David Noonan - Artist Profile - Roslyn Oxley9 Gallery

David Noonan

Artist profile

MARKUS, 2008

David Noonan - Palais de Tokyo, 2007

Images, 2005

David Noonan: Films and Paintings 2001-2005,

Black and white 8mm films, 2005

before and now, 2003

miscellaneous works

	DAVID NOONAN
	Born Ballarat, Victoria, Australia 1969
	EDUCATION
1987-89	Bachelor of Fine Art (Painting), Ballarat University College, Victoria, Australia
1991-92	Post Graduate Studies (Painting), Victorian College of the Arts, Melbourne, Australia
	SOLO EXHIBITIONS
2007	[upcoming] Chisenhale Gallery, London MARKUS, Roslyn Oxley9 Gallery, Sydney David Noonan, Museum De Hallen, Haarlem, the Netherlands David Noonan, Palais de Tokyo, Paris, France
2006	David Noonan, David Kordansky Gallery, Los Angeles, USA
2005	Images, Roslyn Oxley9 Gallery, Sydney David Noonan: Fields, Hotel, London, United Kingdom David Noonan - Films and Paintings 2001-2005, curated by Max Delaney, Monash Museum of Art, MUMA, Melbourne
2004	David Noonan - Paintings, Uplands Gallery, Melbourne they became what they beheld, Three Walls, Chicago, USA they became what they beheld, Foxy Production, New York, USA
2003	Before and Now, Roslyn Oxley9 Gallery, Sydney SOWA, (with Simon Trevaks), Artspace, Sydney SOWA, (solo and a collaboration with Simon Trevaks), Foxy Productions, Brooklyn, New York, USA
2002	OWL, Uplands Gallery, Melbourne The Likening, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney Waldaus, Uplands Gallery, Melbourne
2001	The Likening, Studio 12, 200 Gertrude Street, Melbourne 100 mph, David Noonan & Simon Trevaks, Project Room, ARCO 2001, Madrid, Spain
2000	more apt to be lost than got, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney 100 mph, David Noonan & Simon Trevaks, Australian Centre for Contemporary Art, Melbourne
1999	9⁹, David Noonan & Simon Trevaks, Project Space, RMIT, Melbourne Saturn Return;The Mishap, KUNSTKANAL broadcast May 5, The Netherlands
1998	Saturn Return, 1st Floor, Melbourne
1997	head on, Karyn Lovegrove Gallery, Melbourne
1995	David Noonan, Karyn Lovegrove Gallery, Melbourne
1993	POOL, Karyn Lovegrove Gallery, Melbourne
	GROUP EXHIBITIONS
2008	That Beautiful Pale Face is my Fate, for Lord Byron, Nottingham Contemporary, Newstead Abbey, Nottinghamshire Lost and Found: An Archeology of the Present, TarraWarra Biennale, TarraWarra Museum of Art Imaginary Thing, Aspen Art Museum, curated by Peter Eleey and Heidi Zuckerman Lost and Found, TarraWarra Biennial, curated by Charlotte Day, Healesville, Victoria [upcoming] In Geneva no-one can hear you scream, Blondeau Fine Art Services, Geneva, organised by Marc Jancou A Fascinating Arrangement of Particles, Blondeau Fine Art Services, Geneva Revolving Doors an exhibition in memory of Blair Trethowan, Uplands Gallery, Melbourne Stain Pattern; Roger Hiorns, Eva Larsson, David Musgrave, David Noonan, curated by Glenn Sorensen, The Bakery, Annet Gelink Gallery, Amsterdam, The Netherlands
2007	Château de Tokyo /Tokyo Redux, Centre international d'art et du paysage de l'île de Vassivière / Palais de Tokyo, Paris The present order is the disorder of the future, De Hallen Haarlem, Netherlands Duet: Michael Bauer, David Noonan, Victor Man, curated by Sylvia Chivaratanond, Lehmann Maupin, New York, USA Material Photographs, Shane Campbell Gallery, Chicago My Flashing Laundrette - Evan Holloway, David Noonan, Adam Putnam, Galleria Raucci / Santamaria, Naples New Acquisitions, Museum of Contemporary Art, Sydney Material Photographs, organized by Anthony Pearson at Shane Campbell Gallery, Oak Park, Chicago, USA
