Bill Henson - Artist Profile - Roslyn Oxley9 Gallery

	BILL HENSON Born 1955, Melbourne Lives Melbourne Facebook/Bill_Henson
	SOLO EXHIBITIONS
2013	Cloud Landscapes, Art Gallery of New South Wales, Sydney.
2012	Diane Arbus, Bill Henson, Robert Mapplethorpe, Robert Miller Gallery, New York Bill Henson, Roslyn Oxley9 Gallery, Sydney Bill Henson: Early work from the MGA collection, Touring across Australia.
2011	Bill Henson, Tolarno Galleries, Melbourne
2010	Bill Henson: early work from the Monash Gallery of Art collection, travelling exhibition. Bill Henson, Roslyn Oxley9 Gallery, Sydney
2008	Bill Henson, Roslyn Oxley9 Gallery, Sydney Bill Henson, Robert Miller Gallery, New York
2007	Bill Henson, Institute of Modern Art, Brisbane
2006	Bill Henson, Tolarno Galleries, Melbourne Bill Henson, Roslyn Oxley9 Gallery, Sydney Bill Henson, Carrie Secrist Gallery, Chicago Bill Henson, Robert Miller Gallery, New York, USA
2005	Bill Henson: 2003-2004 Newcastle Region Art Gallery Acquisitions, Newcastle Regional Art Gallery, Newcastle. Bill Henson: Three Decades of Photography, Art Gallery of New South Wales, Sydney and National Gallery of Victoria, Melbourne
2004	Presence 3: Bill Henson, The Speed Art Museum, Kentucky, USA Bill Henson, Tolarno Galleries, Melbourne, Australia Bill Henson, Carrie Secrist Gallery, Chicago Bill Henson, Robert Miller Gallery, New York, USA
2003	Bill Henson, Lux et Nox, book launch, Tolarno Galleries, Melbourne, Australia Bill Henson, Lux et Nox, book launch, Roslyn Oxley9 Gallery, Sydney, Australia Bill Henson, Centro de Fotografia, University of Salamanca, Spain
2002	Bill Henson, Tolarno Galleries, Melbourne, Australia
2001	Bill Henson, Roslyn Oxley9 Gallery, Sydney, Australia, November-December Bill Henson, Scalo, Zurich, Switzerland, September - November
2000	Bill Henson, Roslyn Oxley9 Gallery, Sydney, Australia, March Bill Henson, Tolarno Galleries, Melbourne, Australia, August
1999	Bill Henson, Karyn Lovegrove Gallery, Los Angeles, USA, March
1998	Bill Henson, Roslyn Oxley9 Gallery, Sydney, Australia, May - June Bill Henson, ACP Galerie Peter Schuengel, Salzburg, Austria, January - February
1997	Bill Henson, Deutscher Fine Art, Melbourne, Australia Melbourne International Festival of Arts, Melbourne, Australia, October - November
1996	Bill Henson, Banning and Associates, New York, USA, February. Bill Henson, Works from the 46th Venice Biennale, Lawrence Wilson Gallery, Perth, Australia, February - March. Bill Henson: Photographs form the Monash City Council Collection, March Bill Henson, Recent Works from 1995/96, Roslyn Oxley9 Gallery, April - May Bill Henson, Works from The 46th Venice Biennale, Museum and Art Gallery of the Northern Territory, April - May Bill Henson, Works from The 46th Venice Biennale, National Gallery of Victoria, May - June Bill Henson, Works from The 46th Venice Biennale, Art Gallery of New South Wales, July - September Bill Henson, Works from The 46th Venice Biennale, Plimsoll Gallery University of Hobart, October - November
1995	Bill Henson, 46th Venice Biennale, Australian Pavilion, June - September Bill Henson, Galerie Froment & Putman, Paris, August - September Bill Henson, Photographs, Peter McCleavey Gallery, Wellington, November.
1993	Bill Henson, Tel Aviv Museum of Art. February - March Bill Henson, University of Tasmania, Tasmanian School of Art, Hobart, April/May Bill Henson, Works from Untitled 1992 -1993, Roslyn Oxley9 Gallery, May - June Bill Henson Work from Two Decades 1970s - 1990s, Deutscher Fine Art, Melbourne Bill Henson Selected Works, Geelong Regional Art Gallery
1992	Works From The Paris Opera Project, Roslyn Oxley9 Gallery, Sydney, March -April Bill Henson, Perspektief Gallery, Rotterdam. June - July
1991	Bill Henson Photographies, Les Ateliers Nadar, Marseille (France), March Works from the Paris Opera Project, Realities Gallery, Melbourne, May - June Bill Henson, Peter McCleavey Gallery, Wellington, June
1990	Bill Henson Installation 1985/86, Urbi et Orbi, Paris, November 1989 - January 1990 Bill Henson Photography, Denver Art Museum, December 1989 - May 1990 Bill Henson Photography, Marta Cevera Gallery, New York, March - April Bill Henson, Nathalie Karg Gallery, New York Bill Henson, Glendash Gallery, Los Angeles, July Bill Henson Photographs, Bibliotheque Nationale, Paris, September-November Bill Henson Untitled 1977/87, Milburn+Arte, Brisbane, March Bill Henson, Images from 'Untitled 1987/88', Roslyn Oxley9 Gallery, Sydney, March - April Bill Henson Photographs 1974 - 84, Garry Anderson Gallery, Sydney, March -April
1989	Bill Henson Fotografien, Museum Moderner Kunst, Palais Liechtenstein, Vienna, February - March Bill Henson Photographs 1974 - 1984, Deutscher Gertrude Street, Melbourne, June Bill Henson, Untitled 1987/88, Realities, Melbourne, November
1988	Bill Henson, Untitled 1985/86, Rex Irwin Gallery, Sydney, February - March Bill Henson, La Chartreuse de Villeneuve les Avignon, Avignon, November
1987	Bill Henson, Untitled 1983/84, Australian National Gallery at the Australian National University, Drill Hall, Canberra, 6 December 1986 - 5 April 1987 Bill Henson, Untitled 1983/84, Tasmanian School of Art Gallery, University of Tasmania, Hobart, 25 April - 17 May Bill Henson Photographs, Institute of Modern Art, Brisbane, Australia Bill Henson Photographs, Realities, Melbourne, November
1986	Bill Henson Photographs, Pinacotheca, Melbourne, July
1985	Bill Henson, Untitled 1983/84, Pinacotheca, Melbourne, Australia, July Bill Henson Photographs, Garry Anderson Gallery, Sydney, September - October Bill Henson Photographs, The Developed Image Gallery, Adelaide, October - November
1984	Bill Henson Photographs, Cockatoo Gallery, Launceston, May
1982	Bill Henson Untitled Series 1977, The Developed Image Gallery, Adelaide, February - March Bill Henson Photographs, North Hobart Photographic Gallery, Hobart, July
1981	Bill Henson Photographs, Photographers' Gallery, London, November
1980	Bill Henson Photographs, Church Street Photographic Centre, Melbourne, February
1979	Bill Henson Photographs, Australian Centre for Photography, Sydney, October
1978	Bill Henson Photographs, Church Street Photographic Centre, Melbourne, August
1975	Bill Henson, National Gallery of Victoria, Melbourne, July/ August
