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DALE FRANK
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Born 1959 in New South Wales, Australia
Lives Singleton, Australia
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SOLO EXHIBITIONS
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2017
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Dale Frank, Neon Parc, Melbourne
Dale Frank, Roslyn Oxley9 Gallery, Sydney
Dale Frank, Pearl Lam Galleries, Hong Kong
Dale Frank, Gow Langsford Gallery, Auckland
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2016
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Dale Frank, Bank of America Merrill Lynch, Sydney
Sabco Peroxide, Roslyn Oxley9 Gallery, Sydney
Los Angeles Contemporary Art Fair, Neon Parc Gallery (Melbourne), Los Angeles
Dale Frank, Gow Langsford Gallery, Auckland
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2015
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Dale Frank, Neon Parc Gallery, Melbourne
Dale Frank, Gow Langsford Gallery, Auckland
Art Cologne, Neon Parc Gallery, Koln
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2014
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Toby Jugs, Roslyn Oxley9 Gallery, Sydney
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2013
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Nobody's Sweetie, Roslyn Oxley9 Gallery, Sydney
Date Custard Tart, Anna Schwartz Gallery, Melbourne
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2012
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The Silence Rode a Donkey Into Town, Gallery Reis, Singapore
Art Statements Gallery, Hong Kong
Armory Show, New York (Anna Schwartz Gallery)
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2011
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WACKY DUCK FLUFFY TOM, Roslyn Oxley9 Gallery, Sydney
Fennel, Gallery Reis, Singapore
Dale Frank, Anna Schwartz Gallery, Melbourne
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2010
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Ice Age, Roslyn Oxley9 Gallery, Sydney
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2009
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Dale Frank, Art Statements Gallery, Hong Kong
Dale Frank, Gow Langsford, Auckland
Dale Frank, Anna Schwartz Gallery, Melbourne
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2008
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Dale Frank, Anna Schwartz Gallery, Sydney
Some Boring Paintings, Roslyn Oxley9 Gallery, Sydney
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2007
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Sore Throat, Roslyn Oxley9 Gallery, Sydney
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2006
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Dale Frank, Gow Langsford, Auckland, New Zealand
Dale Frank, Roslyn Oxley9 Gallery, Sydney
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2004
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Dale Frank, Roslyn Oxley9 Gallery, Sydney
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2003
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Dale Frank, Studio Foyer Exhibitions, Sydney Opera House, Sydney
New Paintings, Anna Schwartz Gallery, Melbourne
Views from the Bruce Highway, Roslyn Oxley9 Gallery, Sydney
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2001
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Dale Frank, Roslyn Oxley9 Gallery, Sydney Dale Frank, Gow Langsford, Auckland, New Zealand
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2000
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Ecstasy - 20 Years of Painting, curated by Sue Cramer, Museum of Contemporary Art, Sydney
Art Gallery of New South Wales, Sydney Dale Frank, Roslyn Oxley9 Gallery, Sydney Dale Frank, Anna Schwartz Gallery, Melbourne Miss Junior Gin Gin Showgirl, Dale Frank (and Adam Cullen), Hazelhurst Regional Gallery, Sydney Dale Frank, Galerie Albert Baronian, Brussels
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1999
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Dale Frank, Roslyn Oxley9 Gallery, Sydney Dale Frank, Karyn Lovegrove Gallery, Los Angeles
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1998
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Gin Gin Paintings, Bundaberg Art Gallery, (touring, Toowoomba Regional Gallery, Tamworth City Gallery) Dale Frank, Roslyn Oxley9 Gallery, Sydney Unseen New York Paintings 1985-86, Alderton Gallery, Brisbane Dale Frank, Anna Schwartz Gallery, Melbourne
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1997
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Dale Frank, Gow Langsford Gallery, Auckland (touring Govett-Brewster Gallery, New Plymouth; Wellington City Gallery, Wellington, New Zealand) Movie Show, Roslyn Oxley9 Gallery, Sydney
Dale Frank, Anna Schwartz Gallery, Melbourne
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1996
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Dale Frank, Roslyn Oxley9 Gallery, Sydney
Dale Frank, Teststrip Gallery, Auckland Dale Frank, Bellas Gallery, Brisbane Dale Frank, Centre for Contemporary Photography, Melbourne Disco-Behaviouralism, Upper Roma Street, Brisbane (VOLT, Brisbane Festival) Pool Hall, Institute of Modern Art, Brisbane Dale Frank, Roslyn Oxley9 Gallery, (photography) Sydney Perfumed Lotus (sculpture performance), Room 117, Asia Pacific Hotel Art Fair, Brisbane
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1995
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Dale Frank, Bellas Gallery, Brisbane Sculpture Performance, Roslyn Oxley9 Gallery, Sydney Dale Frank/Scott Redford (collaboration), ISNT Gallery, Brisbane Dale Frank, Karyn Lovegrove Gallery, Melbourne
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1994
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Dale Frank, Karyn Lovegrove Gallery, Melbourne Dale Frank, Project Space, Level 2, Art Gallery of New South Wales, Sydney Dale Frank, Sherman Galleries, Sydney Dale Frank, Private Viewing, Hugh Jamieson Collection, Bilpin, NSW Dale Frank, Jack Shainman Gallery, New York Dale Frank, Wollongong City Gallery, Wollongong, NSW (Drawing Retrospective, 1980-1994) Unseen 1984 Exhibition, Karyn Lovegrove Gallery, Melbourne Satellite of Love, Canberra Contemporary Art Space, (in association with the National Gallery of Australia, `Virtual Reality'), Canberra
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1993
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Dale Frank, Solander Gallery, Canberra Dale Frank, Bellas Gallery, Brisbane Dale Frank, Monash University Gallery, Monash University, Melbourne (Drawing Retrospective, 1980-1992) Dale Frank, Perth Institute of Contemporary Art, P.I.C.A., Perth (Drawing Retrospective, 1980-1992) Sherman Gallery Goodhope, Sydney UNFAIR, Cologne Dale Frank, Galerie Albert Baronian, Brussels
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1992
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Dale Frank, Newcastle Regional Gallery, Newcastle (collaboration with John Coburn) Dale Frank, Roslyn Oxley9 Gallery, Sydney Dale Frank, Contemporary Art Centre of South Australia, Adelaide Dale Frank, Nolan Gallery, Canberra (collaboration with John Coburn) Dale Frank, Karyn Lovegrove Gallery, Melbourne Dale Frank, The Villa Verte, Kuala Lipis (Kuala Lumpur),Malaysia Dale Frank, Roslyn Oxley9 Gallery, Sydney
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1991
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Dale Frank, Roslyn Oxley9 Gallery, Sydney Dale Frank, Institute of Modern Art, Brisbane (collaboration with John Cobum) Dale Frank, Tamworth City Gallery, Tamworth Dale Frank, Deutscher Brunswick Street, Melbourne
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1990
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Dale Frank, Milburn+Arte, Brisbane Dale Frank, Deutscher Brunswick Street, Melbourne Dale Frank, Roslyn Oxley9 Gallery, Sydney Dale Frank, Sculptures and Constructions, Milburn, Brisbane
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1989
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Dale Frank, Milburn+Arte, Brisbane Dale Frank, Roslyn Oxley9 Gallery, Sydney
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1988
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Dale Frank, Jack Shainman Gallery, New York Dale Frank, Milburn+Arte, Brisbane Dale Frank, Mon Gallery, Sydney Dale Frank, Realities Gallery, Melbourne Dale Frank, E.M.R. Gallery, Sydney
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1987
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Dale Frank, Studio Marconi, Milan Dale Frank, Musee de Arte Modern di Ville Liege, Liege; curated by Albert Baronian Dale Frank, Marianne Deson Gallery, Chicago Dale Frank, Realities Gallery, Melbourne Dale Frank, Mon Gallery, Sydney
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1986
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Dale Frank, Massimo Audiello Gallery, New York Dale Frank, Galerie Polynero, Antwerp Dale Frank, Galerie Albert Baronian, Brussels Dale Frank, Triagono Modern Arte, Nola (Naples) Dale Frank, Roslyn Oxley9 Gallery, Sydney
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1985
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Dale Frank, Palais Des Beaux-Arts (Galerie Albert Baronian), Brussels Dale Frank, Galerie Barbara Farber, Amsterdam Dale Frank, Roslyn Oxley9 Gallery, Sydney Dale Frank, Canberra School of Art Gallery, Canberra Dale Frank, Studio d'Art Cannaviello, Milan
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1984
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Dale Frank, Studio d'Art Cannaviello, Milan Dale Frank, Roslyn Oxley9 Gallery, Sydney Dale Frank, University Gallery, Melbourne Dale Frank, Institute of Modern Art, Brisbane Dale Frank, Monique Knowlton Gallery, New York
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1983
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Dale Frank, Museum Fodor, (Stedelijk Museum), Amsterdam Dale Frank, Roslyn Oxley9 Gallery, Sydney
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1982
