Fiona Hall - Artist Profile - Roslyn Oxley9 Gallery

	FIONA HALL
1953	Born Sydney, New South Wales, Australia.
1972-5	Painting Diploma, National Art School, Sydney, Australia
1977-8	Photographic Assistant to Fay Godwin, London, United Kingdom
1979-82	Master of Fine Arts (Photography), Visual Studies Workshop, Rochester, New York, United States
1987	Artist in Residence: Tasmanian School of Art, University of Tasmania, Hobart, Tasmania, Australia
1983-1997	Lecturer in Photostudies, South Australian School of Art, University of South Australia, Adelaide, Australia
1990	Artist in Residence: Philip Institute of Technology, Preston, Victoria, Australia
1997	Creative Arts Fellow, Australian National University, Canberra, Australia Artist in Residence, Mt Coot-tha Botanic Gardens, Brisbane, Australia
1999-2005	Asialink Lunugunga Residency, Sri Lanka
	SELECTED INDIVIDUAL EXHIBITIONS
2009	Fiona Hall, Force Field, Govett-Brewster Art Gallery, New Plymouth, New Zealand
2008	Fiona Hall, Force Field, Christchurch Art Gallery, New Zealand
	Fiona Hall, Force Field, City Gallery Wellington, New Zealand
	Fiona Hall, Force Field, Museum of Contemporary Art, Sydney
2005	Fiona Hall, Roslyn Oxley9 Gallery, Sydney
	Fiona Hall, Queensland Art Gallery, Brisbane; Art Gallery of South Australia, Adelaide
	So so (1995) installation, Coffs Harbour City Gallery
2002	Cell Culture and Leaf Litter, Roslyn Oxley9 Gallery, Sydney
1999	Fieldwork, Roslyn Oxley9 Gallery, Sydney A Transit through Paradise, Gallery 706, Colombo, Sri Lanka
1998	Global Liquidity (with Nalini Malani), Gallery Chemould, Bombay, India and Roslyn Oxley9 Gallery, Sydney Cash Crop, Institute of Modern Art, Brisbane, Australia
1997	Canberra School of Art, Canberra, Australia
1996	Call of Nature, Lana H. Foil, Roslyn Oxley9 Gallery, Sydney
1995	The Price is Right, Roslyn Oxley9 Gallery, Sydney
1994	Garden of Earthly Delights, National Gallery of Australia, Canberra; National Gallery of Victoria Melbourne; Art Gallery of New South Wales, Sydney; Plimsoll Gallery, Hobart; Art Gallery of Western Australia, Perth; Brisbane City Hall, Brisbane
1990	Fiona Hall, Words, Contemporary Art Centre of South Australia, Adelaide
1989	Illustration to Dante's `Divine Comedy,' Australian Centre for Photography, Sydney; Australian Centre for Contemporary Art, Melbourne; Experimental Art Foundation, Adelaide
1987	Selections from 14 Years Fiona Hall, Experimental Art Foundation, Adelaide
1986	III III II: A Survey of Twelve Year Work, Australian Centre for Photography, Sydney
1983	Fiona Hall, Recent Work, Australian Centre for Photography, Sydney Fiona Hall, Recent Photographs, The Developed Image, Adelaide; Australian Centre for Photography, Sydney; Visibility Gallery, Melbourne
1982	Australian Centre for Photography, Sydney
1981	Recent Works, Australian Centre for Photography, Sydney The Antipodean Suite, Tasmanian School of Art Gallery, Hobart
	SELECTED GROUP EXHIBITIONS
2009	Third Moscow Biennale of [Author ID1: at Fri Sep 4 13:43:00 2009 ]Contemporary[Author ID1: at Fri Sep 4 13:44:00 2009 ] Art[Author ID1: at Fri Sep 4 13:43:00 2009 ], Moscow [upcoming] Ecologies, Lismore Regional Gallery, Lismore, New South Wales
2008	Uneasy: Recent South Australian Art, Anne & Gordon Samstag Museum of Art, Adelaide, curated by Timothy Morrell