	GROUP EXHIBITIONS
2013	Beautiful Creatures, Adam Art Gallery, Wellington, New Zealand
	The Youth Code!, curated Natalie Herschderfer, Chrisoph Guy, Zurich (June- Ausgust)
2012	Elsewhere, Dunedin Public Art Gallery, Dunedin, New Zealand
2011	Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne Zahalka, Roslyn Oxley9 Gallery, Sydney Naked, Jensen Gallery, Sydney
2010	Zurich Film Festival Exhibition, Christophe Guye Galerie, Zurich, Switzerland
2008	Teen City, Musee de l'Elysee, Lausanne, Switzerland, curated by Nathalie Herschdorfer People and Places: Selections from the Allen Thomas Jr. Photography Collection, SECCA (Southeastern Centre for Contemporary Art), North Carolina Supercharged: the car in contemporary culture, IMA touring show - Logan Art Gallery, Redcliffe Art Gallery
2007	DeOverkant/Downunder, Den Haag Sculpture 2007, Netherlands Intimacy, Ivan Dougherty Gallery, The University of New South Wales, College of Fine Arts, Sydney Supercharged: the car in contemporary culture, IMA touring show - 24Hr Art, Bathurst Regional Art Gallery, Pinnacles Gallery Strange Cargo: Contemporary art as a state of encounter, Newcastle Region Art Gallery, Broken Hill Regional Art Gallery, Bendigo Art Gallery, Orange Regional Gallery, Wagga Wagga Art Gallery and Tweed River Regional Gallery
2006	Supercharged: the car in contemporary culture, Institute of Modern Art, Brisbane Twilight: Photography in the Magic Hour, Victoria and Albert Museum, London, England Black & Blue, Robert Miller Gallery, New York, USA The Year in Art, S.H. Ervin Gallery, Sydney
2005	Perception, The Daryl Hewson Photographic Collection, Queensland Centre for Photography, Bulimba, QLD, Australia The Subjective Figure, Robert Miller Gallery, New York C'town Bling, curator Anne Loxley, Campbelltown Arts Centre, NSW, Australia 10/21 - VCA at the Venice Biennale, Victorian College of the Arts, Melbourne, Australia The Children's Hour, Museum of New Art, Detroit, USA Almost, Robert Miller Gallery, New York, USA
2004	Auto Fetish: The Mechanics of Desire, curated by Nick Mitzevich, Newcastle Region Art Gallery, Newcastle, New South Wales Penumbra: Images of Light and Darkness, McClelland Gallery and Sculpture Park, Langwarrin, Victoria Night Vision, Australian Centre for Photography, Sydney Written with Darkness, UTS Gallery, University of Technology, Sydney The Plot Thickens: Narratives in Australian Art, A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne Satellite cities and tabloid life, MUMA Monash University Museum of Art, Melbourne Presence, Speed Art Museum, Louisville, Kentucky (through to March 2005) 2004 Adelaide Biennial of Australian Art: Contemporary Photo-media, Art Gallery of South Australia, Adelaide, South Australia
2003	Strangers: The First ICP Triennial of Photography and Video, International Center of Photography, New York MCA Unpacked II, Museum of Contemporary Art, Sydney Stellar, Centre of Contemporary Photography Fundraising Auction, Centre of Contemporary Photography, Melbourne Through their lens, Gosford Regional Gallery, Gosford Child in Time, Gemeente Museum Helmond, Helmond, The Netherlands Portraiture, Karen Lovegrove Gallery, Los Angeles Flagship: Australian Art in the National Gallery of Victoria, 1790 - 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne SEX, Karen Lovegrove Gallery, Los Angeles, California
2002	Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003) Points of View, University of Technology Sydney Art Collection, UTS, Sydney Sublime: 25 Years of the Wesfarmers Collection of Australian Art, Art Gallery of Western Australia, Perth, Western Australia 2^nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2002 Dirty Dozen, Roslyn Oxley9 Gallery, Sydney The First Twenty Years, Roslyn Oxley9 Gallery, Sydney Nocturne: Images of Night & Darkness from Colonial to Contemporary, 23 April - 16 June, MPRG Mornington Peninsula Regional Gallery Images of Australian Men: Photographs from the Monash Gallery of Art Collection, A Monash Gallery of Art Travelling Exhibition (Adelaide Festival Centre, Gippsland Art Gallery, Swan Hill Regional Art Gallery, Geelong Art Gallery) 24 May 2002 - 21 Sept. 2003 Other Views: an exhibition from the Griffith University Art Collection, Griffith University, Nathan, Queensland
2001	Phiction: lies, illusion and the phantasm in photography, Horsham Regional Art Gallery, Victoria, Australia, December a person looks at a work of art…, The Michael Buxton Contemporary Art Collection, 24 November 2001- 3 December 2002, Heide Museum of Modern Art, Victoria, Australia Lightness of Being, Contemporary Photographic Art from Australia, Neuer Berliner Kunstverein, September - October; Museum Scholb Hardenberg, Velbert, November - January; Kunstsammlungen Chemnitz, January - February; Kulturzentrum der Stadt Stuttgart, March - April, Germany
2000	Biennale of Sydney, Museum of Contemporary Art, Sydney Millennium Exhibition, Los Angeles County Museum of Art Museum Presumed Innocent, CAPC Musee d'Art contemporain de Bordeaux, France All Stars 2000, Roslyn Oxley9 Gallery, Sydney Darkness & light: looking at the landscape, McClelland Gallery; Ballarat Fine Art Gallery; Auckland Art Gallery, New Zealand
1999	The Promise of Photography: Selections from the DG Bank Collection, P.S.1 Contemporary Art Center, New York Moral Hallucinations: Channelling Hitchcock, Museum of Contemporary Art, Sydney (1999 - 2000) Ghost in the Shell - Photography and the Human Soul 1850 - 2000, Los Angeles County Museum of Art (1999 - 2000) 13 - Blind Spot Summer Show, Robert Mann Gallery, New York
1998	Liberamente, Comune di Cescna, Italy
1997	Body, Art Gallery of New South Wales, Sydney Roslyn Oxley9 Gallery, Sydney Bill Henson, Philip-Lorca DiCorcia, Sarah Jones, Galerie Gebauer, Berlin, Germany
1996	System's End: Contemporary Art In Australia, Oxy Gallery, Osaka, April. From The Street: Photographs From The Collection of The Art Gallery of New South Wales, April 27 - 14 July 1996 Inheritance, Australian Centre for Photography, April, Sydney Photography is Dead! Long Live Photography!, Museum of Contemporary Art, Sydney, July-November Australian Art - Colonial to Contemporary 1780 - 1990, D.F.A., August Face Value, Waverley City Gallery, Sydney, September
