MIKALA DWYER

PROFESSIONAL BACKGROUND

University of Western Sydney. Lecturer 2000 and continuing

Sydney College of Art. Lecturer

Sydney College of Art - Lecturer

Canberra School of Art - Lecturer

SELECTED SOLO EXHIBITIONS

(upcoming), Roslyn Oxley9 Gallery, Sydney

Mikala Dwyer: Panto Collapsar, Project Arts Centre, Dublin

Mikala Dwyer: Drawing Down the Moon, Institute of Modern Art, Brisbane

Outland (useless architectures floating grounds) Hamish Morrison Galerie, Berlin, Germany.

Outfield, Roslyn Oxley9 Gallery, Sydney

Swamp Geometry, Anna Schwartz Gallery, Melbourne

Mono Clinic, Hamish McKay Gallery, Melbourne

Costumes and Empty Sculptures, IMA, Brisbane

Aratoi Museum, Masterton, New Zealand

The Addition and Subtractions and the Hanging Garden, Kunstraum, Potsdam.

Black Sun Blue Moon, Hamish Morrison Galerie, Berlin

The Shape of Thoughts Own Making, Peloton, Sydney

Only One and a Bit Days to Go, Darren Knight Gallery, Sydney

Superstitious Scaffolding, Hamish McKay Gallery, Wellington, New Zealand

Some more recent old work, Darren Knight Gallery, Sydney

Flowers, Flies and Someone Else, Anna Schwartz Gallery, Melbourne

Gap Filler Pet, Uplands Gallery, Melbourne

Art lifts, National Gallery of Australia, Canberra

Sarah Cottier Gallery, Sydney

Mikala Dwyer: an Australian artist's project, City Gallery, Wellington, New Zealand

Hamish McKay Gallery, Wellington, New Zealand

Sarah Cottier Gallery, Sydney

Hamish McKay Gallery, Wellington, New Zealand

Mikala Dwyer, Museum of Contemporary Art, Sydney

Indefinitly Maybe, I Care Because You Do, The Loozer Planet, Sweetpotatosexpet Antenna, Hanging Eyes, I.O.U. (a tile), My Home is Your Home, Floating Old man, Selfshelf, ChapterArts Centre, Cardiff, Wales, U.K.

iffytown, Hamish McKay Gallery, Wellington, New Zealand

uniform, Sarah Cottier Gallery, Sydney

I.O.U., C.B.D. Gallery, Sydney

Addons (Clothing Plan) (Closing Plan), Hamish McKay Gallery, Wellington, New Zealand

Untitled, someone else's studio, Fortitude Valley, Brisbane

Recent Old Work, Sarah Cottier Gallery, Sydney

New Work, Hamish McKay Gallery, Wellington, New Zealand

Tubeweight, C.B.D. Gallery, Sydney

Mikala Dwyer, Sarah Cottier Gallery, Art 27, '96, Basel, Switzerland

Hollow-ware & a few solids, Sarah Cottier Gallery Sydney; Australian Centre of Contemporary Art, Melbourne

Sad Songs, Artspace, Sydney

Voodoo Lambchop, Teststrip, Auckland, New Zealand

Vincent (Aries), Dunedin Public Art Gallery, Dunedin, New Zealand

woops, Sarah Cottier Gallery, Sydney

Jean's OK, Room 32, Regents Court Hotel, Sydney

C.B.D. Gallery, Sydney (collaboration with Gail Hastings)

Henle's Loop, Institute of Modern Art, Brisbane

Untitled installation, BLACK, Sydney

Untitled installation, Firstdraft West, Sydney

Untitled installation, 200 Gertrude Street, Melbourne

Untitled installation, Firstdraft West, Sydney

Wall to wall: ceiling to floor, 200 Gertrude Street, Melbourne

Ringing, Firstdraft, Sydney

Untitled installation, Window Gallery, Sydney

Untitled installation, 338 Gallery, Sydney

Boot, K.S.K Gallery, Sydney

Untitled installation, 1 x 12 one-day exhibitions, Firstdraft, Sydney

Becalmed, City Artists Gallery, London

Poor Bare Forked Animal (with Mary Rose Sinn), Chelsea School of Art, London, U.K.; Avago, Sydney

Drunheart, performance, ANZART, Old Mail Exchange, Hobart

Noughts and Crosses, ANZART, Hobart

In the Manger, Chapel of Love, Sydney

SELECTED GROUP EXHIBITIONS

(forthcoming) Less is More: Minimal and Post-Minimal Art in Australia, Heide Museum of Modern Art, Victoria