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Dale Frank, Galerie Tanit, Munich Dale Frank, Perspective 12/82, International Kunstmesse, Basel Dale Frank, Roslyn OxIey9 Gallery, Sydney Dale Frank, Severina Teucher Galerie, Zurich
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1981
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Dale Frank, Acme Art Gallery, London Dale Frank, Psi Gallery (Project Studio One), New York Dale Frank, Praxis Gallery, Perth Dale Frank, Fernando Pellegrino Galerie, Bologna
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1980
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Dale Frank, Project Art Gallery, Dublin Dale Frank, Young Artists Club, (FMK), Budapest Dale Frank, Galerie Sixto Notes, Milan
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1979
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Dale Frank, Experimental Art Foundation, Adelaide
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SELECTED GROUP EXHIBITIONS
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2018
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Art Basel Hong Kong, Roslyn Oxley9 Gallery, Hong Kong
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2017
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Spring 1883, Neon Parc, The Establishment, Sydney Unpainting, Art Gallery of New South Wales, Australia
Every Brilliant Eye: Australian Art of the 1990's, National Gallery of Victoria, Melbourne
Red Green Blue: A History of Australian Video Art, Griffith University Gallery, Queensland
Materialised Condition, Pearl Lam Galleries, Singapore Mad Love, Arndt3 Gallery, Berlin
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2016
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Today Tomorrow Yesterday, Museum of Contemporary Art, Australia
Structures of Recollection, curated by Paul Moorehouse, Pearl Lam Galleries, Hong Kong
Dancing Umbrellas, curated by Sue Crammer, Heide Museum of Modern Art, Melbourne, Australia
Group Show, Roslyn Oxley9 Gallery, Sydney, Australia
Bilder Bilder, Neon Parc Gallery, Melbourne, Australia
Shut Up And Paint, National Gallery of Victoria (NGV), Melbourne, Australia
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2015
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Lurid Beauty, National Gallery of Victoria, Melbourne
Shanghai Contemporary Art Fair, Pearl Lam Gallery, Shanghai
Taipei Art Fair, Pearl Lam Galleries, Taipei
Sky Night Silver & Words, Art Statements Gallery, Hong Kong
GROUP SHOW: Tony Clark, Dale Frank, Kathy Temin & Jenny Watson, Roslyn Oxley9 Gallery, Sydney
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2014
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Benglis 73/74, Sutton Project Gallery, Melbourne, curated by Geoff Newton
2014 Adelaide Biennial of Australian Art: Dark Heart, Art Gallery of South Australia, Adelaide (curated by Nick Mitzevich)
TRANSITION, Art Statements, Hong Kong
Abstract, Benalla Art Gallery, Victoria
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2013
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Personal Structures, Palazzo Bembo, 55th Venice Biennale, Venice, Italy
Vibrant Matter, TarraWarra Museum of Art, Healesville, Victoria.
Every day I am a day older: Portraiture from the Griffith University Art Collection, Griffith University Art Gallery, Brisbane.
Mix Tape 1980 s: Appropriation, Subculture, Critical Style, National Gallery of Victoria, Melbourne
Luminous World, Charles Darwin University Art Gallery; National Library of Australia, Canberra; the Anne & Gordon Samstag Museum of Art - UniSA, Adelaide and The Ian Potter Museum of Art - The University of Melbourne. Monumental, Art Statements Gallery, Hong Kong
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2012 -13
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Les Arts De L'effervescence Champagne, Musee des Beauz Arts de Reims, Reims, France
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2011
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Forever Young: 30 Years of the Heide Collection, Heide Museum of Modern Art, Melbourne
Inner Worlds: Portraits and Psychology, National Portrait Gallery, Canberra Gambatte Humanity, Art Statements Tokyo Gallery, Tokyo New Psychedelia, University of Queensland Art Museum, Brisbane Hip To Be Square, Art Statements Gallery, Hong Kong
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2010
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17th Biennale of Sydney: The Beauty of Distance, Songs of Survival in a Precarious Age, directed by David Elliott
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2008
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Contemporary Australia - Optimism, Gallery of Modern Art l Queensland Art Gallery, Brisbane
Neo Goth: Back in Black, The Art Museum, University of Queensland, curated by Alison Kubler
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2007
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The Year in Art, S.H. Ervin Gallery, Sydney
Strange Cargo: Contemporary art as a state of encounter, Newcastle Region Art Gallery, Broken Hill Regional Art Gallery, Bendigo Art Gallery, Orange Regional Gallery, Wagga Wagga Art Gallery and Tweed River Regional Gallery
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2006
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Before the Body-Matter, Monash University Museum of Art, Melbourne
Parallel Lives: Australian Painting Today, Tarrawarra Biennial, Tarrawarra Museum of Art, Healesville, Victoria
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2005
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Frieze Exhibition, Gow Langford Gallery, Auckland Central
Drawing Centre, curated by Ross Woodrow, Newcastle Region Art Gallery, NSW, Jan-Mar 2005
Winner -The Arthur Guy Memorial Painting Prize 2005, Bendigo Art Gallery, Victoria
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2004
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Auto Fetish: Mechanics of Desire, curated by Nick Mitzevich, Newcastle Region Art Gallery, Newcastle, New South Wales
Swoon, Australian Centre for Contemporary Art (ACCA), Melbourne
Three-way abstraction, MUMA Monash University Museum of Art, Melbourne
Selected Contemporary Art, Maragret Moore and Anna Scwartz Gallery, Perth
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2003
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The Year in Art, S.H. Ervin Gallery, Sydney
In Conversation, The VanVliet Collection of international contemporary art with artworks from the collection of The University of Queensland, University Art Museum, University of Queensland, Brisbane
On the Beach with Whiteley, Brett Whiteley Studio, Sydney
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2002
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Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne
Sublime: 25 Years of the Wesfarmers Collection of Australian Art, Art Gallery of Western Australia, Perth, Western Australia
Dirty Dozen, Roslyn Oxley9 Gallery, Sydney The First Twenty Years, Roslyn Oxley9 Gallery, Sydney Other Views: an exhibition from the Griffith University Art Collection, Griffith University, Nathan, Queensland
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2001
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low-down, Monash University Gallery, Monash University, Melbourne Desire, RMIT Gallery, Royal Melbourne Institute of Technology, Melbourne
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2000
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Monochromes, University Art Museum, The University of Queensland, Brisbane Home and away, Contemporary Australian and New Zealand Art from the Chartwell Collection, June 4 - August 22, Auckland Art Gallery Touring exhibition until 2001, Auckland, New Zealand
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1999
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Moral Hallucinations: Channelling Hitchcock, Museum of Contemporary Art, Sydney, curated by Edward Colless Geelong Contemporary Art Prize (winner), Geelong Art Gallery Funk de Siecle, Museum of Modern Art Heide, Melbourne, curated by Murray White Exploratory Behaviour: Contemporary Art from the Permanent Collection, National Gallery of Victoria, Melbourne Molecular Reality, Experimental Art Foundation, Adelaide, curated by Christopher Chapman
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1998
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Mécénat Collection, Sherman Galleries (Hargrave), Sydney Art 29'98, Basel Art Fair, Switzerland The Female Form Divine, Monash University Gallery, Melbourne Blue, Annandale Galleries, Sydney Group Show, Alderton Gallery, Brisbane
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1997
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Art 28'97, Basel Art Fair, Switzerland Art Forum Berlin, Berlin Art Fair, Germany It's a Guitar Shaped World III, Tamworth City Gallery, Tamworth NOW, Bellas Gallery, Brisbane Dead Sun, Art Gallery of New South Wales, Sydney, curated by Mike Parr Ambient (Male) Identity, Contemporary Art Centre of South Australia, curated by Christopher Chapman
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1996
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Hidden Treasures II, Art in Corporate Collections, S.H. Erwin Gallery, Sydney Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide, curated by Christopher Chapman Art 27'96, Basel Art Fair, Switzerland New Additions, Monash University Collection, Monash University, Melbourne Sweet & Sticky, Bundaberg Arts Centre; curated by Jane Gallagher Australia: Familiar and Strange, Seoul Arts Centre, Korea, curated by Timothy Morrell lmants Tillers, Dale Frank, Geoff Lowe, Robyn Stacy, Karyn Lovegrove Gallery, Melbourne Cologne Art Fair, Cologne, Germany
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1995
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Group Exhibition, Roslyn Oxley9 Gallery, Sydney Aspects of Australian Printmaking 1984-1994, National Gallery of Victoria, Melbourne Christmas Show, Peter Bellas Gallery, Brisbane Group Exhibition, Karyn Lovegrove Gallery, Melbourne Out of the Analogue, Plimsoll Gallery, Hobart; curated by Leigh Hobba