1995	30th Artists Today Exhibition, Yokohama Citizen's Art Gallery, Yokohama, March 1995 Through a Glass Darkly, Guinness Contemporary Art Project, Art Gallery of New South Wales, 19 May - 16 July Passions Privee, ARC Musee D'Art Modern D'La Ville De Paris, December - January 1996
1994	Bill Henson & Ranier Usselmann, Cambridge Darkroom, UK Pride-of-Place, Art Gallery of Western Australia, May 1994 The Full Spectrum: Colour Photography in Australia 1860s to 1990s, National Gallery of Victoria, June 1994 Printemps de Cahors France, Cartier Foundation, June 1994
1993	Clemenger Triennial Exhibition of Australian Contemporary Art, National Gallery of Victoria, Feb - May 1993 Presences, London Photographers Gallery, November 1993 - January 1995
1992	A Constructed Reality, National Gallery of Victoria. January - February Strangers in Paradise, Contemporary Australian Art, National Museum of Contemporary Art, Korea, November - December Sights of the Imagination: Contemporary Photographers View Melbourne and Its People, National Gallery of Victoria, September Group Show, Roslyn Oxley9 Gallery, December
1991	Des De El Fin Del Imperio, Circulo De Bellas Artes, Madrid, March The Corporeal Body, Australian National Gallery, Canberra, April - May Corriger Les Lieux, Apres La Photographie De Voyage, Maison de la Culture, Frontenac, Montreal, April - May Photodeath, Australian National Gallery, Canberra, April - June Egypt From the Nineteenth Century Until Now, Montpellier Museum, France, May - June Sphinx: Bathazar Burckhard, Bill Henson, Thomas Ruff, & Susan Wides, Galerie Pierre Bernard, Nice, May - June Peuples En Image: Weegee, Bill Henson, Roy Arden, Raymonde April and Anne Favrat, Le Lieu Galerie de Photographies, Lorient (France), November - December Elegia de la Mirada, Raymonde April, Bill Henson, Patrick Tosani, Thomas Ruff, Jeff Wall, Sala de Arte la Recova, Santa Crus de Tenerife, November - December
1990	Edge 90, Newcastle upon Tyne, Glasgow, London, May - June Twenty Contemporary Australian Photographers 'From the Hallmark Cards Australian Collection', National Gallery of Victoria, June - August; touring Art Gallery of New South Wales, Queensland Art Gallery, regional galleries Passages De L'Image, Centre George Pompidou, Paris, September-November, Wexner Art Centre, Colombus, (Ohio, USA), July - October, San Francisco Museum of Modern Art, December 1991 - February, Fundacio Caixa de Pensions, Barcelona, February - March
1989	I.C.I. Contemporary Art Collection, Ballarat Fine Art Gallery, Ballarat (Touring) May - June Photo Kunst, Stuttgart Staats Gallerie (including Jeff Wall, Cragie Horstfelt, Sigmar Polke) International Fototriennale Esslingen, September - November Artists Under Saturn, Ian Potter Gallery, University of Melbourne, November - December (touring 1990)
1988	The Bicentennial Australian Perspecta 1987/ 88, Art Gallery of New South Wales, Sydney 15 October - 29 November 1987, Art Gallery of Western Australia, Perth, 5 March - 17 April 1988 Shades of Light, Australian National Gallery, Canberra, March Australian Photography in the 1980s, Australian National Gallery, Canberra, March
	1978 - 1988 Ten Years of Australian Photography, Australian National Gallery at the Australian National University, Drill Hall, Canberra, April Elsewhere - Photobased Work from Australia, Institute of Contemporary Art, London, April - May Behold the Man, Photographers' Gallery, London, Stills Gallery, Edinburgh, May - August Edge to Edge: Australian Contemporary Art to Japan 1988/ 89, National Museum of Art Osaka, May - July; Hara Museum, Tokyo, July - September; Nagoya City Museum, Sapporo, April The Loti and Victor Smorgon Collection of Contemporary Australian Art: Selected Works, Australian Centre for Contemporary Art, Melbourne, February - March The Thousand Mile Stare, Australian Centre for Contemporary Art, Melbourne (touring), March - April Creating Australia: 200 Years of Art 1788-1988, T.C.C.A. and the Australian Bicentennial Authority by the Art Gallery of South Australia, Adelaide (touring) Aperto XLIII Biennale Di Venezia, Venice, June - September Contemporary Australian Art to China, Beijing, (touring), November Mnemosyne of the Theme of Recording - An Exhibition with and in the Castle Herrnsheim, Castle Herrnsheim, Frankfurt, September - October The Bicentennial Australian Perspecta 1987/88, Frankfurter Kunstverein, Frankfurt (touring thru 1989) Australian Art Post - 1960, Deutscher Gertrude Street, Melbourne, October Australian Art in Paris, Salpetiere, C.I.R.C.A., Paris, December - January
1987	Living In the Seventies - Australian Photographs, Australian National Gallery, Canberra, June - September
1987	Aberdare Prize for Landscape, Ipswich City Council Art Gallery, Ipswich, August - September
1986	Ten Years On, Art Gallery of New South Wales, Sydney, February - March Big Pictures, Australian National Gallery at the Australian National University, Drill Hall, Canberra, March - May Sixth Biennale of Sydney, Art Gallery of New South Wales, Sydney, May - July Prospect 86, Frankfurter Kunstverein, Frankfurt, September - November The Repeated Image, Griffith University, Griffith, September - October
1985	C.S.R. Photography Project, Queensland Art gallery, (touring) November - January Australian Art Now, Art Gallery of South Australia, Adelaide, November - January La Photographie Creative, Pavilion Des Arts, Paris, November - January Australian Visions, Queensland Art Gallery, 10 January - 10 February, Art Gallery of New South Wales, 8 March - 7 April; Art Gallery of Western Australia, 20 April - 20 May Isolaustralia, Galleria Bevilacqua La Masa, Venice, May - June Australiana, Galerija Studentskog Kulturnog Centra, Belgrade, September; Zagreb, October Recent Australian Photography From the Kodak Fund, Australian National Gallery, Canberra, October - February
1984	C.S.R. Photography Project Selected Works, Opera House Exhibition Hall, Sydney, March - April Australian Visions: 1984, Exxon International Exhibition, Solomon R. Guggenheim Museum, New York, September - November
