniversary Exhibition, Ivan Dougherty Gallery, Sydney
Four Ways Around a Frame, Australian Centre for Photography, Sydney

Ultraviolet, Griffith University, Brisbane

Body. Art Gallery of New South Wales, Sydney
Artists in the House, Elizabeth Bay House, Sydney
Roslyn Oxley9 Gallery, Sydney

Systems End: Contemporary Art in Australia, The Dong Ah Gallery, Seoul, Korea, Hakone Open Air Gallery, Tokyo, Japan, Oxy Gallery, Osaka, Japan
The Power to Move, Queensland Art Gallery, Brisbane
Photography is Dead! Long Live Photography! Museum of Contemporary Art, Sydney
Works on Paper, Robert Lindsay Gallery, Melbourne

Benefactors Exhibition, Art Gallery of New South Wales, Sydney
Women Artists from the Collection, Art Gallery of New South Wales, Sydney

Photosynthesis, Roslyn Oxley9 Gallery, Sydney
Persona Cognita, Heide Museum of Contemporary Art, Melbourne
Eidetic Experiences, Brisbane Town Hall Gallery and travelling component, Brisbane

Women's Photography from the Collection, Museum of Contemporary Art, Sydney
Biennale Selection, Orange Regional Gallery, Orange

The Boundary Rider, The Biennale of Sydney, Sydney
Contemporary Australian Art to Korea, Strangers in Paradise, National Museum of Seoul, Korea, Art Gallery of New South Wales, Sydney
4 Photographers, Hassalt Contemporary Museum, Hassalt, Belgium

Contemporary Australian Photography, The Art Gallery of Winsor, Winsor, Canada
4 Belgium Artists from Galerie Joost De Clercq, Van Krimpen Gallery, Amsterdam, The Netherlands
Dissonance, Artspace and The Wharf Space, Sydney

Contemporary Australian Photography, Presentation House Gallery, Vancouver, Canada, House Gallery, Winnipeg, Canada, The Nickel Art Museum of the University of Calgary, Calgary, Canada
Fragmentation and Fabrication: Recent Australian Photography, Art Gallery of South Australia, Adelaide
Tempels, Zuilen, Sokkels, C.C. de Werf, Aalst, Belgium

Australian Artists Exchange to France, Chapelle de La Salpêtrière, Paris, France
The Australian Show, Wurttembergische Kunstverein, Stuttgart, Germany
I.C.I. Contemporary Art Collection, City of Ballarat Fine Art Gallery, Ballarat, Australia
Drawings, Ivan Dougherty Gallery, Sydney

Perspecta, Art Gallery of Western Australia, Perth
The Australian Show, Frankfurter Kunstverein, Frankfurt, Germany
National Museum, Osaka, Japan
Hara Arc Museum, Tokyo, Japan
Nagoya City Museum, Nagoya, Japan
Edge to Edge Australian Contemporary Art to Japan, Hokkaido Museum, Sapporo, Japan
Elsewhere, I.C.A. and Cambridge Darkroom, London, U.K.
First Person Singular, Self-Portrait Photography 1840-1987, High Museum, Atlanta, USA
From the Southern Cross, Biennale of Sydney, National Gallery of Victoria, Melbourne
Australian Photography of the 1980's, Australian National Gallery, Canberra
Field to Figuration, Australian Art 1960-1986, National Gallery of Victoria, Melbourne

Sighting References, Art Gallery of New South Wales, Sydney, Artspace, Sydney, Monash University Gallery, Melbourne, National Gallery, Wellington, New Zealand
Mori Gallery at United Artists Gallery, United Artists Gallery, Melbourne

Origins, Originality and Beyond, Biennale of Sydney, Art Gallery of New South Wales, Sydney
Two x Two `86: Artists and Architecture Exhibition, George Paton Gallery, Melbourne
The Developed Image Gallery, Adelaide Festival, Adelaide
Body Images, A.C.C.A., Melbourne

Pleasure of the Gaze, Art Gallery of Western Australia, Perth
Making Appearances, International Theatre Festival, Copenhagen, Denmark
Australian Perspecta, Art Gallery of New South Wales, Sydney
Invisible Pursuits, Artspace, Sydney
Recent Australian Photography from the Kodak Fund, Australian National Gallery, Canberra