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1994
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McCaughey Prize Exhibition, National Gallery of Victoria, Melbourne 25 Years of Performance Art in Australia, Ivan Dougherty Gallery, Sydney (touring), curated by Nick Waterlow Faces of Hope, Art Gallery of New South Wales, Sydney Virtual Reality, 1st Biennale of Contemporary Art, National Gallery of Australia, Canberra, curated by Mary Eagle
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1993
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Wit's End, Museum of Contemporary Art, Sydney, curated by Kay Campbell Rad Scunge; new art from Sydney, Karyn Lovegrove Gallery, Melbourne, curated by Dale Frank Dale Frank, lmants Tillers, John Young, Sherman Goodhope Gallery, Sydney Summer Show, Jack Shainman Gallery, New York Human, National Gallery of Australia, Canberra, (video installation), curated by Christopher Chapman
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1992
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The Hypothesis of Imitation, Sutton Gallery, Melbourne, curated by Rex Butler Drawings, Gow Langsford Gallery, Auckland Courts and Jesters, Ars Multiplacata Gallery, Sydney, curated by Jeff Gibson Prolepsis, National Museum of Art, Kuala Lumpur, curated by Redza Niza-Tan Medium Density: Contemporary Australian Drawings and Photographs, Australian National Gallery, Canberra
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1991
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Selected Contemporary Australian Artists, Deutscher Brunswick Street, Melbourne Banal Art, Artspace, Sydney, curated by Rex Butler The Hypothesis of Imitation, Bellas Gallery, Brisbane, curated by Rex Butler The History of the Electronic Page, Institute of Contemporary Art, Amsterdam, curated by Paul Groot Cross Currents, Contemporary New Zealand and Australian Art from the Chartwell Collection, Waikato Museum of Art and History, Hamilton
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1990
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Group Show, Roslyn Oxley9 Gallery, Sydney The Ready Made Boomerang: 8th Biennale of Sydney, curated by Rene Block, Art Gallery of New South Wales, Sydney Australian Contemporary Art Fair 2, Royal Exhibitions Buildings, Melbourne Greenpeace Benefit Exhibition, Linden Gallery, Melbourne 100 Artists Against Animal Experimentation, Deutscher Brunswick Street, Melbourne Vache, Site Gallery, Brisbane
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1989
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I.C.l. Contemporary Art Collection, Australian Centre for Contemporary Art, Melbourne; Ballarat Fine Art Gallery (touring) Group Show, The University of South East Queensland, Toowoomba Australian Art Post 1960, Deutscher, Gertrude Street, Melbourne Cosmos, City Gallery, Melbourne
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1988
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Advance Australian Painting, Auckland City Art Gallery, Auckland; Robert McDougall Art Gallery, Christchurch Australian Drawing, Australian National Gallery, Canberra The New Generation (1983-1988), Phillip Morris Arts Grant Purchase, Australian National Gallery, Canberra Irony, Humour and Dissent, Manly Art Gallery and Museum, Sydney, curated by Alison Carroll
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1987
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Primal Painting, Heide Park Art Gallery, Melbourne Nature Re-defined, Galerie Segal-Steinberg, Montreal Documentation, Daniel Newburg Gallery, New York Drawings, 56 Bleeker Street, New York The Australian Bicentennial Perspecta, Art Gallery of New South Wales, Sydney; Art Gallery of Western Australia, Perth The Australian Exhibition, Frankfurter Kunstverein, Frankfurt; Wuttembergische Kunstverein, Stuttgart What Is This Thing Called Science, The University Gallery, University of Melbourne Australian Contemporary Drawing, Heide Park and Art Gallery, Melbourne Group Show, Jack Shainman Gallery, New York Backlash: Australian Drawing Revival 1976-1986, National Gallery of Victoria Melbourne Milano + 12 , OSAON Centro di Arte Contemporanea, Milan 15 Years Galerie Albert Baronian, Museum International Cultureel Centrum, Antwerp The Painting Exhibition, Frankfurter Kunstverein, Frankfurt Group Show, Jack Shainman Gallery, New York Australian Drawing Revival 1976-1986, National Gallery of Victoria, Melbourne Milano 12 OSAON, Centro di Arte Contemporanea, Milan
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1986
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Everyman, Zurich Forum (Barbara Farber Gallery), Zurich New Generation, 5 Painters from New York, Segel Steinberg Gallery, Montreal New Purchases - Recent European Art, Museum of Modern Art, Chicago Forbidden Obiects, Roslyn Oxley9 Gallery, Sydney
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1985
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Dale Frank/Roberto Agus, Unimedia Galerie, Genova Australian Visions, Queensland Art Gallery, Brisbane, Art Gallery of New South Wales, Sydney; Art Gallery of Western Australia, Perth Doppelganger/cover, Aorta Gallery, Amsterdam, curated by Paul Groot Nuove Trame dell'Arte, Castello Genazzano, Rome, curated by Achille Bonito Oliva Anniottanta, Chiostri di San Domenico, Imola (Museum of Modern Art, Bologna), curated by Renato Barilli, Flavio Caroli Master Drawings, Galerie Barbara Farber, Amsterdam Rondo 2nd Rassenga lntemazionale d'Arte, Antichi Arsenali, Amalfi, curated by Gaspare Russo
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1984
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Fremantle Drawing Exhibition, Fremantle Arts Centre, Fremantle, curated by Christa Johannes Form>lmage>Sign, Art Gallery of Western Australia, Perth, curated by Tony Bond Dreams & Nightmares, Roslyn Oxley9 Gallery, Sydney Aperto 84, Arte e Arti: Attualita e Storia', Biennale of Venice, curated by Flavio Caroli & John Roberts Symbol, Emblem and Signature, Govett- Brewster Gallery, New Plymouth, curated by Jennifer Phipps L'Occhio SuII Imagine, Carla Feishci, Sestri Levante Recent Australian Art - An American Perspective, Solomon R. Guggenheim Museum, New York, curated by Diane Waldman Inspirit, Monique Knowlton Gallery, New York, curated by Garry Nichols
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1983
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Critica e Arte: Panorama della Post - Critica, Palazzo Lanfranchi, Pisa, Italy, curated by Achille Bonito Oliva Tall Poppies, Melbourne University Gallery, Melbourne, curated by Paul Taylor Perspecta 83, Art Gallery of New South Wales, Sydney, curated by Bernice Murphy End of Civilization, Part II, Ewing Gallery, Melbourne, curated by Vivian Shark-LeWitt Place, Gimpel Fils Gallery, London, curated by Caryn Faure-Walker De Goddeliik Komedie (The Divine Comedy), Galerie t'Venster, Rotterdam Maastricht, Rotterdam,and Bonnefantan Museum, curated by Paul Groot Faces and Portraits from Life, Heide Park Gallery, Melbourne D'un Autre Continent, ARC2, Musee d'Art Modern de Ia ville de Paris, curated by Suzanne Page Recent Australian Painting, Art Gallery of South Australia, Adelaide Drawings, Art Projects, Melbourne Vox Pop, National Gallery of Victoria, Melbourne Michelle Foundation Collection, National Gallery of Victoria, Melbourne
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1982
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4th Biennale of Sydney, Art Gallery of New South Wales, Sydney, curated by William Wright
Muswellbrook Art Prize, Muswellbrook, (winning entry)
White and Black Drawings, Willard Gallery, New York
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1981
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Les Oeuvres Plastigues Exposition, Espace Lyonnais d'Arte Contemporain, Lyon, France, curated by Marie Claude-Jeune April Show, PS1, New York Anzart, Robert McDougall Art Gallery, Christchurch, curated by Ian Hunter
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1980
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Post 80's Video, Action Space Gallery, London Project Art Gallery, (Spring Program), Dublin
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1979
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Alternatives, Sydney Biennale, Sculpture Centre, Sydney Nexus: 4 Artists, Triskel Art Gallery, Cork
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1978
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Ten Contemporary Sculptors, State Office Block, Sydney La Trobe University Sculpture Festival, La Trobe University Art Centre, Melbourne
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1977
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Mildura Sculpture Triennale, Mildura Arts Centre, Mildura Contemporary Art Society Exhibition, Paddington Town Hall, Sydney
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1976
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Four Painters, Cooks Hill Gallery, Newcastle
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1975
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Wynne Exhibition, Art Gallery of NSW, Sydney Maitland Bradmill Painting Prize, Maitland, Australia (Syd Ball, Judge) Contemporary Art Society Exhibition, Hogarth Gallery, Sydney1974 Red Cross Art Prize, Sydney, (winning entry, John Olsen, Judge)
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BIBLIOGRAPHY since 1982
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2017
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Kylie King, Dale Frank at Neon Parc, Memoreview Online, 8 July, 2017
Catherine Shaw, Material world: Dale Frank latest explorations in paint, resin and firm foam, Wallpaper magazine, 23 January 2017
Annamarie Kiely, Dale Frank at Pearl Lam Galleries Hong Kong, ArtAsiaPacific, Brittany Dale, 8 March 2017
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2016
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Nick Yelverton, BEING DALE FRANK, Vogue Living | The Art Issue November/December 2016, pp122-131.
