Nell
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NELL |
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1975 |
Born in Maitland, New South Wales, Australia |
1993 - 1995 |
Sydney College of the Arts, The University of Sydney (Bachelor of Visual Arts), Australia |
1996 |
The University of California (Honours), USA |
1999 - 2001 |
Founding Director of Rubyayre artist run gallery |
2005 - 2006 |
Master of Visual Arts, Sydney College of the Arts, The University of Sydney and École Nationale Supérieure des Beaux-Arts, Paris |
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SOLO EXHIBITIONS |
2010 |
Made in The Cross, Roslyn Oxley9 Gallery, Sydney |
2008 |
All the Way, Roslyn Oxley9 Gallery, Sydney
There Goes a Narwhal (with Michael Zavros), Gertrude Contemporary Art Space, Melbourne |
2005 |
Happy Ending, Roslyn Oxley9 Gallery, Sydney |
2004 |
Who Made Who, Roslyn Oxley9 Gallery, Sydney |
2003 |
Nell, Maitland Regional Art Gallery, New South Wales |
2002 |
No Mountain, No River, Roslyn Oxley9 Gallery, Sydney
Fly as High as Me, Newcastle Region Art Gallery
Wet Light, Block, Sydney |
2001 |
Unlimited Radiance, Roslyn Oxley9 Gallery, Sydney |
2000 |
NellNation (with Neha Choksi) Byculla, Mumbai |
1999 |
NellNation (with Neha Choksi) 4A Gallery, Sydney |
1998 |
Nell, Galerie Y-Burg, Vrieshuis Amerika, Amsterdam, The Netherlands |
1997 |
Groove is in the Heart (with Sadie Chandler) Stripp, Melbourne, Australia |
1996 |
NELL.A, room 505, The Co-op, Los Angeles, USA |
1994 |
Bunny Installation, Interior 4, Sydney |
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GROUP EXHIBITIONS |
2010 |
Twenty/20, UTS Gallery, Sydney and Dubbo Regional Gallery (curated by George and Ron Adams) |
2009 |
Group Show 2009/2010, Roslyn Oxley9 Gallery, Sydney
Wax On, Hazelhurst Regional Gallery (curated by Nell Schofield)The Woollahra Sculpture Prize, Redleaf Council Chambers, Sydney
to whom it may concern: the written word in contemporary art, Karen Woodbury Gallery, Melbourne
Soft Sculpture, National Gallery of Australia, Canberra
3x2x2x3 (curated by Barbara Flynn), Deloitte, Sydney |
2008 |
There Goes a Narwhal, The University of Queensland Art Museum, Brisbane
National Works on Paper, Mornington Peninsula Regional Gallery, Victoria
Neo Goth: Back in Black (curated by Alison Kubler), The Art Museum, University of Queensland, Brisbane
Rimbaud / Rambo, Neon Parc, Melbourne |
2007 |
Helen Lempriere National Sculpture Award, Werribee Park, Victoria
Summer '07 '08, Roslyn Oxley9 Gallery, Sydney
New Acquisitions, Museum of Contemporary Art, Sydney |
2006 |
“2”, onefourteen, Darlinghurst, Sydney
Heidegger 30 Ans Deja (curated by Annette Messager), Galerie Gauche, École Nationale Supérieure des Beaux-Arts, Paris
Flaming Youth, Orange Regional Gallery, Orange
ABN AMRO Prize, (Finalist), ABN AMRO Building, Sydney
Postgraduate Degree Show, Sydney College of the Arts, Sydney
The Tonight Show, The Rehearsal Room, Sydney
Creepy Crawlies, Ipswich Art Gallery, Ipswich
Girl Band (curated by Barbara Flynn), Deloittes, Sydney
Film Archive, Art 38 Basel, Basel, Switzerland |
2005 |
ABN AMRO Prize, ABN AMRO Building, Sydney
Out of Place (curated by Binghui Huangfu), Asia-Australia Arts Centre, Sydney
The Woollahra Sculpture Prize, Redleaf Council Chambers, Sydney
Not Being There, Beijing International Art Camp, Suo Jia Cun, Beijing
Demolish? Demoish! Demolish., Beijing International Art Camp, Suo Jia Cun, Beijing
Blake Prize Exhibition, Sir Hermann Black Gallery & Sculpture Terrace, University of Sydney
Unstrung: the bead in contemporary art, (curated by Louise Tegart), Latrobe Regional Gallery, Victoria
Uncanny (the unnaturally strange) (curated by Rhana Devenport), ARTSPACE, Auckland, New Zealand
The Maitland Art Prize, Thomas Morgan Pavilion, Maitland
Small Offerings, The Cross Art Project, Sydney
Material Girls and Boys (curated by Barbara Flynn), Deloitte, March-June 2005
Academici: The Australia Council Visual Arts/Crafts Board Rome Studio Residency, 1999-2004 (curated by Kit Wise), Monash University Faculty Gallery, Melbourne and Academia Britannica, Rome |
