Fiona Foley - Artist Profile - Roslyn Oxley9 Gallery

Fiona Foley

No Shades of White, 2005

Wild Times Call, 2002

	FIONA FOLEY
	Born 1964, Maryborough, Queensland, Australia
	QUALIFICATIONS
2004	B.CAIA Convener, semester 2, 2004, Queensland College of Art, Australia
1995	Lloyd Rees Award for Outstanding Urban Design
1989	Co-ordinator, silk screen printing workshop Ramingining, Northern Territory (N.T.), Australia
1987	Sydney Institute of Education: Sydney University, Diploma of Education, Sydney, Australia
1984-1986	Sydney College of the Arts, Bachelor of Visual Arts, Sydney, Australia
1983	Visiting Student to St Martins School of Art, London, United Kingdom
1982-83	East Sydney Technical College, Certificate of Arts, Sydney, Australia
	APPOINTMENTS
2003	Adjunct Professor, Griffith University, Queensland, Australia
	RESIDENCIES
2002	Canberra School of Art: Printmedia, Canberra, Australia
1996	Queen Victoria Museum and Art Gallery, Launceston, Tasmania, Australia 2 months
1994	Commonwealth Artists Exchange, Open Space, Victoria, Vancouver Island, Canada, 2 months
1990	Cleveland Street Intensive Language Centre, Sydney, Australia
1988	Griffith University, Queensland, Australia 3 months Maningrida Arts and Crafts, Maningrida, Arnhem Land, N.T., Australia 2 months
	TRAVEL
2004	United States, Ireland
2003	United States
2002	Spain
2001	Tampa, Florida, United States New York, NY, United States
2000	Russia, UK, USA, Japan
1999	South Africa, India, Japan
1997	Seoul, Korea
1996	Santiago De Chile, Chile La Paz, Bolivia New Delhi, India
1995	Berlin, Germany Cheju, Korea
1994	Havana, Cuba Victoria, British Columbia, Canada
1993	Ramingining, Arnhem Land, N.T., Australia London, United Kingdom Budapest, Hungary
1992	Kyoto, Japan
1991/92	Maningrida, Arnhem Land, N.T., Australia
1990	New York, United States
1989	Ramingining, Arnhem Land, N.T., Australia
1988/89	Maningrida, Arnhem Land, N.T., Australia
1988	La Perouse Invasion Day March, Sydney, Australia Musgrave Park Ceremony, Brisbane, Australia Barunga Festival, Barunga, N.T., Australia
1985	Bathurst Island, N.T., Australia
1985-87	Ramingining, Arnhem Land, N.T., Australia
	INDIVIDUAL EXHIBITIONS
2005	No Shades of White, Roslyn Oxley9 Gallery, Sydney, Australia (Mar-Apr 2005) No Shades of White, Andrew Baker Art Dealer, Brisbane, Australia (Feb-Mar 2005)
2004	Beyond the Sea, Presentation Convent, Visualise Carlow, Carlow, Ireland Bring it on, aka HHH, new photographic series by Fiona Foley, International Studio & Curatorial Programme (ISCP), New York, USA Fiona Foley, Karen Brown Gallery, Darwin, Australia Wandering, Niagara Galleries, Melbourne, Australia
2003	Red Ochre Me, Queensland College of Art, Griffith University, Brisbane Samsara, Andrew Baker Art Dealer, Brisbane
2002	Invisible Voices, Yarrabah Museum, The Tanks, Cairns, Australia Wild Times Call, Roslyn Oxley9 Gallery, Sydney, Australia Them There Bones, New Land Gallery, Adelaide, Australia
2001	Fiona Foley: Pir'ri- Mangrove, curated by Julie Ewington, Queensland Art Gallery, Brisbane, Australia Falling Tide - Kung Dhu'marami, Redback Art Gallery, Brisbane, Australia Fiona Foley, Niagara Gallery, Melbourne, Australia River of Corn, Contemporary Art Museum, University of South Florida, Tampa, United States
2000	Invisible Voices, Bundaberg Arts Centre, Bundaberg Regional tour concludes 2002
1998	Living With The Wind, Roslyn Oxley9 Gallery, Sydney, Australia
1997	Dulingbara-People of the Nautilus Shell, Hervey Bay Regional Gallery, Queensland, Australia Dulingbara-People of the Nautilus Shell, Savode Gallery, Brisbane, Australia
1996	Museo de Arte Contemporáneo, Santiago de Chile Banco BHN, La Paz, Bolivia Wun'Duman, Roslyn Oxley9 Gallery, Sydney, Australia
1995	Exotica Under the Microscope, Institute of Modern Art, Brisbane, Australia Land Deal - Velvet Waters, Savode Gallery, Brisbane, Australia
1994	Fiona Foley, Roslyn Oxley9 Gallery, Sydney, Australia
1993	Lick My Black Art, Australian Centre for Contemporary Art, Melbourne., Australia