2007	DeOverkant/Downunder, Den Haag Sculpture 2007, Netherlands Artist Makes Video, Art Rage Survey 1994-1998, Griffith University, Queensland College of Art, Brisbane Forty Eight Hours of Visual Arts, (FEHVA), Byron Bay, NSW New Nature, Govett Brewster Art Gallery, New Plymouth, New Zealand Auckland Triennial, Auckland, New Zealand Strange Cargo: Contemporary art as a state of encounter, Newcastle Region Art Gallery, Broken Hill Regional Art Gallery, Bendigo Art Gallery, Orange Regional Gallery, Wagga Wagga Art Gallery and Tweed River Regional Gallery
2006	Stolen Ritual, Roslyn Oxley9 Gallery, Sydney Multiplicity: Prints and Multiples from the collections of the MCA and the University of Wollongong, Museum of Contemporary Art, Sydney. Touring to Tweed River Art Gallery, Murwillumbah, New South Wales; Lake Macquarie Art Gallery, Lake Macqaurie, New South Wales; Redland Art Gallery, Cleveland, Queensland; Port Macquarie Hastings Regional Art Gallery, Port Macquarie, New South Wales; Dubbo Regional Gallery and Museum, Dubbo, New South Wales; LaTrobe Regional Gallery, Morwell, Victoria; University of South Australia Art Museum, Adelaide, South Australia Prism: Contemporary Australian Art, Bridgestone Museum, Tokyo, Japan Earth Cry, Lake Macquarie City Art Gallery, Booragul, New South Wales Contemporary Commonwealth, Ian Potter Centre: National Gallery of Victoria, Melbourne
2005	Strangely Familiar, with Fiona MacDonald, curator Ricky Subritzky, University of Technology Sydney Gallery Uncanny (the unnaturally strange), curator Rhana Devenport, Artspace, Auckland After Van Gogh: Australian artists in homage to Vincent, curator Rodney James, Mornington Peninsular Regional Gallery Unstrung: the bead in contemporary art, Latrobe Regional Gallery, Curated by Louise Tegart, Victoria MCA Collection: New Acquisitions in Context, Museum of Contemporary Art, Sydney Lapped, Campbelltown Arts Centre, Campbelltown. Sepetmber- October, 2005.
2004	After Van Gogh: Australian Artists in Homage to Vincent, Mornington Peninsula Regional Gallery, Mornington, Victoria, Australia Material Girls and Boys, curated by Barbara Flynn, Deloitte, March-June 2005 Living Together is Easy, curated by Eriko Osaka and Jason Smith, Contemporary Art Centre, Art Tower Mito, Mito Arts Foundation, Mito-shi, Japan; The National Gallery of Victoria, The Ian Potter Centre, Melbourne, Victoria More Easily Imagined: Crossings of the Blue Mountains, Bathurst Regional Art Gallery, Bathurst, New South Wales, Australia
2003	Face Up: Contemporary Art from Australia, Museum for the Present, Nationalgalerie im Hamburger Bahnhof, Berlin, Germany Tree Time, Museum De Zonnehof, The Netherlands Nature and Nation: Vaster than Empires, Hastings Museum & Art Gallery, Hastings Borough, UK Flagship: Australian Art in the National Gallery of Victoria, 1790 - 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne
2002	Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne Lure of the Southern Seas: the Voyages of Dumont D'Urville 1826 - 1840, Museum of Sydney, Sydney 2^nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2002 Sculpture by the Sea, exh. cat., Bondi 2002 The Dirty Dozen, Roslyn Oxley9 Gallery, Sydney The First Twenty Years, Roslyn Oxley9 Gallery, Roslyn Oxley9 Gallery, Sydney Converge: where art + science meet, 2002 Adelaide Biennial, Art Gallery of South Australia
2001	Unpacking Europe, Haus de Kulturen de Welt,Berlin, Germany Museum Boijmans Van Beuningen, Rotterdam Desire, RMIT Gallery, Royal Melbourne Institute of Technology, Melbourne The Art of Transformation, National Gallery of Australia, Canberra
2000-1	Federation: Australian Art and Society 1901-2001, National Gallery of Australia, Canberra