On Site, Tasmanian School of Art Gallery, Hobart

Australian Perspecta, Art Gallery of New South Wales, Sydney
A.U.S.T.R.A.L.I.A., Zona Gallery, Florence, Italy

Contemporary Colour Photography, Newcastle Regional Art Gallery, Newcastle

SELECTED PUBLICATIONS

Amelia Jones, Time passing upside down - Julie Rrap's 360 degree self-portrait, Art Essay, Art & Australia, 49 No.3, pp.476-477

Victoria Lynn, 'Body Double', MCA Collection Volume One, (Sydney: MCA, 2012) pp404-412

Mnemosyne, David Hansen, Catalogue: Theatre of the World, MONA, p. 26

Julie Rrap, Catalogue, Volume 1, MCA, Sydney,  p.403 -412

Time Passing Upside Down- Julie Rrap's 360 Degree Self-Portrait, Amelia Jones, Art and Australia, Vol 49, No. 3, Autumn 2012.

The Evolution of the MCA, Mindfood June 15, 2012 p.3

101 Contemporary Australian Artists, Melbourne: National Gallery of Victoria, Melbourne p.182 -183

Adrian Parr and Michael Zaretsky, New Directions in Sustainable Design,  (London and New York: Routledge, 2011) pp.9, 10

 Lenore Manderson, Surface Tensions: Surgery, Bodily Boundaries and the Social Self  California: Left Coast Press, 2011) p. 236, 259, 260 and cover

Anne Marsh, Look: Contemporary Australian Photography since 1980, Macmillan Publishers

“Julie Rrap”, Art Collector Magazine, Issue 52: April - June 2010 p. 122-23

“Caught in a Tangled web of Mystery and Suspense”, The Melbourne Age, review by Dan Rule, 12 May 2010

Jacqueline Millner, “Articulating the unspeakable: The feminist photography of Julie Rrap and Anna Ferran” in Conceptual Beauty (Sydney: Artspace, 2010) pp135-143

Amanda Rowell, “Julie Rrap - Off Balance (Exhibition Catalogue)”, Lismore Regional Gallery, September-October, 2011

Tracey Clement, `Julie Rrap; She's Back', The Art Life, July 23, 2010, http://theartlife.com.au/?p=3217

Blair French and Daniel Palmer, Twelve Australian Photo-Artists, Piper Press, Sydney

Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), Sydney, p284

Christov-Bakargiev, Carolyn. (ed.) 2008 Biennale of Sydney: Revolutions - Forms That Turn, exh.cat. Thames & Hudson: Australia

Joanna Mendelssohn, `Julie Rrap: Body Double,' Art and Australia, volume 45, number 3, p470

Kit Wise, `Looking Back: Solo Shows', Frieze, January - February 2008, p.136

Tracey Clement, `Julie Rrap, Liking the New Old You,' COFA, Art & Design, Summer 2008, Issue 20, pp14-15

Ingrid Periz, `Julie Rrap - 50 Most Collectable Artists,' Australian Art Collector, Issue 43, January - March 2008, pp180

John McDonald, `Naked truth behind the buzz,' The Sydney Morning Herald, October 27-28, 2007, p16-17

Julie Ewington, `Turbulence Across the Ditch: The Third Auckland Triennial,' Eyeline, Number 64, pp34-37

Victoria Lynn, Body Double, exhibition catalogue, Museum of Contemporary Art, Sydney

Joyce Morgan, `Oh, you are offal: body of work makes mischief with stereotypes',

The Sydney Morning Herald, Tuesday, August 28, 2007, p. 11

Joanna Mendelssohn, “Julie Rrap: her own woman”, Photofile, No. 81, Spring 2007, pp. 34 - 37.

John Hurrell, “Mixed commotions: Turbulence: the 3^rd Auckland Triennial”, Art Monthly Australia, July 2007, Number 201, pp. 24 - 28.

