David Noonan
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DAVID NOONAN |
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Born 1969, Australia Lives London |
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1987-89 |
Bachelor of Fine Art, Ballarat University College, Victoria, Australia |
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1991-92 |
Post Graduate Studies, Victorian College of the Arts, Melbourne, Australia |
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SOLO EXHIBITIONS |
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2013 |
Roslyn Oxley9 Gallery, Sydney, Australia |
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2012
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Origami, Xavier Hufkens, Brussels, Belgium David Noonan, Stuart Shave / Modern Art, London, UK |
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2011
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David Noonan, Contemporary Art Museum, St. Louis, USA David Noonan, Roslyn Oxley9 Gallery, Sydney, Australia |
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2010
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David Noonan: SPIEL, Washington Garcia (off-site), The Mitchell Library Glasgow, UK David Noonan, David Kordansky Gallery, Los Angles, USA |
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2009 |
David Noonan: Scenes, Australian Centre for Contemporary Art, Melbourne, Australia |
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2008 |
David Noonan, Baronian Francey, project room, Brussels, Belgium David Noonan, Chisenhale Gallery, London, UK MARKUS, Roslyn Oxley9 Gallery, Sydney, Australia David Noonan, Art: Concept, Paris, France |
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2007 |
David Noonan, Palais de Tokyo, Paris, France |
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2006 |
David Noonan, David Kordansky Gallery, Los Angeles, USA |
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2005 |
Images, Roslyn Oxley9 Gallery, Sydney, Australia David Noonan: Four New Films, Govett-Brewster Art Gallery, New Plymouth, New Zealand David Noonan - Films and Paintings 2001-2005, curated by Max Delaney, Monash Museum of Art, MUMA, Melbourne, Australia fields, HOTEL, London, UK |
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2004 |
they became what they beheld, Three Walls, Chicago, USA they became what they beheld, Foxy Production, New York, USA David Noonan - Paintings, Uplands Gallery, Melbourne, Australia |
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2003 |
Before and Now, Roslyn Oxley9 Gallery, Sydney, Australia Miriam Hall, (with Starlie Geikie), Clubs Projects Inc., Melbourne, Australia SOWA, (with Simon Trevaks), Artspace, Sydney, Australia SOWA, (solo and a collaboration with Simon Trevaks), Foxy Productions, Brooklyn, New York, USA |
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2002 |
Waldaus, Uplands Gallery, Melbourne, Australia The Likening, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney, Australia |
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2001 |
The Likening, David Noonan & Simon Trevaks, Studio 12, 200 Gertrude Street, Melbourne, Australia |
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2000 |
more apt to be lost than got, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney, Australia |
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1998 |
Saturn Return, 1st Floor, Melbourne, Australia |
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1997 |
head on, Karyn Lovegrove Gallery, Melbourne, Australia head on, Centre for Contemporary Art, Adelaide, Australia |
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1995 |
David Noonan, Karyn Lovegrove Gallery, Melbourne, Australia |
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1993 |
POOL, Karyn Lovegrove Gallery, Melbourne, Australia Type 1-36, 200 Gertrude Street, Melbourne, Australia |
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2013 |
Transmitter / Receiver: The Persistence of Collage from the Arts Council Collection, Aberystwyth Arts Centre, Aberystwyth, Wales; Tullie House, Carlisle, Cumbria, England |
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2012-13 |
Theatre of the World, curated by Jean-Hubert Martin, MONA - Museum of Old and New Art in collaboration with TMAG - Tasmanian Museum of Art Gallery, Tasmania, Australia Negotiating this world: Contemporary Australian Art, National Gallery of Victoria, Melbourne |