2000	Biennale of Sydney, Art Gallery of New South Wales (Gene Pool, Government House, Sydney) Terra Mirabilis/Wonderful Land, Centre for Visual Arts, Cardiff, Wales Chemistry: Art in South Australia 1990-2000, Art Gallery of South Australia, Adelaide Mirror with a Memory: A History of the Photographic Portrait in Australia, National Portrait Gallery, Canberra All Stars 2000, Roslyn Oxley9 Gallery, Sydney The Sydney Sculpture Walk, Mrs Macquarie's Chair, Sydney
1999	New Republics: Contemporary Art from Australia, Canada and South Africa, Canada House Gallery, London; Australian Centre for Contemporary Art, Melbourne; Canberra School of Art; University of South Australia Art Museum, Adelaide; Perth Institute of Contemporary Art Signature Works, Australian Centre for Photography, Sydney Clemenger Art Award, Museum of Modern Art, Heide, Melbourne Tensions, Griffith Artworks, Griffith University, Queensland Tasmanian Museum and Art Gallery, Hobart
1998	Every Other Day, Roslyn Oxley9 Gallery, Sydney
1997	Contempora5, National Gallery of Victoria (Winner inaugural Contempora 5 Art Award) The Enigmatic Object, Art Gallery of New South Wales Perspecta, Art Gallery of New South Wales Group Show, Roslyn Oxley9 Gallery, Sydney Archives and the Everyday, ANU Canberra School of Art Gallery
1996	The Power To Move; Aspects of Australian Photography, Queensland Art Gallery, Brisbane, February 96 Containers, Adelaide Festival of the Arts, Adelaide, March Death, Lewers Bequest and Penrith Regional Art Gallery, April How Say You, Australian Centre for Contemporary Art, Melbourne Inheritance, Australian Centre for Photography, Sydney, March Colonial/Post Colonial, Museum of Modern Art at Heide, Melbourne, May Container 96 - Art Across Oceans, Copenhagen, May Asia Pacific Triennale, Queensland Art Gallery, Sept `96 - Jan `97 Photography is Dead! Long Live Photography! Museum of Contemporary Art Art Cologne Internationaler Kunstmarkt, Koln Messe, Germany, November Art Rage 96, compilation for ABC TV video (collaboration with Destiny Deacon), January
1995	The Object of Existence, Australian Centre for Contemporary Art, Melbourne
1994	Biodata, Adelaide Installations, Adelaide Festival Fania, University of South Australia Art Museum Localities of Desire, Museum of Contemporary Art, Sydney Sydney Photographed, Museum of Contemporary Art Sydney
1993	Dante in Australia, Dante Centre, Ravenna, Italy
1992	Adelaide Festival Artists' Projects, Festival Centre, Adelaide The Temple of Flora, Waverley City Gallery, Melbourne
1991	Photodeath, Australian National Gallery, Canberra The Corporeal Body, Drill Hall Gallery, Australian National University, Canberra Australian Perspecta, Art Gallery of New South Wales, Sydney Stranger than Fiction, Australian National Gallery, Canberra Second Nature, P3 Art and Environment, Tokyo, Japan
1990	Harbour Hymns, City Songs, Art Gallery of New South Wales, Sydney Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide Art Contemporain Australien, Noumea, New Caledonia Photography: Recent Acquisitions, Australian National Gallery, Canberra Fragmentation and Fabrication: Recent Australian Photography, Art Gallery of South Australia, Adelaide Terminal Garden, Experimental Art Foundation, Adelaide Twenty Contemporary Australian Photographers, National Gallery of Victoria, Melbourne; Art Gallery of New South Wales, Sydney Art from Australia. Eight Contemporary Views, Bangkok, Jakarta, Singapore, Kuala Lumpur, Manila, VACB & Department of Foreign Affairs and Trade, Canberra
1989	From the Sublime to the Sordid, Experimental Art Foundation, Adelaide