1992	Roslyn Oxley9 Gallery, Sydney, Australia
1991	By Land and Sea I Leave Ephemeral Spirit, Roslyn Oxley9 Gallery, Sydney, Australia
1989	A Three Legged Dog Day, Maningrida Arts & Craft, N.T., Australia A Three Legged Dog Day, Roslyn Oxley9 Gallery, Sydney, Australia
1988	Roslyn Oxley9 Gallery, Sydney, Australia My Fishing Line Is Still In The Ocean, Griffith University, Queensland, Australia
	JOINT EXHIBITIONS
2005	No shades of white, Roslyn Oxley9 Gallery, Sydney, Australia
2002	Your place or mine?, Fiona Foley and Simryn Gill, Institute of Modern Art, Brisbane, Australia
1994	Fiona Foley and Olu Oguibe, Roslyn Oxley9 Gallery, Sydney, Australia
	GROUP EXHIBITIONS
2005	**Out There, CAN.05 (Contemporary Art Norwich), Sainsbury Centre for Visual Arts, Norwich, UK** Blackspot: Contemporary Indigenous Photography from the Monash University Collection, with selected works, Switchback Gallery, Gippsland Centre for Art & Design, Monash University, Gippsland, Australia
2004	Cultural Copy, UCLA Fowler Museum of Cultural History, Los Angeles, United States If You Only Knew, City Gallery, Melbourne Town Hall, Melbourne, Australia Passage Exhibition, Lake Macquarie City Art Gallery, New South Wales, Australia Revealing Secret Treasures: Women Artists from the Reg & Sally Richardson Collection, Mosman Art Gallery, Sydney, Australia Sydney Indigenous Arts Festival, Parramatta City Council, Parramatta, Australia Native Title Business, Academy Gallery, University of Tasmania, Launceston, Tasmania, Australia Helen Lempriere National Sculpture Award, Werribee Park, Melbourne, Australia
2003	20^TH Telstra National Aboriginal & Torres Strait Islander Art Award, Darwin, Australia One Square Mile: Brisbane Boundaries, Museum of Brisbane, Brisbane, Australia Art Australia: Zeitigenössishe Kunst, Galerie Seippel Köln and touring Kunst:Raum Sylt-Quelle, Städtische Galerie Delmenhorst, Kulturstiftung Schloss Agathenburg 2003 - 2004, Germany Shield and Show, Perc Tucker Regional Gallery, Townsville, Queensland, Australia The American Effect: Global Perspectives on the United States, Whitney Museum of American Art, curated by Larry Rinder, New York, United States Witnessing to Silence: Art and Human Rights, Drill Hall Gallery, Australian National University, Canberra, Australia Fields, Institute of Modern Art, Brisbane, Australia Indians and Cowboys, Gallery 4a, Asia - Australia Arts Centre, Sydney, Australia Helen Lempriere Sculpture Prize 03, Melbourne, Australia
2002	Far From Home: Kim Westcott, Jane Hall, Fiona Foley, Leonard Brown, Andrew Baker Art Dealer, Brisbane, Australia (to January 2003) Meridian, Museum of Contemporary Art, Sydney, Australia Roslyn Oxley9 Gallery - The First Twenty Years, Roslyn Oxley9 Gallery, Sydney, Australia Wild Nature, Jam Factory, Adelaide, Australia Postmark Post Mabo, Post Master Gallery, Melbourne, Australia Wide Angle, Hervey Bay Regional Gallery, Hervey Bay, Queensland, Australia
2001	What's Love Got To Do With It, RMIT Gallery, Storey Hall, Melbourne, Australia Central Queensland Art Purchase, The Rockhampton Art Gallery Trust, Australia December 2001 - January 2002 Lightness of Being, Monash University Gallery, Victoria, Australia MCA Unpacked, Museum of Contemporary Art, Sydney, Australia Who What Where: Recent Sculpture Commissions at the Australian National University, CSA Gallery, Canberra, Australia
2000	Aboriginal Art in Modern Worlds, Hermitage Museum, St Petersburg, Russia; National Gallery of Australia, Canberra, Australia Bonheurs des Antipodes, Musée de Picardie, Amiens, France Echigo-Tsumari Art Triennial, Niigata Prefecture, Japan All Stars, Roslyn Oxley9 Gallery, Sydney, Australia
