Anne Zahalka
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http://www.zahalkaworld.com.au
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1957 |
Born Sydney, Australia |
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1976 |
Art Certificate, Stages 1 & 2, East Sydney Technical College |
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1979 |
Bachelor of (Visual) Arts, Sydney College of the Arts |
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1989 |
Post Graduate Diploma, Sydney College of the Arts |
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1994 |
Master Fine Arts, University of NSW, College of Fine Arts, Sydney |
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2009
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Playing the game!, Roslyn Oxley9 Gallery, Sydney 2009 A Bar to Call Home - The Changing Face of the RSL, NG Art Gallery & Mission Restaurant, Sydney Hall of Mirrors: Anne Zahalka Portraits 1987 - 2007, Perc Tucker Regional Art Gallery, Townsville, QLD |
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2008 |
Hotel Suite, Sofitel, in conjunction with Melbourne Art Fair, 1 July - 2 September Wild Life, Arc One Gallery, Melbourne, 10 April - 3 May, 2008 Hall of Mirrors: Anne Zahalka Portraits 1987 - 2007, National Portrait Gallery, Canberra, Warrnambool Art Gallery, Victoria, Ipswich Art Gallery, Queensland, Bathurst Regional Art Gallery, New South Wales |
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2007 |
Hall of Mirrors: Anne Zahalka Portraits 1987 - 2007, Centre of Contemporary Photography, Melbourne, 23 March - 12 May Anne Zahalka, Focus Room, Art Gallery of New South Wales, Sydney 14 March - 2 May 2007 Wild Life, Roslyn Oxley9 Gallery, Sydney 1 February - 24 February 2007 |
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2006 |
Fotofreo, Fremantle Festival of Photography, Western Australia Anne Zahalka: Wonderland, ARC One Gallery, Melbourne |
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2004 |
Natural Wonders, Roslyn Oxley9 Gallery, Sydney Anne Zahalka: Portraits Past, Damien Minton Gallery, Newcastle, New South Wales, Australia |
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2003 |
Leisureland Regional, University of Technology Sydney, 24 June - 18 July, a Grafton Regional Gallery touring exhibition Welcome to Sydney, Museum of Sydney, Sydney Anne Zahalka, Maritime Museum, Sydney |
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2002 |
Leisureland, Monash Gallery of Art, Victoria, Australia
Fortresses and Frontiers, Institute of Modern Art, Brisbane, Australia Leisureland, New England Regional Art Gallery; Albury Regional Gallery, Albury, New South Wales; Wagga Wagga Regional Art Gallery, New South Wales, Australia |
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2001 |
Leisureland, Tamworth City Art Gallery, Tamworth; Bathurst Art Gallery; Grafton Regional Art Gallery, Australia; Hazelhurst Regional Art Gallery, Gymea, New South Wales |
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2000 |
Leisureland, Roslyn Oxley9 Gallery, Sydney |
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1999 |
Leisureland, Anna Schwartz Gallery, Melbourne |
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1998 |
Woven Threads #2, Roslyn Oxley9 Gallery, Sydney Woven Threads, Gallery 4A, Asia-Australia Arts Centre, Sydney |
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1997 |
Anne Zahalka, Galerie Alte Feuerwache, Mannheim, Germany |
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1996 |
Collectors, Roslyn Oxley9 Gallery, Sydney |
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1995 |
Open House, Anna Schwartz Gallery, Melbourne |
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1994 |
Gesture, Roslyn Oxley9 Gallery, Sydney |
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1993 |
Gesture, City Gallery, Melbourne |
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1992 |
Details, City Gallery, Melbourne |
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1991 |
Details and Resemblances I, Claybrook Gallery, Auckland, New Zealand |
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1990 |
Artists, City Gallery, Melbourne |
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1989 |
Resemblance I and II, Chameleon Gallery, Hobart, Tasmania |
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1988 |