2006	The Rings of Saturn, Tate Modern, London Stolen Ritual, Roslyn Oxley9 Gallery, Sydney sculpture garden, phoenix garden, London, 1-2 July 2006 Right-On Write Off, the great unsigned, opened at Chapman Fine ARTS, London Art Rock, Rockefeller Plaza, New York 25 BOLD MOVES, House of Campari, New York Frank Hannon, Jacob Dahl Jurgensen, David Noonan, Foxy Production, New York Projekt Video, curated by Brendan Lee, Screen Space, Perth Institute of Contemporary Art, Perth, Western Australia General Store Small Paintings Exhibition, Museum of Wichita State University The Idea of the Animal, RMIT Gallery, Melbourne, Victoria Multiplicity: Prints and Multiples from the collections of the MCA and the University of Wollongong, Museum of Contemporary Art, Sydney. Touring to Tweed River Art Gallery, Murwillumbah, New South Wales; Lake Macquarie Art Gallery, Lake Macqaurie, New South Wales; Redland Art Gallery, Cleveland, Queensland; Port Macquarie Hastings Regional Art Gallery, Port Macquarie, New South Wales; Dubbo Regional Gallery and Museum, Dubbo, New South Wales; LaTrobe Regional Gallery, Morwell, Victoria; University of South Australia Art Museum, Adelaide, South Australia
2005	The Four Color Pen Show, curated by Elysia Borowy and Heather Hubbs, Van Harrison Gallery, Chicago, USA If the walls could talk: Tony Clark, Callum Morton, David Noonan, Kathy Temin and Jenny Watson, Roslyn Oxley9 Gallery, Sydney, Australia The Difference Between You And Me, The Ian Potter Museum of Art The University of Melbourne, Melbourne, Australia Bad Names for Good Books, curated by Matthew Brannon, Kevin Bruk Gallery, Miami, Florida, USA
2004	Before Night - After Nature, curated by Geraldine Barlow, Monash University Museum of Art, Melbourne, Australia Auto Fetish: The Mechanics of Desire, curated by Nick Mitzevich, Newcastle Region Art Gallery, Newcastle, New South Wales, Australia They became what they beheld, Threewalls, Chicago and Foxy Priduction, New York, USA I feel mysterious today, curated by Dominic Molon, Palm Beach Institute of Contemporary Art, Florida Satellite, Uplands Gallery, Frieze Art Fair 2004, London Instinct, curated by Liza Vasiliou, Monash University Museum of Art, Monash University, Victoria Pelt, Project Space/Spare Room, RMIT University, Melbourne, Victoria Supernatural Artificial: Contemporary photo-based art from Australia, curated by Natalie King,Tokyo Metropolitan Museum of Photography, Tokyo, Japan, Chulalangkorn Art Centre, Bangkok Plot Thickens: Narratives in Australian Art, A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne The Infinite Fill, Foxy Productions, New York, USA Glad Day, Foxy Productions, New York, USA The moon will save our ass, pure screen 5, Castlefield Gallery, Manchester, touring UK Southern: Contemporary Australian Art, HOME Gallery, Prague, Czech Republic PROJEKT #6, archive of Australian video art, Kings, Melbourne
2003	Out Takes, Kings, Melbourne Future Perfect, dLux media/arts, Dendy Opera Quays, Sydney Blinky 2: The Screening, Tate Britain, London, UK We love to kill what we love, 211 St. Johns Street, Clerkenwell, London, UK, in association with London Open House Rough Topography, Vedanta Gallery, Chicago, Illinois, USA Art + Film, Centre for Contemporary Photography, Melbourne Wall\paper, Australian Galleries, Works on Paper, Melbourne Spaced Out, Australian Centre for Photography, Sydney PROJEKT#6 ,archive of Australian Video art, Kings, Melbourne