1999	Claiming Title, Carleton & St. Olaf Colleges, Northfield, Minnesota; Laurence University, Wisconsin; Samuel Dorswky Museum, SUNY New Paltz, New York, United States Love Magic: Erotics and Politics in Indigenous Art, Perspecta 99: Living Here Now, Art+Politics, SH Ervin Gallery, Sydney, Australia Possession, Herringbone Gallery, Sydney, Australia Isintu: Ceremony, Identity and Community, South African National Gallery, Cape Town, South Africa Enjoin, Cairns Regional Gallery, Cairns, Australia Cinderella's Gems, University of Technology, Sydney, Australia and touring Island, Artspace, Sydney, Australia Spinifex Runner, Campbelltown City Bicentennial Art Gallery, New South Wales, Australia Fine lines: Works of Ornamentation and Design by Maningrida Artists, Museum of Contemporary Art, Sydney, Australia
1998	Ceremony, Identity and Community, Flinders Art Museum City Gallery, Adelaide, Australia Land and Sea: The Cultural Connection, Hervey Bay Regional Gallery, Queensland, Australia Enjoin, Manila, The Philippines
1997-98	Dreaming the Republic, Newcastle Regional Art Gallery, Newcastle, New South Wales, Australia
1997	Eye of the Storm, Museum of Contemporary Art, Sydney, Museum of Modern Art at Heide, Melbourne, Australia Wind and Water, Hervey Bay Regional Gallery, Queensland, Australia NAIDOC Week Exhibition, Bundaberg Arts Centre, Queensland, Australia In Place (Out of Time), The Museum of Modern Art, Oxford, United Kingdom Drift, Penrith Regional Gallery, The Lewers Bequest, Wollongong City Gallery, City Art Gallery, Wagga Wagga, Australia Sense, Centre for Contemporary Photography, Melbourne, Whanki Museum, Korea Painting the Land Story, Old Parliament House, Canberra, Australia
1996	Containers `96, Adelaide Festival of the Arts, Adelaide, Copenhagen, Denmark Colonial / Post Colonial, Museum of Modern Art at Heidi, Melbourne, Australia Photography is Dead! Long Live Photography!, Museum of Contemporary Art, Sydney, Australia Islands, National Gallery of Australia, Canberra, Australia The Eye of the Storm, National Gallery of Modern Art, New Delhi, India Art Head Land, Festival of Darwin, Supreme Court, Darwin, N.T., Australia Spirit + Place, Museum of Contemporary Art, Sydney, Australia
1995	Australian Perspecta 1995, Art Gallery of New South Wales, Sydney, Australia Island to Island - Australia to Cheju, Cheju Pre-Biennale, Korea Asia & Oceania Influence, Ivan Dougherty Gallery, Sydney, Australia Rereading Eliza Fraser, Museum of South Australia, Adelaide, Australia Sight Seeing, Australia Post Gallery, Melbourne, Australia
1994	Moving Sands, Tandanya, Adelaide Installations, Adelaide Festival, Adelaide, Australia True Stories, Artspace, Sydney, Australia Identities: Art from Australia, Taiwan, Wollongong City Gallery, New South Wales, Australia Localities of Desire: Contemporary Art in an International World, Museum of Contemporary Art, Sydney, Australia Palindrome, Xchanges Gallery, Victoria - British Columbia, Canada Photosynthesis, Roslyn Oxley9 Gallery, Sydney, Australia
1993	Identities: Art from Australia, Taipei Fine Arts Museum, Taiwan Tracks, Old Land, Northern Territory Museum of Arts & Sciences, Darwin, Australia & Australian tour Death, Ivan Dougherty Gallery, Sydney, Australia Wiyana/Perisferia (Periphery)', satellite event of the 9th Biennale of Sydney, Boomalli Aboriginal Artists Co-operative at the Performance Space, Sydney & New South Wales tour, Australia Raka, Ian Potter Gallery, Melbourne, Australia Yanada (New Moon), Ivan Dougherty Gallery, Sydney, Australia Dream Time, Vigado Gallery, Budapest, Hungary Aratjara, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany; Hayward Gallery, London, UK; Louisiana Art Museum, Humlebæk, Denmark; National Gallery of Victoria, Melbourne, Australia Urban Aboriginal Art, Jan Weiss Gallery, New York, United States
1992	Flash Pictures, Australian National Gallery, Canberra, Australia Tyerabarrbowaryaou, Museum of Contemporary Art, Sydney, Australia Crossroads - Towards a New Reality, National Museum of Modern Art, Kyoto & National Museum of Modern Art, Tokyo, Japan New Traks, Old Land, Massachusetts College of Art, Boston & United States tour
1991	The Concept of Country, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney, Australia
1989	Australian Perspecta, Art Gallery of New South Wales, Sydney, Australia