Forever Young: 30 Years of the Heide Collection, Heide Museum of Modern Art, Melbourne

17^th Biennale of Sydney, Beauty of Distance, songs of survival in a precarious age. Directed by David Elliot

Adelaide Biennale, Before and After Science, curated by Charlotte Day and Sarah Tutton, Art Gallery of South Australia, Adelaide

Before and After Science, 2010 Biennial of Australian Art, Adelaide.SA

Alterbeast, Penrith Regional Museum, NSW

Alterbeast, Gertrude Contemporary, Melbourne. VIC

Cockatoo residency Exhibition (with Justene Williams)

(to) give time to time, Experimental Art Foundation(with Sam Hughes and Natural Selection Theory)Adelaide, SA

Laneways Project, Sydney.

Zeigen. Audio Tour through Berlin, Karin Sander. Temporare Kunsthalle Berlin

Group Show, Roslyn Oxley Gallery, Sydney

Group Show, Hamish McKay Gallery NZ

Benjamin Buchanan, Carla Cescon, Mikala Dwyer and Barnard McIntyre. Hamish Mckay Gallery New Zealand

Almanac: The Gift of Ann Lewis AO, MCA Sydney.

Mirror Mirror, then and now, Institute of Modern Art, Brisbane; University Art Gallery, Verge Gallery and Tin Sheds Gallery, Sydney; Samstag Museum of Art, Adelaide.

TarraWarra Biennale 2008: Lost and Found, An Archaeology of the Present, TarraWarra Museum of Art, Victoria

The Ecologies Project, Monash University Museum of Art, Melbourne, curated by Geraldine Barlow and Dr Kyla McFarlane

CERAMICA, Institute of Contemporary Art, Sydney

Lost and Found: An Archeology of the Present, TarraWarra Biennial, curated by Charlotte Day, Healesville, Victoria

Common Space, Private Space. Curator Rebecca Coates, Margaret Lawrence Gallery, VCA, Melbourne

Come-In: Interior Design as a Contemporary Art Medium in Germany, RMIT Gallery, Melbourne

Bal Tashchit: Thou Shalt Not Destroy, Jewish Museum, Melbourne

Axis Bold as Love, Video Salon. Curated by Evergreen Terrace and A Constructed World, CAPC Bordeaux.

The Poster Market International, curator Noah Brehmer. New York.

The Ecologies Project, Museum of Monash University, Melbourne.

To Make a Work Of Timeless Art, Prima Vera Collection, MCA Sydney.

Ceramica, I.C.A.N gallery, Sydney

P25 Echelon, Chippendale, NSW

Mystic Truths, Auckland Art Gallery, Auckland, New Zealand

Den Haag Sculptuur 2007 De Overkant / Down Under, The Netherlands

Love Chief, curator Natasha Conland, Auckland Art Gallery New Zealand

High Tide, Zacheta National Gallery, Warsaw

High Tide, CAC Vilnius, Lithuania.

Nada Art Fair, Miami

Von Riots Zu Angels, NYRT, Berlin

An end of year exhibition, new work by Sam Basu Shane Cotton Mikala Dwyer Gavin Hipkins, Hamish McKay Gallery, Sydney, Wellington, New Zealand

The Wallflower, Canberra Contemporary Art Space, Canberra, curator: Eve Sullivan

National Sculpture Prize and Exhibition 2005, National Gallery of Australia, Canberra

Unscripted: Language in Contemporary Art, Art Gallery of New South Wales, Sydney, curator: Wayne Tunnicliffe

Salvage, Clubs Projects Inc., Melbourne

Unpacked II, Bendigo Art Gallery, toured by Museum of Contemporary Art, Sydney

Three-way Abstraction: Works from the Monash University Collection, Monash University Museum of Art, Melbourne

Face Up: Contemporary Art from Australia, Nationalgalerie im Hamburger Bahnhoff, Berlin, Germany, curator: Dr. Britta Schmitz

Unpacked II, The Museum of Contemporary Art, Sydney

This was the Future… Australian Sculpture of the 1950s, 60s, 70s + Today, Heide Museum of Modern Art, Melbourne