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2012 |
Daydream Believers, Institute of Modern Art, Brisbane
Volume One: MCA Collection, Museum of Contemporary Art, Sydney, Australia |
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2011 |
10 Ways to Look at the Past, National Gallery of Victoria, Melbourne
The Ephemeral, ARNDT Berlin, Berlin, Germany Transmitter / Receiver: The Persistence of Collage from the Arts Council Collection, Middlesbrough Institute of Modern Art, Middlesbrough, England A Darkness More Than Night, QUAD, Derby, UK Secret Societies.To Know,To Dare,To Will,To Keep Silence, CAPC Musée d'art contemporain de Bordeaux, France The Devil had a Daughter, Monash University Museum of Art, Melbourne, Victoria, Australia The Private Life of Plants, Peles Empire, London, UK Tableaux, Magasin, Centre National d'Art Contemporain, Grenoble, France Everything You Can Imagine Is Real..., Xavier Hufkens, Brussels, Belgium The Keno Twins 4, Villa Merkel Bahnwärter Haus, Esslingen, Germany The Age of Aquarius, The Renaissance Society at the University of Chicago, USA Peeping Toms, Institute of Modern Art, Brisbane, Australia Secret Societies. To Know, To Dare, To Will, To Keep Silence, Schirn Kunsthalle Frankfurt, Frankfurt, Germany; CAPC de Bordeaux, Bordeaux, France |
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2010 |
RIVE GAUCHE /RIVE DROITE An exhibition organized by Marc Jancou, Atelier Azzedine Alaia, Paris, France The Keno Twins 3, Galerie Susanne Zander, Cologne, Germany, curated by Michael Bauer The British Art Show 7: In the Days of the Comet, curated by Lisa Le Feuvre and Tom Morton 17th Biennale of Sydney, Beauty of Distance, songs of survival in a precarious age, directed by David Elliot 2010 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide The Gathering: Building the Arts Council Collection 1973-2009, Longside Gallery, Yorkshire Sculpture Park, UK |
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2009 |
The Dwelling, ACCA, Melbourne, Australia Remote Memories, Kai 10 Raum für Kunst, Düsseldorf, Germany Roots, Wentrup Gallery, Berlin, Germany The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, UK Solaris, Gio Marconi, Milan, Italy Altermodern, Tate Triennial, Tate Britain, London, curated by Nicolas Bourriaud |
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2008 |
Sphinxx, Stuart Shave/Modern Art, London, UK Persona, Parc Saint-Léger / Centre d'art contemporain, Paris, France Faces and Figures (Revisited), Marc Jancou Contemporary, New York, USA Lost and Found: An Archeology of the Present, TarraWarra Biennial, curated by Charlotte Day, Healesville, Victoria, Australia Busan Biennale, Busan, Korea That beautiful pale face is my fate (Lord Byron), Nottingham Contemporary, Newstead Abbey, Nottinghamshire, UK In Geneva no-one can hear you scream, organised by Marc Jancou, Blondeau Fine Art Services, Geneva, Switzerland Revolving Doors an exhibition in memory of Blair Trethowan, Uplands Gallery, Melbourne, Australia Stain Pattern; Roger Hiorns, Eva Larsson, David Musgrave, David Noonan, curated by Glenn Sorensen, The Bakery, Annet Gelink Gallery, Amsterdam, The Netherlands |
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2007 |
Tokyo Redux, Palais de Tokyo, Paris, France Duet, curated by Sylvia Chivaratanond, Lehmann Maupin, New York, USA The present order is the disorder of the future, De Hallen Haarlem, Haarlem, The Netherlands My Flashing Laundrette - Evan Holloway, David Noonan, Adam Putnam, Galleria Raucci / Santamaria, Naples, Italy Material Photographs, organized by Anthony Pearson, Shane Campbell Gallery, Oak Park, USA HOTEL Gallery swap, Galerie Guido W. Baudach, Berlin, Germany Stolen Ritual, Roslyn Oxley9 Gallery, Sydney, Australia |
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2006 |
The Rings of Saturn, Tate Modern, London, UK The General Store, Ulrich Museum of Art, Wichita State University, Wichita, USA Frank Hannon, Jacob Dahl Jurgensen, David Noonan, Foxy Production, New York, USA |
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2005 |
