This new suite of works is blazing new trails in an already staggering output during the last decade. With a searing palette, Gareth Sansom sheers from sincerity and whimsy to mortality and timelessness.

Exhibition Dates: 16 February – 21 March 2015

This new suite of works is blazing new trails in an already staggering output during the last decade. With a searing palette, Gareth Sansom sheers from sincerity and whimsy to mortality and timelessness. Popular culture and historicism fight a tumultuous battle on these canvases. There are moments of biographical insight (a painting called Academic features a blundering, masked fool, referencing, no doubt, those he came across during his years as Dean of the School of Art at the Victorian College of the Arts). His fascination with popular culture is explicit in paintings such as Dumb and Dumber (a reference to the classic expression of American crassness, the 1994 comedy) and Head on a Stick (an allusion to a horrific moment in the 2005 Australian film Wolf Creek – but also, no doubt, to his own extensive travels through the Australian bush in recent years). References to art and artists abound ranging from Aubrey Beardsley to Paul Klee and his fascination with underground gay and fetish culture remains a cornerstone in such works as Coming Out. Indeed, the myriad of subjects alluded to adds to an already encyclopedic breadth of subjects and ideas expressed throughout Sansom’s oeuvre. 

One of the few truly original voices in contemporary Australian art, Sansom has always remained a hard-core iconoclast. Eschewing his traditional love of montage, here the artist relies on eccentric mark-making and belligerent colouration. To make his point, Sansom has called this exhibition Just Painting. “Essentially this show of recent work does not use collage at all,” Sansom states. Instead, he says, it: “Concentrates on everything I have learned about painting going right back to 1956 when I began painting in oils.”

With a major retrospective at the National Gallery of Victoria slated for 2017, Sansom is clearly refusing to slow down. Over the last 10 years alone he was the subject of a career survey titled ‘Welcome to my mind: Gareth Sansom, a study of selected works 1964-2005’ at the Ian Potter Gallery at The University of Melbourne. He was the recipient of the $100,000 John McCaughey Prize in 2008 and the Dobell Drawing Prize in 2012.

Ashley Crawford

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Gareth Sansom Clandestine Time, 2014; oil and enamel on linen; 183 x 168 cm; enquire
Clandestine Time, 2014
oil and enamel on linen
183 x 168 cm
Gareth Sansom Mask, 2014; oil and enamel on linen; 122 x 122 cm; enquire
Mask, 2014
oil and enamel on linen
122 x 122 cm
Gareth Sansom The Aristocrats, 2014; oil and enamel on linen; 122 x 122 cm; enquire
The Aristocrats, 2014
oil and enamel on linen
122 x 122 cm
Gareth Sansom Academic, 2014; oil and enamel on linen; 183 x 168 cm; enquire
Academic, 2014
oil and enamel on linen
183 x 168 cm
Gareth Sansom Architect, 2014; oil and enamel on linen; 168 x 183 cm; enquire
Architect, 2014
oil and enamel on linen
168 x 183 cm
Gareth Sansom Coming Out, 2014; oil and enamel on linen; 183 x 168 cm; enquire
Coming Out, 2014
oil and enamel on linen
183 x 168 cm
Gareth Sansom Beardsley, 2014; oil and enamel on linen; 122 x 122 cm; enquire
Beardsley, 2014
oil and enamel on linen
122 x 122 cm
Gareth Sansom Best in Show, 2014; oil and enamel on linen; 168 x 183 cm; enquire
Best in Show, 2014
oil and enamel on linen
168 x 183 cm
Gareth Sansom Bosun, 2014; oil and enamel on linen; 122 x 122 cm; enquire
Bosun, 2014
oil and enamel on linen
122 x 122 cm
Gareth Sansom Dumb and dumber, 2014; oil and enamel on linen; 183 x 168 cm; enquire
Dumb and dumber, 2014
oil and enamel on linen
183 x 168 cm
Gareth Sansom The Fountainhead, 2014; oil and enamel on linen; 183 x 168 cm; enquire
The Fountainhead, 2014
oil and enamel on linen
183 x 168 cm
Gareth Sansom Head on a stick, 2013; oil and enamel on linen; 122 x 122 cm; enquire
Head on a stick, 2013
oil and enamel on linen
122 x 122 cm
Gareth Sansom Hood, 2014; oil and enamel on linen; 122 x 122 cm; enquire
Hood, 2014
oil and enamel on linen
122 x 122 cm
Gareth Sansom Eye, 2014; oil and enamel on linen; 122 x 122 cm; enquire
Eye, 2014
oil and enamel on linen
122 x 122 cm
Gareth Sansom Klee-time, 2014; oil and enamel on linen; 122 x 122 cm; enquire
Klee-time, 2014
oil and enamel on linen
122 x 122 cm
Gareth Sansom Rush, 2013; oil and enamel on linen; 122 x 122 cm; enquire
Rush, 2013
oil and enamel on linen
122 x 122 cm
Gareth Sansom PhD, 2014; oil and enamel on linen; 183 x 168 cm; enquire
PhD, 2014
oil and enamel on linen
183 x 168 cm
Gareth Sansom Two big red ones, 2014; oil and enamel on linen; 122 x 122 cm; enquire
Two big red ones, 2014
oil and enamel on linen
122 x 122 cm
Gareth Sansom Star, 2014; oil and enamel on linen; 122 x 122 cm; enquire
Star, 2014
oil and enamel on linen
122 x 122 cm
Gareth Sansom History lesson, 2014; oil and enamel on linen; 183 x 168 cm; enquire
History lesson, 2014
oil and enamel on linen
183 x 168 cm
Gareth Sansom War, 2014; oil and enamel on linen; 183 x 168 cm; enquire
War, 2014
oil and enamel on linen
183 x 168 cm
Gareth Sansom Who is killing the great chefs of Europe, 2014; oil and enamel on linen; 122 x 122 cm; enquire
Who is killing the great chefs of Europe, 2014
oil and enamel on linen
122 x 122 cm