Still Life, Art Gallery of New South Wales, Sydney

Afterlife, Sarah Cottier Gallery, Sydney

Armoury Show 2003, Sarah Cottier Gallery, New York

Michael Lett Gallery, Auckland, New Zealand

4mal, Prettydog Gallery, Sydney

The Shangri-La Collective, Artspace, Sydney

Fieldwork: Australian Art 1968-2002, The Ian Potter Centre, NGV Australia, Melbourne

Helen Lempriere National Sculpture Award, Werribee Park, Melbourne

Objections, Sarah Cottier Gallery, Artspace, Sydney, curators: Tim Silver and Russell Storer

Artful Park, Centennial Park, Sydney

Good Work: The Jim Barr and Mary Barr Collection, Dunedin Public Art Gallery; City Gallery, Wellington, New Zealand

Unnecessary Invention, Artspace, Sydney, curator: Brian Thompson

Objection, The Physics Room, Christchurch, New Zealand, curators: Tim Silver and Russell Storer

Monochromes, University Art Museum, University of Queensland, Brisbane

Sarah Cottier Gallery, ARCO Art Fair, Madrid, Spain

Sarah Cottier Gallery, Art 31, `00, Basel, Switzerland

plastika, Govett-Brewster Art Gallery, New Zealand

Bonheurs des Antipodes, Musee de Picardie, Amiens, France, curator: Matthieu Pinette

Contempora5, Ian Potter Museum of Art, The University of Melbourne

avant-gardism for children, University of Queensland, Brisbane; Monash University Gallery, Melbourne

Brainland - The Believers: Mikala Dwyer, Maria Cruz, Anne Ooms, Art Gallery of NSW, Sydney

Sarah Cottier Gallery, Art 30, `99, Basel, Switzerland

The Organic and the Artificial: Reinventing Modernist Design, Plimsol Gallery, Centre for the Arts, Hobart, touring exhibition, curator: Jenny Spinks

9 Lives, Casula Powerhouse, Sydney

Nostalgia for the Future, Artspace, Auckland, New Zealand

Opening Exhibition, Sarah Cottier Gallery, Sydney

Body Suits, Perth Institute of Contemporary Art, Perth, curator: Jane Trengrove

The Infinite Space: Women, minimalism and the sculptural object, Ian Potter Museum of Art, The University of Melbourne, curator: Rachel Kent

Close Quarters: Contemporary Art from Australia and New Zealand, Australian Centre for Contemporary Art, Monash University Gallery, Melbourne; Canberra School of Art, Govett Brewster Art Gallery, New Plymouth, curators: Christina Barton, Zara Stanhope and Clare Williamson

Verve: An exhibition of visual poetry and poetic visuals, S.H. Ervin Gallery, Sydney Writer's Festival Beauty 2000, Institute of Modern Art, Brisbane, curator: David Broker

Sarah Cottier Gallery, Art 29, `98, Basel, Switzerland

The Believers: Mikala Dwyer, Maria Cruz, Anne Ooms, CBD Gallery, Sydney

The Believers: Mikala Dwyer, Maria Cruz, Anne Ooms, Artspace, Auckland, New Zealand, curator: Robert Leonard

Objects and Ideas - revisiting minimalism, Museum of Contemporary Art, Sydney, curators: Linda Michael and Ben Curnow

Sarah Cottier Gallery, Art 28, '97, Basel, Switzerland

Nostalgia, Monash University Gallery, Melbourne, curator: Zara Stanhope

Aerphost: an exhibition of contemporary Australian Art, The Debtor's Prison, Dublin, Ireland, curators: Mark McCaffrey and Anne Mulroney

Raindrops on Roses, Sarah Cottier Gallery, Sydney

The Chartwell Collection: a selection, Auckland Art Gallery, Auckland, New Zealand, curator: William McAloon

OrientATION, 4th International Istanbul Biennale, Istanbul, Turkey, curator: Rene Block

A Night at the Show, Field, Zurich, Switzerland, curator: Harm Lux De Huid van der Witte Dame (The White Lady's Skin), Eindhoven, The Netherlands

Monash University Art Prize, Monash University Art Gallery, Melbourne

Sarah Cottier Gallery, San Francisco Art Fair 95, U.S.A.

please nota bene the other rules on the following page, David Pestorius Gallery, Brisbane

Octette, Eva Breuer Gallery, Sydney, curator: Felicity Fenner

Sarah Cottier Gallery, Art 26, '95, Basel, Switzerland

Paperwork, Sarah Cottier Gallery, Sydney

True Stories, Artspace, Sydney

The Aberrant Object: Women Dada and Surrealism, Museum of Modern Art at Heide, Melbourne, curator: Juliana Engberg