Slow Rushes, Artspace, Auckland, New Zealand The Four Colour Pen Show, Van Harrison Gallery, Chicago, USA The Difference Between You And Me, The Ian Potter Museum of Art The University of Melbourne, Melbourne, Australia If the walls could talk: Tony Clark, Callum Morton, David Noonan, Kathy Temin and Jenny Watson, Roslyn Oxley9 Gallery, Sydney, Australia Bad Names for Good Books, curated by Matthew Brannon, Kevin Bruk Gallery, Miami, Florida, USA |
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2004 |
I feel mysterious today, curated by Dominic Molon, Palm Beach Institute of Contemporary Art, Florida, USA Supernatural Artificial: Contemporary photo-based art from Australia, Tokyo Metropolitan Museum of Photography, Japan Instinct, curated by Liza Vasiliou, Monash University Museum of Art, Monash University, Victoria, Australia The Infinite Fill, Foxy Productions, New York, USA Glad Day, Foxy Productions, New York, USA |
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2003 |
Blinky 2: The Screening, Tate Britain, London, UK Rough Topography, Vedanta Gallery, Chicago, Illinois, USA Art + Film, Centre for Contemporary Photography, Melbourne, Australia Wallpaper, Australian Galleries, Works on Paper, Melbourne, Australia |
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2002 |
Screen Life, Govett-Brewster Art Gallery New Plymouth, New Zealand 200 Gertrude St, Melbourne, Reina Sophia Museum, Madrid, Spain The Team Show, Uplands Gallery, Melbourne, Australia Resident, Foxy Productions, New York, USA Listening to New Voices, PS1 Museum of Contemporary Art, New York, USA |
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2001 |
Scenes, curated by Jeffrey Walkowiak, Henry Urbarch architecture, New York, USA
The Team Show: A Constructed World, Uplands Gallery, Melbourne, Australia Egofugal, Selected Works from the7th Istanbul Biennale, Tokyo Opera City Gallery, Tokyo, Japan the likening, Studio 12, 200 Gertrude Street, Melbourne, Australia |
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2000 |
Sporting Life, Museum of Contemporary Art, Sydney, Australia 200 Gertrude St Studio Artists 2000, 200 Gertrude St, Melbourne, Australia
Garson Garson, Project Space, Melbourne, Australia |
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1999 |
Primavera, curated by Rachel Kent, Museum of Contemporary Art, Sydney, Australia Blockbuster 99, curated by Ricky Swallow, UKS Gallery, Oslo, Norway Signs of Life, Melbourne International Biennial, Australia Exhumed II, curated by David Noonan, Canberra Contemporary Art Space, Braddon, Australia Nearest Habitat System, curated by Eliza Huttchison, 1st floor, Melbourne, Australia SPACE, Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands Moët & Chandon, touring AGSA Adelaide, AGNSW Sydney, RMIT Storey Hall, Melbourne, Australia, NGA, Canberra, Australia Where the wild roses grow, Transmission Gallery, Glasgow, Scotland Walkmen, Ricky Swallow, David Jolly & David Noonan, Synasesthesia Music, Melbourne, Australia |
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1998 |
Habitat; morning star evening star, Melbourne-Scotland cultural exchange, Centre for Contemporary Photography, Melbourne, Australia Exhumed, Project Space, curated by David Noonan, RMIT, Melbourne, Australia Moët & Chandon Touring, NGA Canberra, NGV Melbourne, AGNSW Sydney, QAG Queensland, Australia Work station, 1st Floor, Melbourne, Australia Special issue, 1st Floor, Melbourne, Australia |
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1997 |
World Speak Dumb, curated by Geoff Lowe & Sarah Ritson,Karyn Lovegrove Gallery, Melbourne, Australia Eurovision, curated by Dominic Eichler & Esther Pireni , 205 Russel St, Melbourne, Australia Klick, curated by Kate Daw, 1st floor, Melbourne, Australia Mars Field, curated by Alex Pittendrigh, 1st Floor, Melbourne, Australia |
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1996 |
See Through Brain, Transmission Gallery, Glasgow, Scotland Klick, Transmission Gallery, curated by Kate Daw, Glasgow, Scotland Mrs Birds House, collaboration with Jennifer Higgie, Melbourne, Australia Photography is dead! long live photography!, Museum of Contemporary Art, Sydney, Australia |
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1995 |
Lindy Lee & David Noonan, Level 2 Projects, Art Gallery of NSW, Sydney, Australia |
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1994 |
Project For Two Billboards: David Noonan and Elizabeth Pulie, Next Wave Festival, Melbourne, Australia Deception: Melinda Harper, David Noonan & Philip Watkins, 200 Gertrude Street, Melbourne, Australia |
