John Firth-Smith
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Born 1943 Melbourne |
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1945-52 |
Lived in New Zealand |
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1961 |
Studied National Art School, Sydney |
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1971 |
Visited Northern Europe and worked in New York, USA |
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1982 |
Visited USA, worked in New York |
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1983 |
Artist in Residence, Melbourne University |
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1985 |
Samoa |
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1989 |
Visited northern Europe lived and worked in New York. |
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1991 |
Tutor, International Art Workshop, Omaru, New Zealand |
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1992-93 |
Travels to West Africa, Paris and New York |
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2000 |
Travels to Easter Island, Mexico & Egypt |
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2003 |
Travels Fiji Islands |
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2006 |
“The New York Works, A Survey”, Embassy of Australia, Washington DC |
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2005 |
Roslyn Oxley9 Gallery, Sydney |
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2003 |
Roslyn Oxley9 Gallery, Sydney |
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2002 |
Lister Calder Gallery, Western Australia |
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2001 |
Roslyn Oxley9 Gallery, Sydney |
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1999 |
“John Firth-Smith: A Voyage that Never Ends” (book launch and exhibition), |
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1998 |
Roslyn OxIey9 Gallery, Sydney |
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1996 |
Roslyn Oxley9 Gallery, Sydney |
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1994 |
Roslyn Oxley9 Gallery, Sydney |
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1993 |
Roslyn OxIey9 Gallery, Sydney |
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1992 |
“Work on Paper: 1982-1992,” Roslyn Oxley9 Gallery, Sydney |
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1990 |
Roslyn Oxley9 Gallery, Sydney |
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1988 |
Roslyn Oxley9 Gallery, Sydney |
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1987 |
Gallery 52, Perth |
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1986 |
Powell St Gallery, Melbourne |
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1984 |
“Inspiration and Reality,” University of Melbourne |
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1983 |
Gallery 52, Perth, Western Australia |
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1982 |
“Works from New York,” Axion Gallery, Melbourne |
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1981 |
Gallery A, Sydney |
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1979 |
Gallery A, Sydney |
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1978 |
Bonython Art Gallery, Adelaide |
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1977 |
Gallery A, Sydney |
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1976 |
Ray Hughes Gallery, Brisbane |
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1975 |
Gallery A, Sydney |
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1973 |
Gallery A, Sydney |
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1972 |
Gallery A, Sydney |
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1970 |
Gallery A, Sydney |
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1969 |
Gallery A, Sydney and Melbourne |
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1966 |
Gallery A, Sydney and Melbourne |
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2008 |
“Harbourlife, Sydney Harbour from the 1940s to recent times”, Macquarie University Art Gallery, Sydney, curated by Gavin Wilson |
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2006 |
“Stolen Ritual”, Roslyn Oxley9 Gallery, Sydney |
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2005 |
“Fireworks,” Mackay Artspace touring exhibition, New South Wales, Queensland, and Victorian regional galleries “Landscape Now,” Solander Gallery, Canberra “Hill End Scenes, People or Objects,” Inaugural Exhibition, NPWS Gallery, Hill End |
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2004 |
“Spectrum 2004,” FONAS, National Art School, Sydney |
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2003 |
“The Year in Art,” S.H. Ervin Gallery, Sydney “Australian Masters,” Solander Gallery, Canberra “Beneath the Monsoon,” Touring Regional Galleries, Queensland |
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2002 |
“Fifty Years of Abstraction,” Metro 5 Gallery, Melbourne “Points of View,” University of Technology Sydney Art Collection, UTS, Sydney “The First 20 Years,” Roslyn Oxley9 Gallery, Sydney |
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2001 |
“MCA Unpacked” Museum of Contemporary Art, Sydney |
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1999 |
“Silver,” Ivan Dougherty Gallery, Sydney |
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1998 |
“Escape Artists: Modernists in the Tropics,” Cairns Regional Gallery & travelling, QLD, NSW and VIC Australian Printmaking in the 1990's: Artist printmakers 1990-95, (exhibition and Sasha Grishin book launch), Sherman Galleries, Sydney |
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1997 |
“Swingtime Eastcoast- Westcoast: Works from the I 960s-70s in the University of Western Australia Art Collection,” University of WA, Perth |
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1995 |