2004 |
Auto Fetish: Mechanics of Desire (curated by Nick Mitzevich), Newcastle Region Art Gallery, Newcastle
Adrift, Queensland University of Technology, Brisbane
A Pink Idea, Ralph Lauren Pink Pony Auction for Breast Cancer, Art Gallery of New South Wales, Sydney
2004 Annual Fundraising Exhibition, Asia Australia Arts Centre, Sydney
Hang 12, Clean Oceans Auction, Christies Sydney
The ABN AMRO Emerging Artist Award, ABN AMRO Tower Foyer, Sydney
Out of the Blue, MOP Projects, Sydney
The Freedman Foundation Awards Exhibition, Sir Hermann Black Gallery & Sculpture Terrace, University of Sydney, Sydney
2004: Australian Culture Now, Australian Centre for the Moving Image and The Ian Potter Centre, National Gallery of Victoria Australia, Melbourne
The Maitland Art Prize, Thomas Morgan Pavilion, Maitland, New South Wales |
2003 |
Academia Britannica, Rome, Italy
Gallery 4A Fundraising Exhibition, Gallery 4A, Asia-Australia Arts Centre, Sydney |
2002 |
1st Floor Final, 1st Floor, Melbourne
Willoughby City Art Prize, Willoughby Civic Centre, Sydney
Art and About, Sydney City, AMP Building and Town Hall House, Sydney
Slacking Off, Imperial Slacks, Sydney
Redlands Westpac Art Prize, Mosman Art Gallery, Sydney
Archive of Dud Slides, Briefcase, Sydney
Brett Whiteley Travelling Art Scholarship, Brett Whiteley Studio, Sydney
Briefcase 50, Boutwell Draper Gallery, Sydney
Towards a Free Tibet, Span, Melbourne
The Flag Project, One Station Plaza, Peekskill, New York, USA |
2001 |
Christmas Cave, Block, Sydney |
2000 |
Do They Know It's Christmas, Rubyayre, Sydney |
1999 |
Primavera, The Museum of Contemporary Art, Sydney |
1997 |
Australians for Native Title and Reconciliation, SH Errvin Gallery, Sydney
A Taste in Art, In support of Community Aid Abroad, Sotheby's, Melbourne |
1996 |
NEXT, Sydney College of the Arts Honours + Graduate Diploma Exhibition, Sydney |
1995 |
fanta (sm), First Draft, Sydney |
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AWARDS |
2008 |
New work grant, The Australia Council |
2006 |
École Nationale Supérieure des Beaux-Arts, Paris (Scholarship) |
2003 |
Rome studio, The Australia Council |
2002 |
The Freedman Foundation Travelling Scholarship for Emerging Artists |
2001 |
The Marketing Grant, NAVA
The Woollahra Sculpture Prize, Winner of the People's Choice Award |
1999 |
Emerging Artists Grant, The Australia Council |
1996 |
Sydney University, Overseas Study Bursary |
1994 |
William Fletcher Trust Grant |
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COLLECTIONS |
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Artbank
Austcorp corporate collection, Sydney
BFG Superannuation Fund
Deutsche Bank
Museum of Contemporary Art
Maitland Regional Art Gallery, Australia
MBF Australia Ltd, Sydney
The University of Queensland Art Museum |
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BIBLIOGRAPHY |
2010 |
Bernard Zuel, Made in The Cross (exhibition catalogue)
Jacqueline Millner, Nell: Fly as High as Me, Conceptual Beauty: Perspectives on Australian Contemporary Art, published by Artspace, 2010
Bronwyn Clark-Coolee, Twenty/20 (exhibition catalogue) UTS Gallery
Nell Schofield, Wax On (exhibition catalogue) Hazelhurst Regional Gallery |
2009 |
Rob Bates, Small but perfectly formed, The Wentworth Courier, Wednesday Oct. 21st, p52-53
Art and About (exhibition catalogue) Retrospective, p34-35
Lucina Ward, Soft Sculpture (exhibition catalogue) National Gallery of Australia, Canberra
Lucina Ward, Soft Sculpture : Don't Touch, Lick or Smell, Art on Review, Issue 57, Autumn, p20-27 |
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The Artlife, Series 2, Episiode 1, ABC Television
Anna Saunders, Simply Red, Marie Clare, June, p28-37 |
2008 |
Lionel Bawden, ALL THE WAY, (exhibition catalogue), Roslyn Oxley9 Gallery, Sydney 2008
There Goes a Narwhal, (exhibition catalogue) Gertrude Contemporary Art Space, Melbourne
There Goes a Narwhal, (exhibition catalogue) The University of Queensland Art Museum, Brisbane
“Deathly Art: VR Morisson, Nell and Therese Howard”, Art Monthly, June 2008, Issue #210, p41-43