2002	Screen Life, Govett-Brewster Art Gallery New Plymouth, New Zealand The First Twenty Years: Roslyn Oxley9 Gallery, Roslyn Oxley9 Gallery, Sydney 200 Gertrude St, Melbourne, Reina Sophia Museum, Madrid, Spain TeamShow, Uplands Gallery, Melbourne May it return in spades, Bart Wells Institute, London, UK Resident, Foxy Productions, New York, USA Listening to New Voices, PS1 Museum of Contemporary Art, New York, USA
2001	Scenes, curated by Jeffrey Walkowiak, Henry Urbarch architecture, New York, USA Egofugal, 7th Istanbul Biennale, Istanbul, Turkey Egofugal, Selected Works from the7th Istanbul Biennale, Tokyo Opera City Gallery, Tokyo, Japan
2000	Sporting Life, Museum of Contemporary Art, Sydney Passing Time, Moët & Chandon Commission, curated by Victoria Lynn, Art Gallery of New South Wales Drive>power Progress>desire, Govett Brewster Art Gallery, New Plymouth New Zealand Hard Candy, 42 Westbourne Gardens, London, UK
1999	Primavera, curated by Rachel Kent, Museum of Contemporary Art, Sydney Signs of Life, Melbourne International Biennial Moët & Chandon, touring AGSA Adelaide, AGNSW Sydney, RMIT Storey Hall, Melbourne, NGA, Canberra
1998	Slipstream, (video program), Centre for Contemporary Arts, Glasgow, UK Habitat; morning star evening star, Melbourne-Scotland cultural exchange, Centre for Contemporary Photography, Melbourne Moët & Chandon Touring Exhibition, NGA Canberra, NGV Melbourne, Art Gallery of New South Wales Sydney, QAG Queensland
1997	World Speak Dumb, curated by Geoff Lowe & Sarah Ritson, Karyn Lovegrove Gallery, Melbourne
1996	Mrs Birds House, collaboration with Jennifer Higgie, Melbourne Photography is dead! long live photography!, Museum of Contemporary Art, Sydney
1995	Lindy Lee & David Noonan, Level 2 Projects, Art Gallery of NSW, Sydney David Noonan, Michael Goldsmith, & June Savage, 1st Floor, Melbourne
	ARTIST WRITINGS / ARTIST PAGES
2007	David Noonan, `Portfolio Par', Palais De Tokyo Magazine, Issue 2, Spring 2007
2006	`Life in Film: David Noonan', Frieze, October 2006, p. 42-43
2004	Sesame magazine, artist page
1999	from #1, Journal published by Witte de With, Museum of Contemporary Art, Rotterdam, The Netherlands pp. 27-28
1998	rubik #3, two artist pages
1997	Front cover Broadsheet, Spring Vol 26 No 3
1996	Work, Interview with Kate Daw, published by William Mora Gallery, Melbourne David Noonan & Eliza Hutchison, Art Fan, p. 21, Autumn
1995-96	Andrew McQualter, catalogue essay, 1st Floor, Melbourne, re-published in 1st Floor A495, pp. 26-27,1996
	BIBLIOGRAPHY
2008	Claire Armstrong, `David Noonan,' Art World, Issue 2, April/May 2008, pp. 74-79 `The Artist: David Noonan,' Bazaar insider, Harpers Bazaar Australia, March 2008, p200
2007	David Noonan, Pageant, With text by Dan Fox, Published by Foxy Production, New York “David Noonan”, Artkrush, Issue #57, 2 May 2007
2006	Julian Myers, Review of `David Noonan, David Kordansky gallery, Los Angeles, Frieze, Issue 103, November - December 2006, p. 166 Christabel Stewart, `His Dark Materials: The Fantastical Filmic Visions of David Noonan', TANK Magazine, Volume 4, Issue 7, 2006, p 24 - 25 Terry Ingram, `Australian work slips into big spender's collection', The Australian Financial Review, Thursday, 19 October 2006, p. 25 The Idea of the Animal, exhibition catalogue, RMIT Gallery, Melbourne, Victoria