1983	D'un Autre Continent: l'Australie, Le Reve et le Reel, A.R.C.2: Musee d'Art Moderne de la Ville de Paris, Paris, October - December Australian Artists in Amsterdam, Gallerie Jurka in association with Gallerie Wetering and Gallerie Biederberg-Muller, Amsterdam, October C.S.R. Photography Project, Art Gallery of New South Wales, Sydney, October A Decade of Australian Photography 1972 - 1982, Australian National Gallery, Canberra, October - January
1982	Biennale of Sydney: Vision in Disbelief, Art Gallery of New South Wales, Sydney, April - May Male, James Harvey Gallery, Sydney, July Sexual Imagery in Art, Tasmanian School of Art Gallery, University of Tasmania, Hobart, September
1981	Australian Perspecta 1981: A Biennial Survey of Contemporary Australian Art, Art Gallery of New South Wales, Sydney, May - June Scene, Sequence, Series, Nantes Regional Gallery, France (co-ordinated by Bibliotheque Nationale, Paris and Musee des Beau-Arts de Nantes), October - November
1980	Aspects of the Philip Morris Collection: Four Australian Photographers, Australian Embassy, Paris (touring), September Photography - The Last Ten Years, Australian National Gallery at the Australian National University, Drill Hall, October
1978	The Nude, Glanville Gallery, Perth; Susan Gillespie Gallery, Canberra, Church Street Photographers Centre, Melbourne, September New Australian Work, The Photographers Gallery, Melbourne, September
1974	Graduating Photography, Ewing Gallery and George Paton Gallery, The University of Melbourne, July
	COLLABORATIVE PROJECTS
2009	Luminous, Richard Tognetti, Bill Henson and Katie Noonan, State Theatre, Sydney
	SELECTED BIBLIOGRAPHY
2013	James Gorman, Largest collection of Bill Henson works to be hung in AGNSW exhbition', Daily Telegraph, April 19 2013
2012 2011	John Mcdonald, `Body Issues', SMH, September 15-16, 2012 Deborah Stone, `With light must come shadown', SMH, September 18, 2012 Alexandra Spring, `New Bill Henson Exhbition', Vogue Australia, 18^th Sept, 2012 John Mcdonald, Finding Form, Australian Art Collector, October-December, 2012 Lisa Omagari, Bill Henson, Concrete Playground, http://sydney.concreteplayground.com.au/event/80788/bill-henson-at-roslyn-oxley9.htmSeptember 2012. John Mcdonald, `Edgy insights into the soul and self', Spectrum, April 9-10, 2011, pp 10-11 Helen Mcdonald, `It's Rude to Stare', Artlink, Issue 31 No. 3, pp. 24-27
2010	Christopher Allen, `Metaphors of ephemeral beauty', The Australian, May 10, 2010, http://www.theaustralian.com.au/news/arts/metaphors-of-ephemeral-beauty/story-e6frg8n6-1225864231020 John Mcdonald, `Finding refuge in the landscape', Spectrum-SMH, May 15-16, pp. 14-15
2008	Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), Sydney, p144 Sebastien Smee, `Forget Me Not', The Weekend Australian, April 5-6, 2008, pp.18-19
2007	Tony Stephens, `Bill Henson', Photofile, No. 81, Spring 2007, pp.69 - 71. Marilena Astrapellou, `Bill Henson: In The Crepuscule of Desire', Next Level, edition 11, pp.62-69
2006	Supercharged: the car in contemporary culture, Institute of Modern Art, Brisbane Twilight: Photography in the Magic Hour, exh. cat., Victoria and Albert Museum, published by Merrell Publications, London, England Review of `Bill Henson, Roslyn Oxley9 Gallery, Sydney', The artlife, http://artlife.blogspot.com Sunandah Creagh, 'Bill Henson', in Open Gallery, Spectrum, The Sydney Morning Herald, July 29-30, 2006 p.16 Sebastian Smee, `The shadowy existence of Bill Henson', Artist Interview, The Art Newspaper, No. 169, May 2006, p. 40 Robert McFarlane, `A playful eye charts `60s surrealism', in `Arts & Entertainment', The Sydney Morning Herald, Tuesday July 11, 2006 p.13 Sunanda Creagh, `It's all about the shadow play', in `Arts & Entertainment', The Sydney Morning Herald, Wednesday July 5, 2006 p.15
2005	Kyla McFarlane, `Bill Henson: 3 Decades of Photography', Eyeline, no. 58 Spring pp. 37 - 39 10/21 - VCA at the Venice Biennale, exh. cat., Victorian College of the Arts, Melbourne, Australia Michael Reid, `Pictures worth more than a 1000 whirrs', The Australian, February 25, 2005 Charles Green, `Bill Henson, National Gallery of Victoria', www.artforum.com/museums/item_id=2538 Helen McDonald, `Francesca Alfano Miglietti (FAM), Extreme Bodies: The Use and Abuse of the Body in Art', Art Monthly Australia, June 2005, p.12 Annette Larkin, Justin Miller and Damian Hackett, `going, going, gone…', Three auction house experts reveal their top 10 favourite Australian artists to watch…,' Vogue Living, May-June 2005, p.110 Dominic Sidhu, `Nocturne: The Photographs of Bill Henson', Interview with Bill Henson, EGO Magazine, August 29, 2005, http://www.egothemag.com/archives/2005/08/bill_henson.htm `Bill Henson, photographer,' Box Magazine #6, Autumn issue, pp.30-35 Richard Kalina, `Report from Downunder: Down Under no more', Art in America, April 2005, pg.77 Justin Clemens, `3 Decades of Photography, by Bill Henson', The Monthly, May 2005 Gina McColl, `Dark lord of the camera', preview, The Sunday Age, April 17, 2005, p.4 Geraldine O'Brien, `Out of the Shadows', Melbourne Magazine, April 2005, p.60 Samela Harris, Addicted to art', Australian Art Collector, Issue 32, April, p.118 `Bill Henson photographer', Box magazine, Autumn, p.30. Sebastian Smee, `Bill Henson,' Art & Australia, Autumn 2005, Vol 42, No. 3, p.396 Andrew Frost, `Bill Henson,' state of the arts, Art Now, Jan-Mar 2005, p.82 Joanna Mendelssohn, previews `Bill Henson,' Australian Art Collector, Issue 31, January -March 2005, p.173 Russell Smith, `Bill Henson: Three Decades of Photography', Contemporary Visual Arts + Culture, Broadsheet, Volume 34, No. 1, March-May 2005, pp.46-48 Christopher Allen, `Of waifs and chandeliers: photographs that reach into the mind,' The Australian Financial Review, 10^th February 2005, p.43 John McDonald, `Bill Henson: 3 Decades of Photography,' Spectrum, Sydney Morning Herald, 29^th January Bill Henson: Mnemosyne, Scalo (Berlin, Zurich, New York) and Art Gallery of New South Wales (Sydney), artist monograph accompanying exhibition Bill Henson: Three Decades of Photography, 2005 (501 pages) Bill Henson, brochure accompanying AGNSW exhibition with excerpts from essays in Bill Henson: Mnemosyne, except for Room 8, Michael Heyward, The photography of Bill Henson. Sebastian Smee, `Touch of innocence,' Weekend Australian, January 22-23, (Review: Arts) pp.18-19 Charles Green, `Preview: Sydney, Bill Henson - Art Gallery of New South Wales,' ArtForum International, January 2005, XLIII, No. 5, p.98 Dominique Angeloro, `Thrill Bill,' Sydney Morning Herald, Jan 21 - 27, 2005, p.26 (Metro) Rosalie Higson, `Emerging from the shadows,' The Australian, Friday, January 7, p.16 Ben Cubby, `Tenderness, fragility, violence, violation: images that stir the mind and rock the heart,' Sydney Morning Herald, Friday, January 7, p.7 (News) Bec Dean and Robert Cook, `Bill Henson: Interview,' Photofile, #73, Summer 2005, pp.18-23