Jane Rankin-Reid, '56 bottles of beer on the floor, 56 bottles of beer…' Look Magazine, March 2016, pp.20-21
`Dale Frank', ArtForum, Vol.54, NO.6, Feburary 2016, p.258
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2015
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'Spring 1883', Art Collector, Issue 73, July-Sept 2015, p.52
Dylan Rainforth, Neon Parc opens new Brunswick gallery with Dale Frank show, The Age, 6 October 2015
James Cockington, 'Contemporary art tipped to rise,' Money, Sydney Morning Herald, 13 January 2016, p. 6-7
Quentin Spraque, 'Sublimity in the Balance', The Australian, Thursday 29 October 2015 p15
Wes Hill, 'Review, Dale Frank, SABCO PEROXIDE,' Frieze, 5 February 2016
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2014
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Quentin Spraque, 'Sublimity in the Balance', The Australian, 29 October 2015, p.15
Nicholas Forrest, “The Fluid Dynamic of Conceptual Painter Dale Frank at Roslyn Oxley9”, Blouin ArtInfo, September 26, 2014
Sally Pryor,” Artist Dale Frank 4 million donation is National Gallery of Australia's 'most significant gift'”, Canberra Times, August 15, 2014
ABC News, “Artist Dale Frank gifts collection of his work worth 4 million”, ABC News, Friday 15 August. 2014
Natasha Bullock, 'Dale Frank', 2014 Adelaide Biennial of Australian Art Exhibition Catalogue, April 2014 pp.90
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2013
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Andrew Frost, 'Dale Frank, Nobody's Sweetie - review', The Guardian.com, August 21 2013
Nicholas Forrest, Venice Biennale Collateral Event Features Australian Artists, Blouin Art Info, Feburary 28 2013
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2012
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Les Arts De L'effervescence Champagne (Exhibition Publication), Musee des Beauz Arts de Reims, (2012: Somogy Editions D'Art, France)
Sue Cramer, “Dale Frank Artist Profile”, MCA Collection Volume One, (Sydney; MCA, 2012) pp257
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2011
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Christopher Chapman, Inner Worlds: Portraits and Psychology, National Portrait Gallery: Canberra, 2011
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2010
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David Elliott, ,The Beauty of Distance: Songs of Survival in a Precarious Age, 17th Biennale of Sydney catalogue, published by the Biennale of Sydney Ltd in association with Thames & Hudson, Australia Pty Ltd.
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2009
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Robert Bevan, “A Grand Obsession”, Australian Financial Review Magazine
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2008
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Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), Sydney, 116
Ashley Crawford, `Dale Frank, The Story So Far,' Art World, Issue 1, Feb/Mar, pp. 42-46
Sebastien Smee, `Forget Me Not', The Weekend Australian, April 5-6, 2008, pp.18-19
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2007
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So Far: The Art of Dale Frank, 1980-2005, Schwartz Publishing, Melbourne (440 pages)
Sebastian Smee, `Into the twilight zone,' The Australian, 31 March - April 1 2007, pp.18-19
Sarah Stutchbury, `Dale Frank: Strung out in heaven's high', Brought to Light II: Contemporary Australian Art 1966-2006, Lynne Seear and Julia Eqington (eds), Queensland Art Gallery Publishing, Brisbane, pp.206-11
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2006
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Before the Body-Matter, exh. Cat., Monash University Museum of Art, Melbourne
Terry Ingram, `Frank identified as Australiana buyer', The Australian Financial Review, Thursday, 23 November 2006, p.19
Danika Jones, `To be Frank', Vogue Living, May/June 2006, pp.162 - 175
Tracey Clement, `Preview: Dale Frank, Roslyn Oxley9 Gallery, 4 - 24 May 2006', Australian Art Collector, Issue 36, April - June 2006, p.217
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2005
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Timothy Morrell, `Previews QLD, Dale Frank', Art Galleries Schubert, Australian Art Collector, Issue 33, July-September p.245
Annette Larkin, Justin Miller and Damian Hackett, `going, going, gone…', Three auction house experts reveal their top 10 favourite Australian artists to watch…,' Vogue Living, May-June, pg.110
Richard Kalina, `Report from Downunder: Down Under no more', Art in America, April 2005, pg.77
Nick Mitzevich and Ross Woodrow, Drawing Centre, exh. cat., Newcastle Region Art Gallery, Jan - March
Jane Rankin-Reid, `Dale Frank,' Australian Art Collector, Issue 31, January-March, pg.89
Sebastian Smee, `Competitors help regional painters to make their mark,' The Australian, 31st January
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2004
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Ingrid Woodrow, Auto Fetish, exh. cat., Newcastle Region Art Gallery, Nov 04 - Jan 05,
Jane Rankin-Reid, `Dale Frank's conceptual abstraction,' Art & Australia, vol.42 no.2, Summer, p.211-214
Ashley Crawford, `Dale Frank' (feature), Art & Australia, Vol.42 No.2, Summer, p. 207
Andrea Tu, `Swoon,' Broadsheet Contemporary Visual Arts & Culture, vol. 33 no.3, September - November, CACSA, p.58
Ihor Holubizky, `Dale Frank,' Australian Art Collector, issue 29, July - September, p.183
Dominique Angeloro, `Tag-team smackdown,' Sydney Morning Herald (Metro), Jun 4 - 10, p.26
Alex McDonald, `The Dead Zone,' State of the Arts (Reviews), June
`Smells like Victory,' The Art Life, http://artlife.blogspot.com/, 11 June
Michael Walters, `Eclectic Dreams,' Belle, 30th Anniversary Issue, April/May, p.186-191
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2003
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Ewen McDonald, `The ever-expanding field,' Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, p.32 - 36
`Dale Frank,' Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002, CACSA, Adelaide, p.24
Anne Loxley, `Gems behind the verbiage,' Sydney Morning Herald (Metropolitan), Wednesday, April 9, p.14
Lenny Ann Low and Peter Hill, `Grin and bare it,' Sydney Morning Herald, Weekend Edition, April 12 - 13, p.12
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2002
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Charles Green, `Into the 1990s: the decay of postmodernism,' Fieldwork: Australian Art 1968 - 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), p.100 - 111
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2000
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Editors, `Australia's 50 Most Collectable Artists,' Australian Art Collector, Sydney, Issue 11, January-March, pp.65 Sue Cramer, `The Painter of These Paintings is Either Dale Frank, Or If Not Dale Frank, Someone Else of the Same Name,' (interview with Dale Frank) Dale Frank, Ecstasy Twenty Years Of Painting, exh. cat., Museum of Contemporary Art, MCA, Sydney, pp.3 - 19 Christopher Chapman, `DFX4,' (article), Dale Frank. Ecstasy Twenty Years of Painting, exh. cat., Museum of Contemporary Art, Sydney, pp.20- 25. Elizabeth Fortescue, `Varnishing act,'The Daily Telegraph, Sydney, Feb 4, pp.119 Timothy Morrell, `Very Frank,' (article), The Eye, Sydney, Vol 2 No 2, Feb 10, pp.70 -73 Giles Auty, `Title fright,' (review), Arts Review, The Weekend Australian, Sydney, Feb 12 - 13, pp.19 Bruce James, `To Be Earnest, It's Far From Frank', (review), The Sydney Morning Herald, Arts, Sydney, February 26, pp.S14 Annette Hughes, `The Ecstasy of St Frank,' HQ Magazine, Sydney, No 69, March - April, pp.28 Andrew Frost, `Australia's 50 Most Collectable Artists,' Australian Art Collector, Issue 7, Jan-Mar, pp. 27-64, 35