Aussemblage, Auckland City Gallery, New Zealand

White, Sarah Cottier Gallery, Sydney

Familiarity, Plimsoll Gallery, Hobart

Family Portrait (with Stephanie Dwyer) Software project series, Selenium, Sydney, curator: Janet Shanks and Vincent Butron

Australian Perspecta 1993, Art Gallery of NSW, Sydney, curator: Victoria Lynn

Purl, The Fifth Melbourne Sculpture Triennial, West Melbourne Primary School, Melbourne

Decor, Peppers Bistro, Canberra, curator: Kevin Henderson

Residence #3, home of Vincent Butron and Janet Shanks, Sydney

Rad Scunge, Karen Lovegrove Gallery, Melbourne, curator: Dale Frank

Residence #1, home of Vincent Butron and Janet Shanks, Sydney

Naked, BLACK Gallery, Sydney, curator: Jo Holder

Monster Field, Ivan Dougherty Gallery, Sydney, curator: A.D.S. Donaldson

Shirthead, Mori Annexe, Sydney, curator: Hany Armanious

Primavera, Museum of Contemporary Art, Sydney, curator: Linda Michael

Wish Hard, 9th Biennale of Sydney, Wollongong City Gallery, curator: Jo Holder

Collaborative installation with Maria Cruz, First Draft, Sydney

Disonnance: Frames of Reference, Pier 4/5, Sydney, curator: Sally Coucaud

Discrete Entity, Canberra School of Art Gallery, Canberra, curators: Julie Ewington and David Watt

Microcosm, Gary Anderson Gallery, Sydney

Group Show, First Draft, Sydney

Installed and Temporal Works, Tin Sheds, Sydney, curator: Fiona Gunn

Exploring Drawing, Ivan Dougherty Gallery, Sydney, curator: Louise Pether

Victory Over the Sun, First Draft, Sydney, curators: John Young and Clinton Garafano

Fresh Art, S.H. Irvin Gallery, Sydney, curators: Felicity Fenner and Anne Loxley

Eevy, Ivy, Over (with Belinda Holland) Firstdraft, Sydney

In the Shadow of Amnesia, 338 Gallery, Sydney

Certain Versions, City Artist Gallery, London, U.K.

ANZART (performance in Hardened Arteries) , Old Mail Exchange, Hobart, director: Leigh Hobba

APMIRA Land Rights Exhibition, Paddington Town Hall, Sydney

BIBLIOGRAPHY

Mikala Dwyer, as told to Anthony Byrt, 500 words, Artforum, http://artforum.com/words/id=30502

Anthony Byrt, Frontier Spirits: Myth, Ghosts and Borders in the Work of Mikala Dwyer, Frieze, May 2011, pp.104-107

The Beauty of Distance, Songs of Survival in a precarious age 17th Sydney Biennale catalogue

Alamanac, The gift of Ann Lewis OA Collection MCA

Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), Sydney, p108

Charlotte Day, Lost and Found: An Archeology of the Present, exh.cat., TarraWarra Museum of Art Anne Loxley, `Mikala Dwyer: coalescence and dissolution', Art World 3, June-July

Bal Tashchit: Thou Shalt Not Destroy, exh.cat., Jewish Museum, Melbourne

Sculpture Today, Judith Collins. Phaidon

Mystic Truths, exh.cat., Auckland Art Gallery, NZ

High Tide, exh.cat., Zacheta National Gallery, Warsaw

Victoria Barker, Black Sun Blue Moon, exh.cat., Spielhaus Morrison Galerie, Berlin

Andrew Paul Wood, Littered Under Mercury. White Fungus Magazine

Gabriela Switek, `And who so happy?' Broadsheet, June - August, pp 90-93

Eve Sullivan, The Wallflower, exh.cat., Canberra Contemporary Art Space, Canberra

Susan Ronhnie, 'Mikala Dwyer in conversation with Susan Rothnie', Eyeline, No.55, pp.30-33

Steven Tonkin, 'Art Lifts!', Artonview, National Gallery of Australia, Issue No.39, Spring

Ashley Crawford, `Unique view of a fly on the wall', The Age, 17 June

Megan Backhouse, `Around the galleries', The Age, 19 June

Britta Schmitz, (ed.), Face Up: Contemporary Art from Australia, Nationalgalerie im Hamburger Bahnhof, Berlin, Germany