2004	Jean Dykstra, `Review of Bill Henson at Robert Miller Gallery,' Art in America, December issue Nellie Castan, `New York - The Armory Show 2004,' ART EXPO, p.30 Ingrid Woodrow, Auto Fetish, exh. cat., Newcastle Region Art Gallery, Nov 04 - Jan 05 Michael Heyward, `Untitled Series 1983-84,' Lumiere, Couture Show catalogue, 2004 Janet Hawley, `In the realm of the senses,' Good Weekend, The Sydney Morning Herald Magazine, December 18, pp.18 - 25 Judy Annear, `The Elusive Bill Henson,' LOOK, Art Gallery Society of New South Wales, Art Gallery of New South Wales, Sydney, pp.28 - 31 David Broker, `The Adelaide Biennial of Australian Art,' Eyeline #54, Winter, p.44 - 46 Victoria Pederson, `Market File: Art of Darkness,' Art and Auction, May 2004, p.145 Chris Boyd, `Bill Henson's lightness of being,' The Weekend Australian Financial Review, May 29-30, 2004, p.36 Victoria Pederson, `Art & Auction Marketfile: Art of darkness - Bill Henson,' The New Yorker, May 2004, p.145 `Goings on About Town: Photography,' The New Yorker, March 8, 2004, p.18 Michael Fitzgerald, `Not Dying, Changing,' TIME, March 22, 2004, pp.62-63 Blair French, `Bill Henson: Darkness on the Edge of Town,' Eyeline #53, pp.34 - 37 Glenis Israel, senior artwise: visual arts 11 - 12, book 2, John Wiley & Sons, Qld. pp.170 -174
2003	Charlotte Léouzon, `NirvanArt,' Jalouse, No. 66, December 2003 - January 2004, pp.78, 79, 83-85 Matthew Guy Nichols, `Bill Henson,' in Strangers: The First ICP Triennial of Photography and Video, exh. cat., International Center of Photography, New York, 2003, pp.48-51 Ashley Crawford, `Bill Henson: Lux et Nox,' Art Monthly Australia, #164, October 2003, p.18 Isobel Crombie, `Bill Henson,' Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p.91 Stuart Koop, `Same As It Ever Was: photography in the Collection,' Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, pp.40 - 44 Sebastian Smee, `When Night Falls,' ArtReview, vol. LIV, March, pp.98-99 Rosalin Sadler, `Reviews - Art on Television: It's only fiction,' Australian Art Review, Issue 2, July - October 2003, pp.93-94 Katarina Kroslakova, `Underground Realist,' State of the Arts, Australia and New Zealand, April - June 2003, pp.44-45 Margaret Plant, `The Journey from Field to Fieldwork 1968 - 2003,' Eyeline # 51, Autumn - Winter, 2003, pp.44-46 Jeremy Eccles, `The Portrait and the Market,' Australian Art Collector, issue 25, July - September, pp.66 - 69 Sebastian Smee, `Dark desires,' POL Oxygen, Issue 3, June/July, pp.66 - 75 Child in Time, exh. cat., Gemeente Museum Helmond, Helmond, The Netherlands, p.28 Stephen Naylor, `Getting into the Giardini di Castello: Australia's representation at the Venice Biennale,' Art & Australia, 40^th Anniversary Issue, Winter, vol. 40, no. 4, pp.594 - 601 `Fotografía: casi 16.000 personas han passado por la muestra de Bill Henson,' La Gaceta, (Local), 3 June 2003, p.12 José Á. Montero, “La provocación y el misterio Ilegan a la Universidad con la fotografía de Henson,” La Gaceta, (LOCAL), 29 March 2003, Spain, p.13 Stuart Koop, `Fieldwork: Australian Art 1968 - 2002,' Broadsheet, vol. 32, no. 1, March, April, May, pp.8 - 11 Mixt(e), France, May - June, pp.22 - 23 `Bill Henson: Juventud Desnuda,' Ciudad Viva Salamanca, no. 6, Salamanca Ciudad Cultura, Spain, 4 April - 5 May O.A.M, `Bill Henson,' Arte Y Parte, Spain, p.110 `9,000 personas han visitado la exposición de Bill Henson,' Tribuna, 1 May 2003 City of Whitehorse Art Collection, exh. cat., City of Whitehorse, Nunawading, Victoria Ashley Crawford, `Books: Lux et Nox,' The Bulletin, April 9 Ciudad Viva: Salamanca, cover page, April - May, no. 6, 2003 Rocío Blázquez, `Henson elige Salamanca para presenter en España sus perturbadores retratos,' ABC (Agenda Cultural), 29 March 2003 `Salamanca acoge la primera exposición en solitario del artista australiano Bill Henson,' Tribuna, 29 March 2003, Salamanca, Spain Elizabeth Fortescue, `Bill's shutter sees signs in the shadows,' The Daily Telegraph (SydneyLive), Friday, March 28, p.102 John McDonald, `Light and Night: A man besotted by his own context,' The Australian Financial Review (Arts), Thursday 27 March Miriam Cosic, `Twilight Zone,' The Weekend Australian Magazine, March 22-23, pp.28 - 32 Peter Craven, `Stares and whispers,' Sydney Morning Herald, Weekend Edition (Spectrum), March 22 - 23, p.8, 9 Peter Craven, `Through a lens darkly,' The Age, Saturday, March 22, 2003 Sebastian Smee, `Light versus dark,' The Independent Magazine, March 15, p.8-10, 13 Anthea Loucas, `Melancholic must-have,' Sydney Morning Herald (Good Living), March 4, p.28 Lolla Stewart, `Bill Henson: Lux et Nox,' Australian Book Review, March 2003, p.21 Isobel Crombie ed., Flagship: Australian Art in the National Gallery of Victoria, 1790 - 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne, p.75 Daniel Thomas, `S & D at NGVA,' Art Monthly Australia, no. 157, March 2003, p.27 - 32 Portrait #6, National Portrait Gallery, Canberra, Summer, p.13-15 Daniel Palmer, `Bill Henson: 50 Most Collectable Artists,' Australian Art Collector, Issue 23, January - March Doris Krumpel, `Eine zeimlich wilde Mischung,' Der Standard, 27 February Antje Mayer, `Wien: Die Sammlung Volpinum Zeigt,,Menschen,' Kunstzeitung, No. 77, January