1988	Who's Sorry Now, Institute of Modern Art, Brisbane, Australia From Pukumani Poles to Sand Paintings, Craft Centre Gallery, Sydney, Australia
1987	Aboriginal Australian Views in Print & Poster, Australian Print Council, Melbourne, Australia Boomalli Au-Go-Go, Chippendale, Sydney, Australia
1986	Urban Koories, Willoughby Workshop Arts Centre Art Bites, Piers 2 & 3 Walsh Bay, Sydney, Australia
1985	Aboriginal Artist Gallery, Melbourne, Australia Aboriginal Artist Gallery, Sydney, Australia
1984	Koorie Art 84, Artspace, Sydney, Australia; Butchers Exhibit Gallery
	PUBLIC SCULPTURE
2001-98	Winged Harvest, Australian National University, Canberra, Australia, commissioned by the Centre for Cross Cultural Research, ANU Tribute to A'vang, Parliament House, Canberra, Australia, commissioned by the Joint House Department Kung Dhu'marami - Falling Tide, Merthyr Park, New Farm River Walk, Brisbane, Australia, commissioned by the Brisbane City Council
2000	Brenden Hanson Building, Hervey Bay, Queensland, Australia, commissioned by Project Services Olympic Arts Festival, Tubowgule, set design, director Stephen Page, Sydney, Australia Queensland Arts Council, poster design, Regional Performing Tour Queensland, Australia Adelaide Arts Festival, Ochre and Dust, set design, Director Aku Kadogo, Australia
1999	Pavement Design, Queen Street Mall, Brisbane, Australia, commissioned by the Brisbane City Council, Seven circles, shields, Kauri Pine Spiral and Bunya nuts
1997	The Lie of the Land, Melbourne Town Hall, Swanston Street, Melbourne, Australia, commissioned by City of Melbourne
1996	The Australian Ballet, Alchemy, set design, director Stephen Page, Sydney Opera House, Victorian Arts Centre, Australia
1995	Edge of the Trees, Museum of Sydney, Commissioned by the Historic Houses Trust of New South Wales, Australia
1994	Adelaide Festival of the Arts Poster Design, Australia
1993	Australian Post Stamp Issue - International Year of Indigenous People (45 cent denomination)
1990	Darwin Post Office Mural, under Paddy Dhatangu's supervision, Darwin, Australia
	CURATORIAL
2004	Co-curated, Skin, Salamanca Arts Centre, Long Gallery, Tasmania, Australia
1993-94	Guest Curator, Tyerabarrbowaryaou II, Museum of Contemporary Art, 5^th Havana Biennial 1994, Cuba
1991-92	Guest curator at the Museum of Contemporary Art, Tyerbarrbowaryaou, Sydney, Australia
1991	Curator at Boomalli Aboriginal Artists Co-operative 1. Ian Abdulla & Harry Wedge 2. Kudjeri's 3. Boomalli End of Year Exhibition
	CONFERENCES
2003	Native Title Business, National Museum of Australia, Canberra, Australia International Human Rights Symposium, Centre for Public Culture and Ideas, Griffith University, Brisbane, Australia Art and Human Rights, Humanities Research Centre, Australian National University, Canberra, Australia
	LECTURES
2004	New York University, New York, United States Arizona University, Arizona, United States Columbia University, New York, United States
2003	Queensland College of Art, Griffith University, Queensland, Australia Fine Arts Department, Sydney University, Sydney, Australia
2002	On the Bunya Trail Symposium, Nathan Campus, Griffith University, Queensland, Australia Presenting Indigenous Arts, Centre for Cross Cultural Research, Australian National University, Canberra, Australia Home, Queensland University of Technology, Queensland, Australia Many Rivers to Cross, Canberra School of Art, Australian National University, Canberra, Australia Yarrabah High School, Yarrabah, Australia The Tanks, Cairns, Australia Queensland College of Art, Griffith University, Queensland, Australia
2001	University of South Florida, College of Art, Tampa, Florida, United States Columbia University, New York, United States Pinnacles Gallery, Townsville, New South Wales, Australia Queensland Art Gallery, Brisbane, Australia Griffith University, College of Art, Brisbane, Australia Queensland University of Technology, Brisbane, Australia Hervey Bay Regional Gallery, Hervey Bay, Queensland, Australia
