Nell
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NELL |
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1975 |
Born in Maitland, New South Wales, Australia |
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1993 - 1995 |
Sydney College of the Arts, The University of Sydney (Bachelor of Visual Arts), Australia |
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1996 |
The University of California (Honours), USA |
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1999 - 2001 |
Founding Director of Rubyayre artist run gallery |
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2005 - 2006 |
Master of Visual Arts, Sydney College of the Arts, The University of Sydney and École Nationale Supérieure des Beaux-Arts, Paris |
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SOLO EXHIBITIONS |
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2013 |
Gravest Hits, Roslyn Oxley9 Gallery, Syudney. |
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2012 |
Hometown girl has wet dream, Maitland Regional Art Gallery, New South Wales |
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2010 |
Made in The Cross, Roslyn Oxley9 Gallery, Sydney |
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2008 |
All the Way, Roslyn Oxley9 Gallery, Sydney There Goes a Narwhal (with Michael Zavros), Gertrude Contemporary Art Space, Melbourne |
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2005 |
Happy Ending, Roslyn Oxley9 Gallery, Sydney |
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2004 |
Who Made Who, Roslyn Oxley9 Gallery, Sydney |
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2003 |
Nell, Maitland Regional Art Gallery, New South Wales |
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2002 |
No Mountain, No River, Roslyn Oxley9 Gallery, Sydney Fly as High as Me, Newcastle Region Art Gallery
Wet Light, Block, Sydney |
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2001 |
Unlimited Radiance, Roslyn Oxley9 Gallery, Sydney |
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2000 |
NellNation (with Neha Choksi) Byculla, Mumbai |
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1999 |
NellNation (with Neha Choksi) 4A Gallery, Sydney |
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1998 |
Nell, Galerie Y-Burg, Vrieshuis Amerika, Amsterdam, The Netherlands |
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1997 |
Groove is in the Heart (with Sadie Chandler) Stripp, Melbourne, Australia |
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1996 |
NELL.A, room 505, The Co-op, Los Angeles, USA |
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1994 |
Bunny Installation, Interior 4, Sydney |
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GROUP EXHIBITIONS |
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2013 |
Like Mike, Sarah Scout Gallery, Melbourne Group Show, Kaliman Rawlins, Melbourne |
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2012 |
all originals represent / IN SYNTHESIS: Female Artist Collectives and Collaborators, Paramount Pictures Building, Sydney Transmission, Campbelltown Arts Centre, Sydney. Inspiring Artists: Recipients of the Pat Corrigan Artists' Grant, Maitland Regional Art Gallery, Maitland. Theatre of the World, Museum of Old and New Art, Hobart. |
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2011 |
GROUPS WHO, Roslyn Oxley9 Gallery, Sydney |
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2010 |
Twenty/20, UTS Gallery, Sydney and Dubbo Regional Gallery (curated by George and Ron Adams) |
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2009 |
Group Show 2009/2010, Roslyn Oxley9 Gallery, Sydney Wax On, Hazelhurst Regional Gallery (curated by Nell Schofield)The Woollahra Sculpture Prize, Redleaf Council Chambers, Sydney to whom it may concern: the written word in contemporary art, Karen Woodbury Gallery, Melbourne Soft Sculpture, National Gallery of Australia, Canberra 3x2x2x3 (curated by Barbara Flynn), Deloitte, Sydney |
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2008 |
There Goes a Narwhal, The University of Queensland Art Museum, Brisbane National Works on Paper, Mornington Peninsula Regional Gallery, Victoria Neo Goth: Back in Black (curated by Alison Kubler), The Art Museum, University of Queensland, Brisbane Rimbaud / Rambo, Neon Parc, Melbourne |
