Linda Marrinon
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LINDA MARRINON |
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Born 1959, Melbourne Lives Melbourne |
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EDUCATION / AWARDS |
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2018 |
Don Macfarlane Prize, Macfarlane Foundation |
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2001 |
Recipient, Anne and Gordon Samstag International Visual Arts Scholarship |
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1999 |
New Work Grant (Australia Council) |
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M.A. Fine Art (Sculpture) Victorian College of the Arts, Melbourne |
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1997 |
Studio residency, Greene Street Studio, New York (Australia Council grant) |
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1991 |
Studio residency, Cite International des Arts, Paris (Australia Council grant) |
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1988 |
Lecturer in painting and drawing, Gippsland Institute of Advanced Education, Albury |
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1979-82 |
B.A. Fine Art (Painting) Victorian College of the Arts, Melbourne |
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SOLO EXHIBITIONS |
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2018 |
Architects! Terracotta!, Roslyn Oxley9 Gallery, Sydney |
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2016 |
Linda Marrinon, Roslyn Oxley9 Gallery, Sydney |
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2015 |
Figure Sculpture, Monash University Museum of Art, Melbourne |
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2014 |
Plaster Busts, Roslyn Oxley9 Gallery, Sydney |
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2013 |
Recent Sculpture, Roslyn Oxley9 Gallery, Sydney |
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2012 |
Linda Marrinon Foyer Gallery Solo Installation, Art Gallery of New South Wales, Sydney |
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2011 |
Figure Sculpture, Roslyn Oxley9 Gallery, Sydney |
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2009 |
Figure Sculpture, Roslyn Oxley9 Gallery, Sydney |
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2008 |
Figure Sculpture II, Roslyn Oxley9 Gallery, Sydney |
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2006 |
Figure Sculpture, Roslyn Oxley9 Gallery, Sydney |
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2003 |
Linda Marrinon, Roslyn Oxley9 Gallery, Sydney |
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2001 |
Linda Marrinon, Selected Works 1982 - 2000, The Ian Potter Museum of Art, The University of Melbourne, Melbourne |
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2000 |
Linda Marrinon, Roslyn Oxley9 Gallery, Sydney |
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1999 |
Linda Marrinon, Tolarno Galleries, Melbourne |
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1996 |
Linda Marrinon, Roslyn Oxley9 Gallery, Sydney |
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1994 |
Linda Marrinon, Roslyn Oxley9 Gallery, Sydney |
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1993 |
Linda Marrinon, Tolarno Galleries, Melbourne |
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1991 |
Linda Marrinon, Tolarno Galleries, Melbourne Linda Marrinon, Roslyn Oxley9 Gallery, Sydney Linda Marrinon, Cannibal Pierce Galerie Australienne, Paris |
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1989 |
Linda Marrinon, Tolarno Galleries, Melbourne Linda Marrinon, Cannibal Pierce Galerie Australienne, Paris |
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1987 |
Linda Marrinon, Roslyn Oxley9 Gallery, Sydney Linda Marrinon, Institute of Modern Art, Brisbane |
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1986 |
Linda Marrinon, Tolarno Galleries, Melbourne |
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1983 |
Linda Marrinon, George Paton Gallery, University of Melbourne |
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SELECTED GROUP EXHIBITIONS |
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2017 |
Philanthropists and Collections, UQ Art Museum, Queensland |
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2016 |
Today Tomorrow Yesterday, Museum of Contemporary Art Australia, Sydney The Mnemonic Mirror, curated by Kylie Banyard and Gary Carsley, UTS Gallery, Sydne The Mnemonic Mirror, curated by Kylie Banyard and Gary Carsley, Griffith University Gallery, Brisbane |
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2013 |
Mix Tape 1980s: Appropriation, Subculture, Critical Style, National Gallery of Victoria, Melbourne Melbourne Now, National Gallery of Victoria, Melbourne |
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2012 |
Voices of Art 3: For the Love of Animals, Sherman Contemporary Art Foundation, Sydney |
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2009 |
Making it New: Focus on Contemporary Australian Art, Museum of Contemporary Art, Sydney |
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2008 |