Victoria Lynn, `Julie Rrap', Turbulence: the 3^rd Auckland Triennial exh. cat., Auckland Art Gallery Toi o Tamaki, Auckland, p. 98

science as art, project catalogue, Garvan Institute, Sydney

Blair French, `Julie Rrap: Soft Targets', Eyeline, No. 59, Summer 2005 - 2006, pp. 36-39

Sunanda Creagh, `Julie Rrap and Tony Clark', in Spectrum, The Sydney Morning Herald, March 4-5, 2006, p. 29

People's Choice, Wollongong City Gallery exhibition catalogue p. 46

Victoria Lynn, Julie Rrap: Soft Targets, ARC One, exh. cat., Melbourne

“Art Gallery: Recent exhibitions selected by Victoria Lynn,” Art & Australia, Autumn 2005, Vol 42, No. 3, p. 441

Gallerie d'Art & Co, “A Bocca Aperte: In Australia `'arte riesce a togliere il fiato”

Tracey Clements, “Critic's Picks: Julie Rrap,” Sydney Morning Herald, November 5 - 11, 2004, p. 31 (Metro)

Robert McFarlane, “When the suffering doesn't stop,” Sydney Morning Herald, Tuesday, November 2, 2004, p. 13 (Metropolitan)

2004: Australian Culture Now (exh. cat.), ed. Dr Charles Green, Australian Centre for the Moving Image and The Ian Potter Centre, National Gallery of Victoria Australia, Melbourne, p. 190

Sandy Edwards, “The Eighties in Retrospect,” Photofile #71, Winter 2004, p. 58 - 61

Glenis Israel, senior artwise: visual arts 11 - 12, book 2, John Wiley & Sons, Qld. pp. 139 - 143

Glenis Israel, senior artwise: visual arts 7-10, 2^nd edition, John Wiley & Sons, Qld. pp. 166 - 169

Megan Blackhouse, “Flesh taking form,” The Age, 9^th August 2003, www.theage.com.au/articles/2003/08/06/1060145719411.html

Hannah Fink, “Julie Rrap,” See Here Now: Vizard Foundation Art Collection of the 1990s, editors Chris MacAuliffe and Sue Harvey, Ian Potter Museum of Art, Thames and Hudson (Australia) Pty Ltd, Victoria, p. 124, 125

Ewen McDonald, “Julie Rrap,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 84

Adrian Parr, “Stone into Flesh,” Artlink, vol. 23 no. 3, p. 58 - 59

Julie Rrap, “Julie Rrap”, National Sculpture and Prize exhibition Catalogue, 2003.

Ewen McDonald, “The ever-expanding field,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 32 - 36

Margaret Plant, “The Journey from Field to Fieldwork 1968 - 2003,” Eyeline # 51, Autumn - Winter, 2003, p. 44 - 46

Zara Stanhope, “Take a Good Look at My Face, Love at First Sight: artists and their relationship with the camera,” Eyeline # 51, Autumn - Winter, 2003, p. 26 - 29

Peter Hill, “Focus on the Big Picture,” Sydney Morning Herald (Spectrum), May 24-25, p. 12, 13

Stuart Koop, “Fieldwork: Australian Art 1968 - 2002, Broadsheet, vol. 32, no. 1, March, April, May, p. 8 - 11

Anne Loxley, “Gems behind the verbiage,” Sydney Morning Herald (Metropolitan), Wednesday, April 9, p. 14

Catriona Moore, “Photo-Documentary's Fluctuating Fortunes,” Value Added Goods: Essays on Contemporary Photography, ed. Stuart Koop, Contemporary Centre for Photography, Melbourne, 2002, p. 27 - 33

2^nd Sight Australian Photography in the National Gallery of Victoria, exh. cat., National Gallery of Victoria, Melbourne, 2002, p. 95

Peter Skinner, “Funk and Functionality”, Architecture Australia, vol 90 no.1

Artist pages, Photofile #56
Sebastian Smee, “Pore Show,” The Sydney Morning Herald, February 23
Benjamin Genocchio, “Return to Gender,” The Australian, February 26
Dr Felicity Haynes, “Julie Rrap,” Art & Australia, vol 36 no 3

Catriona Moore, George Alexander, Sam Schoenbaum, Terence Maloon, Julie Rrap, Piper Press Publications
Bruce James, “Flashes in the Can,” The Australian's Review of Books, June
Shane Rowlands, “Bent virtual,” RealTime 26, August-September

`Body' catalogue, Art Gallery of New South Wales, Sydney

Terence Maloon, Julie Rrap, Art & Australia, Vol. 33, No. 4, Winter

Anne Kirker, Clare Williamson, The Power to Move, Aspects of Australian Photography, Queensland Art Gallery, 1995, p26

