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Jacqueline Fraser
Who blacked that quaint hand so blue deftly? Who pushed that sly back so fierce aghast? Who dragged our dotted boys who could not stand plunding? Who cracked that fluted head so sad jerking? [[Mexico, Switzerland, Fiji.]], 2001
A Portrait of the Lost Boys « in five parts deftly and six details of straining » To Our Lost Boy Ivan, carbon monoxide gassed 1998
wire, brown braid, sequin taffeta, text, luxury velvet, black tulle
290 × 90cm
Provinece: New Museum N.Y. 2001

- A Portrait of the Lost Boys « in five parts deftly and six details of straining », New Museum, New York, 2001

‘The Making Of…’ collages,2011

‘THE MAKING OF LA DOLCE VITA, 2011′ 2011

Jacqueline Fraser - MAGIQUE

‘SHES A VILE GOLD-DIGGING VANESSA BEECROFT CUT-OUT, HUSTLER’, 2007

Art 38 Basel, Switzerland, 2007

Jacqueline Fraser - New York Collages, 2007

The Armory Show, 2006

The Ventriloquist, 2005

«INVISIBLE» (Artes Mundi Prize, UK and Walters Prize, NZ), 2004

YOU DON’T KNOW SHIT FROM CLAY

DON’T MENTION DEATH

Basel Art Fair, 2004

Paris, 2004

- An Elegant Portrait Refined In Eleven Studious Parts « a loose cannon speaks », 2003

- 14.7.2002 Parisian Fabric Drawings

- A demure portrait of the artist strip searched « with 11 details of bi-polar disorder » (under close scrutiny), 2001

- A Portrait of the Lost Boys « in five parts deftly and six details of straining », New Museum, New York, 2001

- The acute massacre of the blessed by the cruel scientific curse « the genetical engineer looks our way » New Zealand Auckland, 8.3.2000 Paris, 22.7.2000 Yokohama Triennale, 2001