SIMRYN GILL

SOLO SHOWS

2002

Simryn Gill: Selected Work, Art Gallery of New South Wales, Sydney
A Small Town at the Turn of the Century, Contemporary Art Centre of South Australia, Adelaide

2001

Dalam,Galeri Petronas, Kuala Lumpur
A Small Town at the Turn of the Century, Australian Centre for Contemporary Art, Melbourne; Perth Institute of Contemporary Arts, Perth; Roslyn Oxley9 Gallery, Sydney (catalogue)

2000

Roadkill, Project Gallery, CCA Kitakyushu; Roslyn Oxley9 Gallery, Sydney
Simryn Gill, Ikon Gallery, Birmingham
Natural Resemblance some recent photo work, Experimental Art Foundation, Adelaide (catalogue)

1999

Simryn Gill , Bluecoat Gallery, Liverpool; Slow Release, Bishopsgate Goods yard, London (catalogue)
Vegetation, ArtPace, San Antonio, Texas (catalogue)
Rampant, Institute of Modern Art, Brisbane

1998

Self-seeds, Kiasma, Museum of Contemporary Art, Helsinki
Forest, Roslyn Oxley9 Gallery, Sydney (catalogue)

1997

Body Politic Scapular Gallery Nomad, Manila

1996

Blank Verse , Fort Canning Park, Singapore
Wonderlust, Art Space, Sydney

1995

Out of my hair? Institute of Modern Art, Brisbane

Local Ginger, Sussex Estate, Singapore

1994

Heart of the matter, The Substation Gallery, Singapore

1992

Pooja/Loot, Experimental Art Foundation, Adelaide
Deep Thoughts, PostWest, Adelaide

GROUP SHOWS

2002

Your place or mine?, Fiona Foley and Simryn Gill, Institute of Modern Art, Brisbane (catalogue)
The Biennale of Sydney, Museum of Contemporary Art, Sydney (catalogue)
The Dirty Dozen, Roslyn Oxley9 Gallery, Sydney

ForwArt: a choice, Musées Royaux des Beaux-Arts de Belgique, Brussels (catalogue)

Identiti, Ininlah Kami/ Identities, Who We Are, National Art Gallery, Kuala Lumpur
The First Twenty Years, Roslyn Oxley9 Gallery, Sydney

2001

Objection, The Physics Room, Christchurch; Sarah Cottier Gallery, Sydney
2nd Berlin Biennale for Contemporary Art (collaboration with Liisa Roberts), Berlin (catalogue)

2000

Flight Patterns Museum of Contemporary Art, Los Angeles (catalogue)
Delicate Balance: Six Routes to the Himalayas, (collaboration with Liisa Roberts), Kiasma Museum of Contemporary Art, Helsinki (catalogue)
Gang of Four, Robert Lindsay Gallery, Melbourne; Roslyn Oxley9 Gallery, Sydney

1999

Au-Delà Galerie Klosterfelde, Berlin
Babel Ikon Gallery, Birmingham (catalogue)
Asia Pacific Triennial,Queensland Art Gallery, Brisbane (catalogue)
Australian Perspecta, Museum of Sydney
Letter To Picasso, Post Master Gallery, Melbourne

1998

Close Quarters: Contemporary Art from Australia & New Zealand, Monash Uni Gallery & Australian Centre for Contemporary Art, Melbourne, Australia. (Tour)
Transit, Art Gallery of New South Wales, Sydney
Schools, Valentine Willie Fine Art, Kuala Lumpur

1997

Wardrobe,Mad Love, Adelaide (Tour)
Thin Skin, Performance Space, Sydney
Web Sites, Australian Perspecta, Art Gallery of NSW, Sydney
5th Istanbul Biennial, Istanbul
Cities On The Move, Weiner Secession, Vienna (Tour)

1996

Above & Beyond Australian Centre for Contemporary Art, Melbourne (Tour) (catalogue)

1995

Litteraria, South Australian Museum, Adelaide
TransCulture,Venice Biennale, Venice;Naoshima Contemporary Art Museum, Naoshima Island (catalogue)
Skin Trilogy,National Art Gallery, Kuala Lumpur

1994

Biodata, Adelaide Biennial, CACSA, Adelaide (catalogue)
Localities of Desire, Museum of Contemporary Art, Sydney
Jemmy,Ebenezar Studios, Adelaide
Let Me Speak, Matic, Kuala Lumpur
Vision & Idea: Relooking Modern Malaysian Art, National Art Gallery, Kuala Lumpur