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1999
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William McAloon, home and away: contemporary Australian and New Zealand art from the Chartwell Collection, Auckland Art Gallery, 1999, p. 118-9, 135
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1998
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Michael Newall, `ambient (male) identity,' (review), Eyeline, Brisbane, No. 35, p. 41 Linda Michael, Bernice Murphy, Ben Curnow, The MCA Collection: The Loti and Victor Smorgan Gift of Contemporary Australian Art, (publication), Museum of Contemporary Art, Sydney, pp. 32, 60-61,104 Jeff Gibson, `Dale Frank,' (review), Flash Art (international), Milan, March-April, no. 223 Peter Timms, `Frankly, he gives a damn,' (review), The Age, Melbourne, June 24 Christopher Chapman, Dale Frank: Cool Cosmic World, ex. cat., Anna Schwartz Gallery, Melbourne, June Ken Lord, `Encore... people,' The Sunday Mail, Brisbane, July 5, p.81 Rex Butler, `Frank exploration of the importance of being outrageous,' (review), The Courier-Mail, Brisbane, (arts weekend 12) July 11, p.12
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1997
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Rex Butler, `Eyes Closed in Dale's Disco', Like, No 2, March, pp.14-17 Christopher Chapman, `Abstract Identity', Broadsheet, Adelaide, vol 26, no 1, Autumn, pp.6- 7 Dale Frank, `Only the Lonely,' MONICA, Auckland, New Zealand, Summer 97, pp.14 -15 Robin Neate, `Big Art Moments,' MONICA, Auckland, New Zealand, Summer 97, p.43 Virginia Trioli, `A sign of the times,' The Age, Metro Arts, Melbourne, 19 March Robert Nelson, `Tantrums and goo: the mark of bad-boy art,' (review), The Age, Melbourne, 19 March Christopher Chapman, `Molecular Reality,' exh cat., Dale Frank New Zealand tour, Govett Brewster Art Gallery, New Plymouth, New Zealand Lindsay Shonagh, `Art that oozes talent,' Sunday Star-Times, Auckland, NZ, July 20, p.8 `Extreme Close-Up,' Listener, Auckland, NZ, July 12, p.41 `Brisbane-based artist extends the boundaries,' Daily News, Auckland, NZ, June 17 Matthew Bannister, `What's On,' North and South Magazine, July issue, New Zealand TJ McNamara, `Painting by Numbers,' Perspective on Art, NZ Herald, August 1 Michael NewalI, `Michael Newall Interviews Christopher Chapman,' Broadsheet, Adelaide, Vol 24 No 4, Summer, pp.14-15 Suzanna Treister, `New Aussie Boys,' Broadsheet, Adelaide, Vol 24, No 4, Summer, p.18 Christopher Allen, Art in Australia From Colonization to Postmodernism, Thames & Hudson, London, p.212
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1996
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Bruce James, `Galleries', The Sydney Morning Herald, September 13 Peter Ward, `The State of the Arts - What's Hot in `96', The Australian, 6-7 January, pp.20-22 Christopher Chapman, Adelaide Biennale of Australian Art, ex cat., Art Gallery of South Australia, Adelaide, March, pp. 14, 60-61, 102-103, 136 `Dale Frank,' Art + Text, Sydney, No. 53, January, pp.44-45 Peter Ward, `On-the-edge Biennale for an age of anxiety', The Australian, 5 March, p.12 Joanna Mendelssohn, `Dale Frank', The Australian, 22 March, p.10 Bruce James, `Chapmans Casper, Broadsheet, Adelaide, vol 25, no. 2, Winter, p.21 Robyn McKenzie, `Scratching the surface of intrigue', The Age, 28 June, Melbourne, p.21 Tessa Laird, `Frank (Social Realism)', (review), MONICA magazine, issue 3, Auckland, New Zealand, p.28 Kit Messham-Muir, `Dale Frank: Social Realism' Eyeline, no.31, Spring, pp.44-45 Tessa Laird, `Frank and Redford (Social Realism) Dale and Scott' Monica, August/ September Dale Frank, `And Where to Now - Reality and Art,' paper delivered at Volt Symposium, Institute of Modern Art, Brisbane, 5 September Christopher Chapman, `Room Service,' Broadsheet, Adelaide, Summer 96/97, Vol 25 No 4, p.23 William McAloon, The Self and Other Inventions, exh. cat., Chartwell Collection exhibition, Auckland, New Zealand Bernard Freedman, `Virtual reality confuses', Australian Jewish News, Sydney 6 Jan Sonia Barron, `Viewers are deliberately victimised', The Canberra Times, 13 Jan, p.12 Charles Green, Peripheral Vision - Contemporary Australian Art, Craftman House Publishers, Sydney, pp.36-37 Robert Lindsay, The Shell Collection of Contemporary Australian Art, exh. cat., Melbourne, pp.36-37
David McNeiII, `Virtual Reality', Art + Text, Sydney, issue 51, p.70-71
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1994
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Christopher Chapman, `Dale Frank: Reclining Nude', National Gallery News, January-February, Canberra, p.16 John McCaughey Memorial Art Prize, exh. cat., National Gallery of Victoria, Melbourne, February, p.20 Susan McCulloch, `Finding the Art of the Matter, Herald Sun Melbourne, Mar 30 Christopher Heathcote, `Dunlop drives his one formula', The Age, Melbourne, March 30 Nick Waterlow, 25 Years of Performance Art in Australia, exh. cat., Ivan Doherty Gallery, Sydney, June, pp.6, 27, 62, 64 Elwyn Lynn, `Curious kinships of myth and man', The Weekend Australian, June 18-19, p.13 Anthony Bond, `Dash and Daring: The Work of Dale Frank', Look Magazine, Art Gallery of New South Wales, Sydney Christopher Chapman, Dale Frank: It's a Rush, exh. cat., Art Gallery of New South Wales, Sydney John McDonald, `This time it's not the Poms whinging', The Sydney Morning Herald, 23 July, p.l3A Elwyn Lynn, `Touched by a cast of Thousands', The Weekend Australian, 30-31 July, p.l3 Rex Butler, `Nixon's Watergate', Agenda. #37, Melbourne, July, p.9-12 Christopher Chapman, `Carnivorous Plants: Cultured Nature in Contemporary Art', Art & Australia, Spring, Vol.32, No.1, Sydney, p.92-97 Jeff Gibson, `Dale Frank,' Sydney, No.49, September, p.73 Mary Eagle, `Introduction,' Virtual Reality, exh. cat., National Gallery of Australia, Canberra, December, p.5 Christopher Chapman, `Dale Frank and the Diamond Dogs', exh. cat., National Gallery of Australia, Canberra, December, pp.46-47 Christopher Chapman, `Reality Used to be a Friend of Mine', `The Liquidity Problem and the Rush' (reprint AGNSW, `It's a Rush', June 1994), Satellite of Love, exh. cat., Canberra Contemporary Art Space, Canberra, December Christopher Chapman, `Conceptual Vertigo: New Object Art from Australia' MIDWEST, Dunedin, New Zealand, Number Six, December, pp.31-35 Farah Farouque, `Welcome to the National Gallery where shopping is an art, really', The Age, Melbourne, 9th December, p.24 Bruce James, `User-friendly artworks are a virtual reality', The Age, Melbourne 21 December, p.22 Bruce James, `With a slip of the eye', Sydney Morning Herald, 21 December, p.16 Sonia Barron, `Roads to nowhere and everywhere', The Canberra Times, 23 December, p.27 Cohn Hood, `Shop-soiled and Scintillating', REALTIME, issue 4, Dec, p.27 Dale Frank', Artfan, Melbourne, Spring, No. 3 & 4, p.35-36
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1993
