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Jacqueline Fraser
And on the seventh day I foled the kiekie crisp « shyly invisible » And on the eighth day I drank the kawakawa tart « primly stoned », 2000_01
The acute massacre of the blessed by the cruel scientific curse « the genetical engineer looks our way » New Zealand Auckland, 8.3.2000 Paris, 22.7.2000
Ribbon, laminated tracing paper, wire, tulle, sequins
220 × 150cm
Provinence: Yokohama Triennale, 2001
- The acute massacre of the blessed by the cruel scientific curse « the genetical engineer looks our way » New Zealand Auckland, 8.3.2000 Paris, 22.7.2000 Yokohama Triennale, 2001
‘The Making Of…’ collages,2011
‘THE MAKING OF LA DOLCE VITA, 2011′ 2011
Jacqueline Fraser - MAGIQUE
‘SHES A VILE GOLD-DIGGING VANESSA BEECROFT CUT-OUT, HUSTLER’, 2007
Art 38 Basel, Switzerland, 2007
Jacqueline Fraser - New York Collages, 2007
The Armory Show, 2006
The Ventriloquist, 2005
«INVISIBLE» (Artes Mundi Prize, UK and Walters Prize, NZ), 2004
YOU DON’T KNOW SHIT FROM CLAY
DON’T MENTION DEATH
Basel Art Fair, 2004
Paris, 2004
- An Elegant Portrait Refined In Eleven Studious Parts « a loose cannon speaks », 2003
- 14.7.2002 Parisian Fabric Drawings
- A demure portrait of the artist strip searched « with 11 details of bi-polar disorder » (under close scrutiny), 2001
- A Portrait of the Lost Boys « in five parts deftly and six details of straining », New Museum, New York, 2001
- The acute massacre of the blessed by the cruel scientific curse « the genetical engineer looks our way » New Zealand Auckland, 8.3.2000 Paris, 22.7.2000 Yokohama Triennale, 2001