“Nell, New Work”, Art World, Issue 2, April/May 2008, p140-143
Alice McCormick and Sarah Rhodes, The Artist's Lunch, Murdoch Books, 2008, pp 148 - 15
Robert Nelson “With sinister sauce and sorcery, creepy is the new black”, The Age, 13 February 2008, p25
Alison Kubler, Neo Goth: Back in Black (exhibition catalogue) The University of Queensland Art Museum, Brisbane, 2008, p78
Ashley Crawford, “Gothic Candor: I am the coffin that will not be silent”, Art Monthly, Dec 2008, Issue #216, p46
Craig Douglas, “Neo Goth: Back in Black” Artlink Vol. 28 No. 4, 2008
Barbara Flynn, 3x2x2x3 (exhibition catalogue) Deliotte, Sydney, 2008 |
2007 |
Robert Nelson, “Sculptures reject formula for jocular,” The Age (Metro Reviews), Wednesday March 14, 2007, p18
Artist Pages, Publick Art, Bush Job Edition, 2007
Helen Lempriere National Sculpture Award (exhibition catalogue) Werribee Park, Victoria, 2007
New Acquisitions, Museum of Contemporary Art, Sydney |
2006 |
“Making more possible”, ABN Amro 2006 Emerging Artist Award (exhibition catalogue), Sydney, 2006
Barbara Flynn, Girl Band (exhibition catalogue), Deliottes, Sydney, 2006
Flaming Youth (exhibition catalogue), Orange Regional Gallery, Orange, 2006
Postgraduate Degree Show (exhibition catalogue) Sydney College of the Arts p.146
“Critical Mass”, Art and Australia, Vol. 44, No. 2, p274
Katrina Strickland, "Weave Magic", The Australian Financial Review, 7 December, p.44 |
2005 |
Joanna Mendelssohn, “Nell: Happy Ending”, Artlink, Vol. 25 No. 3, p 83
Dominique Angeloro, “Those about to rock”, Metro, June 3-9 2005, pg 26
Rex Turnbull, “Nell - Just Nell,” Lino Magazine, Issue 9, art section, p. 98
Felicity Harley, Academici, (exhibition catalogue), Monash University, 2005, p. 30
Tracey Clement, Primal Urges, The Sydney Morning Herald, Metro, 14 October, p27.
Sunanda Creagh, Open Gallery, The Sydney Morning Herald, Spectrum, p29
Victoria Hynes and Annemarie Lopez, The Apprentice, The Sydney Magazine, August 2005, p52-59
Rhana Devenport, Uncanny: The Unnaturally Strange (exhibition catalogue) Artspace, Auckland
Exhibition Review “Triple M Rocks the Afterlife” http://artlife.blogspot.com/2005_06_01_artlife_archive.html |
2004 |
Rueben Keehan, “Out of the Blue,” localART, issue 16, October, p. 3-4
Fine Arts, The British School at Rome 2003-2004, p. 60-63
Ingrid Woodrow, Auto Fetish (exhibition catalouge), Newcastle Region Art Gallery, November 2004.
Peter Hill, “Free installations,” Sydney Morning Herald (Spectrum), July 17-18, p. 8 - 9
Shelley McSpedden, “Critic's Picks: Nell,” Sydney Morning Herald (Metro), July 16 - 22, 2004, p. 27
Lenny Ann Low, “Mice and death, as well as things in primary colours,” Sydney Morning Herald (Metropolitan), Tuesday, July 13, 2004, p. 14
Sunanda Creagh, “Spotlight: Who Made Who,” Sydney Morning Herald (Metropolitan), Friday, July 9, 2004, p. 12
Naomi Evans, Nell: Who made who, exhibition brochure, Roslyn Oxley9 Gallery, Sydney
Dr Charles Green (editor), 2004: Australian Culture Now (exhibition catalogue), Australian Centre for the Moving Image and The Ian Potter Centre, National Gallery of Victoria Australia, Melbourne, p. 178 |
2003 |
Jeni Porter and Lisa Pryor, “Are you getting enough?,” The (Sydney) Magazine, Sydney Morning Herald, Wednesday, June 18, p. 46, 47 |
2002 |
Bruce James, "Queen of the uncanny turns up the heat," Sydney Morning Herald, November 27, p. 16.
“Profiles,” Art Almanac, November, p. 118
Art & About: the city as a canvas, brochure, 16 - 29 September, p. 4 |
2001 |
Courtney Kidd, “Unlimited Radiance,” Sydney Morning Herald, Metro, 16 March, p. 27 |
2000 |
“Nell for mac,” Oyster Magazine, Issue 31, August-September, p. 52. |
1999 |
Blank, E. “Fresh Flair for the Art Scene,” Architektur + Wohnen, Oct.26th, pp 94, 95, 97, 127, 133.
Bruce James, “Flies in the face of Reality,” Sydney Morning Herald, April 24th, p. 12 |
1998 |
Bruce James, “Galleries,” Sydney Morning Herald, March 23rd |
1997 |
A Taste in Art, in support of Community Aid Abroad, (exhibition catalogue), Sotheby's, Melbourne
Hawks, G. “L.A Story,” University of Sydney News, October 23rd, pg 7. |