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Naomi Cass, `Dale Frank', Art + Text, No.44, Sydney, January, p.82 Paul Foss, `The Painters Dildo (Portrait of Dale Frank)', Wit's End (catalogue), Museum of Contemporary Art, publisher, Sydney, January, pp.143-167 Catharine Lumby, `Smiling Saboteurs: Irony and Contemporary Art', Wit's End, exh. cat., MCA publisher, Sydney, January, pp.11-29 Kay Campbell, `Out of Humour, Wit's End, exh. cat., MCA, Sydney, January, pp.11-29 Sofia Barron, `Showman or Shaman: a controversial artist,' Canberra Times, Canberra, March 3rd, Arts. pp.30-31 Kay Campbell, `At Wit's End', Look Magazine, Art Gallery of New South Wales, Sydney, March, p.20 Ashley Crawford, `The Orgasmic Alienation', Where Angels Fear to Tread, Drawings 1980-1992 exh. cat., Monash University Gallery, Melbourne, April, pp.3-7 Catherine Lumby, `The Engine of Irony', Where Angels Fear to Tread, Drawings 1980-1992 exh. cat., Monash University Gallery, Melbourne, April, pp.8-14 Robert Rooney, `Bad boy more of a bland boy', The Australian, The Weekend Review, Sydney, May 8-9, pp.11 Jeff Gibson, `Avant-Grunge', Art + Text, Sydney, No.45, May, pp.23-25 Graham Forsyth, `Wit's Living End', Art + Text, Sydney, No.45, May, pp.26-29, 99. `Wit's End', MCA Members Newsletter, Museum of Contemporary Art, Sydney, May-June, p.2 `Wit's End: The Uses of Irony' (screenings) MCA Members Newsletter, Museum of Contemporary Art, Sydney, May -June, p.9 Christopher Chapman, `Dale Frank's Organicism,' Art Monthly Australia, Canberra, June 1993 pp.22-23 Lynn Fern, `A hero aground', The Sydney Morning Herald, June 4, p.24 `A Frank Exchange', Sydney Morning Herald, July 16 Elwyn Lynn, `Various Aspects of Genius', The Weekend Australian, July 23-24, p.13 Felicity Fenner, `Electric Currents Flowing on Canvas', The Sydney Morning Herald, July 31st, p.46 Christopher Heathcote, `Art Striking but not a feature', The Age, Melbourne, Sept 21, p.15 Dale Frank, UNFAIR 93', exh. cat., Unfair, Cologne, Germany (Kim Machen Art) Christopher Chapman, `Dale Frank', World Art inaugural issue, Melbourne, November, pp.100-104 Graham Coulter Smith, `Dale Frank,' Jane Magon, Eyeline, Brisbane, No.22 & 23, summer, pp.61-62
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1992
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Leanne Baxter, Tempo Notes', Sun Herald, 19 January, p.140 Jill Stowell, `Elegant Abstracts Submerged in Paint', Newcastle Herald, 21 January, p.7 `Challenging Art at the Gallery', Newcastle Herald, Trends, p.7 `Port Exhibit', Newcastle Herald, 15 January, p.17 Graham Forsyth, `Luscious Landscapes: Banal Beauties', Art + Text, No. 41, Melbourne, January, pp.41-45 Elwyn Lynn, `Cringe Theory Gives Way to Admiration', The Weekend Australian, 14 Mar Ken Bolton, `Short Rope enough to tie up the message,' Advertiser, Adelaide, April 8, Christopher Heathcote, `Melbourne,' Art Monthly, Canberra, issue 49, May, pp.14-16 Rex Butler, `The Hypothesis of Imitation,' Agenda, Melbourne, issue 23, May/June, pp.17-21 Rosalind Walker, `Dale Frank/John Coburn,' MUSE, Musecrits, July, p.3l Jane Magon, Dale Frank, Craftsman House, Roseville East, NSW, 1992 (204 pages)
Jane Magon, `The Sacred and the Profane,' Art & Australia, Sydney, Spring Issue, vol. 30, no. 1 pp.92-95 Christopher Heathcote, `Dale Frank, not one of the old school, even yesterdays,' The Age, Melbourne, October 14, p.l4 Robert Rooney, `Frank on the coffee table,' Weekend Australian, Melbourne, October 17, Review p.l I Elwyn Lynn, `Triumph of the smooth in the rough recessionary times,' Weekend Australian, Sydney, October 31, review p.I Terence Maloon, `It is a violence from within', You Are Here, exh. cat., IMA, Brisbane, November, p.40
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1991
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Elwyn Lynn, `In or out of Race, its a minefield', Weekend Australian, Sydney, 5 January, p.8 Jo Saurin, `Reward of Sensual Pleasures', Sydney Morning Herald, Sydney, 22 March, p.12 Elwyn Lynn, `Champs canvass art with punch', The Weekend Australian, Sydney, 23 March, p.8 Michael Richards, `Explosion of Paints Combines the Classical and Chaotic', The Courier-Mail, Brisbane, 25 June, p.20 Adam Geczy, `Banal Art', Agenda, no 18, Melbourne, July p.16 Peter Hutchings, `Banal Art', Art + Text, Sydney, no 39, May, p.74 Bernard Smith and Terry Smith, Australian Painting 1788-1990, Oxford University Press, pp.531, 534, 539 Graham Forsyth, `Dale Frank', Art + Text, Sydney, no 40, September, pp.86-87 Wayne Hudson, Chiliasm, exh. cat., Institute of Modern Art, Brisbane Rex Butler, Banal Art, exh. cat., Artspace, Sydney Roslyn Oxley9 Gallery, Dale Frank, exh. cat., Koln Art Fair, November Felicity Fenner, `A more than frank exchange of views', Sydney Morning Herald, 26 October, p.47 Rex Butler, The Hypothesis of Imitation, exh. cat., Bellas Gallery, Brisbane, October, pp.5-7 Bernice Murphy, `The Power Collection; Development in the 1980s', Art and Australia, vol. 29, no.2, summer, Sydney, p.211 Robert Rooney, `Bad Boy Ages Tastefully', The Australian, 23-24 November, p.6 Brian Phipps, `Good Taste: Bad Taste', Oz Arts Magazine, Sydney, Issue 1, Spring, 1991, pp.26-31 Marie Giessler, `Collecting Art and Antiques', Oz Arts Magazine, Sydney, Issue 1, Spring, 1991 pp.42-47 Elwyn Lynn, `No Claus for Santa but plenty of Anima,' Weekend Australian, Sydney, December 21, Review p.3 Bernard Smith/Terry Smith, `Post Modern Plurality 1980-1990,' Australian Painting 1788-1990, Oxford University Press, Chapter 16, pp.531, 534
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1990
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Ashley Crawford, `A Chronicle of Australian Art 1980-1989', Tension 19, January 1990 Arthur McIntyre, Contemporary Australian Collage and its Origins, Craftsman House Publishers, Sydney Anna Johnson, `Dale Frank', Interior Architecture and Design, no 22, pp.152- 157 Catherine Lumby, `Dale Frank - Fed-up with Art', Art and Text, no 25, Summer, pp.139-141 Jay Younger, `Post Modernism - The Baby and the Bathwater', Broadsheet, Adelaide, vol 19, no 1, March, p.10 Rene Block, The Readymade Boomerang: Certain Relations in 20th Centurv Art, exh. cat., Sydney, 8th Biennale of Sydney, April, pp. 458-459, 475 Jane Magon, `Fame and the Art of Dale Frank', Dale Frank: Adieu, Melbourne, Deutscher Brunswick Street, June Christopher Heathcote, `Martin and Frank', Art Monthly, June, p. l4 Dale Frank, `Just Imagine The Biennale sees you but you don't see it', Tension, No. 21, June Catharine Lumby, Dale Frank Adieu, (catalogue introduction), Deutscher Brunswick Street, June, p.3 Louise Neri, `Block's Buster: Eros, C'est Ia vie, Cumulus From Australia', Parkett, Zurich, no 25, September, pp.143-49 Paul Groot, `Sydney Biennale,' Flash Art, Milan, no 154, October Sonia Harford, `Arts bad boy takes on the system', Sunday Herald, Melbourne, 24 June Ronald Miller, `Go south for gentle pleasures', The Herald, Melbourne, 20 June
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1989
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Jane Magon, `Dale Frank', Eyeline, no 5, pp.32-33 A selection of 19th and 20th Century Art, exh. cat., Deutscher Fine Art, Melbourne, November, p.109 Paul Groot, `De kunstgeschiedenis is dood. Leve de kunstgesch-denis!: Pittoresk II', Museumiournal, Amsterdam, vol 34, no 2 & 3, pp.97-103 Dale Frank, exh. cat., Sydney, Roslyn Oxley9 Gallery, July William Wright and Robert Lindsay, ICI Contemporarv Art Collection, exh. cat., Melbourne Michael Richards, `Europia from the Abstract,' The Courier Mail, Brisbane, 5 April Carolyn Barnes, `Cosmic Resistance', Agenda Contemporary Art, no 5, June, pp.3-5 Bob Linguard and Sue Cramer, Institute of Modern Art - 1975 to 1989: A Documentary History, lnstitute of Modern Art, pp. 84, 121 Annette Cyr, `Dale Frank', (review), 108 Review, New York, no 10, January, p. 9 Elwyn Lynn, `Carving Out Skill's Domain', (review), The Weekend Australian, 19 August, p. 113 Christopher Allen, Satirising surfaces beneath face value', (review), The Sydney Morning Herald, 25 August, p.14