Alex Gawronski, 'Dividing Lines', Broadsheet, March, April + May

Alexie Glass, 'Artful Park', Monument, 46, February / March

Lenny Ann Low, 'Deep space 10 to 13', Sydney Morning Herald ,1-2 June, Metropolitan

Jason Smith & Charles Green, Fieldwork: Australian Art 1968-2002, The Ian Potter Centre, NGV Australia, Melbourne

Anne Loxley, 'A stroll in the park to exercise mind and body', The Sydney Morning Herald, 5 December

William McAloon, 'From playful invention to shonk horror', Sunday Star Times, 9 Semptember

Justin Paton, Good Work: The Jim Barr and Mary Barr Collection, Dunedin Public Art Gallery

Hannah Scott, 'Plastika', Publicartion by the Govett-Brewster Art Gallery, Summer

Sebastian Smee, 'Pipe Dreams', Sydney Morning Herald, 12 January

Edward Colless, Mikala Dwyer, catalogue essay, Museum of Contemporary Art, Sydney

Limited edition artist page, inversions, mawa: mentoring artists for women's art, Winnipeg, Fall

Artist's page (collaboration with Simone Parsons), LOG, Illustrated, # 10

Stephan Caddick, `Mikala Dwyer', AN Magazine, March

Sylvie Couderc, 'Recent contemporary art in Australia: from the interpretation of origins to the bias of the diverse', Bonheurs des Antipodes, Musee de Picardie, Amiens, France

Benjamin Genocchio, 'Alchemy with a Mischievous Touch', Sydney Morning Herald, 29 December

Linda Michael, 'The Little Temples of Love for the Dead Things', Mikala Dwyer, Museum of Contemporary Art, Sydney

Robert Nelson, 'Show and tell...', The Age, 9 April

Stella Brennan, Nostalgia for the Future, Artspace, Auckland

B. Clark-Coolee, 'Holy Hell!', Brainland, Art Gallery of New South Wales, Sydney

Alex Gawronski, 'Mikala Dwyer', Like, # 9, Winter

Bruce James, 'Much Ado about...What?', The Sydney Morning Herald, 20 November

Bruce James, 'Sights', The Sydney Morning Herald, 8 May

Bruce James, 'Galleries', The Sydney Morning Herald, 30 May

Rachel Kent, `Minimalism Past and Present', The Infinite Space: women, minimalism and the sculptural object, Ian Potter Museum of Art, The University of Melbourne

Helen Nicholson, avant-gardism for children, exh.cat., University Art Museum, University of Queensland, Brisbane

Robert Rooney, 'Show them the money', The Australian, 25-6 September, (review)

Toni Ross, 'Mikala Dwyer', Contempora5, National Gallery of Australia, Melbourne

Jenny Spinks, The organic and the artificial, University of Tasmania, Hobart

John Nixon (ed.), Artist's page, MATERIAL, # 49

David Broker, Beauty 2000, Institute of Modern Art, Brisbane

Rex Butler, 'Radical Revisionism', Eyeline, # 33 Autumn / Winter

Phil Kelly, 'Untitled: Mikala Dwyer', Monica, Summer

Toni Ross, 'The trouble with spectator-centred criticism: Encountering Mikala Dwyer's art with Eva Hesse and Minimalism', Eyeline, # 35, Summer

Edward Colless, 'Undon', Mikala Dwyer, Museum of Contemporary Art, Sydney

Rex Butler, Hollowware and a few solids,BARBERism & Australian Centre for Contemporary Art, Melbourne

Edward Colless, Sad songs, Artspace, Sydney; reprinted in Midwest, # 8

Edward Colless, 'White', Art+Text, # 48

Anna Johnson, 'young at art', The Sydney Morning Herald, Good Weekend, 26 April

Anna Johnson, 'Art Beat', The Sydney Morning Herald, 10 November

Bridie Lonie, 'Dunedin: Mikala Dwyer', Art New Zealand

Elwyn Lynn, 'Women at Watters, Octette', The Australian, 10 March

Robyn McKenzie, `Disorder of domesticity falls a little flat', The Age, 29 May

Midwest, 'Twinkle Twinkle Little Star', interview with Mikala Dwyer, Midwest, # 8