Resemblance I, Institute of Modern Art, Brisbane, Camerawork Gallery, London, UK |
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1987 |
Resemblance I, Kunstlerhaus Betheanien, Berlin; Australian Centre for Photography, Sydney |
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1986 |
The Wanderer upon an Castle came..., Kunstlerhaus Bethanien, Berlin, Germany |
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2011
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Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne Zahalka, Roslyn Oxley9 Gallery, Sydney |
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2010 |
Outside In, McClelland Gallery and Sculpture Park, Victoria Step Right Up! The Circus in Australian Art, Port Pirie Regional Art Gallery, Port Pirrie. The Stranger's Eye, Curated by Donna West Brett, Peloton Gallery, Sydney Homeground! In association with Head On Photo Festival, Newtown Hotels, Sydney |
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2009
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Red Exhibition, Sherman Contemporary Art Foundation, Sydney A Natural World, Glen Eira City Council Gallery, Victoria |
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2008 |
Step Right Up, The Circus in Australian Art, Albury City touring exhibition OIKOS, Habitacles/Habitable Places, SBC Gallery of Contemporary Art, Montreal Basil Sellers Art Prize, Ian Potter Museum of Art, Melbourne FX in Contemporary Art, McClelland Gallery and Sculpture Park, Victoria Winner, Macarthur Cook Art Prize, Gallery 45, Melbourne Silver-lined, the Arts Centre, Contemporary Artists and the Performing Arts Collection, Melbourne Premonitions, Monash University Collection 1961-2007, McClelland Gallery, Victoria Supercharged: the car in contemporary culture, IMA touring show - Logan Art Gallery, Redcliffe Art Gallery |
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2007 |
Wonderful World, Samstag Museum of Art, University of South Australia, Adelaide Harbourlife: Sydney Harbour from the 1940'2 to recent times, Manly Art Gallery and Museum, New South Wales, 30 November , 2007 - 13 January, 2008 Forty Eight Hours of Visual Arts, (FEHVA), Byron Bay Festival, NSW Glimpse: Inside Gold Coast City Art Gallery's Collection, Gold Coast City Art Gallery, Surfers Paradise, QLD Supercharged: the car in contemporary culture, IMA touring show - 24Hr Art, Bathurst Regional Art Gallery, Pinnacles Gallery Three Australian Photographers: Bill Henson, Tracey Moffatt, and Anne Zahalka , GEM/Fotomuseum, Den Haag, The Netherlands, 26 May - 28 October Winner, National Photographic Prize, Albury Regional Art Gallery Cuisine & Country: a gastronomic venture in Australian art, Orange Regional Gallery, New South Wales, 13 April - 20 May 2007 |
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2006 |
Acting the Part, Photography as Theatre, National Gallery of Canada, Ontario Supercharged: the car in contemporary culture, Institute of Modern Art, Brisbane Tunnel Vision, Greed & Stupidity: Reviewing Concrete Politics in Sydney, The Cross Art Projects, Kings Cross, Sydney swell: the art in contemporary beach culture, Lake Macquarie City Art Gallery Points of View: Australian photography 1985-95, Art Gallery of NSW, Sydney |
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2005 |
Perception, The Daryl Hewson Photographic Collection, Queensland Centre for Photography, Bulimba, QLD, Australia Winner, 2005 Leopold Godowsky Jr. Colour Photography Awards, Photographic Resource Centre, Boston University, Boston A Matter of Time, Tamworth Fibre Biennial, Tamworth Regional Art Gallery Take a Good Look, Lake Macquarie City Art Gallery, New South Wales 16th Tamworth Fibre Textile Biennial, Tamworth Regional Gallery My City of Sydney, Museum of Sydney, Sydney 2005 Josephine Ulrick & Win Schubert Photography Award, Gold Coast City Art Gallery, Queensland, Australia |
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2004 |