2005	Johannah Fahey, “Before and now: the work of david noonan,” Eyeline, no. 58, spring 2005 John Mateer, "David Noonan," Art & Australia, no.1, spring 2005 Mark Gomes, “David Noonan,” Australian Art Collector, Issue 31, January-March 2005, pg. 98 Linda Williams, “The Owl of Minerva and Recent Art, eyeline, No. 56, Summer 04/05, pg 30-32 Jeniffer Higgie, “David Noonan: Some Facts in no Particular Order,” David Noonan: Films and Paintings 2001-2005, (Exh. Cat.), Monash University Museum of Art (MUMA), Melbourne, Australia, pp. 73-4 Max Delaney, David Noonan: Films and Paintings 2001-2005, (Exh. Cat.), Monash University Museum of Art (MUMA), Melbourne, Australia
2004	Paula Matthews, “I feel mysterious today,” Palm Beach ICA, Chicago http://www.palmbeachica.org/press_mysterious.htm Michael Workman, “Reviews: David Noonan, Three Walls,” Flash Art, Nov-Dec 2004, pg. 98 Ingrid Woodrow, “Auto Fetish” catalogue, Newcastle Region Art Gallery, Nov 04 - Jan 05 Merrily Kerr, Review: “The Ultimate Fill Show,” TimeOUT New York, August 12-19, 2004, Issue no. 463 Johannah Fahey, Before and Now: The work of David Noonan, (monograph), New Art Series 4, Craftsman House, an imprint of Thames and Hudson, Australia, Fishermans Bend, Victoria and Australia Council for the Arts. Geraldine Barlow, Before Night - After Nature, exh. cat., Monash University Museum of Art, MUMA, p 9 Michael Workman, “David Noonan, Three Walls,” Flash Art, vol 37, no 239, November - December 2004, p. 119 Dominic Molon, They became what they beheld, (exh. brochure), Three Walls, Chicago; Foxy Production, New York Liza Vasiliou, Instinct, exh. cat., Monash University Museum of Art, Monash University, Victoria, pp. 18 - 19 Merrily Kerr, “The Infinite Fill Show: Foxy Productions,” Time Out New York, August 12 - 19, Issue #463 Johannah Fahey, “Before and Now: The work of David Noonan,” Un Magazine, Issue 1, p. 10, 11 Ashley Crawford, “A dose of cinematic horror,” The Age, Review, Sat, March 27 2004, p. 7 Natalie King, Supernatural Artificial, exh. cat. Tokyo Metropolitan Museum of Photography
2003	Karen Hall, ”Art+Film,” Photofile #70, Summer 2003-2004, p. 32-35 Lucinda Strahan, “Glam art,” The Age, 7 August 2003, p. 10 (A3) Joyce B. Korotkin, “David Noonan - Foxy Productions,” Tema Celeste, July 2003, p. 80 Maika Pollack, “David Noonan: Foxy Productions,” Flash Art Review, vol. 36, no. 230, May - June, p. 91 Lenny Ann Low, “Animal Magnetism (`SOWA Artspace' review),” Sydney Morning Herald (Metropolitan), May 24-25, p. 12 Jennifer Higgie, “David Noonan: Head-On 1997,” Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002, CACSA, Adelaide, p. 137, 138 Ashley Crawford, “Melbourne Gothic,” Australian Art Collector, issue 24, April - June, p. 86 - 89 Peter Hill, “Spaced Out,” (review) Photofile #68, April, p. 75 Paul Laster, “David Noonan, SOWA,” TimeOUT, New York, April Anna Clabburn, Wall\paper exh. cat., Australian Galleries, Works on Paper, Melbourne Natalie King, “Art round up: Melbourne,” Art Monthly Australia no. 157, March, p. 14 - 16 http://www.vceart.com/artists/noonan/index.html
2002	Craig Garrett, “Resident at Foxy Productions,” Flash Art, October Anna Finel Honigman, Time Out New York, August 15-22 Fumiko Suzuki, Esquire, Japan, January, p. 41 Listening to New Voices, 2001-2002, National and International Studio Program Catalogue, pp. 70-74, PS. 1, The Institute of Contemporary Art, New York