2002	Bill Henson: Lux et Nox, ed. Martin Jaeggi and Walter Keller, Scalo, Zurich, New York and Berlin John McPhee, `City Life: De Sydney à Melbourne,' Paris Photo Magazine International, no. 22, Septembre/Octobre 2002, pp.124 - 131 Isobel Crombie and Jason Smith, `Bill Henson and Peter Booth - Untitled,' Fieldwork: Australian Art 1968 - 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne, pp.72 - 77 Ross Gibson, `Poise: a brief meditation on the work of six photographers,' Points of View, exh. cat., University of Technology Sydney Art Collection, UTS, Sydney 2^nd Sight Australian Photography in the National Gallery of Victoria, exh. cat., National Gallery of Victoria, Melbourne, 2002, p.111 (pp. 104,105 detail) Peter Hill, `Melbourne's art fair is a brush with envy,' Sydney Morning Herald (Metropolitan), Monday October 7, p.15 Magda Keaney, `In Fashion,' Photofile, no. 65, May Dennis Cooper, The Photography of Bill Henson: Naked Youth, Artforum International, No. 6, p.94-97 Peter Timms, Images of Australian Men: Photographs from the Monash Gallery of Art Collection, A Monash Gallery of Art Travelling Exhibition, exh. cat., May
2001	Robert McFarlane, `Obsession: its Depths and its Shallows,' Sydney Morning Herald, 14 November, p.18 'Bill Henson: Portfolio,' Photofile, #63, August 2001, cover and p. 18 - 22 Exhibitions: Critics Picks, `Bill Henson,' Sydney Morning Herald, Nov 30 - Dec 6, p.27 Helen McDonald, `Erotic Ambiguities, The Female Nude in Art', Routledge, London, England McFarlane Robert, `The Child in Photography', Artlink, Vol.21, No. 2, pp.15 - 19
2000	Blair French, `Bill Henson: Roslyn Oxley9 Gallery,' Artext, no. 70, August - October, p.85 Laura Murray Cree, `I am the Subject,' Oyster Magazine Sebastian Smee, `Just out of shot,' The Sydney Morning Herald, March 18 Benjamin Genocchio, `Loss of innocence at twilight,' The Australian, March 17 Janet Hawley, `Through a glass darkly,' Sydney Morning Herald, Good Weekend, March 11, pp.43,46 Andrew Frost, `Australia's 50 Most Collectable Artists,' Australian Art Collector, issue 11, Sydney, January-March Laura Murray Cree, `I am the Subject,' Contemporary Visual Arts, issue 29
1999	William McAloon, home and away: contemporary Australian and New Zealand art from the Chartwell Collection, Auckland Art Gallery, 1999, pp.76-7, 136 Roberta Smith, `Gazing in a Mirror: The Omnipresent Camera', The New York Times, 10.9.99 Artist pages, Blind Spot, New York, Issue 13 Alison Holland, `Bill Henson,' Black + White, No. 37, June Andrew Frost, `Australia's 50 Most Collectable Artists,' Australian Art Collector, issue 7, Sydney, January - March
1998	Sebastian Smee, `The `ol Bill,' The Sydney Morning Herald, Metro, May 22 - 28 Joanna Mendelssohn, `Pictures convey a painful beauty,' The Australian, Friday, May 22 John McDonald, `Shots in the Dark,' The Sydney Morning Herald, Saturday, May 23 Charles Green, `Bill Henson,' Artforum, New York, December Adriana Alvarez, `Bill Henson: Untitled,' Revolver, May Edward Scheer, `Deadly visions: at home in the abyss,' Real Time, 26 August - September Myfanwy Warhurst, `Into the art of darkness,' The Age, October 3 Luminita Sabau (ed.), The Promise of Photography: The DG Bank Collection, Prestel, Munich
1997	Craig McGregor, `The Prints of Darkness', The Sydney Morning Herald, Saturday, April 12 Body, exh. cat., Art Gallery of New South Wales, Sydney Christopher Allen, Art in Australia - From Colonization to Postmodernism, Thames and Hudson
1996	Bill Henson, exh. cat., Australian Pavillion, 46^th Venice Biennale 1995, Venice Jenny Zimmer, Contemporary Craft Review, No. 1, Feb 1996, pp.6-10 Peter Timms, `A second home, where everything is innocent,' Art Monthly, No. 91, July, p.4 - 7 Ted Snell, `Bill Henson', The Australian, February 23 Michael Boodro, `Dealers Choice', Vogue, March David Bromfield, `Works that Reach Beyond a Pretentious Audience', West Australian, March 9 Charles Green, `A Surfeit of Private Passions', Art Monthly, April Joanna Mendelssohn, `Bill Henson, Debra Dawes', The Australian, 19 April John McDonald, `Between Eros & Pathos', Sydney Morning Herald, April 20 Sally Fisher, `Shooting Star', Sun Herald, May 22 Michael Boodro, `Dealers Choice', Vogue, June `Bill Henson, Works from the 46th Venice Biennale of Venice 1995,' Look Magazine, July, p.9 Robert McFarlane, `Henson's Garden of earthly pain', Sydney Morning Herald, July 16, p.16 Sebastian Smee, `Naked Vision', Sydney Morning Herald, Metro, April 19 - 25 Rebecca Lancashire, `The nightmares and dreams of Bill Henson,' The Age, 19 October 1996, pg.11 Christopher Chapman, `Bill Henson and Robert Mapplethorpe,' Globe E-Journal, http://www.arts.monash...be/issue3/bhrmtx
1995	Isobel Crombie and Michael Heyward, Bill Henson, 46^th Venice Biennale, Australian Exhibitions Touring Agency Ltd., Melbourne, 1995 Jo Litson, The Australian, The Weekend Review, 18-19 March Donald Williams & Colin Simpson, `Bill Henson', Art Now : Contemporary Art Post 1970, pp.126 - 128 Sebastian Smee, `Naked Vision', Sydney Morning Herald, Metro, 19 - 25 April Art Monthly, May 1995, No.79 Michael Hayward, `Bill Henson', Through A Glass Darkly, exh. cat., Art Gallery of New South Wales Melanie Wright, The Australian Financial Review Magazine Anna Long, `Photography: Venice sees Dark Visions of Oz', Business Review Weekly, 22 May Robert McFarlane, The Sydney Morning Herald, 24 May John McDonald, The Sydney Morning Herald, 3 June Isobel Crombie, `Bill Henson For 1995 Venice Biennale', AETA News 5, June, pp.1 - 2 Stephanie Bunbury, `It's Dark Out There', The Age, 10 June Paul McGillick, `Cazneaux and Henson', Art and Australia, Vol.32, No.4, Winter, pp.514 - 525 Stephen Todd, The Australian, 16 June Judy Annear, `Art on The Water: Venice Biennale',The Age, Arts Extra, 24 June John McDonald, The Sydney Morning Herald, 17 June Terry Ingram, The Financial Review, 29 June Paul McGillick, The Financial Review, Weekend Review: Arts, 28 July Bernard Cohen, `Through A Glass Darkly', Photofile, August, No.45, pp.24 - 25, 49 John Jenkins, `Bill Henson's Moment: Australian Pavillion, Venice Biennale', Photofile, August, No.45, pp.49 - 50 Jennifer Spinks, `Inferno: Bill Henson's Divine Comedy', Siglo, No. 5, August Anna Ward, `The Fortunes of Anatomy: 1895-1995 Venice Biennale', Artlink, Vol.15, No.2&3, pp.60 - 61 David Bromfield, The Sydney Morning Herald, 16 September Marcus O'Donnell, `Bill Henson: Photos, Faces, Fragments', Monument, No.9, pp.64 - 67 Meg Stewart, The Sydney Morning Herald, 6 October Pat Hoffie, `On Private Gardens and Decadence', Art Monthly, October, No.84, pp.6 - 8 Clive Simmons, `Snapshots of a Hidden World' Adelaide Advertiser, May 2 Mary Lou Gelbart, `Images to Haunt', Herald Sun, May 5 Anna Clabburn, `Northern Exposure', Storm, May Alan Riding, `Director Puts Body into Bienale', Sydney Morning Herald, June 13 Isobel Crombie, `Bill Henson', Vogue, June Clive Simmons, `Seeking the Real Bill Henson', Canberra Times, July 9, p.21