1993

What About Converging Extremes? Galeriwan, Kuala Lumpur
Here Not There,Institute of Modern Art, Brisbane
Images of a First Language, Prospect Gallery, Adelaide

1992

Artist's Regional Exchange, Perth Institute of Contemporary Art, Perth

1991

Possessed,Bullring Gallery, Adelaide
Postiche,Club Foote, Adelaide

BIBLIOGRAPHY

2003

Kate Bush, “Portfolio: Simryn Gill,” Artforum, vol. 61, no. 6, February 2003, p. 105 - 109

Lee Weng Choy, “Simryn Gill,” ART AsiaPacific, Issue 37 (Jan, Feb, Mar), p. 65

2002-03

Ken Bolton, “Simryn Gill `A Small Town at the Turn of the Century',” Broadsheet, vol. 31 no. 4, Dec 2002, Jan & Feb 2003

2002

Simryn Gill, Vogue Living Australia, December/ January 2003, pp. 130 - 135

Ihor Holubizky, “Your Place or Mine?,” Photofile no. 67, December 2002, p. 59

Michael Duncan, “Report from Sydney: Self-Created Worlds,” Art in America, October, p. 61 - 65

Sandra McLean, “Put you in your place,” The Courier Mail, Friday, September 13, p. 15
Weng Choy, Authenticity, Reflexivity & Spectacle: or, the Rise of New Asia is not the End of the World, Broadsheet, pp. 11- 13
Ashley Carruthers Simryn Gill, Dalam, review, Forum on Contemporary Art & Society, vol 4, Singapore
Michael Fitzgerald, The Cultural Beachcomber, TIME Australia, August 5, 2002, pp. 62, 63

Hannah Fink, “Fabulous - (The World may be) Fantastic: 2002 Biennale of Sydney, Art Monthly Australia, no. 151, July, pp. 5-8
Rosalie Higson Rooms with a viewfinder Weekend Australian Magazine, July 20-21

Bruce James, “Why the Biennale is a bit of a miracle,” Sydney Morning Herald, Friday, May 17, 2002, p. 13
Karim Raslan Playful yet subtle, Business Times, Singapore, 26th April

2001

Robert Cook Palpable like paw-paw, review, Broadsheet, vol.30 no.2

Felicity Fenner Simryn Gill at Roslyn Oxley9, review, Art in America, November
Virginia Ross Roadkill, Simryn Gill, review, Like, No 14, Autumn
Ted Snell Creative views of world in flux, review, The Australian, February 2

2000

Denise Driver Sites of Similitude, review, Broadsheet, vol 29 no.3
Simryn Gill A small town at the turn of the century, CCAKitakyushu
Hans Ulrich Obrist Roadkill: Repetition and Difference, review, Contemporary Visual Arts, Issue 29
Apinan Poshyananda Simryn Gill, Fresh Cream, Phaidon Press
Suhanya Raffel Geography, indigeneity and dissonance, Artlink, vol 20 no 2

1999

Sharmini Pereira Cocos Fabulos, in Ideal Work, Experimental Art Foundation, Adelaide
Yao Souchou Procrastination; or how I relearn the pleasure of the tropics, Parallex, vol.5, no.1

1997

Lee Weng Choy Local Coconuts: Simryn Gill and the Politics of Identity, Art Asia Pacific No.16
Hans-Ulrich Obrist & Guy Tortosa (editors) Unbuilt Roads: 107 unrealised projects, Musee d'Art Moderne de la Ville de Paris
Marian Pastor Roces Simryn Gill: Slow Release, Art+Text, No.56

1996

Antony Whiting Not Everything in our Museum is Stuffed, review, Broadsheet, vol.25, No.1

1995

Barry Craig Inflecting the Museum, review, Artlink, Vol.15 No.4
Simryn Gill Out of My Hair, Artists Pages, Art+Text, No.50
Daniel Thomas Slippery, Deformed, Transformed, review, RealTime #9

1994

David Broker East West Passage, review, Art+Text No.48
Ray Langenbach Annotated Singapore Arts Diary, Art Asia Pacific vol.1, no.3
Ken Bolton Cornering the Cultural , review, The Adelaide Advertiser June
Martin Munz ARX3, review, Art+Text No.43

1991

Catherine Kenneally After Thoughts on Postiche and Postscript, Broadsheet Vol.20, no.2
Simryn Gill Deep Thoughts, Artists Pages, Photofile No.34