“The Artists of Hill End”, Art Gallery of New South Wales & travelling New South Wales |
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1994 |
“Modern Australian Paintings,” Charles Nodrum Gallery, Melbourne |
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1992 |
“Australian Masters”, Solander Gallery, Canberra “Works on Paper”, R.M.I.T., Mebourne |
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1987 |
“Surface for Reflection”, Art Gallery of New South Wales & travelling NSW |
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1986 |
“A Resistant Spirit”, Roslyn OxIey9 Gallery, Sydney & Realities Gallery, Melbourne |
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1984 |
“New Work”, Powell Street Gallery |
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1983 |
“Abstract Art in Australia”, R.M.I.T. Gallery Melbourne |
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1982 |
`Sydney Harbour Bridge 1932-1 982', Art Gallery of New South Wales |
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1981 |
`LIS `81', International Exhibition of Drawings, Lisbon Portugal `Survey 16' National Gallery of Victoria; and at Penrith Art Gallery and Lewers Bequest Museum, Penrith, New South Wales |
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1980 |
Summer Exhibition, Gallery A, Sydney |
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1979 |
`LIS `79', International Exhibition of Drawings, Lisbon & Opporto, Portugal |
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1978 |
`Contemporary Australian Art to Indonesia - Landscape and Image `Water Works', Ivan Dougherty Gallery, Alexander Mackie College of Advanced Education, Sydney |
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1977 |
Group Show, Gallery A, Sydney |
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1976 |
Included `Artists Films', touring Europe and USA |
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1975 |
Joint exhibition with Tony Tuckson, Monash University, Melbourne |
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1974 |
Included `Artists Films', Art Gallery of New South Wales |
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1973 |
Invited Biennale de Paris, France |
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1972 |
Included in `Twenty Years of Australian Painting', London, UK Group Exhibition with Michael Johnson and Andrew NoIt, Gallery A, Sydney Invited Georges Prize, Melbourne |
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1970 |
Invited First Leasing Prize, Melbourne |
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1969 |
“Japanese Forum Exhibition”, Tokyo, Japan |
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1968 |
`Group 2', Gallery A, Sydney and Melbourne |
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1967 |
`New Generation Sydney', Gallery A, Melbourne |
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1966 |
Invited Helena Rubenstein Travelling Scholarship `Survey 6', Blaxland Gallery, Sydney |
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1965 |
`Survey 5', Blaxland Gallery, Sydney |
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1964 |
`Survey 4', Blaxland Gallery, Sydney |
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1963 |
Joint Exhibition with Ian Van Wieringen, Hungry Horse Gallery, Sydney |
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1962 |
Joint exhibition with Ian Van Wieringen, Clune Galleries, Sydney |
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ALCOA Pty Ltd, USA
TownsvilIe City Gallery, Queensland |
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BIBLIOGRAPHY |
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2006 |
Anita Angel, John Firth-Smith: From Here to There, Press 8, Surry Hills, Sydney |
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2005 |
Sunanda Creagh, “Open Gallery: John Firth-Smith,” Sydney Morning Herald (Spectrum: Visual Arts), July 30-31, p. 29 John McDonald, “Opposites Impact,” Sydney Morning Herald (Spectrum: Visual Arts), July 9-10, p. 28 - 29 Amanda Rowell, “John Firth-Smith: Expanded Horizon”, exh. cat., Roslyn Oxley9 Gallery, Sydney |
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2003 |
Jacki Roberts, “World renowned artists on show at new Hill End Gallery”, http://www3.environment.nsw.gov.au Amanda Hooton, “Two of Us: John Firth-Smith and Danelle Bergstrom,” (interviewed), Good Weekend, Sydney Morning Herald Magazine, August 2, 2003, p. 14 Mirjana Kos-Noskovic, “Maritime Painting and Meaning in the Abstract Work of John Firth-Smith,” dissertation, University of New South Wales, Sydney |
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2002 |
Points of View (exh. cat.), University of Technology Sydney Art Collection, UTS, Sydney, p. 52,53 Anna Gray, Australian Art in the National Gallery of Australia, National Gallery of Australia, Canberra |
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2001 |
Clara Mason, “Introduction,” Seawrack & Seaspawn: Scripts and Contextualisation for Bloomsday in Melbourne, Bloomsday in Melbourne Inc. Committee, Port Melbourne, Victoria Barry Pearce, et al., Australian Art in the Art Gallery of New South Wales, Art Gallery of New South Wales, Sydney |
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2000 |
Australian Painting Now eds. Laura Murray Cree and Nevill Drury, Craftsman House, Sydney |
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1999 |
Gavin Wilson, John Firth-Smith: A Voyage that Never Ends, monograph, Fine Arts Press, Sydney
Gavin Wilson, Escape Artists: Modernists in the Tropics (exh. cat.), Cairns Regional Gallery, Queensland |
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1998 |
John McDonald, “Painting dead? The picture's not so bleak,” The Sydney Morning Herald, |