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1988
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Andrew Bogle, Advance Australia Painting, (catalogue), Auckland, Auckland City Gallery, Dan Cameron, `Showdown at Southern Cross', - Notes on the 1988 Australian Biennale, Artlink, Adelaide, vol 8, no 3, pp. 10-14 Betsy Brennan, `AvantGaga', Vogue Living, June-July, pp.114,117-118, 152 Graham Coulter-Smith, `Dale Frank', Eyeline, no 6, September, pp.10-11 Robert Rooney, `Dale Frank,' The Weekend Australian, 14 May Dale Frank - Trusting in the Pipe-Dream, exh. cat., Melbourne, Realities Gallery, April Dale Frank - Drawing Survey, exh. cat., Sydney, EMR Gallery in association with Mon Gallery, May 15 Years Galene Albert Baronian in I.C.C., exh. cat., Antwerp/Brussels, Galerie Albert Baronian, November, pp.34-35 Jennifer Mc Camley, `A Storm in a Teacup? - Dale Frank', Tension, no 14, Sept, pp.12-18 Arthur McIntyre, Australian Contemporary Drawing, Boolarong Publishers, Sydney
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1987
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Naomi Cass (ed), What Is This Thing Called Science?, exh. cat., Melbourne, The University Gallery Daniela Salvioni, `Combustible Demarcations: The Art of Dale Frank', in Tony Bond (ed), The Australian Bicentennial Perspecta, exh. cat., Sydney, Art Gallery of New South Wales, October, pp.28-35 Dale Frank, exh. cat., Realities Gallery, June Luisa Somaini `tuttoarte,' La Republica, Milan, 16 January Gian Petro Vincenzo, `Neo Geo,' Per Lui Vogue, Milan, 16 January Arturo Carlo Quintavalle, `Dale Frank: Quadri come apparizioni,' Panorama, March, p.26 Adriano Antolini, `E l'arte trovo casa a Milano', II Giornale Nuovo, Milan, 8 February Luciano Caprile, `Da Schlichter a Frank e Pardi,' II Sole 24 Ore, Milan, 8 February Giancinto di Pietrantonio, `Dale Frank/Alfredo Pirri', Flash Art, (ltalia), Milan, March, pp.50-51 `Thronging the Canvases', Follow Me, Sydney, August, p.140 Pamela Hansford, `Dale Frank', Art and Australia, vol 25, no 2, Summer, pp.240-243 Terry Smith, `Frank Explores the Heights of Bad Taste', Times on Sunday, 11 October, p.30 Elwyn Lynn, `From The Hall of Fame...', The Weekend Australian, 10 October Robert Rooney, `A return to Cosmic abstraction,' The Weekend Australian, 27 June Shona Martyn, `Why Dale Frank can buy Gaultier', Vogue Australia, no 4, April, p.101 Robert Rooney, `Marvelling at this thing called science', Weekend Australian, Sydney, 5 December Dale Frank, `The Story of a Crime - for Want of a Better Title', (unpublished manuscript) Murrurundi, March, pp.1-16
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1986
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Gregorio Magnani, `Dale Frank', Flash Art, (International), no 126, Milano, February, pp.60-61 Gregorio Magnani, `Dale Frank', Westuff, no 3, Florence, March, pp.16-17 Pier Luigi Tazzi, `Dale Frank', Artforum, vol 24, no 8, New York, April, pp.118 Timothy Morrell, `Big Drawings', Art and Australia, vol 23, no 3, March, p.366 Francesco Alfano Miglietti, `Che Tempo Fara?', Flash Art (ltalia), no 133, April, pp.72-73 Paul Groot, `Die Malerei im Dienste eines anatomisdhen Projects, Einige Bermerkungen zum junger europaischer Maler', Europe-America: 1940 to the Present, exh. cat., Cologne, Museum Ludwig, September, pp.407-418 3rd International Triennale der Zeichnung, exh. cat., Nurnberg, National Museum Nurnberg Leo Loomans, Dale Frank (unpublished interview for undergraduate history thesis) Hannah Fink, `Art Stars: Dale Frank', X-Press, Sydney, vol 1, no 6, December, p.12 Ted Gott, Backlash: The Australian Drawing Revival 1976-1986, exh. cat., Melbourne, National Gallery of Victoria, pp.38-41,83,95
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1985
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Helena Kontova `Dale Frank,' Flash Art (International), no 120, Milan, January, p.70-71 Michael Kohn, `Dale Frank,' Flash Art (International), no 120 January, p.43-44 Paul Groot, Dale Frank, exh. cat., 9e Foire d'Art Actual, (Galerie Albert Baronian), Palais Des Beaux-Arts Brussels, January Gerrit Henry, `Dale Frank,' Art in America, 1985, no 2, New York, February, p.140-141 Paul Groot, De Surrealistiche Variaties van Dale Frank, Museumjournal, no 1, Amsterdam, March, p.49 `Dale Frank', Artists Pages, Museumjournal, 1985, no 1, Amsterdam, March, p. 50-51 Donald B. Kuspit, `Australian Visions at the Guggenheim,' Art in America, no 3, New York, March, p.153-154 Angela Vettasi, `Europe and America: Two Aspects of the New Surreal', Flash Art (International), no 122, Milan, May, pp.20-2 1 Paul Groot, Cover/Doppelganger, ex. cat., Aorta, Amsterdam, May, p.95 Arthur McIntyre, `Freudian Imagery Abounds, The Age, Melbourne, 25 May, p.44 Elwyn Lynn, `View of Chaos, Malignity', Weekend Australian, Sydney, May 25, p.14 Achille Bonito Oliva, Nuove Trame Dell'Arte, exh. cat., Castello Gennazzano, Italy, July, pp.68-69 Antonio d'Avossa, `Le trame del Castello', Flash Art (ltalia), no 128, Milan, summer, pp.62-63 Helena Kontova and Giancarlo Politi, `From New York with Love', Flash Art, no 123, Milan, summer, pp.46-47 (reprinted, Flash Art ltalia), no 128, Milan, summer, pp.26-27 Lucia Spadano and Achille Bonito Oliva, `Nuove Trame Dell'Arte', Segno, no 47, Rome, June, p.8-15 Ashley Crawford, `Dale Frank: Dionysus verses Apollo', Stilletto, no 24, Melbourne, June, p. 4 Alida Militello, `Tanti Modi Di Essere Blouson', EpocaModa, no 11, Verona, October, p.66-67 Silvia Zangheri, `Espressione, Spirito Selvaggio e neoprimitivo', exh. cat., Anniottanta, (Flavio Caroli and Renalto Barilli), Bologna, July, pp.163-169, 195-196, 223 Lucia Spadano, `Fall Out', Secino, no 48, Rome, September, pp.30-32 Gregorio Magnani, `Dale Frank,' Flash Art (ltalia), no 130, Milano, Dec, p.46 Francesca Alfano Miglietti, `Provisioni de Tempo', Flash Art (ltalia), no 130, Milano, Dec, pp.662-64 Megan Cronly, `Mastering the Art', Follow Me, no 19, Sydney, October, pp.136-141 Rondo, (catalogue), Antichi Arsenali, Amalfi, December, pp. 50-51, 90-91 Camille Sbrissa, `Milan', Artline, London, vol 2, no 10, winter, p.18 Peter Haynes, Dale Frank, exh. cat., Canberra, Canberra School of Art Gallery `Bold and Provocative,' Canberra Times, 18 June Paul Goodwin, `Dale Frank,' Flash Art (Italia), Milan, no 126, January John McDonald, `Dale Frank/Mike Parr,' Art Network, Sydney, no 17, Spring, p.53 Terence Maloon, `Australia, emotionally unbuttoned', Sydney Morning Herald, 16 March Ronald Miller, `Neurotic vision fits the bill', The Herald, Melbourne, 20 June Giulio Ciavoliello, `Dale Frank', Juliet, Trieste, no 23, December, p.9 Paul Groot, `Dale Frank: With the eye if you are quick enough to turn on the light you can see what the dark looks like', Art and Text, Melbourne, no 17, April 1985, pp.29-30, 81-83
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1984