Supernatural Artificial: Contemporary photo-based art from Australia, curator Natalie King, Tokyo Metropolitan Museum of Photography, Tokyo, Japan, Chulanlangkorn Art Centre, Bangkok UR IN EU: An exhibition which celebrates the ten new member nations of the European Union, Sir Hermann Black Gallery & Sculpture Terrace, University of Sydney Isle of Refuge, (“Displaced Persons” collaboration with Sue Saxon), Flinders University City Gallery, Adelaide (Ivan Dougherty Gallery touring exhibition) All that glitters: Contemporary visions of the Gold Coast, Gold Coast City Art Gallery, Surfers Paradise, Australia 6ft +clean: surf and art, ArtMuseum, University of South Australia Art Museum, Adelaide. Gambling: thrills, spills & social ills, Powerhouse Museum, Sydney <LOOK>, Newcastle Region Art Gallery, Newcastle, New South Wales Strike a Pose, Lake Macquarie City Art Gallery, Lake Macquarie, New South Wales |
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2003 |
Fair Game: Art + Sport, NGV Response Gallery, National Gallery of Victoria, Melbourne 6ft + clean: surf + art, Manly Art Gallery, a Gold Coast City Art Gallery touring exhibition, Manly, NSW Stellar, Centre of Contemporary Photography Fundraising Auction, Centre of Contemporary Photography, Melbourne Photographica Australis, Asia Link touring exhibition, National Gallery of Thailand and Singapore Art Museum Isle of Refuge, (“Displaced Persons” collaboration with Sue Saxon), Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney Citigroup Private Bank Australian Photographic Portrait Prize, Art Gallery of New South Wales, Sydney Gallery 4A Fundraising Exhibition, Gallery 4A, Asia-Australia Arts Centre, Sydney On the Beach with Whiteley, Brett Whiteley Studio, Sydney Freestyle: the Bondi Beach Cole Classic, State Library of New South Wales, Sydney Skylounge, National Museum of Australia, Canberra New Australiana, Perth Institute of Contemporary Art, Perth; Albury Regional Art Gallery, Albury, Australia |
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2002 |
6ft + clean: surf + art, Gold Coast City Art Gallery touring exhibition, Surfers Paradise, Australia (to 2003) Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003) Photographica Australis, ARCO 2002, Sala del Canal de Isabel II, Madrid, Spain Love at First Sight: Self-made Women, Centre for Contemporary Photography, Melbourne 2nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2002 Embrace, Contemporary Photomedia, Trinity Delmar Gallery, Sydney
The Big River Show: Murrumbidgee Riverine, Wagga Wagga Art Gallery, NSW Watermarks, Maritime Museum, Sydney |
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2001 |
Federation! But who makes the nation? Regional Galleries tour |
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2000 |
Sporting Life, Museum of Contemporary Art, Sydney Sydney Metropolis + Suburb + Harbour, Museum of Sydney Striking, Monash Gallery of Art, Victoria; Campbelltown City Bicentennial Art Gallery, NSW; Bendigo Art Gallery, Victoria; Mildura Art Centre, Victoria; Geelong Art Centre, Victoria Journeys in the Dream Land, Dennis Del Favero, Jon Rhodes, Anne Zahalka, Fotogallery, Cardiff, Wales All Stars 2000, Roslyn Oxley9 Gallery, Sydney |
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1999 |
Signature Works, Australian Centre for Photography, Sydney |
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1998 |
The Body in Question, Wessel + O'Connor, New York, USA Haimish, (homely), curated by Naomi Cass and Natalie King, The Jewish Museum, Melbourne After the Masters, Master of Fine Arts 1993 - 1997 Selected Work, Ivan Dougherty Gallery, College of Fine Arts, Universiy of New South Wales, Sydney |
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1997 |
Distanz und Domizil, Fotographie der Gegenwart, Künsthaus Dresden, Germany |
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1994 |
About Face, Aspects of Australian Portraiture, c1770 - 1993, National Portrait Gallery, Canberra |
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1993 |
Locations, Australian Centre for Contemporary Art, Melbourne; Artspace, Sydney and Asian tour |
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1992 |
The Manipulated Image, City of Waverley Gallery, Victoria |
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1991 |
Contemporary Colour, Art Gallery of New South Wales |
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1990 |
As idle objects lie, (collaborations with Felicia Kan), First Draft (west), Sydney |
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1989 |
Re-model, George Paton Gallery, Melbourne |
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1988 |
The Great Australian Art Exhibition 1788-1988, Queensland Art Australian Photography: The 1980s, curated by Helen Ennis, with assistance from Kate Davidson, Australian National Gallery |