1994	` Bill Henson's Life in Venice', Artforce, June Peter Weiniger,The Age, Melbourne, 28 April, p.18 Terry Ingram, Financial Review, 29 April Michael Hutak, The Sydney Morning Herald, 29 April John Forbes, Bill Henson, May Anna Johnson, `Shadow Play', Elle Magazine, April, p.76
1993	Bill Henson: Paris Opera Project, exh. cat., Tel Aviv Museum of Art Elwyn Lynn, The Australian, 5 June Peter Craven, The Australian, The Weekend Review, 30 - 31 October Diana Bagnall, `Framed in the Raw', The Bulletin, 16 November Robert McFarlane, The Sydney Morning Herald, 12 June Evelyn Juers, `Works from Untitled 1992 - 93', Photofile, No.39, July, p.43 - 44 Nicholas Baume, `Bill Henson', Art + Text, No.46, p.75
1992	Lynette Fern, The Sydney Morning Herald, 27 March Susan Hogan, Bill Henson, Photofile, No.37, November Evelyn Juers, `Bill Henson', Art + Text, No.43, pp.72 - 73
1991	Victoria Lynn, Dark Mirrors: The Photographs of Bill Henson, `Arts Magazine', September, pp.41 - 43 Ashley Crawford, Bill Henson: Quickening with the Eye, `Tension', No.14, pp.8, 10, 14
1990	Van Assche, Christine and David, Catherine, Passages de L'Image, exh. cat., Paris Gerard Hayes, `Bill Henson, Untitled 1987 - 88', Photofile, Summer, p.34 John McDonald, The Sydney Morning Herald, 31 March, p.76 Pam Hansford, `Artscribe', Summer, p.94
1989	John McDonald, The Sydney Morning Herald, 31 March Peter Schjeldahl, `Impressions of Henson', Scripsi, Vol.5, No.2, Melbourne, February Bill Henson Photographs, 1974 - 1984, exh. cat., Deutscher, Gertrude Street Jean-Francis Chevrier, Photokunst, exh. cat., Stuttgart
1988	John McDonald, The Sydney Morning Herald, 26 November Michael Heyward and David Malouf, Bill Henson Photographs, Pan Picador, Sydney (105 pages)
1987	Laurie Duggan, The National Times on Sunday, Sydney, 18 January, p.26 Memory Holloway, Studio International, New York, January `Bill Henson', Photo Magazine, Paris, February, pp.34 - 37, 1987 Aberdare Prize for Landscape, exh. cat., Brisbane, Ipswich City Council Art Gallery, August-September Rob Horne, Bill Henson, exh. cat., Hobart, University of Tasmania, April Tony Bond & Terence Maloon, Australian Bicentennial Perspecta, exh. cat., Sydney, Art Gallery of New South Wales, October, pp.44 - 53 Helen Ennis & Keith Shipton, Australian Photography: Images of the 80's, Canberra, February, p.12 Kate Collins, `Medium Becomes the Message', The Sunday Mail, Brisbane, 11 October, p.12 George Petelin, The Australian, Sydney, 20 October, p.11 Arthur McIntyre, `Australian Bicentennial Perspecta, The Age, Melbourne, 27 October, p.12 Elwyn Lynn, `Australian Bicentennial Perspecta', The Australian, Sydney, October Terry Smith, The Times on Sunday, Sydney, 22 November, p.30
1986	Michael Heyward, Bill Henson Photographs, exh. cat., Melbourne, Pinacotheca, July Laurie Duggan, The National Times on Sunday, Sydney, 17 August, p.32 Christina Thompson & Bill Henson, Time Magazine, New York, 20 August, p.65 Peter Weiermair, Prospect 86, exh. cat., Frankfurt, Frankfurter Kunstverein, September, pp.97 - 98, 253, 299 - 300 Clinton Walker, Follow Me, Sydney, October - November, pp.182 - 187 Catrina Moore, `Dangerous Liasons', After Image, New York, September, pp.5 - 6 Barbara Dover & Reimund Zunde, Art Works, Melbourne, pp.32, 38, 147 Bill Henson - Untitled 1983/1984, exh. cat., Canberra, Australian National Gallery
1985	Kate Collins, The Sunday Mail, Brisbane, 11 January , p.9 Phyllis Woolcock, The Courier Mail, Brisbane, 11 January, p.13 Sarah Follent, The Australian, Sydney, 26 January, p.8 Paul Taylor, `Civilization and it's Discontents', Flash Art, Milan, January p.68 Terence Maloon, The Sydney Morning Herald, Sydney, 16 March, p.9 Elwyn Lynn, The Australian, Sydney, 16 - 17 March, p.10 Donald B.Kuspit, `Australian Visions at the Guggenheim', Art in America, New York, No. 5, 5 March, pp.153 - 154 Achille Bonite Oliva & Paul Taylor, Isolaustralia, exh. cat., Venice, May, pp.11, 26 - 27 Michael Heyward & Peter Craven (edit), Scripsi, Vol.3, No.1, Melbourne, April, pp. 10, 16, 20 - 25, 54, 66, 71, 111, 158 - 164, 197 - 198, 214, 228 - 229 Andreas Muller-Pohle (ed.), European Photography, Vol.6, No.3, Gottingen, July, pp.19, 42 Memory Holloway, The Age, Melbourne, 6 July, p.11 Ronald Miller, The Herald, Melbourne, 18 July, p.26 Domus, Milan, August, pp.84 - 85 Michael Heyward & Peter Craven (edit), Scripsi, Vol.3, No.2, Melbourne, August, pp.190 - 194 Terence Maloon, The Sydney Morning Herald, Sydney, 27 - 28 September, p.49 Adrian Martin, `Bill Henson and the Devil Probably', Photofile, Sydney, Spring, pp.20 - 23, 34 Christine Godden & Martyn Jolly, The C.S.R. Collection, exh. cat., November Ian Were, Adelaide Review, Adelaide, December, p.24 Arthur McIntyre, Pol International, Summer 1985 - 86, December, p.60 Mary McKay, Photofile, Sydney, Summer, p.32
1984	Jennifer Phipps, `Entre deux Mondes - Australians in Paris', The Age Monthly Review, Melbourne, January, p.12 Mark Hinderaker, `Production spied through camera's eye', The Sydney Morning Herald, Sydney, 31 March, p.14 Ian McLean, `Work Surrounds the Viewer', The Examiner, Launceston, 9 May, p.40 Ann Scott Young, `Bill Henson', The Examiner, Launceston, 9 May, p.40 Memory Holloway, `Art Attack', Harpers Bazaar, Vol.1, No.1, September, pp.108 - 109 Rosslyn Beebie, `Paris, New York - One Day Melbourne', The Age, Melbourne, September, p.5 Paul Taylor (ed.), `Anything Goes', Art and Text, Melbourne, September, pp.134 - 135, 142 Diane Waldman & Memory Holloway, Australian Visions, 1984 Exxon International Exhibition exh. cat., New York, Solomon R. Guggenheim Museum, September Vivien Raynor, `Art: Capturing The Essence of a Remote Australia', The New York Times, New York, 5 October `Bill Henson - Faces in a Crowd', The London Magazine, Vol.24, No.8 London, November, pp.53 - 57 Eric Gibson, `Australians in Manhattan', Studio International, Vol.195, No.1007, New York, November, pp.45 - 46 Jean-Claude Le Magny, La Photographie Creative, exh. cat., Paris, Bibliotheque Nationale, November, pp.288 - 291 Amei Wallach, Newsday, New York, 30 September, p.17 Bernice Murphy, `Australia', Express, New York, September, p.17 Kim Levin, Village Voice, New York, September, p.93 Tony Perry, ` Melbourne Photography', Photofile, Sydney, Jan, pp.2 - 3 Kay Larson, New York Magazine, New York, 8 October, pp.60 - 61