1998	Adelaide Arts Festival Artists Week, Adelaide, Australia Griffith University, Stradbroke Island Project, Queensland, Australia University of Southern Queensland, Hervey Bay Cultural Tourism Seminar - Yagubi Festival, Queensland, Australia University of Southern Queensland, Toowoomba, Faculty of the Arts, Queensland, Australia
1996	Australian Ambassador's Residence, Santiago de Chile University of Chile, Escuela de Arte, Santiago de Chile Towards the New Millennium, Museums Australia Inc., Conference Power and Empowerment, Sydney, Australia University of Tasmania, Department of Fine Arts, Launceston, Tasmania, Australia A Blast from the Past, Queen Victoria Museum and Art Gallery, Launceston, Tasmania, Australia Northern Territory University, School of Fine Arts, Darwin, N.T., Australia Arts Symposium, Imaginary Places, Indian International Centre, New Delhi, India
1995	University of Western Sydney, Nepean Faculty of Visual and Performing Arts, Sydney, Australia Post Colonialism Eliza Fraser Workshop, Berlin, Germany Cultural Policy - State of The Art, NIAAA representative Post - Colonial Fictions Symposium, Department of Women's Studies, University of Adelaide
1994	Museums Associations of Australia - Traditional Boundaries, New Boundaries, Sydney, Australia Regional Galleries Association of New South Wales - Traditional Boundaries, New Perspective, Newcastle, Australia Minded Cultures - Contemporary Artists and Post - Colonialism in the Commonwealth, Canada Artist Talk, Localities of Desire, Museum of Contemporary Art, Sydney, Australia Sydney College of the Arts, Sculpture Department, Sydney, Australia
1993	Co- Judge - National Aboriginal Art Award, Darwin, Australia Aboriginal Printmaking Symposium - Aboriginal Issues in Print, Darwin, Australia
	SELECTED BOARD MEMBERSHIP
2002	Executive Member, Institute of Modern Art, Brisbane, Australia
1999	Regional Arts Development Fund, Hervey Bay, Queensland, Australia East Timor Support Group, Hervey Bay, Queensland, Australia
1997-1998	Yag'ubi Multicultural Festival, Hervey Bay, Queensland, Australia
1996	Exhibition Panel, Hervey Bay Regional Gallery, Queensland, Australia
1995- present	Wondunna Aboriginal Corporation, Hervey Bay, Queensland, Australia
1994-95	Board member at Artspace, Sydney, Australia
1993-97	Executive member of National Indigenous Arts Advocacy Association, Australia
1993-94	Director of Bangarra Dance Theatre, New South Wales, Australia
1992-94	Executive member of Thoorgine Educational and Culture Centre
1990-1993	Aboriginal Arts Committee of the Australia Council Visual Arts Panel of the Australia Council
1987	Founding member of Boomalli Aboriginal Artists Co-operative, Sydney, Australia
	INTERNATIONAL ARTIST EXCHANGES / HOSTED AT HERVEY BAY
1998	Kelvin Yazzie, United States (2 months)
1996	Rose Spahan, Canada (2 months)
	COLLECTIONS
	Australian National Gallery, Canberra, Australia Australian National Museum, Canberra, Australia Australian National Maritime Museum, Sydney, Australia Flinders University Collection, Adelaide, Australia Artbank, Australia Art Gallery of New South Wales, Sydney, Australia Robert Holmes a Court Collection, Australia Art Gallery of Queensland, Australia Gold Coast Art Gallery, Australia Dowling Downes Institute of Education, Australia Griffith University, Australia Art Gallery of South Australia, Australia Museum of Contemporary Art, Sydney, Australia Parliament House Collection, Canberra, Australia National Gallery of Victoria, Australia National Maritime Museum, Sydney, Australia Wollongong City Gallery, Australia Grant Samuel Collection of Contemporary Art, Sydney, Australia
	BIBLIOGRAPHY
2005	Alex McDonald, Fiona Foley & Angela Brennan, State of the Arts, www.stateart.com.au/sota/reviews/default.asp?fid=3339 Fiona Foley: Artist Profile, Nancy Doyle Fine Art, www.ndoylefineart.com/foley.html Fiona Foley, “Velvet Waters - laced flour,” http://www.nga.gov.au/Home/Frameset.cfm?View=../Menus/search.cfm Miriam Cosic, “Rage revealed in urban landscape,” The Australian, 10^th March 2004, pg 14.