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2007 |
Helen Lempriere National Sculpture Award, Werribee Park, Victoria Summer '07 '08, Roslyn Oxley9 Gallery, Sydney New Acquisitions, Museum of Contemporary Art, Sydney |
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2006 |
“2”, onefourteen, Darlinghurst, Sydney Heidegger 30 Ans Deja (curated by Annette Messager), Galerie Gauche, École Nationale Supérieure des Beaux-Arts, Paris Flaming Youth, Orange Regional Gallery, Orange ABN AMRO Prize, (Finalist), ABN AMRO Building, Sydney Postgraduate Degree Show, Sydney College of the Arts, Sydney The Tonight Show, The Rehearsal Room, Sydney Creepy Crawlies, Ipswich Art Gallery, Ipswich Girl Band (curated by Barbara Flynn), Deloittes, Sydney Film Archive, Art 38 Basel, Basel, Switzerland |
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2005 |
ABN AMRO Prize, ABN AMRO Building, Sydney Out of Place (curated by Binghui Huangfu), Asia-Australia Arts Centre, Sydney The Woollahra Sculpture Prize, Redleaf Council Chambers, Sydney Not Being There, Beijing International Art Camp, Suo Jia Cun, Beijing Demolish? Demoish! Demolish., Beijing International Art Camp, Suo Jia Cun, Beijing Blake Prize Exhibition, Sir Hermann Black Gallery & Sculpture Terrace, University of Sydney Unstrung: the bead in contemporary art, (curated by Louise Tegart), Latrobe Regional Gallery, Victoria Uncanny (the unnaturally strange) (curated by Rhana Devenport), ARTSPACE, Auckland, New Zealand The Maitland Art Prize, Thomas Morgan Pavilion, Maitland Small Offerings, The Cross Art Project, Sydney Material Girls and Boys (curated by Barbara Flynn), Deloitte, March-June 2005 Academici: The Australia Council Visual Arts/Crafts Board Rome Studio Residency, 1999-2004 (curated by Kit Wise), Monash University Faculty Gallery, Melbourne and Academia Britannica, Rome |
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2004 |
Auto Fetish: Mechanics of Desire (curated by Nick Mitzevich), Newcastle Region Art Gallery, Newcastle Adrift, Queensland University of Technology, Brisbane A Pink Idea, Ralph Lauren Pink Pony Auction for Breast Cancer, Art Gallery of New South Wales, Sydney 2004 Annual Fundraising Exhibition, Asia Australia Arts Centre, Sydney Hang 12, Clean Oceans Auction, Christies Sydney The ABN AMRO Emerging Artist Award, ABN AMRO Tower Foyer, Sydney Out of the Blue, MOP Projects, Sydney The Freedman Foundation Awards Exhibition, Sir Hermann Black Gallery & Sculpture Terrace, University of Sydney, Sydney 2004: Australian Culture Now, Australian Centre for the Moving Image and The Ian Potter Centre, National Gallery of Victoria Australia, Melbourne The Maitland Art Prize, Thomas Morgan Pavilion, Maitland, New South Wales |
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2003 |
Academia Britannica, Rome, Italy Gallery 4A Fundraising Exhibition, Gallery 4A, Asia-Australia Arts Centre, Sydney |
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2002 |
1st Floor Final, 1st Floor, Melbourne Willoughby City Art Prize, Willoughby Civic Centre, Sydney Art and About, Sydney City, AMP Building and Town Hall House, Sydney Slacking Off, Imperial Slacks, Sydney Redlands Westpac Art Prize, Mosman Art Gallery, Sydney Archive of Dud Slides, Briefcase, Sydney Brett Whiteley Travelling Art Scholarship, Brett Whiteley Studio, Sydney Briefcase 50, Boutwell Draper Gallery, Sydney Towards a Free Tibet, Span, Melbourne
The Flag Project, One Station Plaza, Peekskill, New York, USA |
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2001 |
Christmas Cave, Block, Sydney |
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2000 |
Do They Know It's Christmas, Rubyayre, Sydney |
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1999 |
Primavera, The Museum of Contemporary Art, Sydney |
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1997 |
Australians for Native Title and Reconciliation, SH Errvin Gallery, Sydney A Taste in Art, In support of Community Aid Abroad, Sotheby's, Melbourne |
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1996 |
NEXT, Sydney College of the Arts Honours + Graduate Diploma Exhibition, Sydney |