1988	South Australia Rephotographed, College Gallery, South Australian School of Art, Adelaide Recent South Australian Art; New Acquisitions Art Gallery of South Australia, Adelaide Australian Photography 1928-1988, Garry Anderson Gallery, Sydney Australian Photography: the 1980's, Australian National Gallery, Canberra; Australian States Itinerary
1987	Constructed Images: Photographs of Parliament House, The Drill Hall Gallery, Canberra What is The Thing Called Science? Melbourne University Gallery, Melbourne Pure Invention, Parco Space 5, Tokyo Japan; Contemporary Art Centre of South Australia, Adelaide; 200 Gertrude Street, Melbourne, Victoria Some Provincial Myths, Recent Art from Adelaide, Contemporary Art Centre of South Australia, Adelaide; Australian States Itinerary
1986-7	The Gothic, Perversity and its Pleasure, Institute of Modern Art, Brisbane; Melbourne
1986 1985	Gods, Demi-Gods and Demi-demi Gods, The Developed Image, Adelaide The Renegotiated Image: Excerpts from Perspecta, Experimental Art Foundation, Adelaide Four Photographers, Photographers Gallery, Melbourne In Full View. An Exhibition of 20 x 24 Polaroid Photographs, Art Gallery of New South Wales; Australian States Itinerary South Australian Photographers, Artists Space, Melbourne National Photographic Exhibition, Albury Regional Art Centre, Victoria Laughter in the Dark: Australian Perspecta, Art Gallery of New South Wales, Sydney Common Ground/ Personal I, Adelaide Arts Centre, Adelaide
1984	Time Present and Time Past, Australian Centre for Photography, Sydney Interface: A Survey of Art and Technology, Centre Gallery, Adelaide
1983	CSR Photography Project, Art Gallery of New South Wales, Sydney A Decade of Australian Photography, Australian National Gallery, Canberra
1982	Vision in Disbelief Biennale of Sydney, Art Gallery of New South Wales, Sydney Contemporary Colour Photography, Newcastle Regional Art Gallery, New South Wales New American Photographs, California State College, San Bernardo, California, United States
1981	Australian Perspecta, Art Gallery of New South Wales, Sydney Fifteen Australian Photographers, Australian Centre for Photography, Sydney Project 38: Re-constructed Vision, Art Gallery of New South Wales, Sydney By Arrangement, DBR Gallery, Cleveland, Ohio, United States
1980	Fiona Hall, David Blount, Brian Thompson, Australian Centre for Photography, Sydney
1978	Eternal Present, Tasmanian Museum and Art Gallery Travelling Exhibition Church Street Photographic Centre, Melbourne
1977	Creative Camera Gallery, London, United Kingdom
1976	Galeria Photographica Nadar, Pisa Italy
1975	Six Australian Woman Photographers, Australian Centre for Photography, Sydney; National Gallery of Victoria, Melbourne
1974	Thoughts and Images: An Exploratory Exhibition of Australian Student Photography, Ewing and George Paton Galleries, Melbourne
	COLLECTIONS
	National Gallery of Australia, Canberra Art Gallery of New South Wales, Sydney Museum of Contemporary Art, Sydney National Gallery of Victoria, Melbourne Queensland Art Gallery, Brisbane Art Gallery of South Australia, Adelaide Bendigo Art Gallery, Victoria La Trobe Regional Art Gallery, Victoria Newcastle Region Art Gallery, New South Wales Tasmanian Museum and Art Gallery, Tasmania Olympic Fine Art Collection, SOCOG, Sydney
	COMMISSIONS
2007	Queensland Brain Institute
2006	Wollongong University Landscaping Project
2000	Folly for Mrs Macquarie, Sydney Sculpture Walk, Botanic Gardens
1999	Bloodline, SOCOG Olympic Limited Edition Print and Poster Commission