2004	Emma Muhlberger, “One Square Mile: Brisbane Boundaries, Museum of Brisbane,” Eyeline #54, Winter, p. 52, 53 Margo Neale and Timothy Morell, “Who's Laughing: Humour in Indigenous Australian Photography,” Photofile, issue #72, Spring 2004, p. 54 - 57 Alison Kubler, “Brisvegas: Little city, big history - One Square Mile: Brisbane Boundaries at the Museum of Brisbane,” Art Monthly Australia #169, May 2004, p. 31 - 33
2003	Ralf-P. Seippel, “Fiona Foley,” Art Australia: Zeitigenössishe Kunst, exhibition catalogue, Seippel Verlag, Autoren und Künstler, Germany, 2003, p. 26 - 29 Kit Messham-Muir, “Tony Clark: Flowerpieces,” Eyeline # 51, Autumn - Winter, 2003, p. 60 Ruth Watson, “Indians+Cowboys:Now and here,” May 2003 Chris Chapman, “Indians+Cowboys,” Broadsheet, vol. 32, no. 3, September - November, p. 33 Benjamin Genocchio, “That's America to me,” The Australian, 8 July 2003 “Fiona Foley,” Photofile #68, April, p 34, 35 Kim Mahood, “Books: Benjamin Genocchio, “Fiona Foley: Solitaire,” Art Monthly Australia #159, May, p. 12, 13 Susan McCulloch, “Divine essentials,” The Australian, 29 March 2003, p. B29 Marsha Meskimmon, Women Making Art: History, Subjectivity, Aesthetics, Routledge, Taylor & Francis Group, London and New York, p. 171 illustrations 173, 176
2002	Ihor Holubizky, “Your Place or Mine?,” Photofile no. 67, December 2002, p. 59 Sandra McLean, “Put you in your place,” Courier Mail, September 13 2002, p. 15 Louise Martin-Chew, “Native Title Business,” (contemporary indigenous art), Eyeline #49, Spring 2002 Stuart Koop, “The Wrong Head on the Right Body,” Your Place or Mine exh. cat., Institute of Modern Art, Brisbane Sarah Schmidt, Postmark Post Mabo exh. cat., Australia Post Coutney Kidd, “Young Guns are having some fun,” State of the Arts, May - August 2002 Catriona Moore, “Photo-Documentary's Fluctuating Fortunes,” Value Added Goods: Essays on Contemporary Photography, ed. Stuart Koop, Contemporary Centre for Photography, Melbourne, 2002, p. 27 - 33 Martin Thomas, “Chequered Histories,” Meridian exh. cat., Museum of Modern Art, Sydney Courtney Kidd, Fiona Foley: Wild Times Call, Australian Art Collector, Issue 19, January - March, p. 51 Dr. Jeanette Hoorn, “Black Cockatoo: Fiona Foley on display and in hardcover,” art & Australia, vol. 39, no. 4, 2002, p. 530, 531 Wild Nature exh. cat., Jam Factory, Adelaide, p. 56
2001	Pat Hoffie, Knowing where to look, Artlink, Vol. 21 No. 4, December, p. 60 - 65 Benjamin Genocchio, Fiona Foley: Solitaire, Piper Press, Sydney, Australia Mandy Wildheart, Drawing on Silence, Townsville Bulletin, Friday February 16, p. 27 Robert Nelson, Follow the Paper Trail, The Age, Wednesday April 11, p. 6 Sue Smith, Moving Pictures: A History, The Courier Mail, Wednesday May 23 Sandra McLean, Archive Mined for Brutal History, The Courier Mail, Wednesday, August 15 The Chronicle, Foley art for Canberra, Tuesday September 4, p. 2 Australian Art Collector, For Art Not Money, Patrons, Issue 18 October - December, p. 94 Djon Mundine, Salt on Mina Mina, Art Monthly Australia, Nov., No. 145, p. 10-12 Helen McDonald, Erotic Ambiguities, The Female Nude in Art, Routledge, London, England Marion Demozay, Gatherings: Contemporary Aboriginal and Torres Strait Islander Art from Queensland Australia, Keeaira Press Queensland Art Gallery, In Focus booklet, Queensland Art Gallery Collection: Fiona Foley: Pir' ri Mangrove Peter Naumann, Echigo-Tsumari Art Triennial, Art Asia Pacific, April/May/June Mandy Wildheart, Drawing on Silence, Townsville Bulletin, 12 Feb p. 27 Robert Nelson, Follow the paper trail, The Age, Melbourne 11 April 2001 p. 6
