Marley Dawson
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Born 1982, lives Sydney
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2008-2011 |
Foundation Concepts Lecturer, Sydney College of the Arts, Sydney |
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2007 |
Experimental Drawing Tutor, Sydney College of the Arts, Sydney |
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2005-2007 |
Master of Visual Arts, Sydney College of the Arts, Sydney |
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2000-2003 |
Bachelor of Visual Arts (Hons.), Sydney College of the Arts, Sydney |
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SOLO EXHIBITIONS |
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2011 |
HEAVY INDUSTRY / LIGHT COMMERCIAL, Roslyn Oxley9 Gallery, Sydney |
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2009 |
Box of Birds, Roslyn Oxley9 Gallery, Sydney Trick Shop, Locksmith Project Space, Sydney |
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2008 |
Marley Dawson (shed), Chalk Horse, Sydney |
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2008 |
Geronimo Wells End, GrantPirrie Window, Sydney |
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2008 |
ECR. A collaboration with Christopher Hanrahan, Performance Space, Sydney |
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2007 |
She's not structural, (MVA graduation show), Sydney College of the Arts, Sydney |
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GROUP EXHIBITIONS |
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2010 |
Helen Lempriere Travelling Art Scholarship, Artspace, Sydney Phenomenonononon, Sydney College of the Arts, Sydney |
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2009 |
Batteries Not Included, curated by Malcolm Smith, Australian Centre for Photography, Sydney. |
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2008 |
Looking Out, curated by Christopher Hanrahan, Macquarie University, Sydney |
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Helen Lempriere Travelling Art Scholarship, Artspace, Sydney |
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Oblivion Pavilion, curated by Amanda Rowell, Roslyn Oxley 9 Gallery, Sydney |
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Stone villa annual show, Chrissie Cotter gallery, Sydney |
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Oblivion Pavilion, curated by Amanda Rowell, Gertrude Contemporary Art Spaces, Melbourne |
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Twotap video show. Kent St bar, Melbourne |
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Science Fair, Firstdraft, Sydney |
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Locksmith Fundraiser, Sydney |
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Im a good boy, Firstdraft, Sydney |
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2007 |
Volta 2, Performance Space, Sydney |
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Volta 1, Performance Space, Sydney |
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Light Brigade, Chalk Horse, Sydney |
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DIY.Lotekhitec (curated by Jesse Hogan), Brightspace, Melbourne |
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2006 |
Riki Tiki Tavi: I could be your big dipper (collaboration with Kate Mitchell), Firstdraft, Sydney |
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The Antipodes Project, Point Ephémère, Paris [an exchange project between Sydney College of the Arts, Sydney and Ecole Nationale Supérieure des Beaux-Arts, Paris] |
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New 06, (as collaborative group, Makeshift: Anna Crane, Marley Dawson, Pep Prodromou, Ned Sevil) Australian Centre for Contemporary Art, Melbourne |
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2005 |
The Antipodes Project, Sydney College of the Arts Gallery, Sydney [an exchange project between Sydney College of the Arts, Sydney and Ecole Nationale Supérieure des Beaux-Arts, Paris] |
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Terrain Vague, (collaboration with: Anna Crane, Marley Dawson, Pep Prodromou, Ned Sevil, Anwyn Crawford and Emma Davidson) Mori Gallery, Sydney |
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2004 |
No Tyre Kickers, Phatspace, Sydney |
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Firstdraft is dead, Long live Firstdraft (Directors' Show), Firstdraft, Sydney |
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2003 |
Honours graduation show, Sydney College of the Arts, Sydney |
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How long is a piece of string?, Phatspace, Sydney |
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Me and my coma, Firstdraft, Sydney |
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WYWH, Firstdraft, Sydney |
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Royal Parade, Firstdraft, Sydney |
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2002 |
Undergraduate Show, Sydney College of the Arts, Sydney |
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What the world needs now, Phatspace, Sydney |
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Shelf life, Newspace Gallery, Sydney |
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2001 |
Origins, Newspace Gallery, Sydney |
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COLLECTIONS |
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Artbank Private collections |
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BIBLIOGRAPHY |
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2010 2008 |
Adam Geczy, `Doing Stuff' Eyeline No. 72, pp 21-25 Robert Nelson, `Inexorable march to ruin celebrated' The Age, April 2 |
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`Looking Out' Exhibition catalog. Macquarie University Press |
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Christopher Hanrahan, `Trick Shop', Locksmith Project Space Press Release |
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Emily Hunt and Raquel Welch, `Marley Dawson' (interview) in OP, exh. cat. OBLIVION PAVILION, Gertrude Contemporay Art Spaces, Melbourne |
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2006 |
Sydney College of the Arts and Ecole Nationale Supérieure des Beaux-Arts, The Antipodes Project, exh. cat. , Paris and Sydney |
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Australian Centre for Contemporary Art, New 06, exh. cat. |
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Luke Benedictus, `A shot of the new', The Age, 26 March 2006 |
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2003 |
Marley Dawson and Holly Williams, Me and my coma, exh. cat. Firstdraft, Sydney |