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1987 |
Pure Invention, Parco Gallery, Tokyo (touring Japan & Australia) |
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1986 |
Suspending Belief, The Observatory, Brisbane |
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1985 |
Anniversary Exhibition, Australian Centre for Photography |
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1984 |
Manipulated Work, Images Gallery, Sydney |
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1983 |
1984 show, Images Gallery, Sydney |
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1982 |
50th Anniversary of the Building of the Harbour Bridge, Art Gallery of New South Wales |
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1981 |
Four Photographers, Bondi Pavilion |
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1980 |
Aspects of Sydney, Polaroid Exhibition, students S.C.A. |
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COMMISSIONS |
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2002 |
Welcome to Sydney, 2002 was commissioned by Sydney Airport for its Art at Work program |
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COLLECTIONS |
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Visart, New York Sir Elton John Collection International Polaroid Collection, USA National Gallery of Australia Art Gallery of New South Wales National Gallery of Victoria Art Gallery of South Australia Art Gallery of Western Australia National Portrait Gallery, Canberra National Library of Australia Artbank Australia Australian Bicentennial Collection Bathurst Regional Art Gallery BHP Billiton City of Waverley Collection Deutsche Bank Collection Gold Coast Art Gallery Albury Regional Gallery Griffith University Collection University of Tasmania University of Melbourne Grafton Art Gallery Curtin University Monash University Collection Wagga Wagga Art Gallery Waverley Art Gallery McClelland Gallery and Sculpture Park
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2008
2006 |
GRANTS AND RESIDENCIES Sofitel, Melbourne, Victoria Bundanon, Arthur Boyd Estate, New South Wales Development Grant, Australia Council |
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2000 |
Fellowship, Australia Council Visual Arts/Craft Board |
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1996 |
Project Grant, Australia Council Visual Arts/Crafts Board |
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1993 |
Development Grant, Visual Arts/Crafts Board, Australia Council |
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1991 |
Project Grant, Visual Arts/Crafts Board, Australia Council |
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1990 |
Development Grant, Visual Arts/Crafts Board, Sydney |
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1989 |
Bondi Pavilion Community Centre, 6 month residency, Sydney |
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1988 |
Gertrude St, 3 month residency, Melbourne |
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1986 |
Visual Arts and Crafts Board residency, Kunstlerhaus Bethanien, Berlin |
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2009 |
Edward Colless, “Anne Zahalka”, Australian Art Collector, Issue 49, July - September 2009, pp. 152-157 |
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2008 |
Alice McCormick and Sarah Rhodes ` The Artist's Lunch' Murdoch Books 2008, pp 148 - 157 Sera Waters, `Wonderful World', Eyeline, No. 65, 2008, pp. 52-54 Sylvain Campeau, `OIKOS Habitacles/ Habitable Places', catalogue SBC Galerie D'Art contemporain, Quebec, March 2008, pp 68 - 71 Hotel Issue, Hotel Suite, Artichoke Magazine 24, pp 83 - 86 Stephen Haley, `Double Exposure: Post-photographic practice', Photofile 84, pp38 Melbourne Art Fair July 2008, Melbourne Art Fair Foundation, pp 178 - 179 |
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2007 |