2000	Olu Oguibe, Fiona Foley, Fresh Cream, Phaidon Press Fiona Foley, Invisible Voices, catalogue, Bundaberg Arts Centre Travelling Exhibition Realtime 35, February - March, p. 34
1999	Stuart Koop, Fiona Foley: Bare Bones, Art Asia Pacific, No. 22 Julie Ewington, Parallel worlds: two exhibitions of Indigenous women's fibre art, Art Monthly Australia, June, no. 120 Gerry Connor, “Clutter mars mall's artistry,” Friday 12 November Ilaria Vanni, “To have and to hold: Notes on an Exhibition,” Possession exh. cat., Herringbone Gallery
1998	Cat: Diane Moon, People of the Nautilus Shell, Enjoin, Cairns Regional Gallery Jo Litson, Speed Queen, The Bulletin, September 22 Susan McCulloch, Indigenous work in fine focus, The Australian, 25 September Cat: Noel Tovey, Dreaming the Republic, Newcastle Region Art Gallery Fiona Foley, A Blast from the Past, Network News, edn. 3
1997	Chris Healy, From the Ruins of Colonialism - History as Social Memory, Cambridge Stuart Honeysett, Bateman's beads for land carved in stone, The Australian, Tuesday May 20, p. 7 Sasha Baskett, Art's exchange of opinions, Herald Sun, May 20, p. 7 Queensland Arts Council, Branching Out, June, Volume 1. No. 1, p. 17 Fiona Foley, A Blast From the Past, Periphery, No. 31, May “The Hotseat: A Question for Fiona Foley,” The Age, 27 May, Melbourne, p. C2 Cat: Kate Davidson, Fiona Foley: Land Deal, In Place (Out of Time) Contemporary Art in Australia, Museum of Modern Art Oxford Benjamin Genocchio, Postcards from the Edge, Third Text, 39 Summer Adam Geczy, No Actual Basis, Art Monthly Australia, September, No.103 Cat: Diane Moon, People of the Nautilus Shell, Hervey Bay Regional Gallery Cat: Stuart Koop, Sense (Fiona Foley - Half Moon), Centre for Contemporary Photography, Melbourne, Whanki Museum (Seoul-Korea) Joy Murphy, The Lie of the Land, Artlink, vol. 17 no. 3
1996	Julie Ewington, Island to Island - Australia to Cheju exh. cat., Cheju Pre-Biennale, Korea Joan Kerr, Colonial Quotations, Art and Australia, Vol. 33, No.3, pp. 376-387 Kate Davidson, Michael Desmond, Islands: Contemporary Installations (cat), National Gallery of Australia, pp. 9-12 Daniel Clinch, Bridging Gaps Through Aboriginal Art, Bolivian Times, Thursday July 25, p. 17 Contemporary Australian Women 1996/97, Reed Reference Australia Colonial Post-Colonial MOMA at Heide, The Age, 12 June, p. 17 Fiona Foley, Where the Salt Water meets the Fresh Water, Periphery, Issue 27, May Anna Voigt, New Visions, New Perspectives - Voices of Contemporary Australian Women Artists, Craftsman House Valerie Lawson, Mania's Swansong, The Sydney Morning Herald, September 4 Giles Auty, Isolated Ideas, The Weekend Australian - Review, Aug 31 - Sept. 1 Michele Field, Building art ties to India, Sydney Morning Herald, November 4, p. 17 Fiona Foley, Traditional Boundaries, New Perspectives, Curatorship: Indigenous perspectives in Post-Colonial Societies, University of Victoria B.C. Canada and the Commonwealth Association of Museums