Lost and Found: An Archeology of the Present, TarraWarra Biennale, TarraWarra Museum of Art, curated by Charlotte Day |
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2006 |
The Year in Art, S.H. Ervin Gallery, Sydney The Idea of the Animal, RMIT Gallery, Melbourne, Victoria |
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2005 |
Highlights From the University of Melbourne Art Collection, The Ian Potter Museum of Art The University of Melbourne, Melbourne. (6 August to 16 October 2005) |
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2004 |
Home Sweet Home: Works from the Peter Fay collection, A National Gallery of Australia Travelling Exhibition, Academy Gallery, University of Tasmania, Launceston |
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2003 |
MCA Unpacked II, Museum of Contemporary Art, Sydney Home Sweet Home: Works from the Peter Fay collection, A National Gallery of Australia Travelling Exhibition, Canberra Home & Away: Place and identity in recent Australian art, Monash University Museum of Art touring exhibition; Customs House Art Gallery, University of Queensland, Brisbane (August to October 2003); Faculty of Art and Design Gallery, Monash University, Victoria (November 2003 to January 2004) |
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2002 |
The First Twenty Years, Roslyn Oxley9 Gallery, Sydney |
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2000 |
All Stars, Roslyn Oxley9 Gallery, Sydney |
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1999 |
The Persistence of Pop, Monash University Gallery, Melbourne Word, Museum of Contemporary Art, Sydney |
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1998 |
Funk de Siecle, Museum of Modern Art at Heide, Melbourne |
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1996 |
New Additions, Monash University Gallery, Melbourne |
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1995 |
Australian Perspecta, Art Gallery of New South Wales, Sydney |
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1994 |
Bad Toys, Australian Centre for Contemporary Art, Melbourne Transcultural Painting, Tatnsui Arts Centre, Taiwan Museum of Art, Taiwan, Hong Kong Visual Arts Centre, Guangzhou, China, Ian Potter Gallery, Melbourne |
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1993 |
Wit's End, Museum of Contemporary Art, Sydney High Pop, Roslyn Oxley9 Gallery, Sydney |
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1992 |
The Nude, Museum of Modern Art at Heide, Melbourne Moet & Chandon Touring Exhibition, Art Gallery of New South Wales (and touring) |
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1991 |
Association City, 200 Gertrude Street, Melbourne |
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1990 |
Questions of Belief, South Australian Centre for Contemporary Art, Adelaide Art with Text, Monash University Gallery, Melbourne Self Portraits, Cannibal Pierce Galerie Australienne, Paris |
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1989 |
Irony, Humour & Dissent, Manly Art Gallery and Museum, Sydney Annotations, 200 Gertrude Street, Melbourne No. 27 Linda Marrinon Sculptures, Store 5, Melbourne |
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1988 |
Smorgon Collection, Australian Centre for Contemporary Art, Melbourne Moet & Chandon Touring Exhibition (touring Australia) Propositions, Artspace, Sydney The Cocktail Party, Roslyn Oxley9 Gallery, Sydney |
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1987 |
Chaos, Roslyn Oxley9 Gallery, Sydney Young Australians: The Budget Collection, National Gallery of Victoria, Melbourne |
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1986 |
Rebels & Precursors, University of Melbourne Gallery |
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1985 |
Victorian Vision: 1834 Onwards, National Gallery of Victoria, Melbourne Visual Tension, Australian Centre for Contemporary Art, Melbourne |
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1984 |
Vox Pop: Into the Eighties, National Gallery of Victoria, Melbourne Form—”Image--~”Sign, Art Gallery of Western Australia, Perth Meaning & Excellence: Anzart, Australian & New Zealand Artists in Edinburgh, Edinburgh School of Art, Scotland (and touring Australia) |
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1983 |
Comic Stripping, George Paton Gallery, University of Melbourne Australian Perspecta '83, Art Gallery of New South Wales, Sydney Pirates & Mutineers, Roslyn Oxley9 Gallery, Sydney |
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1982 |
Murdoch Travelling Scholarship Exhibition, Victorian College of the Arts, Melbourne |
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SELECTED BIBLIOGRAPHY |
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2016 |
Toni Ross, Art Forum Reviews, Linda Marrinon, Roslyn Oxley9 Gallery,Sydney | October Issue, p.291 |
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2015 |
Robert Nelson, 'Life in miniature looms large at MUMA', Sydney Morning Herald, 14 Sept 2015 Dylan Rainforth, `Linda Marrinon's superficially old-fashioned sculptures could be from Les Miserables,' Sydney Morning Herald, 7 July 2015 |
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2014 |