Essay by Daniel Palmer and Interview by Karra Rees `Anne Zahalka: Hall of Mirrors', exh. cat. Centre for Contemporary Photography, Melbourne Karra Rees, `Anne Zahalka: Wild Life', Photofile 79 Summer 2007 pp 48 - 51 Naomi Evans, `Anne Zahalka: Wild Life', HEAT, no. 14, 2007, pp. 97 - 112 Helen Ennis, Photography and Australia, Reaktion Books Jacqui Taffel, `Click and myth approach', The Hot Seat, Sydney Morning Herald, April 17, 2007 Lynne Minion, `A clue to the setting', in Panorama, The Canberra Times, December 22, 2007, pp. 4-5 David Ellison, `Anne Zahalka', wonderful world, exhibition catalogue, celebrating the University of South Australia's new Anne & Gordon Samstag Museum of Art, Adelaide, S.A., pp. 48-9 Olivia Poloni, “Hall of mirrors: Anne Zahalka portraits 1987 - 2007”, Art Monthly Australia, July 2007 Number 201, pp. 3 - 6. Art Almanac (Cover), April 2007 “Serendipity - Inside Anne Zahalka's Hall of Mirrors”, Artichoke, 19, 2007, p. 74 Jacqui Taffel, “Click and myth approach”, Sydney Morning Herald, 14 - 15 April 2007, pp. 4 - 5 (Spectrum). Clara Iaccarino, `Wildlife', The Sydney Morning Herald, 10-11 February 2007, p. 16 (Arts & Entertainment). Stewart Hawkins, `In with the old, in with the new”, The Australian Financial Review, February 17 - 18, 2007, p. 34. Karra Rees, `Anne Zahalka: Wild Life', Photofile, #79, Summer 2007, pp. 48 - 51 |
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2006 |
Lori Pauli, Editor ` Acting the Part' National Gallery of Canada, Merrell Publishers Ltd Fig. 45 pp 52 Supercharged: the car in contemporary culture, exhibition catalogue, Institute of Modern Art, Brisbane Robert Nelson, Anne Zahalka, review of Wonderland, The Age, 8 February 2006 The First Post, The Online Daily Magazine, September 23, 2006 http://www.thefirstpost.co.uk/index.php?menuID=0 `Anne Zahalka', EXIT, #23, Madrid, Spain, pp. 88 - 93 Juliette Peers, `Catatonic Curating', Artlink, Vol. 26, #1, pp. 28 - 33 |
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2005 |
Leslie K Brown Jennifer Uhrhane “Leopold Godowosky, Jr. Color photography awards”, In the Loupe July/August 2005 vol 29 Number 4. Margaret Marsh, Michele Watts and Craig Malyon A.R.T. 2 practice, Oxford University Press, Melbourne 2005 p. 45 |
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2005 |
`Supernatural Artificial: Contemporary photo-based art from Australia', Gertrude Contemporary Art Space and Asialink Centre, Victoria, Australia Tracey Clement, “Critic's Picks: My City of Sydney,” Sydney Morning Herald, Dec 31, 2004 - Jan 6, 005, p. 19 (Metro) |
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2004 |
The Spirit of Celebrity, Griffith Review 5, pp 97 - 110 Gael Newton, `Photographic Australis', Taipei Fine Art Museum Ken Bolton, “Australian Women Artists: Sailing to Tahiti,” Jamini: International Arts Quarterly, November, p. 68 - 79 Robert McFarlane, “Photography: Elusive rhythms of the night,” Sydney Morning Herald (Metropolitan), Tuesday, October 5, p. 15 Dominique Angeloro, “Critic's Picks: Anne Zahalka,” Sydney Morning Herald, Oct. 1-7, p. 27 (Metro) Natalie King, “Anne Zahalka: Natural Worlds,” Australian Art Collector, issue 29, July - September 2004, p. 198, 199 Claire Armstrong, “Collector Profile: Dick Quan,” Art & Australia, Vol. 41 No. 4, Winter 2004, p. 615 - 617 Michael Hedger, “Timeless recreations,” The Star, Weekender, February 25, 2004 Jill Stowell, “Portrait of the artist,” The Star, Weekender, February 14 2004 Anne O'Hehir, “Anne Zahalka: How did we get to be here?,” Art & Australia, vol. 41, no. 3, Autumn 2004, p. 410 - 417 |
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2003 |
Martin Jolly, `Writing Archives', Art Monthly Australia, Dec 03 - Feb 04, No.166, pg 5 Peter Conrad, `At Home in Australia', National Gallery of Australia, Canberra Lara Travis, “Anne Zahalka,” See Here Now: Vizard Foundation Art Collection of the 1990s, editors Chris MacAuliffe and Sue Harvey, Ian Potter Museum of Art, Thames and Hudson (Australia) Pty Ltd, Victoria, p. 150, 151 Daniel Palmer, “Anne Zahalka,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 68 Stuart Koop, “Same As It Ever Was: photography in the Collection,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 40 - 44 Alasdair Foster, “Interview: Anne Zahalka,” Photofile # 69, August 2003, pp. 19 - 21 Margaret Plant, “The Journey from Field to Fieldwork 1968 - 2003,” Eyeline # 51, Autumn - Winter, 2003, p. 44 - 46 Zara Stanhope, “Take a Good Look at My Face, Love at First Sight: artists and their relationship with the camera,” Eyeline # 51, Autumn - Winter, 2003, p. 26 - 29 Dominique Angeloro, “Critics Picks: Leisureland Regional,” Sydney Morning Herald, (Metro), July 11 - 17, p. 27 Rosalie Higson, “Location is not everything,” The Australian, Friday May 30, p. 14 Peter Hill, “Focus on the Big Picture,” Sydney Morning Herald (Spectrum), May 24-25, p. 12, 13 “Anne Zahalka,” Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002, CACSA, Adelaide, p. 19 Stuart Koop, “Fieldwork: Australian Art 1968 - 2002, Broadsheet, vol. 32, no. 1, March, April, May, p. 8 - 11 Julian Raxworthy, “Love at First Sight,” Photofile #68, April, p. 69, 70 |