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1997 |
Sasha Grishin, Australian Printmaking in the 1990's: Artist printmakers 1990-95, Craftsman House John Firth-Smith, “A pitch black sea for me,” The Sydney Morning Herald, January 20 |
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1996 |
John McDonald, “Becoming what one is,” Sydney Morning Herald, p 12, October 26 |
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1995 |
Gavin Wilson, The Artists of Hill End, Beagle Press and Art Gallery of New South Wales, Sydney |
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1994 |
Terence Maloon, “A Matter of Metamorphosis,” Art and Australia, Vol. 31, No. 3, p 366 - 371, Illustrated |
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1993 |
Elwyn Lynn, “Primitive cool hints at maze of the mind,” The Weekend Australian, Aug 21-22 |
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1990 |
Elwyn Lynn, “Feeling abstracted from form and colour,” The Weekend Australian, Oct 13 -14 |
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1989 |
John McDonald, “Pattern Play,” Vogue Living, February, Illustrated |
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1988 |
Elwyn Lynn, “From the sublime to the meticulous,” The Weekend Australian, Sept 17-18, p 12 |
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1984 |
James F. Walker, “Australia”, Artscribe, January, Illustrated p34-35 and Text |
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1983 |
Christopher Coventry (curator), The Wrong Place: Five Sydney Painters, University of Tasmania, Catalogue Notes and Illustration, p. 4 |
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1982 |
Lilian Wood (ed), Directory of Australian Painters, Notes and Illustration, p. 15 The Seventies, National Bank Collection Catalogue, Illustration and Notes, p. 51 |
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1981 |
Paul McGillick - Exhibition Catalogue Introduction, Gallery A Exhibition, Illustrated |
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1980 |
Kim Bonython, Modern Australian Painting 1975-1980, Rigby Ltd., Adelaide, Illustrated p. 37 |
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1979 |
Aspect - Interview, Vol 4, No. 3, Illustrated |
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1976 |
Kim Bonython, Modern Australian Painting 19 70-1975, Rigby, Adelaide |
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1975 |
Patrick McCaughey, Tuckson, Firth-Smith, Monash University Catalogue, Illustrated |
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1974 |
Janine Burke, Art and Australia, Vol 12, pp. 72-81 |
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1970 |
Kim Bonython, Modern Australian Painting 1960-1970, Rigby, Adelaide |
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1969 |
Mervyn Horton, Present Day Art in Australia, Ure Smith, Sydney |
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1968 |
Alan McCulloch, Encyclopaedia of Australia Art, Hutchinson & Co., London |
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1967 |
`Young Australian Artists,' Chance Magazine, No. 4 |
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1964 |
Daniel Thomas, `Young Painters in Australia,' Hemisphere, April |
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1978 |
Sydney Morning Herald Art Prize Civic Permanent Art Award, Canberra Broken Hill Art Prize |
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1977 |
Bathurst Art Prize Dalby Art Prize Capital Permanent Award, Geelong Art Gallery |
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1975 |
McCaughey Memorial Prize, Melbourne |
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1974 |
Townsville Art Prize (Purchase) |
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1972 |
Grafton Art Prize (Purchase) Georges Art Prize (Purchase) |
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1968 |
Young Contemporaries Royal Easter Show - Modern |
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1964 |
Young Contemporaries `B'Section Mirror-Waratah Under 22 Years Contemporary |
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1963 |
Young Contemporaries `B'Section |
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1962 |
Mirror-Waratah Under 22 Years Contemporary |
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2000 |
Macquarie Apartments, Sydney, designed by Renzo Piano, painting |
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1998 |
Deutsche Bank, Australia Square, Sydney, painting |
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1997 |
Landmark Hotel, Kings Cross, Sydney, painting |
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1993 |
Governor Phillip Tower, Sydney, designed by Denton Corker Marshall, commissioned by DCM Design for Sumitomo Tenancy, painting |
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1992 |
ANA Hotel foyer, Sydney |
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1988 |
State Bank, Sydney, painting |
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1987 |
New Parliament House Tapestry design, Canberra |
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1981 |
Mural, 6 x 6Cm, commissioned by l.M. Pei for ANZ Bank Head Office, Collins Street, Melbourne. Building designed by I.M. Pei. Tapestry of “Key”, commissioned by |
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1980 |
National Capital Permanent Development Commission for Family Law Courts, Canberra |
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1973 |
“From Here to There” 16mm, Black & White |
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1980 |
“The Big Painter”, Film about ANZ Bank Commission, Melbourne, 30 mins |
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1975 |
Target, A.B.C., John Firth-Smith, 20 mins |