1998	Fern Garden, National Gallery of Australia, Canberra
1995	Occupied Territory, Commission for the opening of the Museum of Sydney
1989	Polaroid 20 x 24 Commission, New York Residency at VACB Green Street Studio, New York, United States
1987-8	South Australia Rephotographed Polaroid 20 x 24 Commission, New York, United States
1986	In Full View, Polaroid 20 x 24 Camera Project
1984-6	Parliament House Construction Project
1983	CSE Photographic Project
	BIBLIOGRAPHY
2008	Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), Sydney, p132 Timothy Morrell, Uneasy: Recent South Australian Art, Anne & Gordon Samstag Museum of Art, exh.cat. John McDonald, `A force to be reckoned with,' Sydney Morning Herald, weekend edition, April 19-20 2008, pp. 16-17. `Fiona Hall,' Art World, Feb/Mar 2008, pp86-91 Rosalie Higson, `Magic under the surface', in Arts, The Australian, March 7, 2008, p.10 Karen Pakula, `A Force of Nature,' Sydney Morning Herald, March 1 Fiona Hall: Forcefield, ex. cat., with essays by Gregory O'Brien, Paula Savage and Vivienne Webb, Museum of Contemporary Art, Sydney; City Gallery Wellington, New Zealand `Fiona Hall - 50 Most Collectable Artists,' Australian Art Collector, Issue 43, January - March 2008, p141
2007	John Hurrell, `Mixed commotions: Turbulence: the 3^rd Auckland Triennial,' Art Monthly Australia, July 2007, Number 201, pp. 24 - 28. Ashley Crawford, `Fiona Hall,' Australian Art Collector: 50 Most Collectable Artists 2007, Issue 39, January - March 2007, p.125
2006	`paradisus terrestrius', bloom magazine, `curiosities' theme issue, no. 15, pp. 26 - 33 Jason Smith, `Fiona Hall', 2006 Contemporary Commonwealth Catalogue, National Gallery of Victoria and Australian Centre for the Moving Image, pp. 76 - 79
2005	Julie Ewington, Fiona Hall, (monograph) Piper Press, Sydney, Australia John McDonald, `A shredded dollar for their thoughts', Sydney Morning Herald, November 5-6, pp. 28 - 29 `Fiona's fantastic facility for fabulous fabrications', Sunday Telegraph, Inside Entertainment, October 30, p. 11 Emma Muhlberger, `ordering chaos', Eyeline no. 58 Spring p 48-49 Elizabeth Mor, `the art of fiona hall', Eyeline no. 58 Spring p 49 MCA Collection: New Acquisitions in Context, Sydney 2005, p. 17, 32 `Fiona Hall: Making real her imagination,' Artstate No 9, Arts SA Art Gallery of South Australia, `The Art of Fiona Hall', August / September, pp.3 - 4 George Alexander, `Rosemary Laing and Fiona Hall: Remembering Forwards', Art Asia Pacific, No. 46, Fall, pp. 48-53 After Van Gogh: Australian artists in homage to Vincent, exh. cat. pp. 36-7 Pat Hoffie, `The Art of Fiona Hall,' Reviews, Artlink, vol 25, no. 2, pp. 91-92 Annette Larkin, Justin Miller and Damian Hackett, Vogue Living, `going, going, gone…', Three auction house experts reveal their top 10 favourite Australian artists to watch…, p. 110, May-June Julie Ewington & Fiona Hall, The Unnatural Art of Fiona Hall, Object Magazine, Issue 46, May 2005, p. 28 Timothy Morrell, The art of Fiona Hall in Brisbane', Art Monthly Australia, May 2005, No. 179, p. 21 Queensland Art Gallery, `The Art of Fiona Hall 1988-2005', preview, Mar-May 2005 Sebastian Smee, Objects of desire, The Weekend Australian, 2-3 April 2005, pp. 18-19 Newcastle Region Art Gallery, March-June cat., New Acquisition 2005 Alex McDonald, `Hall Ways,' state of the arts, 14 March 2005, www.stateart.com.au/sota/hit-list/default.asp?fid=3290 Ian Were, `The art of Fiona Hall,' artlines, Autumn 2005, p. 8 Alex McDonald, `Hall Ways,' State of the Arts, March `A Bocca Aperte: In Australia `arte riesce a togliere il fiato,'' Gallerie d'Art & Co Handmade News, `The insatiable curiosity of Fiona Hall,' Artlink, `handmade: the new labour', Volume 25, No. 1, p.72 Bendigo Art Gallery: Selected Works, Bendigo Art Gallery, Victoria, 2005, p. 30