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1993 |
Australian Perspecta 1993, Art Gallery of New South Wales, Sydney, Australia |
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2007 |
David Noonan, `Portfolio Par', Palais De Tokyo Magazine, Issue 2, Spring 2007, pp. 57-72 |
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2006 |
`Life in Film: David Noonan', Frieze, October 2006, p. 42-43 |
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1999 |
“from #1”, journal published by Witte de With, Museum of Contemporary Art, Rotterdam, The Netherlands, 1999, pp. 27-28 |
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2012 |
(forthcoming) monograph published by JRP Ringier |
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2011
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Raymond Gill, `Leaders of the pack: the artists who matter', The Sunday Age-Extra, November 13, pp16-17 Dominic Molon, 'David Noonan', Contemporary Art Museum St Louis Exh Cat, September 9-December 30. Andrew Frost, `Layers of Abstraction', SMH-Metro, March 25-31, 2011, pp.12 |
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2010
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RIVE GAUCHE / RIVE DROITE, essays by Alexis Jakubowicz and Yves Aupetitallot, JRP Ringier (ed), Zurich, 2010 Michael Bracewell, “Something Supernatural, This Way Comes”, Tate Etc., January 2010 Volume One: Hayman Collection, Horsham Regional Art Gallery, Victoria, 2010 Lisa Le Feuvre & Tom Morton, British Art Show 7: In the Days of the Comet, (exh. cat). Mariuccia Casadio, “Archival”, Vogue Italia, May 2010 N. 411, p 196 - 201 2010 Adelaide Biennial of Australian Art: Before & After Science (exh. cat.), Art Gallery of South Australia, 2010 17th Biennale of Sydney: The Beauty of Distance, Songs of Survival in a Precarious Age, (exh. cat.) curated by David Elliot, 2010 Jacqueline Millner, “The Video Installations of David Noonan” in Conceptual Beauty (Sydney: Artspace, 2010) pp64 |
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2009 |
Jessica Lack, “Artist of the week 60: David Noonan”, The Guardian, 21 October 2009
Collage: assembling contemporary art, Black Dog Publishing: London, 2009
Altermodern, (exh. cat.), Tate Triennial, Tate Britain, London |
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2008 |
Jennifer Higgie, `David Noonan: Seven scenes among many', Art & Australia, Vol. 46, No. 1,Spring, 2008, pp. 112-119
Charlotte Day, Lost and Found: An Archeology of the Present, (exh.cat.), TarraWarra Museum of Art, Victoria, Australia In Geneva no-one can hear you scream, (exh. cat.), Blondeau Fine Art Services, Geneva, Switzerland Busan Biennale, (exh. cat.) Busan, Korea
Claire Armstrong, `David Noonan', Art World, Issue 2, April/May 2008, p. 72 - 81 Faces and Figures (Revisited), (exh. cat.) Marc Jancou Contemporary, New York, USA Davies, Lillian, “David Noonan: Critic's Pick”, artforum.com, February 2008 Ascari, Alessio, “David Noonan', Mousse, issue 13, March 2008, pp. 14-17 |
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2007 |
Day, Charlotte, “Rings of Saturn Tate Modern,” Art & Australia, Vol. 44, No. 3, Autumn 2007, p. 448 “David Noonan”, Artkrush, Issue #57, 2 May 2007 Gronlund, Melissa, "Future Greats: David Noonan," Art Review, March 2007, pp. 78 - 79, 95 Pearson, Anthony, "Material Photographs," Shane Campbell Gallery, January 2007 Berardini, Andrew, “David Noonan,” artUS, issue 16 January - February 2007, p. 19 Material Photographs, (exh. cat.), organized by Anthony Pearson, Shane Campbell Gallery, Oak Park, USA |
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2006 |
Taft, Catherine, "David Noonan", Modern Painters, December 2006 - January 2007, pp. 117 Myers, Julian. "David Noonan", Frieze, November 2006, pp. 166 Duncan, Michael, "Critic's Diary Opening Salvos in L.A." Art in America, November 2006, pp. 78
Stewart, Christabel, "His Dark Materials," Tank, Volume 4, Issue 7, 2006, pp. 24 - 25 |
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2005