Linda Williams, Review: A.C.C.A., Melbourne, Art & Text, No. 52
Juliana Engberg, Review: A.C.C.A., Melbourne, Art & Australia, Summer

Victoria Lynne, Minimalism and its Shadows, Art & Australia, Summer Vol. 32

Cornelia Lauf, Permanent New Wave, Art + Text, No 44, January
Catriona Moore, Indecent Exposures, Allen & Unwin
Wim Delvoye, Global Art: Julie Rrap Flash Art, No. 173, November/December
Juliana Engberg & Ewen McDonald edits., Binocular: Focusing, Writing, Vision

Dominique Aubé, Review at Galerie de L'Ecole, Rouen, Art Press, No. 168, April
Gary Sangster, Julie Rrap: Seeing Double, Artefactum, No. 44, Summer Belgium
Dirk Pultau, Julie Rrap, Jaarboek `92, Belgium

Terence Maloon, Readings, Art + Text, No. 37 September
Dirk Pultau, Review at Joost De Clercq, Ghent, Belgium, Artscribe, Nov/Dec

Leslie Stern, Stepping In, Art & Text, No. 29, June- August

Victoria Lynn, Secret Strategies/Ideal Spaces, Photofile, Summer

George Alexander, Julie Brown-Rrap, Australian Bi-Centennial Perspecta Catalogue, Art Gallery of New South Wales, Sydney (& translated into German)

Ingrid Perez, Reading a Thiefs Journal, Photofile, Winter
C. Moore & E. Ennis, Photography in Australia, AfterImage, Vol 14, No. 12, Sept.

George Alexander, Julie Brown: Persona & Shadow, George Paton Gallery Catalogue, Melbourne

John Delacour, Julie Brown's Disclosures in Context, Out of the Biennale, Art Network, No. 7, Spring

PUBLICATIONS BY THE ARTIST

Bill Viola, Art + Text (review), No. 47, January
Gabriel Orozco, Art + Text (review), No. 48, May

Post-Human Show, Lausanne, Switzeralnd Art + Text (review), No. 44 January
Ricardo Brey, Art + Text (review), No 45, May

Identikit (Facing Others in the Antipodes-A Possible Portrait), L'Ecole D'Art, Rouen
Strangers in Paradise, National Museum of Seoul, Korea (cat. essay)

VIDEOS

Porous Bodies (11 videos)

Sniff Movie - 2 versions

Resistance - Non-Portraits

COLLECTIONS

Art Gallery of New South Wales, Sydney
Art Gallery of Queensland, Brisbane
Art Gallery of South Australia, Adelaide
Art Gallery of Western Australia, Perth

Museum of Contemporary Art, Sydney

National Art Gallery, Wellington, New Zealand

National Gallery of Australia, Canberra

National Gallery of Victoria, Melbourne
Central Queensland Art Purchase, Rockhampton Art Gallery

College of Fine Arts, Sydney

Gold Coast City Art Gallery

Griffith University, Brisbane
I.C.I., Contemporary Art Collection
Melbourne University Gallery, Melbourne

Monash University Art Gallery Collection, Melbourne

Wollongong City Gallery, Wollongong
Monash Gallery of Art, City of Monash Collection
Private Collections: Australia, Belgium, Netherlands, Switzerland, Italy, France, U.S.A.

PRIZES & AWARDS

Winner, University of Queensland National Artists' Self-Portrait Prize

Winner, Redlands Westpac Art Prize

Fellowship Grant, V.A.C.B., Australia Council

Hermanns Art Award, Winner, Sherman Galleries Hargrave, Sydney
Roche Contemporary Art Prize, Highly Commended

Multi-Year Fellowship Grant, V.A.C.B., Australia Council

Fellowship Grant, V.A.C.B., Australia Council

Artist's Residnecy, L'Ecole des Beaux Arts, Grenoble, France - Artists Exchange

Project Grant, V.A.C.B., Australia Council

Artist's Residency, Cité des Arts, Paris; Power Institute, University of Sydney

Materials Grant, V.A.C.B., Australia Council

Lady Fairfax Open Photography Award, Art Gallery of New South Wales

Artist's Residency, Besozzo Studio, Italy: V.A.C.B., Australia Council