2001	Natalie King “David Noonan, A Space Odyssey” Art & Australia, vol 38, no 3, pp. 434 -441 “egofugal,” 7th International Istanbul Biennial exh. cat., pp. 140 - 141 “egofugal,” 7th International Istanbul Biennial exh. cat., Tokyo Opera City Gallery, Tokyo, Japan, pp. 88 - 98
2000	Christopher Chapman, “I'm Sorry, Dave…,” Frieze, issue 55, Nov/Dec Brigit Shalbot, 100 mph, Catalogue Essay, ACCA, 2000 Felicity Fenner, “Report From Australia - New Life in Melbourne,” Art in America, No. 1, January, pp. 74-75 Peter Hill, “Passing Time - Moët and Chandon,” review, Photofile, #59 Victoria Lynn, Passing Time, Moët & Chandon catalogue, Art Gallery of New South Wales Rachel Kent, Sporting Life, Catalogue, Museum of Contemporary Art, Sydney
1999	Brigid Shadbolt, “A Surfeit of Signs,” Quick Response, nine commentaries on the 1999 Melbourne International Biennial, pp. 20 - 24 Christopher Chapman, ibid, pp. 24 - 27 Lara Travis, ibid, pp. 27 - 30 David O'Halloran, The Melbourne International Biennial: The Price of Tinkering, Broadsheet, Vol 28, no 3, Spring, p. 6 Rachel Kent, “Rubik#3,” art/text, No 65 May - July, p. 98 Rachel Kent, Future Imperfect, Catalogue Essay, Primavera 99, Museum of Contemporary Art, Sydney Susan Stewart, Art and the Experience of Time, LIKE Art Magazine, No. 9, winter, p. 8 Sarah Tutton, How I Learned to Stop Worrying and Love the Bomb: A Conspiracy Theory, LIKE Art Magazine, No. 9, winter, p. 36 Rachel Kent, Catalogue Essay, Deacons Graham & James Arts 21 award Daniel Palmer, “Walkmen,” Frieze, No. 46, May, p. 86 Nicky Bird, “Where the Wild Roses Grow,” Art Monthly UK, No 225 April pp. 38- 39
1998	Daniel Palmer, “@,” eyeline, No 37, Spring, pp. 37-38 Habitat, catalogue essay, Stuart Koop & Charlotte Day, morning star evening star, Melbourne-Scotland cultural exchange, published by ACCA, CCP, 200 Gertrude St, pp. 25 - 41, 1998 Deborah Hennessy, Brian J, Esther Lowe, Eliza Hutchison, “David Noonan head-on” Artfan 7 Rock On, Autumn, p. 15 Robyn McKenzie, “Being and time: the new existentialism,” Beaux Arts magazine, Paris, April, May, June
1997	Danny Huppatz, “The Art of Speed,” Mesh altered states, The journal of Experimenta Media Arts, issue #11 pp 97- 100 Stuart Koop, “World Speak Dumb,” Art & Text, No 58 Lara Travis, “World Speak Dumb,” LIKE, art magazine, No 3, pp 60-62
	PUBLICATIONS
1999	From #1, Journal published by Witte de With, Museum of Contemporary Art, Rotterdam, the Netherlands, pp. 27-28
1998	rubik#3, two artists pages
1997	Front cover of Broadsheet, Spring, Vol. 26, no. 3
1996	Work, Interview with Kate Daw, published by William Mora Gallery, Melbourne
	AWARDS / GRANTS
2004	Artist-in-residence, Three Walls, Chicago, USA
2003	Art Space residency program, Sydney, Australia
2001-2002	PS.1, The Institute for Contemporary Art, New York residency program Australia Council
1999	Moët & Chandon, Passing Time Commission
1997	Australia Council project development grant
1991	National Gallery Trustees Award
	COLLECTIONS
	Museum of Modern Art, Fairchild Collection of works on paper, New York, USA Ballarat University, Faculty of Science and Arts Faculty, Victoria National Gallery of Victoria, Photographic, Prints & Drawing & Painting collections, Melbourne Monash University Collection, Melbourne Dubbo Regional Art Gallery, New South Wales Wollongong University Collection, Wollongong, New South Wales Private collections in Australia & overseas