1995	Natalie King, “Hothouse Varieties,” Art and Asia-Pacific, pp. 27-29 Fiona Foley, “A Blast from the Past,” The Olive Pink Society Bulletin, vol. 7 ( 1 & 2), Anthropology, Race, Gender Deborah Ely, The Black Bastard as Cultural Icon, Art Monthly Australia Sue Smith, Galleries, The Courier Mail, October 14 John Morrissey, The Museum of Sydney on the Site of First Government House, Monument, issue 9, pp.54-55 Martin Thomas, 1995 Perspecta (catalogue), Art Gallery of New South Wales Kay Schaffer, Fiona Foley's Art: New Perspectives, New Departures, In The Wake of First Contact, Cambridge University Press, pp. 245-257 Olu Oguibe, Medium and Memory in the Art Of Fiona Foley, Third Text, No. 33, 1995-96 Kelvin Bissett, “Historical Snapshot houses more than a fleeting glimpse,” Daily Telegraph- Mirror, Saturday 28 January, p. 13
1994	Cat: Adelaide Installations, Art and Australia Quarterly Journal, pp. 2-9 ”Fiona Foley: Reasserting Cultural Independence”, Seeing Australia, Piper Press, pp. 126 - 129 Fiona Foley, Traditional Boundaries; New Perspectives, Periphery, No.18, February Dr David Horton (general ed.), The Encyclopaedia of Aboriginal Australia, A-L, Aboriginal Studies Press, Canberra Felicity Fenner, Signals sent to Havana, The Sydney Morning Herald, 29 July
1993	Martin Thomas, “Fiona Foley,” Identities: Art from Australia exh. cat., Taipei Fine Arts Museum, Taiwan, pp. 69-71 C. Heathcote, Visions of Black Australia, The Age, Friday 25 June R. Rooney, Urban Kooris come dotted with tradition, The Australian - Weekend Review, May 29-30 Cat: Dream Time, Ausztral Aboriginal Kortars Muveszeti Kiallitas, Vigado Galeria, Budapest Cat: M. O'Ferrall, # Crossroads - Towards a New Reality: Aboriginal Art from Australia, Travelling Exhibition; Kyoto, Tokyo Mythscapes, The Economist, July 31, p. 82 Martin Thomas, Lick My Black Art, (catalogue), Australian Centre for Contemporary Art, Melbourne Wally Caruana, Artists in the Town and City, Aboriginal Art, Thames and Hudson
1992	Susan Cochrane Simons, The Black Side of Our History, The Sydney Morning Herald, March B. Watson, Images from the lost island, The Sydney Morning Herald, Friday, 16 Oct Catriona Moore, Fiona Foley Interviewed by Catriona Moore, May, Dissonance - Feminism and The Arts 1970 - 90, Allen and Unwin / Artspace, pp. 205-212
1991	Wally Caruana, “Where we come from, where we are, where we are going,” The Concept of Country exh. cat., Ivan Dougherty Gallery, University of New South Wales, Sydney Rev: Concept of Country, Artlink, Vol. 11, No. 1 & 2, p. 88 J. Saurin, Aboriginal Spirit and “look”, The Sydney Morning Herald, date unknown R. Crumlin & A. Knight, Aboriginal Art and Spirituality, Collins Dove Publishers M. Thomas, Aborigines Restore Engagement to Art, The Sydney Morning Herald, June C. France, Black-and-White studies in Green reveal an inner discourse, The Sydney Morning Herald Lynette Fern, Sculptural Renaissance, The Sydney Morning Herald, June
1990	D. Losche, Paraculture, Art & Text, No. 36, May
1989	J. Isaacs, Aboriginality: Contemporary Aboriginal Paintings & Prints, University of Queensland Press, Brisbane D. Mundine, Drawing on Black Reality, a Myriad of Dreaming - Twentieth Century Aboriginal Art, Lauraine Diggins Fine Art, Melbourne
1988	E. Lynn, Pervading Pessimism, The Weekend Australian, August 27-28