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Cathy Peake, `Tiber to Lilliput - and back again', The Financial Review, Sydney, 29 June Arthur McIntyre,' Slow down, young man', The Age, Melbourne, 10 July Gertrude Langer, `Young Artists Images, Eerie, Disturbing,' The Courier Mail, Brisbane, 19 September Grant Hannan, `Effective, original,' The Herald, Melbourne, 16 August, p.26 Robert Rooney, `Bygone era meets “new wave”', The Weekend Australian, Sydney, Magazine 13, 11 August Vivienne Shark LeWitt, `The End of Civilization Part II: Love Among the Ruins', Art and Text, Melbourne, no 10, Winter, pp.1-6 Sue Cramer, `A change of place, a change of meaning', The Age, Melbourne, 17 August Eric Gibson, `Australian in Manhattan', Studio International, London, no 197, 1007, p.45 Stuart Morgan, `The Journey from the Tiber to Lilliput and back again,' Dale Frank - Death, Broadsheet, Sydney, Roslyn Oxley9 Gallery, June Jennifer Phipps, Symbols. Emblems. Signatures: Australian Drawing 1984, exh. cat., New Plymouth, Govett-Brewster Gallery Diane Waldman, Australian Visions: 1984 Exxon International Exhibition, exh. cat., New York, Solomon R Guggenheim Museum, September, pp.19-20, 32-40 Susanna Short, `Seascape surge ahead of the narrow, cosy view', The Sydney Morning Herald, 29 June, p.10 Elwyn Lynn, `Still Life:delusion to the didactic', The Weekend Australian, Sydney, 28 April Tony Bond, Form>lmage Paul Taylor, `Tall Poppies', Art & Text, no 12-13, Melbourne, January, p.52 Sue Cramer, `Vox Pop', Art & Text, no 12-13, Melbourne, January, p.136-142 Jenny Watson, `Urgent Images', Art & Text, no 14, Melbourne, June, p.69-74 Flavio Caroli, Aperto 84: XLI La Biennale di Venezia 1984, exh. cat., Venice, June, pp.201,207 Helena Kontova, `Dale Frank', Flash Art (ltaliana), no 122, Milan, July, (Estate), p.22-23 Flavio Caroli, `La Biennale di Venezia', Flash Art (ltaliana), no 122, Milan, July, (Estate), p.67 Judy Annear, `Us in the U.S.', Vogue Australia, vol XXVIII, no 8, Sydney, August, pp.160-163, 193 Paul Groot, Dale Frank, exh. cat., Melbourne University Art Gallery, Melbourne, August Memory Holloway, Recent Australian Art - An American Perspective, exh. cat., Bleak Romantics, Solomon R. Guggenheim Museum, New York, September, pp.11-21, 32-41 Paul Groot, `Closed Quotes', Artforum, vol XXIII, no 1, New York, September, p.107 Stuart Morgan, `Dale Frank', Artforum, vol XXIII, no 2, New York, October, p.101 Paul Groot, `Dale Frank', Artists, no 22-23, Paris, October, p.116-119 Elio Graziolo, `Dale Frank', Flash Art (International), no 11, Milan, November, p.49 Ken Sofer, `Views from Downunder,' Art News, vol 83, no 10, New York, Dec, p.157
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1983
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Sue Cramer, `Masterpieces and Tall Poppies', Art Network, Sydney, no 10, Winter, p.42 Elizabeth Cross, Figures and Face Drawn from Life, exh. cat., Melbourne, Heide Park and Art Gallery, October Dale Frank, `Punchline,' Broadsheet, Sydney, August Bernice Murphy, Australian Perspecta 1983, exh. cat., Sydney, Art Gallery of New South Wales, May, p.44 Jennifer Phipps, `Paintings', in Leon Paroissien (ed), Australian Art Review 2, Melbourne, Warner Association, pp.74-81 Tim McLauchlan, `The Art Market in 1982', in Leon Paroissien (ed) Australian Art Review 2, Melbourne, Warner Association, pp.122-125 Robert Rooney, `Taylor Made to Fit a Theory', The Australian, Sydney, 14 May Michael Spens, `Australian Art Beyond the Cringe', Studio International, London, vol 196, no 1002, pp.13-15 Paul Taylor, `Arts News: Artists in Paris', Vogue Australia, Sydney, October Bernice Murphy, `Recent Painting in Australia', Flash Art, no 110, Milan, February, p.56-59 Helen Kontova, `Anselm Kiefer, Thomas Lawson, Dale Frank' in Achille Bonito Oliva (ed), Critica ad Arte: Panorama della Post - Critica, exh. cat., Musei Palazzo Lanfranchi, Pisa, Italy, March, p.138-142 Paul Taylor, Tall Poppies, exh. cat., Melbourne University Gallery, Melbourne, April Mathew Collings `Place at Gimpel FiIs', Artscribe, London, no 42, Sept, p.61-62 Helen Kontova, `La Peinture issue de Ia performance', Flash Art (ed. Francaise), no 1, Milan, Autumn, p.12-17 C. Galantai, `New Painting', Artpool, no 3, Budapest, Winter Leon Paroissien & Suzanne Page, D'un Autre Continent: L'Australia, exh. cat., Musee d'Arte Modern de Ia yule de Paris, September, pp.25, 27, 29-107 Ashley Crawford, `Dale Frank', Tension, no 2, Melbourne, October, p.28-30 Michael Spens `Dream and Reality', Studio International, vol 196, no 1002, London, November, p.13-14 William Wright, `Australian Perspecta', Studio International, vol 196, no 1002, London, November, p.36-39 Paul Groot, The Divine Comedy, exh. cat., Rotterdamse Kunststichting, Rotterdam, October Peter Haynes, `ACT 3: Ten Performance Artists', Australian Art Review, no 2, Sydney, p.49-54 Robert Rooney, `Tall Poppies', Flash Art, no 115, Milan, November, p.74
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1982
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Wynstan Curnow, `Christchurch ANZART', Artforum, New York, April Terence Maloon, `Dale Frank rides the crest of a wave like an experienced surfer', The Sydney Morning Herald, 4 September Bernice Murphy, `Some Recent Painting in Australia', in Achille Bonito Oliva (ed), Transavantaarde International, Milan, Giarncarlo Politi, p.275 Roberto Daolio, `Dale Frank, Artista', Lapis Arte, Salerno, June pp.8-10 Ban Epo Arte, `Art Fair', Domus, Milan, no 629, June, p.74 Helena Kontova `From Performance to Painting', Flash Art, no 106, Milan, Feb, p.16-21 Mike Parr `Vision in Disbelief, 4th Biennale of Sydney', Flash Art, no 108, Milan, June, p.71-72 William Wright, Vision in Disbelief, 4th Biennale of Sydney, exh. cat., Art Gallery of New South Wales, Sydney Marcia Tucker `An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse', Artforum, Vol X, no 10, New York, June Roberto Daolia, `Dale Frank Artiste', Lapis Arte, Salerno (Italy), June, p.8-9 Editorial, Review of Ban Expo Arts, Domus, no 629, Milan, p.74, June Mike Parr, `Glossolalia/Stroke: the Art of Dale Frank', AsDect, Sydney, Spring, p.60-63 Jennifer Phipps, `Anzart', Australian Art Review, no I Sydney, p.81
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PUBLIC COLLECTIONS:
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Museum of Fine Art, Boston, USA Zurich Kunsthaus, Zurich, Switzerland Exxon Corp. Collection, New York, USA Ball State University Collection, Indiana, USA Solomon R. Guggenheim Museum, New York, USA Musee de ViIIe de Leige, Leige, France Trans-Art Collection, Milan, Italy First National Bank of Chicago Collection, Chicago, USA Westpac Collection, New York, USA
National Gallery of Victoria, Melbourne, Australia
Museum of Contemporary Art, Sydney, Australia National Gallery of Australia, Canberra, Australia Art Gallery of New South Wales, Sydney, Australia Art Gallery of South Australia, Adelaide, Australia Art Gallery of Western Australia, Perth, Australia Queensland Art Gallery, Brisbane, Australia National Gallery of New Zealand, Wellington, New Zealand Auckland City Gallery, Auckland, New Zealand Allen Allen and Hemsley Collection, Sydney, Australia
ABN Amro, Sydney, Australia University of Melbourne Collection, Melbourne, Australia Tamworth City Gallery Collection, Tamworth, Australia Perc Tucker Regional Art Gallery, Townsville, Australia Wollongong City Art Gallery, Wollongong, Australia Burnie Municipal Gallery, Burnie, Australia Griffith University Collection, Brisbane, Australia Darwin Institute of Technology Collection, Darwin, Australia Newcastle Regional Art Gallery, Newcastle, Australia Philip Morris Collection, Canberra, Australia IBM Collection, Melbourne, Australia Shell Australia Collection, Melbourne, Australia BP Collection, Melbourne, Australia Monash University Collection, Melbourne, Australia Chartwell Collection, New Zealand
UBS Collection Sydney and Melbourne, Australia
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