2004	Melbourne Magazine, `Living Together is Easy: Twelve Artists from Australia and Japan,' October 1^st 2004, p. 99 Timeout, Progress Leader, `Artists promote harmony,' August 30^th 2004, p. 41 Neilton Clarke, `Let's live together…,' Artnotes Asia, Art Monthly Australia, No. 167, March 2004, p. 35 Robert Nelson, `And the living isn't easy,' Arts Review, The Age, September 8^th 2004, p. 9 Ashley Crawford, `Living Together is Easy: Twelve Artists from Australian and Japan,' visual arts Agenda, The Sunday Age, January 18^th 2004 Jane Devery, `cross culture conversation: Australian and Japanese Artists,' Gallery, NGV, Sept-Oct 2004, p. 34 Ken Bolton, `Australian Women Artists: Sailing to Tahiti,' Jamini: International Arts Quarterly, November, p.68 -79 Karen Burns, `About Face,' Monument, no. 58, January 2004, p. 38 Richard Grayson, `The Downside up Show,' Broadsheet, Volume 32, no. 4, 2/2003 - 12/2004 Glenis Israel, senior artwise: visual arts 11 - 12, book 2, John Wiley & Sons, Qld. pp. 155 - 160
2003	Glenda Boriani, `artsaustralia berlin 03,' tema celeste, (1), No.100, November/December 2003 B.R. `Berlin: Opération séduction,' L'oeil, Dezember Berlino, A, `Face Up. L'arte australiana va forte,' Arte, December Gloria Vallese, `Face up. L'arte Australiana va forte,' Arte, Italy, December, p. 177 Meisner, `Weit mehr als Glasperlen und Haifische,' Mannheimer Morgen, 29 November `Face Up: Contemporary Australian Art,' review, Flash Art, October 2003, vol. 36, no. 232, p. 46 Claudia Henne, `Tipp Vortrag Fiona Hall,' RBB - Radio Kultur, 8 October, 2003, 5.55pm Susan Shineberg, `In the jaws of Berlin's Great Whites, a taste of Australia,' The Age, Saturday, 4 October, p.9 Catherine Nichols, `Interview with Fiona Hall,' Face Up: Contemporary Art from Australia, exhibition catalogue, Museum for the Present, Nationalgalerie im Hamburger Bahnhof, Berlin, 2003, p. 93 Julie Ewington, “Fiona Hall,” Face Up: Contemporary Art from Australia, ex. cat., Museum for the Present, Nationalgalerie im Hamburger Bahnhof, Berlin, p. 94, 95 Ingeborg Hagedorn, `Australischer Kunstmonat Oktober,' in Berlin, Blattgold, Arts Australia Berlin, October 2003 Julian Engberg, `Loop-back: New Australian Art to Berlin,' Artlink, vol. 23 no. 3, p. 24 - 29 George Alexander, `Talking to the Artists,' LOOK, Art Gallery of New South Wales, Sydney, p. 24, 25 George Alexander, `I know what I like,' Australian Art Collector, issue 25, July - September, p. 70 - 73 `Fiona Hall,' Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002, CACSA, Adelaide, p. 16, 33 Stuart Koop, `Fieldwork: Australian Art 1968 - 2002,' Broadsheet, vol. 32, no. 1, March, April, May, p. 8 - 11 Isobel Crombie ed., Flagship: Australian Art in the National Gallery of Victoria, 1790 - 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne, p. 67, 76 Maria Bilske, `Fiona Hall: 50 Most Collectable Artists,' Australian Art Collector, Issue 23, January - March