Zara Stanhope, Nostalgic, Monash University Gallery, Melbourne

Rex Butler, 'White', Art and Australia, vol. 32, # 1, Spring

Edward Colless, ' White', Art+Text, no.48

David Cross, 'Fifth Australian Sculpture Triennial', Art+Text, # 47, January

Felicity Fenner, `On a provocative paper-chase', The Sydney Morning Herald, 14 October

Felicity Fenner, `Trappings of desire', The Sydney Morning Herald, 24 June

Felicity Fenner, 'Double entente and a debut in white', The Sydney Morning Herald, 5 February

Benjamin Genocchio, `Mikala Dwyer: woops', Eyeline, # 25, Spring

Michael Hutak, 'Body of decor in overdrive', The Sydney Morning Herald,17 June

Natalie King, `Mikala Dwyer', Art+Text, #49

Elwyn Lynn, 'Sighs and lows of the reviewer's trade', The Australian, 12-13 February

Linda Michael, No, Not Ever: the nail polish series, BARBERism, Sydney

Catriona Moore, 'Museum Hygiene', Photofile, # 41, March

Robert Schubert, `Restaging Abstraction', Art+Text, # 49

Linda Williams, 'The Aberrant Object', Art+Text, # 48

Helen Back, 'Everybody's in the House of Love', Henle's Loop, Institute of Modern Art, Brisbane

Felicity Fenner, 'A funky, fashionable & feelgood exhibition', The Sydney Morning Herald, 23 October

Felicity Fenner, 'Coming Up: The Lowdown Art of Mikala Dwyer', Art and Australia, vol. 31, # 2, Summer

Felicity Fenner, 'Lowly grunge meets high Pop', The Sydney Morning Herald, 8 May

Felicity Fenner, 'Wish Hard', The Sydney Morning Herald, 23 January

Graham Fenner, 'Monster Field', Art+Text, # 46

Sue Best, Purl & Plane Geometry', Fifth Australian Sculpture Triennial, vol 2, Melbourne

Jeff Gibson, 'The Good the Bad and the Abstract', Art+Text, # 44

Jo Hard, Wish Hard, Woollongong City Gallery, Woollongong

Artist's page, 'Fill', Broadsheet, Vol. 22 # 4, Summer

Anne Lim, 'Urban art shows its true grit', The Australian, 24 September

George Petelin, 'Art in Brisbane', The Australian, 16 July

Jane Rankin-Reid, 'Shirthead', Art+Text, # 46

Eve Sullivan, Australian Perspecta 1993, Art Gallery of New South Wales, Sydney

Eve Sullivan, 'The Artist as Curator', Art Monthly, August

George Sullivan, 'Wish Hard', Art Monthly, # 57, March

Linda Williams, 'Little Theatres of Excess', Fifth Australian Sculpture Triennial, vol. 2, Melbourne

Jeff Gibson, 'Avant-Grunge', Art+Text, # 45

Linda Michael, Primavera: The Belinda Jackson exhibition of young artists, Museum of Contemporary Art, Sydney

Mary Eagle, `Discrete Entity', Art+Text, # 41

Sasha Grishin, 'Taking a swipe at conformity', The Canberra Times, 16 October

Anne McDonald, 'Discrete Entity', Agenda, # 20-21

Maria Sierra-Hughes, 'Wall to Wall, Ceiling to Floor: Mikala Dwyer', Agenda, # 17

Bronwyn Watson, 'Galleries', The Sydney Morning Herald, 6 November

Christopher Chapman, 'Discrete Entity: The Accomplice and Installation', Eyeline, Summer

Gail Hastings, Wall to wall: ceiling to floor, 200 Gertrude St, Melbourne

Artist statement, `Frames of Reference; Aspects of feminism and art'

PUBLIC COLLECTIONS

National Gallery of Victoria, Melbourne

Art Gallery of NSW, Sydney

National Gallery of Australia, Canberra

Auckland City Gallery, Auckland, New Zealand

Museum of Contemporary of Art, Sydney

Waikato Museum, Hamilton, New Zealand

Monash University Gallery, Melbourne

SELECTED GRANTS, SCHOLARSHIPS AND PRIZES

Fellowship Australia Council grant

Samstag scholarship. UDK Berlin (Class of Stan Douglas, LotharBaumgarten and David Lamelas)

National Sculpture Prize Exhibition

Woollahra Sculpture Prize

Helen Lempriere Sculpture Prize (commended)

Australia Council Grant

Australia Council Grant

Contempora 5 Exhibition