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1995 |
fanta (sm), First Draft, Sydney |
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AWARDS |
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2008 |
New work grant, The Australia Council |
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2006 |
École Nationale Supérieure des Beaux-Arts, Paris (Scholarship) |
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2003 |
Rome studio, The Australia Council |
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2002 |
The Freedman Foundation Travelling Scholarship for Emerging Artists |
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2001 |
The Marketing Grant, NAVA The Woollahra Sculpture Prize, Winner of the People's Choice Award |
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1999 |
Emerging Artists Grant, The Australia Council |
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1996 |
Sydney University, Overseas Study Bursary |
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1994 |
William Fletcher Trust Grant |
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COLLECTIONS |
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Museum of Contemporary Art, Sydney The University of Queensland Art Museum Maitland Regional Art Gallery, New South Wales Artbank Austcorp corporate collection, Sydney BFG Superannuation Fund Deutsche Bank MBF Australia Ltd, Sydney |
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BIBLIOGRAPHY |
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2013 |
Carrie Miller, freedom with contradictions, Australian Art Collector, Issue 64, Apr-Jun 2013, pp. 112-118. James Eyers, 'For the love of art', Capital Magazine by AFR, March 2013, pp. 56-57. |
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2012 |
Emma Swain, `ACDC, Buddhism and art?', Maitland Mercury, June 20, 2012 http://www.maitlandmercury.com.au/story/159878/acdc-buddhism-and-art/ Slanted (ed.), Bright! Typography Between Illustration and Art, (Germany: DAAB Media, 2012) |
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2011 |
Emily Dunn, `The Art of Collecting', SMH Spectrum, March 12-13, 2011, pp6-7 Micheal Fitzgerald, 'Romance was Born Again', Art and Australia, Issue 48 No. 3, pp. 665-671 |
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2010 |
Bernard Zuel, Made in The Cross (exhibition catalogue) Jacqueline Millner, Nell: Fly as High as Me, Conceptual Beauty: Perspectives on Australian Contemporary Art, published by Artspace, 2010 Bronwyn Clark-Coolee, Twenty/20 (exhibition catalogue) UTS Gallery
Nell Schofield, Wax On (exhibition catalogue) Hazelhurst Regional Gallery
Isobel Phillip, `Praying Hands', theartlife.com.au, 19th August, 2010
Gillian Seriser, `Nell: A Question of Identity', Australian Design Review, (date unknown), pp. 46 |
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2009 |
Rob Bates, Small but perfectly formed, The Wentworth Courier, Wednesday Oct. 21st, p52-53
Art and About (exhibition catalogue) Retrospective, p34-35
Lucina Ward, Soft Sculpture (exhibition catalogue) National Gallery of Australia, Canberra
Lucina Ward, Soft Sculpture : Don't Touch, Lick or Smell, Art on Review, Issue 57, Autumn, p20-27 |
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The Artlife, Series 2, Episiode 1, ABC Television Anna Saunders, Simply Red, Marie Clare, June, p28-37 |
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2008 |
Lionel Bawden, ALL THE WAY, (exhibition catalogue), Roslyn Oxley9 Gallery, Sydney 2008 There Goes a Narwhal, (exhibition catalogue) Gertrude Contemporary Art Space, Melbourne There Goes a Narwhal, (exhibition catalogue) The University of Queensland Art Museum, Brisbane “Deathly Art: VR Morisson, Nell and Therese Howard”, Art Monthly, June 2008, Issue #210, p41-43 “Nell, New Work”, Art World, Issue 2, April/May 2008, p140-143 Alice McCormick and Sarah Rhodes, The Artist's Lunch, Murdoch Books, 2008, pp 148 - 15 Robert Nelson “With sinister sauce and sorcery, creepy is the new black”, The Age, 13 February 2008, p25 Alison Kubler, Neo Goth: Back in Black (exhibition catalogue) The University of Queensland Art Museum, Brisbane, 2008, p78 Ashley Crawford, “Gothic Candor: I am the coffin that will not be silent”, Art Monthly, Dec 2008, Issue #216, p46 Craig Douglas, “Neo Goth: Back in Black” Artlink Vol. 28 No. 4, 2008 Barbara Flynn, 3x2x2x3 (exhibition catalogue) Deliotte, Sydney, 2008 |