Patrick Hartigan, “The sculptural works of William Kentridge & Linda Marrinon”, The Saturday Paper, May 17, 2014. Doug Hall, 'The Best of Australian Arts 2014', The Monthly - The Arts Issue, October 2014, pp59 |
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2008 |
Charlotte Day, Lost and Found: An Archeology of the Present, exh.cat., TarraWarra Museum of Art Bonny Dot Cassidy, `Sooper Troopers', The Art Life. Available at: http://artlife.blogspot.com/2008_02_01_archive.html Chris McAuliffe, `Linda Marrinon, Let Her Try', Craftsman House, Australia |
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2007 |
Ashley Crawford, “Linda Marrinon”, Australian Art Collector: 50 Most Collectable Artists 2007, Issue 39, January - March 2007, p. 149 |
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2006 |
Sebastian Smee, `Tiers of influence', The Weekend Australian, April 22-23, 2006, p. 18-19 The Idea of the Animal, exhibition catalogue, RMIT Gallery, Melbourne, Victoria |
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2004 |
Ken Bolton, “Australian Women Artists: Sailing to Tahiti,” Jamini: International Arts Quarterly, November, p. 68 - 79 |
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2003 |
Chris MacAuliffe, “Linda Marrinon,” See Here Now: Vizard Foundation Art Collection of the 1990s, editors Chris MacAuliffe and Sue Harvey, Ian Potter Museum of Art, Thames and Hudson (Australia) Pty Ltd, Victoria, p. 82 - 85 Ewen McDonald, “The ever-expanding field,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 32 - 36 Peter Hill, “Zero Hour,” Sydney Morning Herald, Weekend Edition `Spectrum,' 2-3 August, 2003, p. 12, 13 Lenny Ann Low, “Lords and ladies,” Sydney Morning Herald (Metropolitan) Weekend Edition, 19 - 20 July, 2003, p. 12 |
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2001 |
Naomi Cass, “Linda Marrinon: Selected Works 1982 -2000,” LIKE, No.15, p.45 Ben Gennochio, “Brashness reduced to boredom”, The Weekend Australian, March 10-11 |
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1999 |
Robyn McKenzie, “Linda Marrinon and the world's greatest city” LIKE, Art Magazine, no. 10, 1999 |
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1996 |
C Davidson, “ Landscapes: Linda Marrinon” LIKE, Art Magazine, no.1, 1996 Jenepher Duncan, New Additions: Monash University Collection, exhibition catalogue, Monash University Gallery 1996 |
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1995 |
“Why Perspecta has lost its hybrid perspective”, Sydney Morning Herald, 11 February 1995 Paul McGillick, “Challenges not Perspecta”, Financial Review , 10 February 1995 Natalie King, “Hothouse varieties”, Art and Asia Pacific, vol 2, no.3 1995 Rachel Kent, “Bad Toys” Globe E , no.1 |
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1994 |
Robyn McKenzie, “Linda Marrinon: A Human Comedy”, Art & Text # 48 May 1994 Natalie King, Bad Toys exhibition catalogue, Australian Centre for Contemporary Art, Melbourne 1994 Chris McAuliffe, “The question of Linda Marrinon”, Transcultural Painting, exhibition catalogue, The Ian Potter Museum of Art, the University of Melbourne, Melbourne 1994 |
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1993 |
Kay Campbell, `Out of Humour Wit's End', exhibition catalogue, Barbarism & Museum of Contemporary Art, Sydney 1993 |
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1992 |
Chris McAuliffe, “Post-Modern Parody: The Work of Linda Marrinon,” Art and Australia Vol. 29 No. 3 Autumn, Sydney 1992 J. Mendelssohn, “Champagne selection”, The Bulletin, 14 July 1992 |
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1990 |
K. Bolton, “Art commentary - Adelaide 1990:, Otis Rush, no. 6/7 1990 |
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1989 |
Naomi Cass, N. Linda Marrinon Agenda # 9 December, Melbourne 1989 |
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1984 |
Tony Bond, Form-Image-Sign, exhibition catalogue, Art Gallery of Western Australia, Perth 1984 Sue Cramer, “Comic Stripping”, Art Network, no.12 |
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1983 |
Lindsay, R. Vox Pop: Into the Eighties exhibition catalogue, National Gallery of Victoria, Melbourne 1983 Murphy, B. & Parfenovics J. Australian Perspecta `83 exhibition catalogue, Art Gallery of New South Wales, Sydney 1983 Davies, S. & Dunn, R. “Grappling with Diversity, Australian Perspecta `83” Art Network # 10, 1983 D McGrath, Comic Stripping exhibition catalogue, George Paton Gallery, the University of Melbourne, Melbourne 1983 |
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1982 |
Taylor, P. “PoolTalk” Art & Text # 8 Summer, Melbourne 1982 |
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COLLECTIONS |
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National Gallery of Australia, Canberra Art Gallery of New South Wales, Sydney Art Gallery of South Australia, Adelaide Australian National University, Canberra Queensland Art Gallery | Gallery of Modern Art, Brisbane National Gallery of Victoria, Melbourne Museum of Contemporary Art, Sydney Art Gallery of Western Australia, Perth Melbourne University Gallery Smorgon Collection, Melbourne UBS Melbourne Vizard Collection, University of Melbourne Lyon Housemuseum |