2002	Jason Smith, `Fiona Hall, Dead in the water,' Fieldwork: Australian Art 1968 - 2002, ex. cat., National Gallery of Victoria, Federation Square, Melbourne, p. 130, 131 John McPhee, `City Life: De Sydney à Melbourne,' Paris Photo Magazine International, no. 22, Septembre/Octobre 2002, p. 124 - 131 Cynthia Troup, `Converge' Adelaide Biennial of Australian Art 2002,' Art Gallery of South Australia, Art & Australia, vol. 40, no. 2, Summer 2002, p. 240-2 Peter Hill, `Critics Picks,' The Sydney Morning Herald (Metro), Nov 8 - 14 2002, p. 27 2^nd Sight Australian Photography in the National Gallery of Victoria, ex. cat., National Gallery of Victoria, Melbourne, 2002, p. 98 Converge: where art + science meet, ex. cat., 2002 Adelaide Biennial, Art Gallery of South Australia, pp. 38, 39
2001-2002	Deborah Edwards, `Transported/ Transplanted: Fiona Hall's A Folly for Mrs Macquarie,' Art in Australia, Vol.39, No.2, Dec - Feb
2001	Stephanie Radok, `Trade,' Artlink, Vol. 21, No. 4, p. 48 - 53
2000	Jenny Tabakoff, `Getting her continental drift,' Sydney Morning Herald, May 24 Biennale of Sydney 2000, exh. cat. Andrew Frost, `Australia's 50 Most Collectable Artists,' Australian Art Collector, Issue 11, Jan - Mar Terra Mirabilis: Wonderful Land, catalogue
1999	`Fiona Hall: A Transit Through Paradise,' exh. cat., Asialink `Australian artist visits Sri Lanka to participate in program,' Daily News (Colombo), November 5 Julie Ewington, `Cash Crop,' Artlink, vol. 19, no. 4 Gabriella Coslovich, `Hall of fame: artist refuses to be boxed in,' The Age, October 26 Sebastian Smee, `Concepts take root,' Galleries, The Sydney Morning Herald, October 5 Andrew Frost, `Australia's 50 Most Collectable Artists,' Australian Art Collector, Issue 7, Jan-Mar
1998	Global Liquidity, exh. cat., (with Nalini Malani), Gallery Chemould, Mumbai and Roslyn Oxley9 Gallery, Sydney Kshama Rao, `Words on Water,' Mid-day (Mumbai, India), January 15 Peter Ward, `Almost earthly delights,' The Weekend Australian, July 11-12 Canberra Projects, exh. cat., National Gallery of Australia, Canberra Sebastian Smee, `Hall mark,' Sydney Morning Herald, 18 August Cash Crop, exh. cat., Institute of Modern Art, Brisbane Deborah Hart, `Fertile Interactions,' Art in Australia, vol 36, no 2 Timothy Morrell, `Fiona Hall: Cash Crop,' Art Monthly Australia, November Timothy Morrell, `Fiona Hall: Cash Crop,' Eyeline, Summer 1998/99
1997	National Gallery of Australia, `Canberra Projects, Fiona Hall', David Williams, Kevin Murray and Louise Dauth. Joanna Mendelssohn, `Lana H. Foil (Fiona Hall),' The Australian, March 14 Rebecca Lancashire, `Winner at the cutting edge,' Sydney Morning Herald, June 4 Rebecca Cornell, `A discussion with Fiona Hall,' artonview, Summer 1997-98 Gael Newton, `Fiona Hall: Retro-spect Leura's Theme,' in Stuart Koop (ed), A Small History of Photography, CCP Melbourne Archives & the Everyday, ex. cat., Canberra Contemporary Art Space
1996	Christopher Chapman, `Memory is the Ghost of an Object,' Broadsheet, Autumn Naomi Cass, `Soap and Glory,' Herald Sun, August 12
1995	John McDonald, `Message in a tin can,' Sydney Morning Herald, September 30 John Conomos, `Occupied Territory,' Object, January
1994	Jonathan Holmes, `Fiona Hall: Garden of Earthly Delights,' Contemporary Art Tasmania, issue 5, Spring/Summer Timothy Morrell, `Undermining the systems of the post-everything world,' Art Monthly Australia, April Garden of Earthly Delights, exh. cat., National Gallery of Australia, Canberra Kate Davidson, `Garden of Earthly Delights: The work of Fiona Hall,' AGNSW, Look magazine, June Stephanie Bunbury, `From sardine tin to tiara,' Sydney Morning Herald, June 21 Bruce James, `Feasting on Fiona's fruits,' Sydney Morning Herald, July 13 ARTIST'S PUBLICATION
1995	Subject to Change, Experimental Art Foundation, Adelaide & Piper Press Sydney, Publishers