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2002 |
Charles Green, “Into the 1990s: the decay of postmodernism,” Fieldwork: Australian Art 1968 - 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), p. 100 - 111 6ft + clean: surf + art, exh. cat., Gold Coast City Art Gallery touring exhibition to 2003, Surfers Paradise, Australia, Russell Storer and Daniel Palmer, “Anne Zahalka,” Big (Australia) Magazine John McDonald, “Old Man River: The Murrumbidgee as inspiration,” The Australian Financial Review, Thursday 14 November 2002, p. 72 (Arts) Gavin Wilson, `The Big River Show: Murrumbidgee Riverine', Wagga Wagga Art Gallery 2nd Sight Australian Photography in the National Gallery of Victoria, exh. cat., National Gallery of Victoria, Melbourne, 2002, pp. 91, 96 Chris Reid, “Fortresses and Frontiers: Anne Zahalka; High Anxiety: Anne Wallace, Pyjama Girl: Maryanne Lynch, Blush: Annette Bezor - Institute of Modern Art, January 31 - March 9, Brisbane” Eyeline #48, Autumn/Winter 2002, p. 48, 49 |
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2001 |
Pavel Buchler, Anne Zahalka, Theory Takes a Holiday, Portfolio, UK #31, June Ben Genocchio, Review of Leisureland, The Australian, August 18 |
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2000 |
Christopher Coppock, `Journeys in the Dreamland' (exh. cat), Ffotogallery, Cardiff, Wales `Portfolio', Portfolio Gallery, London, UK, No. 31, June 2000 “Anne Zahalka,” VCE Art, http://www.vceart.com/artists/zahalka/index.html Sporting Life, catalogue, Museum of Contemporary Art, Sydney Sydney Airport, The Art Trail: a guide to experiencing Sydney Airports' Art at Work Ben Genocchio, Review Leisureland, The Australian, early August Programme, Sydney Airports Corporatio n Limited, Sydney |
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1999 |
Leisureland, Photofile, No 57, October |
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1998 |
Bruce James, Galleries, Sydney Morning Herald, March 10 |
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1997 |
Haimish, (homely), exhibition catalogue, The Jewish Museum, Melbourne
Freda Freiberg, Anne Zahalka: Woven Threads, Photofile no. 51, August |
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1996 |
Martyn Jolly, Anne Zahalka - Spurs of the Moment ,Art + Text, Vol. 54 1996, pp. 62 - 65. |
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1994 |
Anne Zahalka, Gesture cat, Roslyn Oxley9 Gallery, Sydney |
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1993 |
Maudie Palmer, Fantasy bathed in Irony, The Australian, December 30 |
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1992 |
`Location' (exh. cat), ACCA and Asialink, Victoria, Australia Richard Neville, Faces of Australia, State Library of New South Wales Press |
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1991 |
Margot Osborne, 'Breaking down the artistic cliche', The Advertiser, South Australia, 13 July |
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1990 |
Isobel Crombie and Sandra Byron, `Twenty Contemporary Australian Photographers' (exh. cat), National Gallery of Victoria
Charles Green, `Anne Zahalka, Artforum International, December |
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1989 |
Merryn Gates, re:Creation/Re-creation, exhibition catalogue, Monash University |
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1988 |
Pat Simons, `Resemblance and Displacement', Photofile Australian Photography: The 1980s, Australian National Gallery, exhibition catalogue, Melbourne Oxford University Press |
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1987 |
Resemblance, catalogue, Kunstlerhaus Bethanien, Berlin |
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1985 |
Martyn Jolly, Clash of Geneologies at the Future Unperfect show, On the Beach, #6 Spring |
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1983 |
Max Dupain, Let's have a bit of pictorial blood-letting, Sydney Morning Herald, 20 December |
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1981 |
Photo-discourse, critical thought and practice in photography, Sydney College of the Arts, Sydney |