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2007 |
Robert Nelson, “Sculptures reject formula for jocular,” The Age (Metro Reviews), Wednesday March 14, 2007, p18 Artist Pages, Publick Art, Bush Job Edition, 2007 Helen Lempriere National Sculpture Award (exhibition catalogue) Werribee Park, Victoria, 2007 New Acquisitions, Museum of Contemporary Art, Sydney |
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2006 |
“Making more possible”, ABN Amro 2006 Emerging Artist Award (exhibition catalogue), Sydney, 2006 Barbara Flynn, Girl Band (exhibition catalogue), Deliottes, Sydney, 2006 Flaming Youth (exhibition catalogue), Orange Regional Gallery, Orange, 2006 Postgraduate Degree Show (exhibition catalogue) Sydney College of the Arts p.146 “Critical Mass”, Art and Australia, Vol. 44, No. 2, p274 Katrina Strickland, "Weave Magic", The Australian Financial Review, 7 December, p.44 |
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2005 |
Joanna Mendelssohn, “Nell: Happy Ending”, Artlink, Vol. 25 No. 3, p 83 Dominique Angeloro, “Those about to rock”, Metro, June 3-9 2005, pg 26 Rex Turnbull, “Nell - Just Nell,” Lino Magazine, Issue 9, art section, p. 98 Felicity Harley, Academici, (exhibition catalogue), Monash University, 2005, p. 30 Tracey Clement, Primal Urges, The Sydney Morning Herald, Metro, 14 October, p27. Sunanda Creagh, Open Gallery, The Sydney Morning Herald, Spectrum, p29 Victoria Hynes and Annemarie Lopez, The Apprentice, The Sydney Magazine, August 2005, p52-59 Rhana Devenport, Uncanny: The Unnaturally Strange (exhibition catalogue) Artspace, Auckland Exhibition Review “Triple M Rocks the Afterlife” http://artlife.blogspot.com/2005_06_01_artlife_archive.html |
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2004 |
Rueben Keehan, “Out of the Blue,” localART, issue 16, October, p. 3-4 Fine Arts, The British School at Rome 2003-2004, p. 60-63 Ingrid Woodrow, Auto Fetish (exhibition catalouge), Newcastle Region Art Gallery, November 2004. Peter Hill, “Free installations,” Sydney Morning Herald (Spectrum), July 17-18, p. 8 - 9 Shelley McSpedden, “Critic's Picks: Nell,” Sydney Morning Herald (Metro), July 16 - 22, 2004, p. 27 Lenny Ann Low, “Mice and death, as well as things in primary colours,” Sydney Morning Herald (Metropolitan), Tuesday, July 13, 2004, p. 14 Sunanda Creagh, “Spotlight: Who Made Who,” Sydney Morning Herald (Metropolitan), Friday, July 9, 2004, p. 12 Naomi Evans, Nell: Who made who, exhibition brochure, Roslyn Oxley9 Gallery, Sydney
Dr Charles Green (editor), 2004: Australian Culture Now (exhibition catalogue), Australian Centre for the Moving Image and The Ian Potter Centre, National Gallery of Victoria Australia, Melbourne, p. 178 |
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2003 |
Jeni Porter and Lisa Pryor, “Are you getting enough?,” The (Sydney) Magazine, Sydney Morning Herald, Wednesday, June 18, p. 46, 47 |
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2002 |
Bruce James, "Queen of the uncanny turns up the heat," Sydney Morning Herald, November 27, p. 16. “Profiles,” Art Almanac, November, p. 118
Art & About: the city as a canvas, brochure, 16 - 29 September, p. 4 |
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2001 |
Courtney Kidd, “Unlimited Radiance,” Sydney Morning Herald, Metro, 16 March, p. 27 |
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2000 |
“Nell for mac,” Oyster Magazine, Issue 31, August-September, p. 52. |
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1999 |
Blank, E. “Fresh Flair for the Art Scene,” Architektur + Wohnen, Oct.26th, pp 94, 95, 97, 127, 133.
Bruce James, “Flies in the face of Reality,” Sydney Morning Herald, April 24th, p. 12 |
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1998 |
Bruce James, “Galleries,” Sydney Morning Herald, March 23rd |
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1997 |
A Taste in Art, in support of Community Aid Abroad, (exhibition catalogue), Sotheby's, Melbourne Hawks, G. “L.A Story,” University of Sydney News, October 23rd, pg 7. |