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Laster, Paul, "A Beautiful Horror," Art Asia Pacific, Winter 2005, No. 43, pp 50 - 57. Fahey, Johannah, "Before and Now: The Work of David Noonan," eyeline (contemporary visual arts), Spring 2005, No. 58, pp 42 - 44 Fahey, Johannah, David Noonan: Before and Now, Thames and Hudson: London, England, 2005 Higgie, Jennifer, and Max Delaney, David Noonan: Films and Paintings 2001-2005, MUMA: Melbourne, Australia Australian Art Collector, No. 31, Jan-March 2005 Laster, Paul, "David Noonan", Art Asia Pacific, Winter 2005 |
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2004 |
Workman, Michael, “Reviews: David Noonan, Three Walls,” Flash Art, Nov-Dec 2004, pg. 98 Molon, Dominic, They became what they beheld, (exh. cat.), PBICA, Palm Beach, USA, 2004 Vasiliou, Liza, Instinct, (exh. cat.), Monash University Museum of Art, Monash University, Victoria, pp. 18 - 19 Kerr, Merrily, “The Infinite Fill Show: Foxy Productions,” Time Out New York, August 12 - 19, Issue #463 King, Natalie, Supernatural Artificial, (exh. cat.), Tokyo Metropolitan Museum of Photography, Tokyo, Japan |
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2003 |
Art + Film, (exh. cat.), Centre for Contemporary Photography, Melbourne, Australia Korotkin, Joyce B., “David Noonan - Foxy Productions,” Tema Celeste, July 2003, p. 80 Pollack, Maika, “David Noonan: Foxy Productions,” Flash Art, vol. 36, no. 230, May - June, p. 91 Laster, Paul, “David Noonan, SOWA,” TimeOUT, New York, April Anna Clabburn, Wall\paper, (exh. cat.), Australian Galleries, Works on Paper, Melbourne |
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2002 |
Garrett, Craig, “Resident at Foxy Productions,” Flash Art, October, 2002 Listening to New Voices, 2001-2002, National and International Studio Program Catalogue, pp. 70-74, PS. 1, The Institute of Contemporary Art, New York |
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2001 |
“egofugal,” 7th International Istanbul Biennial (exh. cat.), pp. 140 - 141 |
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2000 |
Fenner, Felicity, “Report From Australia - New Life in Melbourne,” Art in America, No. 1, January, pp. 74-75 Lynn, Victoria, Passing Time, Moët & Chandon, (exh. cat.) Art Gallery of New South Wales Kent, Rachel, Sporting Life, (exh. cat.), Museum of Contemporary Art, Sydney Burke, Greg, Drive>power Progress>desire, (exh. cat.), Govett Brewster Art Gallery, New Plymouth, New Zealand |
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1999 |
Engberg, Juliana, “Signs of Life”, Melbourne International Biennial, p. 106 |
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1998 |
Palmer, Daniel, "Walkmen", Frieze, no.46, May 1998, p.86 "Habitat, morning star evening star, Melbourne-Scotland cultural exchange, pp.25-41 O'Connell, Stephen, "David Noonan: Metaphysical body suits", art/text, no.62, August-October 1998, pp.73-77 |
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1997 |
Koop, Stuart, "World Speak Dumb", Art & Text, no.58, 1997 Higgie, Jennifer, "head-on", (exb. cat.), the Contemporary Art Centre of South Australia, 1997 Hennessy, Deborah, "Art lover's lost highway", Broadsheet, vol.26, no.2, 1997, pp 6&7 "World Speak Dumb", Karyn Lovegrove Gallery, (exb. cat.), Melbourne, Australia, 1997, p.7 |
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1996 |
Michael, Linda, "Photography is dead long live photography", (exb. cat.), Museum of Contemporary Art, 1996, pp.7,12 Hutchison, Eliza, "Modern Star Series", Next Wave Festival, (exb. cat.), Melbourne, Australia, 1996 Holiday, Philip, "Deception: Melinda Harper, David Noonan and Philip Watkins", (exb. cat.), 200 Gertrude Street, Melbourne, Australia, March 1994 |
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1993 |
Drummond, Rozalind, "Pool", (exb. cat.), Karyn Lovegrove Gallery, November 1993 Hennessy, Deborah, "David Noonan, Australian Perspecta 1993", (exb. cat.), Art Gallery of New South Wales, 1993, pp.66-67 Morgan, Paul, "Type 1-36", (exb. cat.), 200 Gertrude Street, Melbourne, Australia, 1993 |
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2006 |
Me.di.um, St. Barthelemy, French West Indies |
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2004 |
Three Walls Residency Program, Chicago, USA |
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2003 |
Art Space residency program, Sydney, Australia |
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2001-2002 |
P.S.1, The Institute for Contemporary Art, New York residency program Australia Council |
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1999 |
Moët & Chandon, Passing Time Commission |