1983	Le Pechoux (ed.), Australian Photography Year Book, Roscope, pp.128 - 129 Bernice Murphy & Janet Parfenovics, Australian Perspecta 1973 - 81, exh. cat., Sydney, Art Gallery of New South Wales, April, p.120 Helen Innes, `Melbourne Galleries', Photofile, Sydney, Australian Centre for Photography, June, p.14 Leon Paroissien & Suzanne Page, D'un autre continent; l'Australie. Le reve et le reel, exh. cat., Paris, Musee d'art Moderne de la Ville de Paris, September, pp.28, 115 - 118 Christine Godden, C.S.R. Photography Project; Recent Work, exh. cat., Sydney, C.S.R., September, p.3 Ian North, A Decade of Australian Photography 1972-82, exh. cat., Canberra, Australian National Gallery, October, pp.2, 6, 7, 10
1982	Craig McGregor & Christine Goddon, `The Photographers - New Subjectivism', The National Times, Sydney, 21 March, pp.22 - 23 Neville Weston, `An Interesting Link', The Advertiser, Adelaide, March, p.7 Elwyn Lynn, Biennale of Sydney: Vision in Disbelief, exh. cat., Biennale of Sydney, April, p.55 Arthur McIntyre,'The Biennale of Sydney', The Age, Melbourne, 14 April, p.10 Virginia Hollister, `Pain and Pleasure- 4th Biennale of Sydney', Artlink, Vol.2, no. 3, Adelaide, July - August, p.4 Elwyn Lynn, 4th Biennale of Sydney, Art International, Vol.xxv, no.7 - 8, Lugarno, p.42 Mick Carter, `Love in a Cold Climate'(edited text), Hobart, The Mercury, 9 July, p.7 Gael Newton, `Photography: Towards a Dialogue with other Media', Australian Art Review, Sydney, Warner Associates, October, pp.42, 44 - 45, 46, 86, 128 Australian National Gallery:An Introduction, Canberra, Australian National Gallery, pp.123 -146 Mick Carter & Lutz Presser (eds.), Sexual Imagery in Art, exh. cat., Hobart, University of Tasmania, September Lutz Presser, `Sexual Imagery - A Step Towards Liberation', The Mercury, Hobart, 18 September
1981	Bernice Murphy, Australian Perspecta 1981: A Biennale Survey of Contemporary Australian Art, exh. cat., Art Gallery of New South Wales, Sydney, May, p.89 Nancy Borlase, `Perspecta `81', The Sydney Morning Herald, Sydney, June, p.43 Gael Newton, Project 38: Re-constructed Vision : Contemporary Work with Photography, exh. cat., Sydney, Art Gallery of New South Wales, July Janine Burke, `Art for the End of the World', Meanjin, Vol.40, no.3, Melbourne, October, pp.381, 383 - 388 Michel Muridsany, `Scene, Sequence, Series', Le Figaro, Paris, 7 October, p.27 `Scene, Sequence, Series', Quest-France, Paris, 16 October, p.9 Jacques Py and Bernard-Zavier Vaillhen, Scene, Sequence, Series, exh. cat., Paris, Centre Cultural Gaslin, November, pp.24 - 25 Caroline Caugolie, `Scene, Sequence, Series', Liberation , Paris, 2 November, p.24 Alain Fleig, `Scene, Sequence, Series', Caval, Paris, November, p.11 Geoff Strong, `A Dark Age Behind the Camera', The Age, 30 November, p.10 Bill Henson Photographs, exh. cat., London, Photographers' Gallery & Arts Council of Great Britian, November Bernice Murphy, `Flash Art Australia: Bill Henson', Flash Art, no.105, Milan, December 1981 - January 1982, p.61
1980	James Mollison, Australian Photographers: The Philip Morris Collection, exh. cat., Canberra, Australian National Gallery, pp.68, 103 Alwynne Mackie, Bill Henson and the Possibilities of Photography (unpublished text), Canberra, Australian National University, 1979 - 80 Tony Perry, `Mood Framed in Chaos,' The Age, Melbourne, 3 Feb, p.2 Ann-Marie Willis, Aspects of The Philip Morris Collection: Four Australian Photographers, exh. cat., Sydney, Visual Arts Board and Australia Council, July, pp.10, 23 - 39, 70 `Pictures on the Move', The Sun, Melbourne, 12 July, pp.10 - 11 Christine Godden, Photography and the Australian Art Scene', Art and Australia, Vol 18, no.2, Sydney, pp.175 - 182 Alan Ross (ed.), `From a Sequence', London Magazine, Vol.20, London, November-December, pp.59 - 62
1979	Time Life Year Book 1979, Virginia, Time Life, p.57
1978	Jean-Marc le Peachoux (ed.), Light Vision (published photography), no.6 - 7, Melbourne, September, pp.8, 30 - 31 Tony Perry, `Works both progressive and negative,' The Age, Melbourne, 15 August, p.2
1976	Laurence Le Guay (ed.), Australian Photography 1976, Sydney, Globe, pp.40 - 41
1975	Jennie Boddington, Bill Henson, exh. cat., Melbourne, National Gallery of Victoria, July
	COLLECTIONS
	Houston Museum of Fine Art Sammlung Volpinum, Vienna, Austria Museum Moderner Kunst (MUMOK), Stifting Ludwig Wien, Vienna, Austria Newcastle Regional Art Gallery Museo Nacional Centro de Arte Reina Sofía, Spain The Montreal Museum of Fine Arts 21C Museum, Louisville, Kentucky National Gallery of Australia, Canberra National Gallery of Victoria, Melbourne Art Gallery of New South Wales, Sydney Museum of Contemporary Art, Sydney Art Gallery of South Australia, Adelaide Art Gallery of Western Australia, Perth Wollongong City Art Gallery Queen Victoria Museum and Art Gallery, Launceston Ballarat Fine Art Gallery, Ballarat Horsham Art Gallery, Horsham Ipswich City Council Art Gallery, Ipswich Monash University Gallery, Melbourne Griffith University, Brisbane Phillip Institute of Technology, Melbourne Artbank, Sydney High Court of Australia, Canberra Monash City Council Collection Darwin Community College, Darwin Tasmanian College of Advanced Education, Hobart The Philip Morris Collection, Canberra The Loti and Victor Smorgon Collection of Contemporary Australian Art, Melbourne NRMA Collection, Sydney Wesfarmers Collection of Australian Art Parson's School of Art & Design, New York, USA Chartwell Collection, New Zealand Solomon R Guggenheim Museum, New York, USA San Francisco Museum of Modern Art, San Francisco, USA Los Angeles County Museum, Los Angeles, USA Denver Art Museum, Denver, USA Bibliotheque Nationale de Paris, Paris, France Polaroid Corporation, New York, USA Refco Collection, Chicago, USA Progressive Corporation Collection, Ohio, USA DG Bank Collection, Frankfurt, Germany Tate Collection, London Queensland Art Gallery, Brisbane Victoria and Albert Museum, London